Yamaha CLP-115 Clavinova - User Manual

Page 2 - Introduction; SPECIAL MESSAGE SECTION; PRODUCT SAFETY MARKINGS:; SPECIFICATIONS SUBJECT TO CHANGE:; CAUTION; Model

Introduction 92-469 1 (bottom) SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observ...

Page 3 - é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl; ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï; «Clavinova-Computer Connection»

CLP-115 é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ 3 ÅÎ‡„Ó‰‡ ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙ Ó‚Ó„Ó ÔË‡ÌËÌÓ Yamaha Clavinova! å˚ ÂÍÓÏÂÌ‰ÛÂÏ ‚‡Ï ‚ÌËÏ‡ÚÂÎ¸ÌÓ Ô Ó˜ËÚ‡Ú¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ ÏÂ Â ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ÒÂÏË ÔÂ Â‰Ó‚˚ÏË Ë Û‰Ó·Ì˚ÏË ÙÛÌÍˆËﬂÏË ˆËÙ Ó‚Ó„Ó ÔË‡ÌËÌÓ CLP-115.å˚ Ú‡ÍÊÂ ÒÓ‚ÂÚÛÂÏ ‚‡Ï ı ‡ÌËÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ Ì‡‰...

Page 4 - é„Î‡‚ÎÂÌËÂ; Ç‚Â‰ÂÌËÂ; èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ Ò ˆËÙÓ‚ ̊Ï ÔË‡ÌËÌÓ; ëÔ‡‚Ó ̃ÌËÍ; èÓÒÎÛ ̄Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ ‰Îfl; èËÎÓÊÂÌËÂ; Format des données MIDI /

CLP-115 é„Î‡‚ÎÂÌËÂ 4 é„Î‡‚ÎÂÌËÂ Ç‚Â‰ÂÌËÂ èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ ............................................ 5 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà .................. 6 ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË ....................... 8 ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ.............................................. 8 ÇÓÁÏÓÊÌÓÒÚË...........

Page 5 - èÂ‰ÏÂÚÌ ̊È ÛÍ‡Á‡ÚÂÎ ̧

CLP-115 è Â‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ 5 èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ àÒÔÓÎ¸ÁÛÈÚÂ ˝ÚÓÚ ÛÍ‡Á‡ÚÂÎ¸, ˜ÚÓ·˚ ·˚ÒÚ Ó Ì‡ÈÚË ÒÚ ‡ÌËˆ˚ Ò ÓÔËÒ‡ÌËÂÏ ÓÔ Â‰ÂÎÂÌÌÓ„Ó Ô ËÎÓÊÂÌËﬂ ËÎË ÒËÚÛ‡ˆËË. èÓÒÎÛ¯Ë‚‡ÌËÂ è ÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ c ‡ÁÌ˚ÏË ÚÂÏ· ‡ÏË.......... «è ÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ» Ì‡ ÒÚ . 15è ÓÒÎÛ¯Ë‚‡ÌËÂ Ô...

Page 6 - èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà; ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà; * ëÓı‡ÌËÚÂ ̋ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ̃ÚÓ· ̊ ÏÓÊÌÓ · ̊ÎÓ Ó·‡ÚËÚ ̧Òfl Í ÌÂÏÛ ‚ ‰‡Î ̧ÌÂÈ ̄ÂÏ.; èêÖÑìèêÖÜÑÖçàÖ

CLP-115 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà 6 (1)B-7 1/2 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ëÓı‡ÌËÚÂ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Ó·‡ÚËÚ¸Òﬂ Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂÈ¯ÂÏ. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÂ¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡ÊÂ ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚË˜ÂÒÍËÏ ÚÓÍÓÏ, ‡ ...

Page 7 - èÓ‰ÍÎ ̨ ̃ÂÌËÂ

CLP-115 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà 7 ● è ÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ ËÌÒÚ ÛÏÂÌÚ Í ‰ Û„ËÏ ˝ÎÂÍÚ ÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï, ÒÎÂ‰ÛÂÚ ÓÚÍÎ˛˜ËÚ¸ Ëı ÓÚ ÒÂÚË. èÂ Â‰ ‚ÍÎ˛˜ÂÌËÂÏ ËÎË ÓÚÍÎ˛˜ÂÌËÂÏ ˝ÎÂÍÚ ÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚÂ ÏËÌËÏ‡Î¸Ì˚È Û Ó‚ÂÌ¸ „ ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËÏ...

Page 8 - ÑÓÔÓÎÌËÚÂÎ ̧Ì ̊Â ÔËÌ‡‰ÎÂÊÌÓÒÚË; • äÓÎÎÂÍˆËfl Ô‡ ÚËÚÛ ̊ «50 greats for the Piano»; • ä ‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ̋ÍÒÔÎÛ‡Ú‡ˆËË; ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ; ç‡ÒÚÓÈÍ‡

CLP-115 ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ô ËÌ‡‰ÎÂÊÌÓÒÚË / ìıÓ‰ Á‡ ËÌÒÚ ÛÏÂÌÚÓÏ 8 ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË • äÓÎÎÂÍˆËﬂ Ô‡ ÚËÚÛ ˚ «50 greats for the Piano» • êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰Â Ê‡ÚÒﬂ ÔÓ‰ Ó·Ì˚Â ËÌÒÚ ÛÍˆËË ÔÓ ‡·ÓÚÂ Ò ˆËÙ Ó‚˚Ï ÔË‡ÌËÌÓ CLP-115. • ä ‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË • ëÍ‡ÏÂÈÍ...

Page 9 - ÇÓÁÏÓÊÌÓÒÚË; AWM Stereo Sampling; Graded Hammer

CLP-115 ÇÓÁÏÓÊÌÓÒÚË 9 ÇÓÁÏÓÊÌÓÒÚË ñËÙ Ó‚ÓÂ ÔË‡ÌËÌÓ Yamaha Clavinova CLP-115 Ô Â‰ÓÒÚ‡‚ÎﬂÂÚ ÌË Ò ˜ÂÏ ÌÂ Ò ‡‚ÌËÏÛ˛ Â‡ÎËÒÚË˜ÌÓÒÚ¸ Á‚ÛÍ‡ Ë ‚ÓÁÏÓÊÌÓÒÚ¸ Ë„ ˚ ‚ ÚÂÏ· Â ÓﬂÎﬂ, Ó Ë„ËÌ‡Î¸ÌÛ˛ ÚÂıÌÓÎÓ„Ë˛ „ÂÌÂ ‡ˆËË ÚÓÌ‡ ÍÓ ÔÓ ‡ˆËË Yamaha – « AWM Stereo Sampling » – ‰Îﬂ ÒÓÁ‰‡ÌËﬂ Ì‡Ò˚˘ÂÌÌ˚ı ÏÛÁ˚Í‡Î¸Ì˚ı ÚÂÏ· Ó‚ Ë ÒÔÂ...

Page 10 - ä ̊ ̄Í‡ ÍÎ‡‚Ë‡ÚÛ ̊; óÚÓ· ̊ ÓÚÍ ̊Ú ̧ Í ̊ ̄ÍÛ ÍÎ‡‚Ë‡ÚÛ ̊:; óÚÓ· ̊ Á‡Í ̊Ú ̧ Í ̊ ̄ÍÛ ÍÎ‡‚Ë‡ÚÛ ̊:; è ̨ÔËÚ; óÚÓ· ̊ ÓÔÛÒÚËÚ ̧ Ô ̨ÔËÚ:

CLP-115 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ Ò ˆËÙ Ó‚˚Ï ÔË‡ÌËÌÓ CLP-115 10 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ CLP-115 ä˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚: çÂÏÌÓ„Ó Ô ËÔÓ‰ÌËÏËÚÂ Í ˚¯ÍÛ Ë Ô Ó‰‚ËÌ¸ÚÂ ÂÂ ‚ÔÂ Â‰. óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚: èÓÚﬂÌËÚÂ Í ˚¯ÍÛ Ì‡ ÒÂ·ﬂ Ë ÓÒÚÓ ÓÊÌÓ ÓÔÛÒÚËÚÂ ÂÂ Ì‡ ÍÎ‡‚Ë‡ÚÛ Û. ÇçàåÄçà...

Page 11 - ÇÍÎ ̨ ̃ÂÌËÂ ÔËÚ‡ÌËfl; èÓ‰ÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ ̧ ÔËÚ‡ÌËfl.; êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË

CLP-115 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ Ò ˆËÙ Ó‚˚Ï ÔË‡ÌËÌÓ CLP-115 11 ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ 1. èÓ‰ÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ. ÇÒÚ‡‚¸ÚÂ Í‡·ÂÎ¸: Ó‰ËÌ ÍÓÌÂˆ ‚ ‡Á˙ÂÏ AC INLET Ì‡ ˆËÙ Ó‚ÓÏ ÔË‡ÌËÌÓ CLP-115, ‡ ‚ÚÓ ÓÈ ÍÓÌÂˆ ‚ ÒÚ‡Ì‰‡ ÚÌÛ˛ ÓÁÂÚÍÛ.Ç ÌÂÍÓÚÓ ˚ı ÒÚ ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂ ÂıÓ‰ÌËÍ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ...

Page 12 - àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ Ì‡Û ̄ÌËÍÓ‚; àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ Í ̨ ̃Í‡ ‰Îfl Ì‡Û ̄ÌËÍÓ‚

CLP-115 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ Ò ˆËÙ Ó‚˚Ï ÔË‡ÌËÌÓ CLP-115 12 àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ì‡Û¯ÌËÍÓ‚ èÓ‰ÒÓÂ‰ËÌËÚÂ Ì‡Û¯ÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES] (ç‡Û¯ÌËÍË). ç‡ ËÌÒÚ ÛÏÂÌÚÂ ÂÒÚ¸ ‰‚‡ ‡Á˙ÂÏ‡ [PHONES] . åÓÊÌÓ ÔÓ‰ÒÓÂ‰ËÌËÚ¸ ‰‚‡ ÍÓÏÔÎÂÍÚ‡ ÒÚ‡Ì‰‡ ÚÌ˚ı ÒÚÂ ÂÓÌ‡Û¯ÌËÍÓ‚. (ÖÒÎË ËÒÔÓÎ¸ÁÛÂÚÒﬂ Ó‰ËÌ ÍÓÏÔÎÂÍÚ Ì‡Û¯ÌËÍÓ‚, Â„Ó ÏÓÊÌ...

Page 14 - è‡ÌÂÎ ̧ ÛÔ‡‚ÎÂÌËfl Ë ‡Á ̇ÂÏ ̊; ÇÂıÌflfl Ô‡ÌÂÎ ̧

CLP-115 è‡ÌÂÎ¸ ÛÔ ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚ 14 è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚ ÇÂıÌﬂﬂ Ô‡ÌÂÎ¸ MASTERVOLUME DEMO METRONOME VOICE MIN MAX POWER MIDI IN OUT THRU PHONES MASTERVOLUME DEMO METRONOME VOICE MIN MAX C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 ...

Page 15 - Ç ‰ÂÏÓÌÒÚ ‡ˆËÓÌÌ ̊ı ÔÂÒÌflı Ô Â‰ÒÚ‡‚ÎÂÌ ̊ ‚ÒÂ ÚÂÏ· ̊ ˆËÙ Ó‚Ó„Ó ÔË‡ÌËÌÓ CLP-115.; ÇÍÎ ̨ ̃ÂÌËÂ ÂÊËÏ‡ ‰ÂÏÓÌÒÚ‡ˆËË.; ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ ̊ı ÔÂÒÂÌ; éÒÚ‡ÌÓ‚Í‡ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡.; ÑÂÈÒÚ‚Ëfl

CLP-115 è ÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ 15 èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ç ‰ÂÏÓÌÒÚ ‡ˆËÓÌÌ˚ı ÔÂÒÌﬂı Ô Â‰ÒÚ‡‚ÎÂÌ˚ ‚ÒÂ ÚÂÏ· ˚ ˆËÙ Ó‚Ó„Ó ÔË‡ÌËÌÓ CLP-115. 1. ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ. ÖÒÎË ÔËÚ‡ÌËÂ ‚˚ÍÎ˛˜ÂÌÓ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [POWER] . ç‡˜‡‚ Ë„ Û, ÛÒÚ‡ÌÓ‚ËÚÂ ÓÔÚËÏ‡Î¸ÌÛ˛ „ ÓÏÍÓÒÚ¸ Â„ÛÎﬂÚÓ ÓÏ [MASTER VOLUM...

Page 16 - ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË; éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËfl

CLP-115 è ÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚ ÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îﬂ ÙÓ ÚÂÔ¸ﬂÌÓ 16 èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ Ç ˆËÙ Ó‚ÓÂ ÔË‡ÌËÌÓ CLP-115 ‚ÒÚ ÓÂÌÓ 50 ÔÂÒÂÌ ‰Îﬂ ÙÓ ÚÂÔ¸ﬂÌÓ. åÓÊÌÓ Ô ÓÒÚÓ Ô ÓÒÎÛ¯‡Ú¸ ˝ÚË ÔÂÒÌË. åÓÊÌÓ Ú‡ÍÊÂ Ó· ‡ÚËÚ¸Òﬂ Í Ô ËÎ‡„‡ÂÏÓÏÛ Ò·Ó ÌËÍÛ «50 Greats for the Piano» Ò ÌÓÚ‡ÏË 50 ‚ÒÚ ÓÂÌÌ˚ı ÔÂ...

Page 17 - Ç ̊·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚; Ç ̊·Ó ÚÂÏ·Ó‚; àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ

CLP-115 Ç˚·Ó Ë ‚ÓÒÔ ÓËÁ‚Â‰ÂÌËÂ ÚÂÏ· Ó‚ 17 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚ Ç˚·Ó ÚÂÏ·Ó‚ óÚÓ·˚ ‚˚· ‡Ú¸ Ë Á‡ÔÛÒÚËÚ¸ ÚÂÏ· , Û‰Â ÊË‚‡ﬂ ÍÌÓÔÍÛ [VOICE] , Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÎ‡‚Ë¯ C1–A1. ç‡˜‡‚ Ë„ Û, ÛÒÚ‡ÌÓ‚ËÚÂ ÓÔÚËÏ‡Î¸ÌÛ˛ „ ÓÏÍÓÒÚ¸ Â„ÛÎﬂÚÓ ÓÏ [MASTER VOLUME] . àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ ÑÂÏÔÙÂÌ‡ﬂ (Ô‡‚‡ﬂ) ÔÂ‰‡Î¸ è ‡‚‡ﬂ...

Page 18 - ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ̋ÙÙÂÍÚ Â‚Â·Â‡ˆËË; ç‡ÒÚÓÈÍ‡ „ÎÛ·ËÌ ̊ Â‚Â·Â‡ˆËË

CLP-115 Ç˚·Ó Ë ‚ÓÒÔ ÓËÁ‚Â‰ÂÌËÂ ÚÂÏ· Ó‚ 18 ëÓÒÚÂÌÛÚÓ (ÒÂ‰Ìﬂﬂ ÔÂ‰‡Î¸) ÖÒÎË ‚ÁﬂÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ ‰ Ë Ì‡Ê‡Ú¸ Ì‡ Ò Â‰Ì˛˛ ÔÂ‰‡Î¸, ÔÓÍ‡ ˝ÚË ÍÎ‡‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òﬂ, ÔÓÍ‡ ‚˚ ÌÂ ÓÚÔÛÒÚËÚÂ ÔÂ‰‡Î¸. ÇÒÂ ‰ Û„ËÂ ÌÓÚ˚ Ô Ó‰ÎÂ‚‡Ú¸Òﬂ ÌÂ ·Û‰ÛÚ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ô Ó‰ÎËÚ¸ Á‚Û˜‡ÌËÂ ‡ÍÍÓ ‰‡, Ì‡Ô ËÏÂ , ÂÒ...

Page 19 - ÇÍÎ ̨ ̃ÂÌËÂ ÂÊËÏ‡ Dual.; ìÒÚ‡ÌÓ‚Í‡ ÓÍÚ‡‚ ̊; Ç ̊ıÓ‰ ËÁ ÂÊËÏ‡ Dual Ë ‚ÓÁ‚‡Ú ‚ Ó· ̊ ̃Ì ̊È ÂÊËÏ Ë„ ̊.

CLP-115 Ç˚·Ó Ë ‚ÓÒÔ ÓËÁ‚Â‰ÂÌËÂ ÚÂÏ· Ó‚ 19 ç‡ÎÓÊÂÌËÂ ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ç‡ ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ Â ÏÓÊÌÓ Ó‰ÌÓ‚ ÂÏÂÌÌÓ Ë„ ‡Ú¸ ‰‚ÛÏﬂ ÚÂÏ· ‡ÏË. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ËÏËÚË Ó‚‡Ú¸ ÏÂÎÓ‰Ë˜ÂÒÍËÈ ‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ· ‡ ‰Îﬂ ÔÓÎÛ˜ÂÌËﬂ ·ÓÎÂÂ Ì‡Ò˚˘ÂÌÌÓ„Ó Á‚ÛÍ‡. 1. ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ Dual. ì‰Â ÊË‚‡ﬂ ÍÌÓÔÍÛ [VOICE] , Ì...

Page 20 - ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ÒÚ‡Ì‰‡ÚÌÓÈ ‚ ̊ÒÓÚ ̊:

CLP-115 Ç˚·Ó Ë ‚ÓÒÔ ÓËÁ‚Â‰ÂÌËÂ ÚÂÏ· Ó‚ 20 í‡ÌÒÔÓÌËÓ‚‡ÌËÂ îÛÌÍˆËﬂ Ú ‡ÌÒÔÓÌË Ó‚‡ÌËﬂ ‚ ˆËÙ Ó‚ÓÏ ÔË‡ÌËÌÓ CLP-115 ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËÊ‡Ú¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ ˚ Ò ËÌÚÂ ‚‡ÎÓÏ ‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÎÂ„ÍÓ ÔÓ‰Ó· ‡Ú¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ÍÎ‡‚Ë‡ÚÛ ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ ÔÂ‚ˆ‡ ...

Page 21 - àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡; á‡‰‡ÂÚ ̃‡ÒÚÓÚÛ ÒË„Ì‡Î‡ ÏÂÚÓÌÓÏ‡

CLP-115 Ç˚·Ó Ë ‚ÓÒÔ ÓËÁ‚Â‰ÂÌËÂ ÚÂÏ· Ó‚ 21 àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡ Ç ˆËÙ Ó‚ÓÂ ÔË‡ÌËÌÓ CLP-115 ‚ÒÚ ÓÂÌ ÏÂÚ ÓÌÓÏ (ÛÒÚ ÓÈÒÚ‚Ó, Á‡‰‡˛˘ÂÂ ÚÂÏÔ), ˜ÚÓ Û‰Ó·ÌÓ ‰Îﬂ ÛÔ ‡ÊÌÂÌËÈ. 1. á‡ÔÛÒÍ ÏÂÚÓÌÓÏ‡. óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÏÂÚ ÓÌÓÏ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [METRONOME] . á‡‰‡ÂÚ ˜‡ÒÚÓÚÛ ÒË„Ì‡Î‡ ÏÂÚÓÌÓÏ‡ ì‰Â ÊË‚‡ﬂ ÍÌÓÔÍÛ [METRONOME] ...

Page 24 - èÓ‰ÍÎ ̨ ̃ËÚ ̧ ÔË‡ÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË:

CLP-115 èÓ‰ÍÎ˛˜ÂÌËÂ ÔÂ ÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ ‡ 24 èÓ‰ÍÎ˛˜ÂÌËÂ ÔÂÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡ èÓ‰ÍÎ˛˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ‡Á˙ÂÏÛ MIDI, ÏÓÊÌÓ Ô ÓÒÎÛ¯Ë‚‡Ú¸ ÏÛÁ˚Í‡Î¸Ì˚Â ‰‡ÌÌ˚Â Ò èä Ì‡ ˆËÙ Ó‚ÓÏ ÔË‡ÌËÌÓ CLP-115. èÓ‰ÍÎ˛˜ËÚ¸ ÔË‡ÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏﬂ ÒÔÓÒÓ·‡ÏË: 1. è Ë ÔÓÏÓ˘Ë MIDI-ËÌÚÂ ÙÂÈÒ‡ Ë MIDI- ‡Á˙ÂÏÓ‚ ˆËÙ Ó‚Ó„...

Page 25 - àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á ̇ÂÏÓ‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CLP-115

CLP-115 èÓ‰ÍÎ˛˜ÂÌËÂ ÔÂ ÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ ‡ 25 1. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CLP-115 èÓ‰ÍÎ˛˜ÂÌËÂ àÒÔÓÎ¸ÁÛÈÚÂ MIDI-ËÌÚÂ ÙÂÈÒ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ èä Í ˆËÙ Ó‚ÓÏÛ ÔË‡ÌËÌÓ CLP-115 Ò ÔÓÏÓ˘¸˛ ÒÔÂˆË‡Î¸Ì˚ı MIDI-Í‡·ÂÎÂÈ. 2. èÓ‰ÍÎ˛˜ÂÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CLP-115 ˜ÂÂÁ USB-ÔÓÚ ÍÓÏÔ¸...

Page 26 - îÛÌÍˆËË MIDI; Ç ̊·Ó Í‡Ì‡Î‡ ÔÂÂ‰‡ ̃Ë Ë ÔËÂÏ‡ MIDI-‰‡ÌÌ ̊ı; îÛÌÍˆËfl Local

CLP-115 îÛÌÍˆËË MIDI 26 îÛÌÍˆËË MIDI åÓÊÌÓ Á‡‰‡Ú¸ Ì‡ÒÚ ÓÈÍË MIDI-ËÌÚÂ ÙÂÈÒ‡.ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓ Ï‡ˆË˛ Ó MIDI ‚˚ ÏÓÊÂÚÂ ÔÓÎÛ˜ËÚ¸ ‚ ‡Á‰ÂÎÂ «é MIDI-ËÌÚÂ ÙÂÈÒÂ» (ÒÚ . 23). Ç˚·Ó Í‡Ì‡Î‡ ÔÂÂ‰‡˜Ë Ë ÔËÂÏ‡ MIDI-‰‡ÌÌ˚ı è Ë Ì‡ÒÚ ÓÈÍÂ ÛÔ ‡‚ÎÂÌËﬂ MIDI-ËÌÚÂ ÙÂÈÒÓÏ ‰Îﬂ ÛÒÔÂ¯ÌÓÈ ÔÂ Â‰‡˜Ë ‰‡ÌÌ˚ı MIDI-Í‡Ì‡Î˚ ÔÂ Â‰‡˛˘Â...

Page 27 - îÛÌÍˆËfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ ̊; îÛÌÍˆËfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl

CLP-115 îÛÌÍˆËË MIDI 27 îÛÌÍˆËﬂ ËÁÏÂÌÂÌËﬂ ÔÓ„‡ÏÏ˚ é·˚˜ÌÓ ˆËÙ Ó‚ÓÂ ÔË‡ÌËÌÓ CLP-115 Â‡„Ë ÛÂÚ Ì‡ ÌÓÏÂ ‡ ËÁÏÂÌÂÌËﬂ MIDI-Ô Ó„ ‡ÏÏ˚, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚ÌÂ¯ÌÂÈ ÍÎ‡‚Ë‡ÚÛ ˚ ËÎË ÓÚ ‰ Û„Ó„Ó MIDI-ÛÒÚ ÓÈÒÚ‚‡, ‚˚·Ë ‡ﬂ ‰Îﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ ÚÂÏ· Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂ ÓÏ (ÚÂÏ· Ì‡ ÍÎ‡‚Ë‡ÚÛ Â ÌÂ ËÁÏÂÌﬂÂÚÒﬂ). è Ë ‚˚...

Page 28 - ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ

CLP-115 ìÒÚ ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ 28 ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÒÔÓÒÓ·ÎÂÌËﬂ ëÍ‡ÏÂÈÍ‡ BC-100 ì‰Ó·Ì‡ﬂ ÒÍ‡ÏÂÈÍ‡, Ò‰ÂÎ‡ÌÌ‡ﬂ ÒÔÂˆË‡Î¸ÌÓ ‰Îﬂ Ë„ ˚ Ì‡ ˆËÙ Ó‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÍÓ ÔÓ ‡ˆËË Yamaha. ëÚÂÂÓÌ‡Û¯ÌËÍË HPE-160 ãÂ„ÍËÂ Ë ˝ÙÙÂÍÚË‚Ì˚Â Ì‡Û¯ÌËÍË Ò Ïﬂ„ÍËÏË Ô ÓÍÎ‡‰Í‡ÏË ‰Îﬂ Û¯ÂÈ. èÓ·ÎÂÏ‡ ÇÓÁÏÓÊÌ˚Â ÔË˜Ë...

Page 29 - ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl ÍÎ‡‚Ë‡ÚÛ ̊; èËÍÂÔËÚÂ ·ÓÍÓ‚ ̊Â Ô‡ÌÂÎË Í ·ÎÓÍÛ ÔÂ‰‡ÎÂÈ.

CLP-115 ë·Ó Í‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ ˚ 29 ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚ ÇçàåÄçàÖ! • ÅÛ‰¸ÚÂ ‚ÌËÏ‡ÚÂÎ¸Ì˚: ÌÂ ÔÂÂÔÛÚ‡ÈÚÂ ÍÓÏÔÓÌÂÌÚ˚. ìÒÚ‡Ì‡‚ÎË‚‡ÈÚÂ Ëı ‚ Ô‡‚ËÎ¸ÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌﬂÈÚÂ Ò·ÓÍÛ ÒÓ„Î‡ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚÛÍˆËË. • ÑÎﬂ Ò·ÓÍË ÚÂ·ÛÂÚÒﬂ ÌÂ ÏÂÌÂÂ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.• çÂÓ·ıÓ‰ËÏÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ËÌÚ˚ ÛÍ‡Á‡...

Page 30 - ìÒÚ‡ÌÓ‚ËÚÂ „Î‡‚ÌÛ ̨ ̃‡ÒÚ ̧.; á‡ÍÂÔËÚÂ „Î‡‚ÌÛ ̨ ̃‡ÒÚ ̧.; èÂÂÍÎ ̨ ̃‡ÚÂÎ ̧ Ì‡ÔflÊÂÌËfl

CLP-115 ë·Ó Í‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ ˚ 30 3. ìÒÚ‡ÌÓ‚ËÚÂ „Î‡‚ÌÛ˛ ˜‡ÒÚ¸. ÇçàåÄçàÖ! • ëÎÂ‰ËÚÂ Á‡ ÚÂÏ, ˜ÚÓ·˚ ÌÂ Á‡˘ÂÏËÚ¸ Ô‡Î¸ˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎﬂÏË. ÅÛ‰¸ÚÂ ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë ÌÂ ÛÓÌËÚÂ „Î‡‚ÌÛ˛ ˜‡ÒÚ¸. • ÑÂÊËÚÂ ÍÎ‡‚Ë‡ÚÛÛ ÚÓÎ¸ÍÓ Ú‡Í, Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. 4. á‡ÍÂÔ...

Page 31 - ìÒÚ‡ÌÓ‚ËÚÂ ÙËÍÒËÛ ̨ ̆ËÈ ‚ËÌÚ.

CLP-115 ë·Ó Í‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ ˚ 31 èêÖÑìèêÖÜÑÖçàÖ çÂÔ‡‚ËÎ¸Ì‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ Ì‡ÔﬂÊÂÌËﬂ ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ ÔÓ‚Â‰ËÚ¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CLP-115 ËÎË ‚˚Á‚‡Ú¸ Ò·ÓÈ ‚ ‡·ÓÚÂ. 7. ìÒÚ‡ÌÓ‚ËÚÂ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ. èÓÒÎÂ Ò·ÓÍË ÔÓ‚Â¸ÚÂ: è Ë ÔÂ ÂÏÂ˘ÂÌËË ÒÓ· ‡ÌÌÓ„Ó ËÌÒÚ ÛÏÂÌÚ‡ ‚ÒÂ„‰‡ ·Â ËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓÍ...

Page 32 - óËÒÎ‡

CLP-115 è Â‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ 32 èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ óËÒÎ‡ 50 ‚ÒÚ ÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îﬂ ÙÓ ÚÂÔ¸ﬂÌÓ .............................16 50 Greats for the Piano .......................................................16 D DEMO ..........................................................................14–16 M MAST...

Page 33 - MIDI Implementation Chart / MIDI Implementierung stabelle /

CLP-115 33 Appendix/Anhang/Annexe/ èËÎÓÊÂÌËÂ This section introduces reference material. In diesem Abschnitt finden Sie Referenzmaterial. Cette section présente le matériel de référence. Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÒÓ‰ÂÊ‡ÚÒﬂ ÒÔ‡‚Ó˜Ì˚Â Ï‡ÚÂË‡Î˚. MIDI Data Format / MIDI-Datenformat / Format des données MIDI / î...

Page 37 - ä‡ÚÓ„‡ÏÏ‡ MIDI- ̋ÙÙÂÍÚÓ‚

CLP-115 Appendix/Anhang/Annexe/ è ËÎÓÊÂÌËÂ 37 <Table 1> MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) Parameter Description Default value (H) 00 00 00 4 020C - 05F4(*1) MASTER TUNE -50 - +50[cent] 00 04 00 00 01 1st bit 3 - 0 ➝ bit 15 - 12 400 02 2nd bit 3 - 0 ➝ bit 11 - 8...

Page 38 - í‡·ÎËˆ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡

CLP-115 Appendix/Anhang/Annexe/ è ËÎÓÊÂÌËÂ 38 í‡·ÎËˆ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ YAMAHA [Clavinova] Date: 7 Mar, 2003 Model: CLP-115 í‡·ÎËˆ‡ ı‡ ‡ÍÚÂ ËÒÚËÍ MIDI-ËÌÚÂ ÙÂÈÒ‡ Version: 1.0 Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO O : Yes Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO X : No Function Tr...

Page 39 - íÂıÌË ̃ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË

CLP-115 Appendix/Anhang/Annexe/ è ËÎÓÊÂÌËÂ 39 Specifications / Technische Daten / Caractéristiques techniques / íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or speci...

Page 40 - Ñãü áÄåÖíéä

CLP-115 Appendix/Anhang/Annexe/ è ËÎÓÊÂÌËÂ 40 Ñãü áÄåÖíéä

Page 43 - IMPORTANT SAFETY INSTRUCTIONS; INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,; WARNING; PLEASE KEEP THIS MANUAL

IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING - When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limite...

Yamaha CLP-115 Clavinova - User Manual

Table of Contents:

Summary

Other Yamaha Synthesizers Models