Yamaha DGX-203 - User Manual

Yamaha DGX-203

Yamaha DGX-203 Synthesizer – User Manual, read for free online in PDF format. We hope this helps you resolve any issues you may have. If you have further questions, please contact us through the contact form.

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Table of Contents:

  • Page 2 – PLEASE KEEP THIS MANUAL; SPECIFICATIONS SUBJECT TO CHANGE:; SPECIAL MESSAGE SECTION
  • Page 4 – èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà; ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà; * ëÓı‡ÌËÚ ̋ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ̃ÚÓ· ̊ Ó·‡ ̆‡Ú ̧Òfl Í ÌÂÏÛ ‚ ‰‡Î ̧ÌÂÈ ̄ÂÏ.; èêÖÑìèêÖÜÑÖçàÖ
  • Page 5 – ëÓı‡ÌÂÌËÂ Ë ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ ̊ı; åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË
  • Page 6 – GM System Level 1; 삉ÓÏÎÂÌË ӷ ‡‚ÚÓÒÍËı Ô‡‚‡ı
  • Page 7 – èË·„‡ÂÏ ̊È ÍÓÏÔ‡ÍÚ-‰ËÒÍ; ÛÔÓ ̆‡ ̨ ̆ ӷÏÂÌ ‰‡ÌÌ ̊ÏË ÏÂÊ‰Û ÍÓÏÔ ̧ ̨ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ.; èË̇‰ÎÂÊÌÓÒÚË, ‚ıÓ‰fl ̆Ë ‚ ÔÓÒÚ‡‚ÍÛ; è ̨ÔËÚ
  • Page 8 – Excellen; à„‡ÈÚ ӉÌÓ‚ÂÏËÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎÂÈ; PopBossa
  • Page 9 – ëÓ‰ÂʇÌËÂ
  • Page 10 – ìÒÚ‡Ìӂ͇; èêÖÜÑÖ óÖå ‚ÍÎ ̨ ̃‡Ú ̧ ÔËÚ‡ÌËÂ, ‚ ̊ÔÓÎÌËÚ ÒÎÂ‰Û ̨ ̆Ë ‰ÂÈÒÚ‚Ëfl.; ĉ‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇; èÓ‰ÍÎ ̨ ̃ËÚ ‡‰‡ÔÚÂ Í ̋ÎÂÍÚÓÒÂÚË.; àÒÔÓÎ ̧ÁÓ‚‡ÌË ·‡Ú‡ÂÈ; á‡ÍÓÈÚÂ Ë Á‡ ̆ÂÎÍÌËÚ Í ̊ ̄ÍÛ ÓÚÒÂ͇.; í·ӂ‡ÌËfl Í ̋ÎÂÍÚÓÔËÚ‡ÌË ̨
  • Page 11 – ÇÒ ÌÂÓ·ıÓ‰ËÏ ̊ ÔÓ‰ÍÎ ̨ ̃ÂÌËfl ÒΉÛÂÚ ‚ ̊ÔÓÎÌËÚ ̧ Ñé ‚ÍÎ ̨ ̃ÂÌËfl ÔËÚ‡ÌËfl.; èÓ‰ÍÎ ̨ ̃ÂÌËÂ Ì‡Û ̄ÌËÍÓ‚; ÇÍÎ ̨ ̃ÂÌË ÔËÚ‡ÌËfl
  • Page 12 – è‡ÌÂÎ ̧ ÛÔ‡‚ÎÂÌËfl Ë ‡Á ̇ÂÏ ̊; GrandPno
  • Page 13 – è‰Ìflfl Ô‡ÌÂÎ ̧
  • Page 14 – ì ̃ËÏÒfl Ë„‡Ú ̧ ̇ ÙÓÚÂÔˇÌÓ; à„‡ Ó·ÂËÏË Û͇ÏË; DontKnow; Twinkle
  • Page 15 – ç‡ ̃ÌËÚ ˄‡Ú ̧ ̇ Í·‚ˇÚÛÂ.
  • Page 16 – — ëÂÍÂÚ ÚÂıÌÓÎÓ„ËË performance assistant —; ä‡Í ËÁ ÒÎÛ ̃‡ÈÌ ̊ı ÌÓÚ ÒÓÁ‰‡ÂÚÒfl ÏÛÁ ͇̊; èÂÒÌË, ËÒÔÓÎ ̧ÁÛÂÏ ̊Â Ò ÚÂıÌÓÎÓ„ËÂÈ performance assistant; íÂıÌÓÎÓ„Ëfl
  • Page 17 – éÚÓ·‡ÊÂÌË ‰ÓÎÂÈ Ì‡ ͇̋ÌÂ; ëÚÂÎÍË Ì‡ ̋Í‡Ì ‰ÓÎÂÈ ÏË„‡ ̨Ú ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÚÏÓÏ ÔÂÒÌË ËÎË ÒÚËÎfl.; Tempo; ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË
  • Page 18 – èÓÔÓ·ÛÈÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‡ÁÌ ̊ ÚÂÏ· ̊; èÓË„‡ÈÚ ̇ Í·‚ˇÚÛÂ.; èÓÔÓ·ÛÈÚ ‚ ̊·‡Ú ̧ Ë ÔÓË„‡Ú ̧ ‡ÁÌ ̊ ÚÂÏ· ̊.; Ç ̊·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ – MAIN; Flute
  • Page 19 – à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·‡ÏË – DUAL; Marimba; Vibes
  • Page 20 – èÓÔÓ·ÛÈÚ ‚ ̊·‡Ú ̧ Ë ÔÓË„‡Ú ̧ ‡ÁÌ ̊ ‚ÚÓ ̊ ÚÂÏ· ̊.; ç‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ÒÂÍÛ̉ ̊ ÍÌÓÔÍÛ [FUNCTION] ‰ÓÎ ̧ ̄ ÒÂÍÛ̉ ̊.; à„‡ ‚ ‡ÁÌ ̊ı ÚÂÏ·‡ı Ô‡‚ÓÈ Ë Î‚ÓÈ Û͇ÏË – SPLIT; FngrBass
  • Page 21 – èÓÔÓ·ÛÈÚ ‚ ̊·‡Ú ̧ Ë ÔÓË„‡Ú ̧ ‡ÁÌ ̊ ÌËÊÌË ÚÂÏ· ̊.; Folk Gtr
  • Page 22 – ÑÎfl Ó· ̊ ̃ÌÓÈ Ë„ ̊ ̇ ÙÓÚÂÔˇÌÓ ‰ÓÒÚ‡ÚÓ ̃ÌÓ Ì‡Ê‡Ú ̧ Ó‰ÌÛ ÍÌÓÔÍÛ.; óÛ‚ÒÚ‚ËÚÂÎ ̧ÌÓÒÚ ̧ Í ÒËΠ̇ʇÚËfl
  • Page 23 – ᇷ‡‚Ì ̊ Á‚ÛÍË; èӈ‰ۇ ‚ ̊·Ó‡ ̇·Ó‡ ÚÂÏ·Ó‚ Û‰‡Ì ̊ı; ë ÔÓÏÓ ̆ ̧ ̨ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl ‚ ̊·ÂËÚ “115; èӈ‰ۇ ‚ ̊·Ó‡ Á‚ÛÍÓ‚ ̊ı ̋ÙÙÂÍÚÓ‚; àÒÔÓÎ ̧ÁÛfl ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl, ‚ ̊·ÂËÚ ̇·Ó “126; SFX Kit2; èÓÔÓ·ÛÈÚ Á‚Û ̃‡ÌË ͇ʉÓÈ Í·‚Ë ̄Ë Ë Ì‡Ò·‰ËÚÂÒ ̧ Á‚ÛÍÓ‚ ̊ÏË; ç‡·Ó ̊ ÚÂÏ·Ó‚ Û‰‡Ì ̊ı ËÌÒÚÛÏÂÌÚÓ‚
  • Page 24 – êËÚÏ ÒÚËÎfl ·Û‰ÂÚ ÓÒÚ‡ÌÓ‚ÎÂÌ.; à„‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – STYLE; BtModrn
  • Page 25 – ç‡ ̋Í‡Ì ÔÓfl‚ËÚÒfl ̇‰ÔËÒ ̧ “INTRO; ÖÒÎË ÂÊËÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ÍÎ ̨ ̃ÂÌ ...; INTRO≥B
  • Page 26 – èÓÔÓ·ÛÈÚ ÔÓ‰ ̊„‡Ú ̧ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÏÛ ÒÚËÎ ̨.; ENDING
  • Page 27 – Ç ̊·ÂËÚ ÚËÔ „‡ÏÓÌËÁ‡ˆËË.; ç‡ ̃ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.; Trio; Block
  • Page 28 – ëÔÓÒÓ· ̊ Á‡ÔÛÒ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl; ç‡ ̃‡ÎÓ Ë„ ̊ ‡ÍÍÓ‰‡ÏË; ëÔÓÒÓ· ̊ Á‡ÔÛÒ͇ Ë ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl
  • Page 29 – á‡ÔÛÒÍ ÍÌÓÔÍÓÈ Tap; ëÔÓÒÓ· ̊ ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl; çÂωÎÂÌ̇fl ÓÒÚ‡Ìӂ͇; àÁÏÂÌÂÌË ÚÂÏ·‡
  • Page 30 – àÒÔÓÎ ̧ÁÓ‚‡ÌË ÔÂÒÂÌ; èÓ‰ ÚÂÏËÌÓÏ; èÖëçü; ÔÓÌËχÂÚÒfl Ù‡ÈÎ Ò ‰‡ÌÌ ̊ÏË, ‚ÍÎ ̨ ̃‡ ̨ ̆ËÏË Í‡Í ÏÂÎÓ‰Ë ̨,; Ç ̊·Ó Ë ÔÓÒÎÛ ̄Ë‚‡ÌË ÔÂÒÂÌ
  • Page 31 – ä‡Ú„ÓËË ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ; íËÔ ̊ ÔÂÒÂÌ
  • Page 32 – Ç ̊·ÂËÚ ÔÂÒÌ ̨ ‰Îfl ÛÓ͇; ç‡·Ó Ó·Û ̃‡ ̨ ̆Ëı Ò‰ÒÚ‚ Yamaha Education Suite 4; ÂÌËÂ), Ë ‰‡Ê ‰ÓÔÛÒ͇ÂÚÒfl Ë„‡Ú ̧ ÌÂÔ‡‚ËÎ ̧Ì ̊ ÌÓÚ ̊. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡Ï‰; Ç ̊·ÂËÚ ÔÂÒÌ ̨ ‰Îfl ÛÓ͇.; Londonde
  • Page 33 – Waiting
  • Page 34 – èÓÒÏÓÚËÏ, ̃ÚÓ Û ‚‡Ò ÔÓÎÛ ̃ËÎÓÒ ̧; ëÔ‡‚Ë‚ ̄ËÒ ̧ Ò ìÓÍÓÏ 1, ÔÂÂıÓ‰ËÚÂ Í ìÓÍÛ 2.; Excellent; YourTemp
  • Page 35 – MinusOne; èÓ‚ÚÓÂÌË – Ï‡Ú ̧ Û ̃ÂÌËfl: ÙÛÌ͈Ëfl “Repeat and Learn”
  • Page 36 – àÁÏÂÌËÚ ÒÚËÎ ̧ ÔÂÒÌË; îÛÌ͈Ëfl Easy Song Arranger; Riversid; PopShf 1
  • Page 37 – Ç‡ ̆‡ÈÚ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl, ÔÓ͇ Ì ·Û‰ÂÚ ‚ ̊·‡Ì ÌÛÊÌ ̊È ÚÂÏ·.; TchPolis; MELODY V
  • Page 38 – á‡ÔË ̄ËÚ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌËÂ; á‡ÔËÒ ̊‚‡ÂÏ ̊ ‰‡ÌÌ ̊Â; ÓÔ‰ÂÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÏÛ ̨ ‚ ‰‡Î ̧ÌÂÈ ̄ÂÏ Ô‡ÚË ̨.; äÓÌÙ˄ۇˆËfl ‰ÓÓÊÍË
  • Page 39 – á‡ÔË ̄ËÚ ‰ÓÓÊÍÛ ÏÂÎÓ‰ËË Ë ‰ÓÓÊÍÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ; èӈ‰ۇ Á‡ÔËÒË; rEC
  • Page 40 – ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl; èÂÒÌË ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÚÓ ̃ÌÓ Ú‡Í ÊÂ, Í‡Í Ë Ó· ̊ ̃Ì ̊Â; á‡ÔËÒ ̧ ‰Û„Ëı ‰ÓÓÊÂÍ
  • Page 41 – ç‡ ̋Í‡Ì ÔÓfl‚ËÚÒfl ÔÓ‰Ú‚Âʉ‡ ̨ ̆ ÒÓÓ· ̆ÂÌËÂ.; îÛÌ͈Ëfl Song Clear – Û‰‡ÎÂÌË ÔÂÒÌË ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl; ClrUser1; îÛÌ͈Ëfl Track Clear – Û‰‡ÎÂÌË ‰ÓÓÊÍË ‚ ÔÂÒÌ ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl; YES
  • Page 42 – 쉇ÎÂÌË ‰‡ÌÌ ̊ı ÂÁ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl; ÔÂÒÌË ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl (ÒÚ. 39) – ‚ÍÎ ̨ ̃ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓ; 臇ÏÂÚ ̊ ÂÁ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl; êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ; àÌˈˇÎËÁ‡ˆËfl
  • Page 43 – éÒÌÓ‚Ì ̊ ÓÔ‡ˆËË Ë Ó·ÓÁ̇ ̃ÂÌËfl ̇ ͇̋ÌÂ; éÒÌÓ‚Ì ̊ ÓÔ‡ˆËË; ç‡ÊÏËÚ ÍÌÓÔÍÛ ‰Îfl ‚ ̊·Ó‡ ÓÒÌÓ‚ÌÓÈ ÙÛÌ͈ËË.
  • Page 44 – ë ÔÓÏÓ ̆ ̧ ̨ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl ‚ ̊·ÂËÚ ̋ÎÂÏÂÌÚ ËÎË Á̇ ̃ÂÌËÂ.; ÖÒÎË ‚ ̊ ‚ ̊·Ë‡ÂÚ ÓÒÌÓ‚ÌÛ ̨ ÙÛÌÍˆË ̨, ÚÓ Ì‡ ̋Í‡Ì ÓÚÓ·‡Ê‡ÂÚÒfl ̋ÎÂÏÂÌÚ, ÒÓÓÚ‚ÂÚÒÚ‚Û ̨ ̆ËÈ; àÁÏÂÌÂÌË Á̇ ̃ÂÌËÈ; SweetFlt
  • Page 45 – ùÎÂÏÂÌÚ ̊ ͇̋̇
  • Page 46 – ì‰Ó·Ì ̊ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl; àÒÔÓÎ ̧ÁÛfl ÍÌÓÔÍË CATEGORY [; ÑÓ·‡‚ÎÂÌË ‚·‡ˆËË; StyleVol
  • Page 47 – óÚÓ· ̊ ÔÓ‚ÂËÚ ̧, Í‡Í Á‚Û ̃ËÚ ‚ ̊·‡ÌÌ ̊È ÚËÔ; ç‡ÒÚÓÈ͇ ÛÓ‚Ìfl ̋ÙÙÂÍÚ‡ Chorus.; ìÓ‚ÂÌ ̧ ̋ÙÙÂÍÚ‡ Chorus; ÑÓ·‡‚ÎÂÌË ̋ÙÙÂÍÚ‡ Chorus; Chorus1
  • Page 48 – ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏÂÚÓÌÓχ; åÂÚÓÌÓÏ; MtrVol
  • Page 49 – ç‡ÒÚÓÈ͇ “‚ Ó‰ÌÓ Í‡Ò‡ÌË”; SweetSpr
  • Page 50 – ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡; HarmVol; 臇ÏÂÚ Panel Sustain
  • Page 51 – àÁ̇ ̃‡Î ̧ÌÓ ÚÓ ̃ÍÓÈ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ ̊ ÔÓ ÛÏÓÎ ̃‡ÌË ̨ ÒÎÛÊËÚ Í·‚Ë ̄‡ ÌÓÏÂ 54 (Í·‚Ë ̄‡ F; ìÒÚ‡Ìӂ͇ ÚÓ ̃ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ ̊ (Split Point); SplitPnt; ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓÎ ̧ÍÓ ËÚχ ÒÚËÎfl
  • Page 52 – ÖÒÎË Ë„‡Ú ̧ ‡ÍÍÓ‰ ̊ ‚ ΂ÓÈ ̃‡ÒÚË Í·‚ˇÚÛ ̊ (ӷ·ÒÚ ̧ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡), ÍÓ„‰‡ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂ; ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÒÚËÎfl
  • Page 53 – èÓÒÚ ̊ ‡ÍÍÓ‰ ̊; èÓË„ ̊‚‡ÌË ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
  • Page 54 – ê‡ÒÔÓÁ̇‚‡ÂÏ ̊ Òڇ̉‡ÚÌ ̊ ‡ÍÍÓ‰ ̊
  • Page 55 – ä‡Í ÔÓÒÏÓÚÂÚ ̧ ‡ÍÍÓ‰ ̊ ‚ ÒÎÓ‚‡Â ‡ÍÍÓ‰Ó‚
  • Page 56 – éÒÌÓ‚Ì ̊ ҂‰ÂÌËfl Ó· ‡ÍÍÓ‰‡ı; ä‡Í ̃ËÚ‡Ú ̧ ̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚; çÂÍÓÚÓ ̊ ÚËÔ ̊ ‡ÍÍÓ‰Ó‚
  • Page 57 – ç‡ÒÚÓÈÍË ÔÂÒÌË; SongVol; èË„ÎÛ ̄ÂÌË ÌÂÁ‡‚ËÒËÏ ̊ı ̃‡ÒÚÂÈ ÔÂÒÌË
  • Page 58 – á̇ ̃ËÚÂÎ ̧ÌÓ ËÁÏÂÌÂÌË ‚ ̊ÒÓÚ ̊ Á‚Û͇; çÂÁ̇ ̃ËÚÂÎ ̧ÌÓ ËÁÏÂÌÂÌË ‚ ̊ÒÓÚ ̊ Á‚Û͇; ] Ë ÍÌÓÔÍË ‚ÂÏÂÌÌÓÈ; àÁÏÂÌÂÌË ÚÓ̇Π̧ÌÓÒÚË ÔÂÒÌË; Transpos; Tuning; èÂÂÏÓÚ͇ ÔÂÒÌË ‚Ô‰, ̇Á‡‰ Ë Ô‡ÛÁ‡
  • Page 59 – åÓÊÌÓ ËÁÏÂÌËÚ ̧ ÚÂÏ· ÏÂÎÓ‰ËË ÔÂÒÌË Ì‡ Î ̨·ÓÈ ‰Û„ÓÈ.; Ç ̊·ÂËÚÂ Ë ‚ÓÒÔÓËÁ‚‰ËÚ ÔÂÒÌ ̨.; àÁÏÂÌÂÌË ÚÂÏ·‡ ÏÂÎÓ‰ËË; Strings
  • Page 60 – ëÓı‡ÌÂÌË ÛÒÚ‡ÌÓ‚ÓÍ Ô‡ÌÂÎË; á‡ÔËÒ ̧ ‚ „ËÒÚ‡ˆËÓÌÌÛ ̨ Ô‡ÏflÚ ̧; ÍÌÓÔÍÛ. ç‡ ͇̋Ì ÔÓfl‚ËÚÒfl ÌÓÏ ·‡Ì͇ Ô‡ÏflÚË.; ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË; Bank
  • Page 62 – ç‡ÒÚÓÈÍË ‚ ÂÊËÏ Function; ÑÎfl ̇ÒÚÓÂÍ, ÍÓÚÓ ̊ ÔËÌËχ ̨Ú Á̇ ̃ÂÌËÂ; ä‡Í ̇ÈÚË Ë ËÁÏÂÌËÚ ̧ ̇ÒÚÓÈÍË, ‚ ̊ÔÓÎÌflÂÏ ̊ ‚ ÂÊËÏ Function
  • Page 65 – èÓ‰ÍÎ ̨ ̃ÂÌËÂ Í ÍÓÏÔ ̧ ̨ÚÂÛ; ëÓÓ· ̆ÂÌËfl ͇̇ÎÓ‚; é Òڇ̉‡Ú MIDI
  • Page 66 – îÛÌ͈Ëfl Local ON/OFF; îÛÌ͈Ëfl External Clock ON/OFF; èÓ‰ÍÎ ̨ ̃ÂÌË USB; ç‡ÒÚÓÈÍË MIDI
  • Page 67 – ç‡ÒÚÓÈ͇ ÂÊËχ PC; ä·‚Ë ̄Ë ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌËfl; ç‡ÒÚÓÈÍË MIDI ‰Îfl ÔÓ‰ÍÎ ̨ ̃ÂÌËfl Í ÍÓÏÔ ̧ ̨ÚÂÛ (ÂÊËÏ PC); oFF; PC mode; ÑËÒڇ̈ËÓÌÌÓ ÛÔ‡‚ÎÂÌË MIDI-ÛÒÚÓÈÒÚ‚‡ÏË
  • Page 68 – ] ÒÔ‡‚‡ ÓÚ ̋ÎÂÏÂÌÚ‡ Look in; 艇 ̃‡ Ù‡ÈÎÓ‚ ÔÂÒÂÌ Ò ÍÓÏÔ ̧ ̨Ú‡
  • Page 69 – àÒÔÓÎ ̧ÁÓ‚‡ÌË ÔÂ‰‡ÌÌ ̊ı ÔÂÒÂÌ ‚ ÛÓ͇ı
  • Page 70 – êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÛÒÚ‡ÌÓ‚Í ÔÓ„‡ÏÏ Ò; àÒÔÓÎ ̧ÁÓ‚‡ÌË ÍÓÏÔ‡ÍÚ-‰ËÒ͇; ëèÖñàÄãúçõÖ ìÇÖÑéåãÖçàü; ëÓ‰ÂʇÌË ÍÓÏÔ‡ÍÚ-‰ËÒ͇
  • Page 71 – ìÒÚ‡Ìӂ͇ ‰‡È‚‡ USB-MIDI; ëËÒÚÂÏÌ ̊ Ú·ӂ‡ÌËfl; ìÒÚ‡Ìӂ͇ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ ̃ÂÌËfl
  • Page 72 – ÏËÚ ÍÌÓÔÍÛ “чΔ.
  • Page 73 – àÌÒÚÛ͈ËË ÔÓ ËÒÔÓÎ ̧ÁÓ‚‡ÌË ̨ ÔËÎÓÊÂÌËfl
  • Page 75 – ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ
  • Page 76 – ÑÎfl ÔË·„‡ÂÏÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ ̃ÂÌËfl; ç ۉ‡ÂÚÒfl ÛÒÚ‡ÌÓ‚ËÚ ̧ ‰‡È‚Â.
  • Page 77 – íÂıÌË ̃ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
  • Page 78 – å‡ÍÒËχΠ̧̇fl ÔÓÎËÙÓÌËfl • • • • • • • • • • • • • • • • • • • • • • •; ëÔËÒÓÍ ÚÂÏ·Ó‚
  • Page 84 – ëÔËÒÓÍ ÒÚËÎÂÈ
  • Page 85 – ëÔËÒÓÍ ÔÂÒÂÌ; ÇÒÚÓÂÌÌ ̊Â ÔÂÒÌË
  • Page 86 – ëÔËÒÓÍ ÚËÔÓ‚ ̋ÙÙÂÍÚÓ‚; íËÔ ̊ „‡ÏÓÌËÁ‡ˆËË
  • Page 87 – 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡
  • Page 88 – 퇷Îˈ‡ ̋ÙÙÂÍÚÓ‚; REVERB
  • Page 89 – è‰ÏÂÚÌ ̊È Û͇Á‡ÚÂÎ ̧; f r
Loading the manual

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

1

Portable Grand

DGX-205/203

PortaTone

PSR-295/293

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

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Summary

Page 2 - PLEASE KEEP THIS MANUAL; SPECIFICATIONS SUBJECT TO CHANGE:; SPECIAL MESSAGE SECTION

2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 PLEASE KEEP THIS MANUAL This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamah...

Page 4 - èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà; ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà; * ëÓı‡ÌËÚ ̋ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ̃ÚÓ· ̊ Ó·‡ ̆‡Ú ̧Òfl Í ÌÂÏÛ ‚ ‰‡Î ̧ÌÂÈ ̄ÂÏ.; èêÖÑìèêÖÜÑÖçàÖ

4 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 (4)-8 1/2 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ëÓı‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ Ó·‡˘‡Ú¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡...

Page 5 - ëÓı‡ÌÂÌËÂ Ë ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ ̊ı; åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 5 (4)-8 2/2 ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÓÌ Ì ËÒÔÓθÁÛÂÚÒfl. èË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, ‰‡Ê ÂÒÎË ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÒÓÒÚÓflÌËË STANDBY, ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝Ì„˲ ̇ ÏËÌËχθÌÓÏ ÛÓ‚ÌÂ. ÖÒÎË ËÌÒÚÛÏÂÌÚ Ì...

Other Yamaha Synthesizers Models

All Yamaha Synthesizers