Yamaha CLP-F01 Clavinova - Manuals

Page 2 - Ç‚Â‰ÂÌËÂ; SPECIAL MESSAGE SECTION; PRODUCT SAFETY MARKINGS:; SPECIFICATIONS SUBJECT TO CHANGE:; CAUTION; Model

Ç‚Â‰ÂÌËÂ 92-469 1 (bottom) SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe al...

Page 3 - èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà; ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà; * ï‡ÌËÚÂ ̋ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï Â ̆Â ÔÓÌ‡‰Ó·ËÚÒfl.; èêÖÑìèêÖÜÑÖçàÖ

(1)B-7 3/2 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ï‡ÌËÚÂ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï Â˘Â ÔÓÌ‡‰Ó·ËÚÒﬂ. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÂ¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡ÊÂ ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚË˜ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ ÍÓÓÚÍÓ„Ó Á‡Ï˚Í‡ÌËﬂ, ÔÓ‚ÂÊ‰ÂÌËﬂ Ó·ÓÛ‰Ó‚‡...

Page 4 - ëÓı‡ÌÂÌËÂ Ë ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ‰‡ÌÌ ̊ı; êÂÁÂ‚; ÌÓÂ ÍÓÔËÓ‚; ‡ÌËÂ Ì‡ ‚ÌÂ ̄ÌÂÈ ÌÓÒËÚÂÎ ̧; èÓ‰ÍÎ ̨ ̃ÂÌËÂ

(1)B-7 4/2 • èÂÂ‰ ÔÓ‰ÍÎ˛˜ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌ-Ú‡Ï ÓÚÍÎ˛˜ËÚÂ Ëı ÔËÚ‡ÌËÂ. èÂÂ‰ ‚ÍÎ˛˜ÂÌËÂÏ ËÎË ÓÚÍÎ˛˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚÂ ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏ-ÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏﬂ Ë„˚ Ì‡ ËÌÒÚ...

Page 5 - é· ̋ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â; é· ̋ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â; ÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï; ëÓ·‡ÌËÂ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha:

CLP-F01 é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â 5 ÅÎ‡„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Yamaha Clavinova! å˚ ÂÍÓÏÂÌ‰ÛÂÏ ‚‡Ï ‚ÌËÏ‡ÚÂÎ¸ÌÓ ÔÓ˜ËÚ‡Ú¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ ÏÂÂ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ÒÂÏË ÔÂÂ‰Ó‚˚ÏË Ë Û‰Ó·Ì˚ÏË ÙÛÌÍˆËﬂÏË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.å˚ Ú‡ÍÊÂ ÒÓ‚ÂÚÛÂÏ ‚‡Ï ÒÓı‡ÌËÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ Ì‡‰...

Page 6 - é„Î‡‚ÎÂÌËÂ; èËÎÓÊÂÌËÂ

CLP-F01 é„Î‡‚ÎÂÌËÂ 6 é„Î‡‚ÎÂÌËÂ Ç‚Â‰ÂÌËÂ ìÍ‡Á‡ÚÂÎ¸ ÔËÏÂÌÂÌËÈ ............................................. 7ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË ....................... 8ë‚ÓÈÒÚ‚‡...................................................................... 9èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ ..........................................

Page 7 - ìÍ‡Á‡ÚÂÎ ̧ ÔËÏÂÌÂÌËÈ; ìÍ‡Á‡ÚÂÎ ̧ ÔËÏÂÌÂÌËÈ

CLP-F01 ìÍ‡Á‡ÚÂÎ¸ ÔËÏÂÌÂÌËÈ 7 ìÍ‡Á‡ÚÂÎ¸ ÔËÏÂÌÂÌËÈ ùÚÓÚ ÛÍ‡Á‡ÚÂÎ¸ ÔÓÏÓÊÂÚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡ÌËˆ˚ Ò ÓÔËÒ‡ÌËÂÏ ÌÂﬂÒÌÓ„Ó ‚ÓÔÓÒ‡. èÓÒÎÛ¯Ë‚‡ÌËÂ èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ò ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË .................... «ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË» – 18èÓÒÎÛ¯Ë‚‡ÌËÂ ÔÂÒÂÌ ËÁ ÒÔËÒÍ‡ 50 ıËÚÓ‚ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ...

Page 8 - ÑÓÔÓÎÌËÚÂÎ ̧Ì ̊Â ÔËÌ‡‰ÎÂÊÌÓÒÚË; ÑÓÔÓÎÌËÚÂÎ ̧Ì ̊Â ÔËÌ‡‰ÎÂÊÌÓÒÚË; ë·ÓÌËÍ Ô‡ÚËÚÛ «50 greats for the Piano»; ç‡ÒÚÓÈÍ‡

CLP-F01 ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË 8 ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË • ë·ÓÌËÍ Ô‡ÚËÚÛ «50 greats for the Piano» • êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂÊ‡ÚÒﬂ ÔÓÎÌ˚Â ËÌÒÚÛÍˆËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova. • ëÍ‡ÏÂÈÍ‡ Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË ÒÍ‡ÏÂÈÍ‡ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË ÌÂ ‚ı...

Page 9 - ë‚ÓÈÒÚ‚‡

CLP-F01 ë‚ÓÈÒÚ‚‡ 9 ë‚ÓÈÒÚ‚‡ ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Yamaha Clavinova CLP-F01 ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÌË Ò ˜ÂÏ ÌÂ Ò‡‚ÌËÏÛ˛ Â‡ÎËÒÚË˜ÌÓÒÚ¸ Á‚ÛÍ‡ Ë ‚ÓÁÏÓÊÌÓÒÚ¸ Ë„˚ ‚ ÚÂÏ·Â ÓﬂÎﬂ, ÓË„ËÌ‡Î¸ÌÛ˛ ÚÂıÌÓÎÓ„Ë˛ „ÂÌÂ‡ˆËË ÚÓÌ‡ ÍÓÔÓ‡ˆËË Yamaha - «AWM Dynamic Stereo Sampling» ‰Îﬂ ÒÓÁ‰‡ÌËﬂ Ì‡Ò˚˘ÂÌÌ˚ı ÏÛÁ˚Í‡Î¸Ì˚ı ÚÂÏ·Ó‚ Ë ÒÔÂˆ...

Page 10 - èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ; èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ; ä ̊ ̄Í‡ ÍÎ‡‚Ë‡ÚÛ ̊; óÚÓ· ̊ ÓÚÍ ̊Ú ̧ Í ̊ ̄ÍÛ ÍÎ‡‚Ë‡ÚÛ ̊:

CLP-F01 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ 10 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ ä˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚: 1. óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ, ‚ÒÚ‡‚¸ÚÂ Ô‡Î¸ˆ˚ ‚ ‚˚ÂÏÍË Ì‡ ÔÂÂ‰ÌÂÈ ˜‡ÒÚË Í˚¯ÍË, ÓÒÚÓÓÊÌÓ ÔÓ‰ÌËÏËÚÂ Í˚¯ÍÛ Ë ÓÔÛÒÚËÚÂ ÂÂ Ì‡Á‡‰. 2. èÓ‰ÌËÏËÚÂ ÒÎÓÊÂÌÌÛ˛ Í˚¯ÍÛ Ë ÔËÒÎÓÌËÚÂ ÂÂ Í ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË. óÚÓ·˚ Á‡Í˚Ú¸ ...

Page 11 - è ̨ÔËÚ; óÚÓ· ̊ ÔÓÏÂÒÚËÚ ̧ Ô ̨ÔËÚ ‚ ‡·Ó ̃ÂÂ ÔÓÎÓÊÂÌËÂ:; óÚÓ· ̊ Á‡ÏÂÌËÚ ̧ Ô ̨ÔËÚ:

CLP-F01 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ 11 è˛ÔËÚ è˛ÔËÚ ÔËÍÂÔÎÂÌ Í ‚ÌÛÚÂÌÌÂÈ ÒÚÓÓÌÂ Í˚¯ÍË ÍÎ‡‚Ë‡ÚÛ˚. óÚÓ·˚ ÔÓÏÂÒÚËÚ¸ Ô˛ÔËÚ ‚ ‡·Ó˜ÂÂ ÔÓÎÓÊÂÌËÂ: ‡ÍÍÛ‡ÚÌÓ ÔÓÚﬂÌËÚÂ Ô˛ÔËÚ Ì‡ Í˚¯ÍÂ ‚ÌËÁ Ë Ì‡ ÒÂ·ﬂ. óÚÓ·˚ Á‡ÏÂÌËÚ¸ Ô˛ÔËÚ: ÔÓÚﬂÌËÚÂ Ô˛ÔËÚ ‚‚Âı Ë ÔËÒÎÓÌËÚÂ Â„Ó Í Í˚¯ÍÂ.

Page 12 - ÇÍÎ ̨ ̃ÂÌËÂ ÔËÚ‡ÌËfl; èÓ‰ÒÓÂ‰ËÌÂÌËÂ Í‡·ÂÎfl ÔËÚ‡ÌËfl.

CLP-F01 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ 12 ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ 1. èÓ‰ÒÓÂ‰ËÌÂÌËÂ Í‡·ÂÎﬂ ÔËÚ‡ÌËﬂ. ÇÒÚ‡‚¸ÚÂ Ó‰ËÌ ÍÓÌÂˆ Í‡·ÂÎﬂ ‚ ‡Á˙ÂÏ AC INLET ÔË‡ÌËÌÓ Clavinova, ‰Û„ÓÈ ÍÓÌÂˆ — ‚ ÓÁÂÚÍÛ.Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. (Ç ‡...

Page 13 - êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË

CLP-F01 èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ 13 êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË ìÒÚ‡ÌÓ‚ËÚÂ Â„ÛÎﬂÚÓ [MASTER VOLUME] ÔËÏÂÌÓ ÔÓÒÂÂ‰ËÌÂ, ÏÂÊ‰Û Ô‡‡ÏÂÚ‡ÏË «MIN» Ë «MAX». ç‡˜‡‚ Ë„Û, Â„ÛÎﬂÚÓÓÏ [MASTER VOLUME] ÛÒÚ‡ÌÓ‚ËÚÂ ÓÔÚËÏ‡Î¸ÌÛ˛ „ÓÏÍÓÒÚ¸. ÇçàåÄçàÖ! çÂ ËÒÔÓÎ¸ÁÛÈÚÂ ÔË‡ÌËÌÓ Clavinova Ì‡ ‚˚ÒÓÍÓÏ ÛÓ‚ÌÂ „ÓÏÍÓÒÚË ‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏ...

Page 14 - Ñãü áÄåÖíéä

Page 15 - ëÔ‡‚Ó ̃ÌËÍ

CLP-F01 15 ëÔ‡‚Ó˜ÌËÍ è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ .................................................... 16 ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË..................................... 18 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ .................................................. 19 à„‡ Ó‰ÌÓÈ ÛÍÓÈ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ (ÙÛÌÍˆËﬂ ÓÚÍÎ˛˜ÂÌËﬂ Ô‡ÚËÈ Ô...

Page 16 - è‡ÌÂÎ ̧ ÛÔ‡‚ÎÂÌËfl; è‡ÌÂÎ ̧ ÛÔ‡‚ÎÂÌËfl; ÇÂıÌflfl Ô‡ÌÂÎ ̧

CLP-F01 è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ 16 è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ PHONES SPEAKER AUX IN AUX OUT L/L+R R L/L+R R LEVEL FIXED L R OFF ON NORMAL (HP. SW ) MASTER VOLUME BRILLIANCE MELLOW BRIGHT MIN MAX DEMO METRONOME START/STOP TEMPO/FUNCTION TEMPOFUNCTION TEMPO/OTHER VALUE - NO YES + PRESET USER 1USER 2 TRACK 1 TRACK 2 S...

Page 18 - ÑÂÏÓÌÒÚ‡ˆËÓÌÌ ̊Â ÏÂÎÓ‰ËË; ÑÂÏÓÌÒÚ‡ˆËÓÌÌ ̊Â ÏÂÎÓ‰ËË; ÇÍÎ ̨ ̃ÂÌËÂ ÂÊËÏ‡ ‰ÂÏÓÌÒÚ‡ˆËË.; ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË Ë flÍÓÒÚË Á‚ÛÍ‡; éÒÚ‡ÌÓ‚Í‡ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡.; ÑÂÈÒÚ‚Ëfl

CLP-F01 ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË 18 ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚ ‰Îﬂ ‰ÂÏÓÌÒÚ‡ˆËË ‚ÒÂı ÚÂÏ·Ó‚ ÔË‡ÌËÌÓ CLP-F01. 1 ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ. (ÖÒÎË ÔËÚ‡ÌËÂ Â˘Â ÌÂ ‚ÍÎ˛˜ÂÌÓ.) ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [POWER] . ÖÒÎË ÔËÚ‡ÌËÂ ‚ÍÎ˛˜ÂÌÓ, ‰ÓÎÊÂÌ „ÓÂÚ¸ Ó‰ËÌ ËÁ Ò‚ÂÚÓ‰ËÓ‰Ì˚ı ËÌ‰ËÍ‡ÚÓÓ‚ ÍÌÓÔÓÍ ÚÂÏ...

Page 19 - 0 ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ; 0 ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ; ÇÍÎ ̨ ̃ÂÌËÂ ÂÊËÏ‡ ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ.; ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Î ̨·ÓÈ ËÁ 50 ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ.; ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË; ç‡ÒÚÓÈÍ‡ ÚÂÏÔ‡; éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËfl.

CLP-F01 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ 19 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ Ç Ô‡ÏﬂÚË Clavinova ÒÓ‰ÂÊËÚÒﬂ 50 ÔÂÒÂÌ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ. ùÚË ÔÂÒÌË ÏÓÊÌÓ ÔÓÒÚÓ ÒÎÛ¯‡Ú¸ (ÒÚ. 19) ËÎË ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÛÔ‡ÊÌÂÌËÈ (ÒÚ. 20). åÓÊÌÓ Ú‡ÍÊÂ Ó·‡ÚËÚ¸Òﬂ Í ÔËÎ‡„‡ÂÏÓÏÛ Ò·ÓÌËÍÛ «50 greats for the Piano» Ò ÌÓÚ‡ÏË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ. 1 ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ ...

Page 20 - Ç ̊ıÓ‰ ËÁ ÂÊËÏ‡ ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ.; àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ ÙÛÌÍˆËÈ Ó·Û ̃ÂÌËfl; éÚÍÎ ̨ ̃ÂÌËÂ ‡ÁÛ ̃Ë‚‡ÂÏÓÈ Ô‡ÚËË.

CLP-F01 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ 20 4 Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ. óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PRESET] . àÌ‰ËÍ‡ÚÓ ÓÚÍÎ˛˜‡ÂÚÒﬂ Ë ËÌÒÚÛÏÂÌÚ ‚ÓÁ‚‡˘‡ÂÚÒﬂ ‚ Ó·˚˜Ì˚È ÂÊËÏ. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËÈ Ó·Û˜ÂÌËﬂ èË ÊÂÎ‡ÌËË ÏÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸ Ô‡ÚË˛ ÎÂ‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË Ë Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ ...

Page 21 - ÇÍÎ ̨ ̃ÂÌËÂ Ë ÓÚÍÎ ̨ ̃ÂÌËÂ ÔË ÔÓÏÓ ̆Ë ÎÂ‚ÓÈ ÔÂ‰‡ÎË

CLP-F01 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ 21 Ä‚ÚÓÏ‡ÚË˜ÂÒÍËÈ Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ Ì‡ ÍÎ‡‚Ë¯‡ı (Synchro Start) ÖÒÎË ÙÛÌÍˆËﬂ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡ ‚ÍÎ˛˜ÂÌ‡, ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË Ì‡˜ËÌ‡ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ Ì‡ ÍÎ‡‚Ë¯‡ı.óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌı...

Page 22 - îÛÌÍˆËfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ ̊ı

CLP-F01 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ 22 îÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ A-B ‰Îﬂ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ îÛÌÍˆË˛ ÔÓ‚ÚÓ‡ Ä-Ç ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÌÂÔÂ˚‚ÌÓ„Ó ÔÓ‚ÚÓÂÌËﬂ ÛÍ‡Á‡ÌÌÓÈ Ù‡Á˚ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË. Ç ÒÓ˜ÂÚ‡ÌËË Ò ÓÔËÒ‡ÌÌÓÈ ÌËÊÂ ÙÛÌÍˆËÂÈ ÓÚÍÎ˛˜ÂÌËﬂ Ô‡ÚËË Ó‰ÌÓÈ ÛÍË ˝Ú‡ ÙÛÌÍˆËﬂ ‰‡ÂÚ ÔÂÍ‡ÒÌÛ˛ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡ÁÛ˜Ë‚‡Ú¸ ÒÎÓÊÌ˚Â ÓÚ˚‚ÍË. 1 ...

Page 23 - à„‡ ‚ ‚ ̊·‡ÌÌÓÏ ÚÂÏ·Â; à„‡ ‚ ‚ ̊·‡ÌÌÓÏ ÚÂÏ·Â; Ç ̊·Ó ÚÂÏ·Ó‚; àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ

CLP-F01 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 23 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â Ç˚·Ó ÚÂÏ·Ó‚ Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [VOICE] . ç‡˜‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚÂ Â„ÛÎﬂÚÓÓÏ [MASTER VOLUME] ÓÔÚËÏ‡Î¸ÌÛ˛ „ÓÏÍÓÒÚ¸. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ ì ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÂÒÚ¸ ÚË ÔÂ‰‡ÎË, ÍÓÚÓ˚Â ‚˚ÔÓÎÌﬂ˛Ú ÚÂ ÊÂ ÙÛÌÍˆ...

Page 25 - ç‡ÒÚÓÈÍ‡ „ÎÛ·ËÌ ̊ Â‚Â·Â‡ˆËË

CLP-F01 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 25 ç‡Ê‡ÚËÂ ÍÌÓÔÍË [REVERB] ÔÓÔÂÂÏÂÌÌÓ ‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ Â‚Â·Â‡ˆË˛. èË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ì‡ ÍÌÓÔÍÛ [VARIATION] ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ Á‡„Ó‡˛ÚÒﬂ ËÌ‰ËÍ‡ÚÓ˚. ÖÒÎË ËÌ‰ËÍ‡ÚÓ˚ ÌÂ „ÓﬂÚ, ˝ÙÙÂÍÚ ÌÂ ÒÓÁ‰‡ÂÚÒﬂ. Ñ‡ÊÂ ÂÒÎË ‰Îﬂ Ì‡ÒÚÓÈÍË REVERB ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ OFF, ÔË ‚˚·ÓÂ ÚÂÏ·‡...

Page 26 - óÛ‚ÒÚ‚ËÚÂÎ ̧ÌÓÒÚ ̧ Í ÒËÎÂ Ì‡Ê‡ÚËfl —; àÁÏÂÌÂÌËÂ „ÓÏÍÓÒÚË, ÂÒÎË ‚ ̊·‡Ì Ô‡‡ÏÂÚ FIXED

CLP-F01 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 26 óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ — [TOUCH] åÓÊÌÓ ‚˚·‡Ú¸ ˜ÂÚ˚Â ‡ÁÎË˜Ì˚ı ÚËÔ‡ ‰ËÌ‡ÏË˜ÂÒÍÓÈ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË ÍÎ‡‚Ë‡ÚÛ˚ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ HARD, MEDIUM, SOFT ËÎË FIXED, ÔÓ‰ıÓ‰ﬂ˘Ëı ‰Îﬂ Ë„˚ ‚ ‡ÁÎË˜Ì˚ı ÒÚËÎﬂı Ë Ò ‡ÁÎË˜Ì˚ÏË Ì‡ÒÚÓÈÍ‡ÏË. HARD: óÚÓ·˚ ‰ÓÒÚË˜¸ Ï‡ÍÒËÏ‡Î¸ÌÓÈ „ÓÏÍÓÒÚË, Ò...

Page 28 - Ç ̊ıÓ‰ ËÁ ÂÊËÏ‡ Dual Ë ‚ÓÁ‚‡Ú ‚ Ó· ̊ ̃Ì ̊È ÂÊËÏ.

CLP-F01 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 28 ç‡ÎÓÊÂÌËÂ ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ç‡ ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛÂ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ËÏËÚËÓ‚‡Ú¸ ÏÂÎÓ‰Ë˜ÂÒÍËÈ ‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ·‡ ‰Îﬂ ÔÓÎÛ˜ÂÌËﬂ ·ÓÎÂÂ Ì‡Ò˚˘ÂÌÌÓ„Ó Á‚ÛÍ‡. 1 ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ Ì‡ÎÓÊÂÌËﬂ (Dual). é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË ‰‚Û...

Page 30 - Ç ̊·Ó ÚÂÏ·‡ ‰Îfl Ô‡‚ÓÈ ÛÍË.

CLP-F01 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 30 3 Ç˚·Ó ÚÂÏ·‡ ‰Îﬂ Ô‡‚ÓÈ ÛÍË. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ ÚÂÏ·‡. 4 Ç˚·Ó ÚÂÏ·‡ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË. ç‡ÊÏËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ ÚÂÏ·‡, Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [SPLIT] . (àÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË ÚÂÏ·‡ ÎÂ‚ÓÈ ÛÍË ·Û‰ÂÚ „ÓÂÚ¸, ÔÓÍ‡ Ì‡Ê‡Ú‡ ÍÌÓÔÍ‡ [SPLIT] .) ÑÎﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ÓÚÍÎ˛˜ÂÌËﬂ ‚‡Ë‡ˆËË ‰Îﬂ ÌËÊ...

Page 31 - àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡; ç‡ÒÚÓÈÍ‡ ̃‡ÒÚÓÚ ̊ ÒË„Ì‡Î‡ ÏÂÚÓÌÓÏ‡

CLP-F01 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 31 àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡ Ç ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚ÒÚÓÂÌ ÏÂÚÓÌÓÏ (ÔË·Ó, Á‡‰‡˛˘ËÈ ÚÂÏÔ ËÒÔÓÎÌÂÌËﬂ), ˜ÚÓ Û‰Ó·ÌÓ ‰Îﬂ ÛÔ‡ÊÌÂÌËÈ. 1 á‡ÔÛÒÍ ÏÂÚÓÌÓÏ‡. á‚ÛÍ ÏÂÚÓÌÓÏ‡ ‚ÍÎ˛˜‡ÂÚÒﬂ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË METRONOME [START/STOP] . ç‡ÒÚÓÈÍ‡ ÚÂÏÔ‡ èË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [TEMPO/FUNCTION# ▼ , ▲...

Page 32 - á‡ÔËÒ ̧ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl; á‡ÏÂ ̃‡ÌËfl Ó Á‡ÔËÒË; Ç ̊·ÂËÚÂ ÔÂÒÌ ̨ ‰Îfl Á‡ÔËÒË.; á‡‰‡ÈÚÂ ‚ÒÂ ÔÂ‚ÓÌ‡ ̃‡Î ̧Ì ̊Â Ì‡ÒÚÓÈÍË.

CLP-F01 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ 32 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ ÇÓ ‚ÂÏﬂ ÛÔ‡ÊÌÂÌËÈ ËÌÓ„‰‡ ÔÓÎÂÁÌÓ ÔÓÒÎÛ¯‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ë„Û Ì‡ CLP-F01. åÓÊÌÓ, Ì‡ÔËÏÂ, Á‡ÔËÒ‡Ú¸ ÚÓÎ¸ÍÓ Ô‡ÚË˛ ÎÂ‚ÓÈ ÛÍË, ‡ Á‡ÚÂÏ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÂÂ ‚Ó ‚ÂÏﬂ ÛÔ‡ÊÌÂÌËÈ Ô‡‚ÓÈ ÛÍÓÈ. àÎË, Ú‡Í Í‡Í ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰‚Â ‰ÓÓÊÍË ÓÚ‰ÂÎ¸ÌÓ, ÏÓÊÌ...

Page 33 - ÇÍÎ ̨ ̃ÂÌËÂ ÂÊËÏ‡ Á‡ÔËÒË.

CLP-F01 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ 33 3 ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ Á‡ÔËÒË. óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÂÊËÏ Á‡ÔËÒË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC] . á‡ÔËÒ¸ Â˘Â ÌÂ Ì‡˜ËÌ‡ÂÚÒﬂ. àÌ‰ËÍ‡ÚÓ [TRACK 1] ËÎË [TRACK 2] Á‡ÏË„‡ÂÚ Í‡ÒÌ˚Ï Ò‚ÂÚÓÏ.é·˙ÂÏ Ô‡ÏﬂÚË, ‰ÓÒÚÛÔÌ˚È ‰Îﬂ Á‡ÔËÒË, ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ ‚ ÍËÎÓ·‡ÈÚ‡ı, ÚÓ˜Í‡ ...

Page 34 - èÂÂÁ‡ÔËÒ ̧ ‰ÓÓÊÍË TRACK 1; Ç ̋ÚÓÏ ‡Á‰ÂÎÂ ÔÓÍ‡Á‡ÌÓ, Í‡Í ÔÂÂÁ‡ÔËÒ‡Ú ̧ ‰ÓÓÊÍÛ, ÂÒÎË ‚‡Ï ÌÂ Ì‡‚ËÚÒfl ËÒÔÓÎÌÂÌËÂ.; Ç ̋ÚÓÏ ‡Á‰ÂÎÂ ‡ÒÒÍ‡Á ̊‚‡ÂÚÒfl Ó ÚÓÏ, Í‡Í Á‡ÔËÒ‡Ú ̧ Ì‡ ‚ÚÓÛ ̨ ‰ÓÓÊÍÛ ‰Û„Û ̨ Ô‡ÚË ̨.; èÓ‚ÚÓÌÓÂ ‚ÍÎ ̨ ̃ÂÌËÂ ÂÊËÏ‡ Á‡ÔËÒË.; Ç ̊·ÂËÚÂ ‰ÓÓÊÍÛ ‰Îfl Á‡ÔËÒË.

CLP-F01 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ 34 èÂÂÁ‡ÔËÒ¸ ‰ÓÓÊÍË TRACK 1 Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÔÓÍ‡Á‡ÌÓ, Í‡Í ÔÂÂÁ‡ÔËÒ‡Ú¸ ‰ÓÓÊÍÛ, ÂÒÎË ‚‡Ï ÌÂ Ì‡‚ËÚÒﬂ ËÒÔÓÎÌÂÌËÂ. 1. ÖÒÎË ÌÛÊÌÓ, ‚˚·ÂËÚÂ ÚÂÏ· ËÎË ÚÂÏ·˚ (‡ Ú‡ÍÊÂ ‰Û„ËÂ Ì‡ÒÚÓÈÍË) ‰Îﬂ ÔÂÂÁ‡ÔËÒË. ÖÒÎË ‚˚ ıÓÚËÚÂ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚, ÔÓ‚ÚÓËÚÂ ¯‡„ 1 Ì‡ ÒÚ. 32. 2. èÓ‚ÚÓÌÓ...

Page 35 - éÚ‰ÂÎ ̧Ì ̊Â ‰ÓÓÊÍË

CLP-F01 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ 35 ìÒÚÓÈÒÚ‚Ó Á‡ÔËÒË ÔÂÒÂÌ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Á‡ÔËÒ˚‚‡ÂÚ ÒÎÂ‰Û˛˘ËÂ ‰‡ÌÌ˚Â: èÓÏËÏÓ ÌÓÚ Ë ÚÂÏ·‡, ‚ ÍÓÚÓÓÏ ËÒÔÓÎÌﬂÂÚÒﬂ ÔÂÒÌﬂ, Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰‡ÌÌ˚Â.ä ˝ÚËÏ ‰‡ÌÌ˚Ï ÓÚÌÓÒﬂÚÒﬂ ‰‡ÌÌ˚Â Ó· ÓÚ‰ÂÎ¸Ì˚ı ‰ÓÓÊÍ‡ı Ë ‚ÒÂÈ ÔÂÒÌÂ. ëÏ. ‰‡ÎÂÂ. éÚ‰ÂÎ¸Ì˚Â ‰ÓÓÊÍË • àÒÔÓÎÌﬂÂÏ˚Â...

Page 36 - àÁÏÂÌÂÌËÂ Ì‡ ̃‡Î ̧Ì ̊ı Ì‡ÒÚÓÂÍ

CLP-F01 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ 36 àÁÏÂÌÂÌËÂ Ì‡˜‡Î¸Ì˚ı Ì‡ÒÚÓÂÍ ç‡˜‡Î¸Ì˚Â Ì‡ÒÚÓÈÍË (‰‡ÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚Â ‚ Ì‡˜‡ÎÂ ÔÂÒÌË) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÔÓÒÎÂ Á‡ÔËÒË. ç‡ÔËÏÂ, ÔÓÒÎÂ Á‡ÔËÒË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îﬂ ÒÓÁ‰‡ÌËﬂ ÌÓ‚ÓÈ Ó·ÒÚ‡ÌÓ‚ÍË ËÎË Ì‡ÒÚÓËÚ¸ ÚÂÏÔ ÔÓ Ò‚ÓÂÏÛ ‚ÍÛÒÛ. åÓÊÌÓ ËÁÏÂÌﬂÚ¸ ÒÎÂ‰Û˛˘ËÂ Ì‡˜‡Î¸Ì˚Â Ì‡...

Page 37 - ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒÂÈ ÔÂÒÂÌ; ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒÂÈ ÔÂÒÂÌ; ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË; á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚Â‰ÂÌËfl.

CLP-F01 ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒÂÈ ÔÂÒÂÌ 37 ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒÂÈ ÔÂÒÂÌ á‡ÔËÒ‡ÌÌ˚Â ÔÂÒÌË ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Record (ÒÚ. 32–36). à„‡Ú¸ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÓË„˚‚‡ÌËÂÏ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË. ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË 1 Ç˚·Ó ÌÛÊÌÓÈ ÔÂÒÌË. óÚÓ·˚ ‚˚·‡Ú¸ ÔÂÒÌ˛ ‰Îﬂ Á‡ÔËÒË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [USER 1/2/...

Page 38 - èÓÎÂÁÌ ̊Â ÙÛÌÍˆËË ‚ÓÒÔÓËÁ‚Â‰ÂÌËfl; ÇÍÎ ̨ ̃ÂÌËÂ Ë ‚ ̊ÍÎ ̨ ̃ÂÌËÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËfl ‰ÓÓÊÂÍ; á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚Â‰ÂÌËfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡ ̃‡ÎÓÏ Ë„ ̊ (Synchro Start); á‡ÍÂÔÎÂÌËÂ Á‡ ÎÂ‚ÓÈ ÔÂ‰‡Î ̧ ̨ ÙÛÌÍˆËË ÍÌÓÔÍË Ì‡ ̃‡Î‡/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË

CLP-F01 ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒÂÈ ÔÂÒÂÌ 38 èÓÎÂÁÌ˚Â ÙÛÌÍˆËË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‰ÓÓÊÂÍ ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÔÂÒÌ˛ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova, ËÌ‰ËÍ‡ÚÓ˚ ‰ÓÓÊÂÍ, Ì‡ ÍÓÚÓ˚ı ÂÒÚ¸ ‰‡ÌÌ˚Â ( [TRACK 1] , [TRACK 2] ËÎË Ó·‡) „ÓﬂÚ ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ. çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, Ë„‡˛Ú Ì‡...

Page 39 - ëÔËÒÓÍ Ô‡‡ÏÂÚÓ‚

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 39 ç‡ÒÚÓÈÍË — [FUNCTION] óÚÓ·˚ ÎÛ˜¯Â ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆËË Clavinova, ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡ÁÎË˜Ì˚Â Ô‡‡ÏÂÚ˚, Ì‡ÔËÏÂ ÚÓ˜ÌÛ˛ Ì‡ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ Á‚ÛÍ‡, ÚÂÏ· ÏÂÚÓÌÓÏ‡, ÔÓ‚ÚÓÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ë Ú. ‰. ÑÓÒÚÛÔÌ˚Â Ô‡‡ÏÂÚ˚ ÔË‚Â‰ÂÌ˚ ÌËÊÂ.Ç CLP-F01 ÂÒÚ¸ ‰Â‚ﬂÚ¸ ÓÒÌÓ‚Ì˚ı ÙÛÌÍˆËÈ...

Page 40 - éÒÌÓ‚Ì ̊Â ‰ÂÈÒÚ‚Ëfl ‚ ÂÊËÏÂ Function; ÇÍÎ ̨ ̃ËÚÂ ÂÊËÏ Function.

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 40 éÒÌÓ‚Ì˚Â ‰ÂÈÒÚ‚Ëﬂ ‚ ÂÊËÏÂ Function ÑÎﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÙÛÌÍˆËÈ ‚˚ÔÓÎÌËÚÂ ÒÎÂ‰Û˛˘ËÂ ‰ÂÈÒÚ‚Ëﬂ.(ÖÒÎË, ËÒÔÓÎ¸ÁÛﬂ ÙÛÌÍˆË˛, ‚˚ ÌÂ ÁÌ‡ÂÚÂ, ˜ÚÓ Ì‡‰Ó Ò‰ÂÎ‡Ú¸, ‚ÂÌËÚÂÒ¸ Í ˝ÚÓÈ ÒÚ‡ÌËˆÂ Ë ÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò ÓÒÌÓ‚Ì˚ÏË ‰ÂÈÒÚ‚ËﬂÏË.) 1 ÇÍÎ˛˜ËÚÂ ÂÊËÏ Function. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [TEMPO/FUNCTI...

Page 42 - éÔËÒ‡ÌËÂ ÙÛÌÍˆËÈ; èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚ ̊·ÂËÚÂ; F1. íÓÌÍ‡fl Ì‡ÒÚÓÈÍ‡ ‚ ̊ÒÓÚ ̊ Á‚ÛÍ‡

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 42 éÔËÒ‡ÌËÂ ÙÛÌÍˆËÈ åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ‚ÒÂ„Ó ËÌÒÚÛ-ÏÂÌÚ‡. ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÎÂÁÌ‡, ÂÒÎË Ì‡ Clavinova Ë„‡˛Ú ‚ ÒÓÔÓ‚ÓÊ‰ÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒÍ‡. 1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ . 2. äÌÓÔÍË [–/NO] Ë [+/YES] ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÔÓÌËÊ‡˛Ú Ë Ô...

Page 43 - ÑË‡Ô‡ÁÓÌ

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 43 åÓÊÌÓ ‚˚·‡Ú¸ ÌÛÊÌ˚È ÒÚÓÈ.ê‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ — ˝ÚÓ Ì‡Ë·ÓÎÂÂ ˜‡ÒÚÓ ËÒÔÓÎ¸ÁÛÂÏ˚È ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎÓ‰Ë˜ÂÒÍËÈ ÒÚÓÈ ÙÓÚÂÔ¸ﬂÌÓ. é‰Ì‡ÍÓ ‚ ËÒÚÓËË ÒÛ˘ÂÒÚ‚Ó‚‡ÎÓ ·ÓÎ¸¯ÓÂ ÍÓÎË˜ÂÒÚ‚Ó ‰Û„Ëı ÒÚÓÂ‚, ÏÌÓ„ËÂ ËÁ ÍÓÚÓ˚ı ﬂ‚Îﬂ˛ÚÒﬂ ÓÒÌÓ‚ÓÈ ÓÔÂ‰ÂÎÂÌÌ˚ı ÏÛÁ˚Í‡Î¸Ì˚ı Ê‡ÌÓ‚. åÓÊÌÓ ËÒÔÓÎ¸Á...

Page 44 - F3. îÛÌÍˆËË ÔË Ì‡ÎÓÊÂÌËË ÚÂÏ·Ó‚

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 44 åÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡ÁÎË˜Ì˚Â Ô‡‡ÏÂÚ˚ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚, ˜ÚÓ·˚ ÛÎÛ˜¯ËÚ¸ Ì‡ÒÚÓÈÍË ÔÓË„˚‚‡ÂÏ˚ı ÔÂÒÂÌ, Ì‡ÔËÏÂ ËÁÏÂÌËÚ¸ ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÂÊ‰Û ÚÂÏ·‡ÏË.ç‡ÒÚÓÈÍË ‚ ˝ÚÓÏ ÂÊËÏÂ ‚˚ÔÓÎÌﬂ˛ÚÒﬂ ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ Í‡Ê‰ÓÈ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚. 1. Ç˚·ÂËÚÂ ÚÂÏ·˚ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ, ÔÂÂÈ‰ËÚÂ ‚ ...

Page 45 - îÛÌÍˆËË ÔË ‡Á‰ÂÎÂÌËË ÚÂÏ·Ó‚

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 45 Ç ˝ÚÓÏ ÏÂÌ˛ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡ÁÎË˜Ì˚Â Ô‡‡ÏÂÚ˚ ‰Îﬂ ÂÊËÏ‡ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚.åÂÌﬂﬂ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ËÎË ‰Û„ËÂ Ô‡‡ÏÂÚ˚, ÏÓÊÌÓ ‰Ó·ËÚ¸Òﬂ ÓÔÚËÏ‡Î¸ÌÓ„Ó Á‚Û˜‡ÌËﬂ ËÒÔÓÎÌﬂÂÏÓÈ ÔÂÒÌË.ùÚË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ Í‡Ê‰ÓÈ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚. 1. Ç˚·ÂËÚÂ ÚÂÏ·˚ ‚ ÂÊËÏÂ...

Page 46 - ÇÍÎ ̨ ̃ËÚÂ ÂÊËÏ Function Ë ‚ ̊·ÂËÚÂ; èÓ‰ÂÊËÏ; ÉÎÛ·ËÌ‡ ̋ÙÙÂÍÚ‡ ÎÂ‚ÓÈ ÔÂ‰‡ÎË; ÉÎÛ·ËÌ‡ «ÒÛÒÚÂÈÌ»-Ò ̋ÏÔÎ‡; ÉÓÏÍÓÒÚ ̧ Ò ̋ÏÔÎ‡ ÓÚÔÛ ̆ÂÌÌÓÈ ÍÎ‡‚Ë ̄Ë

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 46 ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ‰Îﬂ ÎÂ‚ÓÈ ÔÂ‰‡ÎË Ó‰ËÌ ËÁ ÂÊËÏÓ‚, ÛÍ‡Á‡ÌÌ˚ı ÌËÊÂ. 1. ÇÍÎ˛˜ËÚÂ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ . 2. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ ‰Û„Ëı ÙÛÌÍˆËÈ, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼ , ▲ ] ‰Îﬂ ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÔÓ‰ÂÊËÏ‡. ç‡ÊËÏ‡ÈÚ...

Page 47 - F6. ÉÓÏÍÓÒÚ ̧ ÏÂÚÓÌÓÏ‡; F7. ÉÓÏÍÓÒÚ ̧ ÓÚÍÎ ̨ ̃ÂÌÌÓÈ Ô‡ÚËË

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 47 ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ ÏÓÊÌÓ ÏÂÌﬂÚ¸.àÒÔÓÎ¸ÁÛÈÚÂ ˝ÚÛ ÙÛÌÍˆË˛ ‰Îﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË ÏÂÚÓÌÓÏ‡. 1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ . 2. á‡‰‡ÈÚÂ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [–/NO] Ë [+/YES]. ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: 1 – 20 é·˚˜Ì‡ﬂ Ì‡ÒÚÓÈÍ‡: 10 ùÚ‡ ÙÛÌÍˆËﬂ Á‡‰‡ÂÚ „ÓÏ...

Page 48 - Ç ̊·Ó Í‡Ì‡Î‡ ÔËÂÏ‡ MIDI-‰‡ÌÌ ̊ı; îÛÌÍˆËfl Local; àÁÏÂÌÂÌËÂ ÔÓ„‡ÏÏ ̊ ON/OFF; îÛÌÍˆËfl Control Change ON/OFF

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 48 Ç˚·Ó Í‡Ì‡Î‡ ÔËÂÏ‡ MIDI-‰‡ÌÌ˚ı èË Ì‡ÒÚÓÈÍÂ ÛÔ‡‚ÎÂÌËﬂ MIDI-ËÌÚÂÙÂÈÒÓÏ ‰Îﬂ ÛÒÔÂ¯ÌÓÈ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı MIDI-Í‡Ì‡Î˚ ÔÂÂ‰‡˛-˘Â„Ó Ë ÔËÌËÏ‡˛˘Â„Ó Ó·ÓÛ‰Ó‚‡ÌËﬂ ‰ÓÎÊÌ˚ ·˚Ú¸ ÔË‚Â‰ÂÌ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡-ÏÂÚ‡ ÏÓÊÌÓ ÛÍ‡Á‡Ú¸ Í‡Ì‡Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌ...

Page 49 - èÂÂ‰‡ ̃‡ Ï‡ÒÒË‚‡ ‰‡ÌÌ ̊ı

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 49 îÛÌÍˆËﬂ MIDI Transmit Transpose ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ‚‚Âı ËÎË ‚ÌËÁ Ì‡ ÔÓÎÛÚÓÌ ÏÛÁ˚Í‡Î¸Ì˚Â MIDI-‰‡ÌÌ˚Â, ÔÂÂ-‰‡‚‡ÂÏ˚Â CLP-F01 (‚ÒÂ„Ó Ì‡ 12 ÔÓÎÛÚÓÌÓ‚ ‚‚Âı ËÎË ‚ÌËÁ). Ç˚ÒÓÚ‡ Á‚ÛÍ‡ Ò‡ÏÓ„Ó ÔË‡ÌËÌÓ CLP-F01 ÌÂ ÏÂÌﬂÂÚÒﬂ. ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: -12 – 0 – 12 (‚ ...

Page 50 - F9. îÛÌÍˆËË ÒÓı‡ÌÂÌËfl

CLP-F01 ç‡ÒÚÓÈÍË — [FUNCTION] 50 é‰Ì‡ÍÓ Ò‡ÏË Ì‡ÒÚÓÈÍË ÒÓı‡ÌÂÌËﬂ Ë ÒÓ‰ÂÊËÏÓÂ ÛÒÚÓÈÒÚ‚‡ ‰Îﬂ Á‡ÔËÒË ÔÂÒÂÌ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÒÓı‡Ìﬂ˛ÚÒﬂ ‚ÒÂ„‰‡. ÇçàåÄçàÖ! Ñ‡ÊÂ ÂÒÎË ÙÛÌÍˆËﬂ ÒÓı‡ÌÂÌËﬂ ‚ÍÎ˛˜ÂÌ‡ ÔË ÔÓÏÓ˘Ë Ó‰ÌÓÈ ËÁ ÓÔËÒ‡ÌÌ˚ı ÌËÊÂ ÙÛÌÍˆËÈ, ÔÓÒÎÂ ÓÚÍÎ˛˜ÂÌËﬂ ÔËÚ‡ÌËﬂ ‰‡ÌÌ˚Â ·Û‰ÛÚ ı‡ÌËÚ¸Òﬂ ÌÂ ·ÓÎ¸¯Â ÌÂ‰ÂÎË. èÓ ËÒ...

Page 51 - é· ËÌÚÂÙÂÈÒÂ MIDI; é· ËÌÚÂÙÂÈÒÂ MIDI

CLP-F01 é· ËÌÚÂÙÂÈÒÂ MIDI 51 é· ËÌÚÂÙÂÈÒÂ MIDI MIDI (ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îﬂ ÏÛÁ˚Í‡Î¸Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚) — ˝ÚÓ ÒÚ‡Ì‰‡ÚÌ˚È ÙÓÏ‡Ú ÔÂÂ‰‡˜Ë Ë ÔËÂÏ‡ ‰‡ÌÌ˚ı. éÌ ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‚Ó‰ËÚ¸ Ó·ÏÂÌ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û MIDI-ÛÒÚÓÈÒÚ‚‡ÏË Ë ÔÂÒÓÌ‡Î¸Ì˚ÏË ÍÓÏÔ¸˛ÚÂ‡ÏË. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ ÏÓÊÌÓ ÛÔ‡‚ÎﬂÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ, ÔÓ‰ÍÎ˛˜ÂÌ...

Page 52 - ê‡Á ̇ÂÏ ̊

CLP-F01 èÓ‰ÍÎ˛˜ÂÌËÂ 52 èÓ‰ÍÎ˛˜ÂÌËÂ ê‡Á˙ÂÏ˚ ÇçàåÄçàÖ! èÂÂ‰ ÔÓ‰ÍÎ˛˜ÂÌËÂÏ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ‚˚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ ‚ÒÂı ÒÓÂ‰ËÌﬂÂÏ˚ı ÍÓÏÔÓÌÂÌÚÓ‚. èÂÊ‰Â ˜ÂÏ ‚ÍÎ˛˜‡Ú¸ ËÎË ‚˚ÍÎ˛˜‡Ú¸ Ó·ÓÛ‰Ó‚‡ÌËÂ, ÒÎÂ‰ÛÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÏËÌËÏ‡Î¸ÌÛ˛ „ÓÏÍÓÒÚ¸ (0). Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ó·ÓÛ‰Ó‚‡ÌËÂ ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚...

Page 53 - ê‡Á ̇ÂÏ TO HOST

CLP-F01 èÓ‰ÍÎ˛˜ÂÌËÂ 53 2 ê‡Á˙ÂÏ˚ AUX IN [R], [L/L+R] ä ˝ÚËÏ ‡Á˙ÂÏ‡Ï ÏÓÊÌÓ ÔÓ‰ÒÓÂ‰ËÌﬂÚ¸ ÒÚÂÂÓ‚˚‚Ó‰˚ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ˜ÂÂÁ ‰ËÌ‡ÏËÍË Clavinova. é·‡ÚËÚÂÒ¸ Í ÒıÂÏÂ Ë ËÒÔÓÎ¸ÁÛÈÚÂ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ‡Û‰ËÓÍ‡·ÂÎË. ÇçàåÄçàÖ! ÖÒÎË Í ‚ıÓ‰‡Ï AUX IN ÔË‡ÌË...

Page 54 - èÓ‰ÍÎ ̨ ̃ÂÌËÂ Í ÍÓÏÔ ̧ ̨ÚÂÛ; íË ÒÔÓÒÓ·‡ ÔÓ‰ÍÎ ̨ ̃ÂÌËfl ÔË‡ÌËÌÓ Clavinova Í èä:; «Clavinova-Computer Connection»

CLP-F01 èÓ‰ÍÎ˛˜ÂÌËÂ 54 èÓ‰ÍÎ˛˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ åÓÊÌÓ ÔÓÒÎÛ¯Ë‚‡Ú¸ ÏÛÁ˚Í‡Î¸Ì˚Â ‰‡ÌÌ˚Â Ò ÍÓÏÔ¸˛ÚÂ‡ Ì‡ ÔË‡ÌËÌÓ Clavinova, ÔÓ‰ÍÎ˛˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ‡Á˙ÂÏÛ TO HOST (ËÎË MIDI). íË ÒÔÓÒÓ·‡ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ÔË‡ÌËÌÓ Clavinova Í èä: 1. ëÓÂ‰ËÌÂÌËÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ„Ó ÔÓÚ‡ èä Ò ‡Á˙ÂÏÓÏ TO HOST ËÌÒÚÛÏÂÌÚ‡ Clavinova (ÒÚ...

Page 55 - ëÓÂ‰ËÌÂÌËÂ COM-ÔÓÚ‡ èä Ò ‡Á ̇ÂÏÓÏ [TO HOST] ËÌÒÚÛÏÂÌÚ‡ Clavinova; íËÔ ̊ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ ̧Ì ̊ı Í‡·ÂÎÂÈ Ë ÍÓÌÚ‡ÍÚ ̊

CLP-F01 èÓ‰ÍÎ˛˜ÂÌËÂ 55 1. ëÓÂ‰ËÌÂÌËÂ COM-ÔÓÚ‡ èä Ò ‡Á˙ÂÏÓÏ [TO HOST] ËÌÒÚÛÏÂÌÚ‡ Clavinova ëÓÂ‰ËÌËÚÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì˚È ÔÓÚ èä (RS-232C ËÎË RS-422) Ò ‡Á˙ÂÏÓÏ TO HOST Clavinova.èË Ú‡ÍÓÏ ÔÓ‰ÍÎ˛˜ÂÌËË Clavinova ‡·ÓÚ‡ÂÚ Í‡Í MIDI-ÛÒÚÓÈÒÚ‚Ó Ë ÒÔÂˆË‡Î¸ÌÓ„Ó MIDI-ËÌÚÂÙÂÈÒ‡ ÌÂ ÌÛÊÌÓ. èÓ‰ÍÎ˛˜ÂÌËÂ ÑÎﬂ ÔÓ‰ÍÎ˛˜...

Page 56 - àÒÔÓÎ ̧ÁÓ‚‡ÌËÂ MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á ̇ÂÏÓ‚ Clavinova; ìÒÚ‡ÌÓ‚Í‡ ÔÂÂÍÎ ̨ ̃‡ÚÂÎfl HOST SELECT ËÌÒÚÛÏÂÌÚ‡ Clavinova

CLP-F01 èÓ‰ÍÎ˛˜ÂÌËÂ 56 ìÒÚ‡ÌÓ‚Í‡ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ HOST SELECT ËÌÒÚÛÏÂÌÚ‡ Clavinova ìÒÚ‡ÌÓ‚ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ HOST SELECT Ì‡ Clavinova ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚËÔÓÏ èä. • Macintosh: « Mac» (ÒÍÓÓÒÚ¸ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı: 31 250 ·ËÚ/ÒÂÍ, 1 åÉˆ) • Windows: «PC-2» (ÒÍÓÓÒÚ¸ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı: 38 400 ·ËÚ/ÒÂÍ) 2. àÒÔÓÎ¸ÁÓ‚‡...

Page 57 - èËÏÂ ÔÓ‰ÍÎ ̨ ̃ÂÌËfl Clavinova ̃ÂÂÁ USB-ËÌÚÂÙÂÈÒ Ò ÔÓÏÓ ̆ ̧ ̨ MIDI-Í‡·ÂÎÂÈ

CLP-F01 èÓ‰ÍÎ˛˜ÂÌËÂ 57 3. èÓ‰ÍÎ˛˜ÂÌËÂ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ ˜ÂÂÁ Ú‡ÍËÂ USB-ËÌÚÂÙÂÈÒ˚, Í‡Í UX16, UX96 ËÎË UX256 èË ÔÓÏÓ˘Ë USB-Í‡·ÂÎﬂ ÔÓ‰ÍÎ˛˜ËÚÂ USB-ÔÓÚ ÍÓÏÔ¸˛ÚÂ‡ Í USB-ËÌÚÂÙÂÈÒÛ (Ì‡ÔËÏÂ, UX16, UX96 ËÎË UX256). ìÒÚ‡ÌÓ‚ËÚÂ ‰‡È‚Â (ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ‚ ÍÓÏÔÎÂÍÚÂ Ò USB-ËÌÚÂÙÂÈÒÓÏ) Ì‡ ÍÓÏÔ¸˛ÚÂ Ë ÔÓ‰ÍÎ˛...

Page 58 - ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ; ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ

CLP-F01 ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ 58 ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ èÓ·ÎÂÏ‡ ÇÓÁÏÓÊÌ˚Â ÔË˜ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËﬂ Clavinova ÌÂ ‚ÍÎ˛˜‡ÂÚÒﬂ. Clavinova ÌÂ ÔÓ‰ÍÎ˛˜ÂÌ‡ ‚ ÓÁÂÚÍÛ. èÓ‚Â¸ÚÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ Í‡·ÂÎﬂ Í ‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍÂ (ÒÚ. 12). èË ‚ÍÎ˛˜ÂÌËË Ë ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ÒÎ˚¯Ì˚ ˘ÂÎ˜ÍË Ë ıÎÓÔÍË. í‡Í ‚ÒÂ„‰‡ ÔÓËÒı...

Page 59 - ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË; èÓ‰„ÓÚÓ‚Í‡ Á‡‰ÌËı Ô‡ÌÂÎÂÈ

CLP-F01 ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚ 59 ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚ ÇçàåÄçàÖ! • çÂ ÔÂÂÔÛÚ‡ÈÚÂ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡Ì‡‚ÎË‚‡ÈÚÂ Ëı ‚ Ô‡‚ËÎ¸ÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌﬂÈÚÂ Ò·ÓÍÛ ÒÓ„Î‡ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚÛÍˆËË. • ÑÎﬂ Ò·ÓÍË ÚÂ·ÛÂÚÒﬂ ÌÂ ÏÂÌÂÂ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.• çÂÓ·ıÓ‰ËÏÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ËÌÚ˚ ÛÍ‡Á‡ÌÌÓ„Ó ‡ÁÏÂ‡. àÒÔÓÎ¸...

Page 60 - ç‡‰ÂÊÌÓ ÔËÍÂÔËÚÂ Á‡‰ÌËÂ Ô‡ÌÂÎË.; èÂÂÍÎ ̨ ̃‡ÚÂÎ ̧ Ì‡ÔflÊÂÌËfl

CLP-F01 ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚ 60 2 ìÒÚ‡ÌÓ‚Í‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË (ÎÂ‚Ó Ë Ô‡‚Ó). 1 è‡Î¸ˆ‡ÏË ‚ÒÚ‡‚¸ÚÂ ‰‚‡ ÍÓÓÚÍËı ‚ËÌÚ‡ (6 × 14 ÏÏ) ‚ Í‡Ê‰˚È Í‡È Á‡‰ÌÂÈ Ô‡ÌÂÎË (ˆÂÌÚ), ˜ÚÓ·˚ ‚ËÌÚ˚ ‚˚ıÓ‰ËÎË ËÁ ÔÓ‚ÂıÌÓÒÚË ÔËÏÂÌÓ Ì‡ 10 ÏÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ËÌÚ˚ ÌÂ ·Û‰ÛÚ ·ÓÎÚ‡Ú¸Òﬂ Ë ÌÂ ‚˚Ô‡‰ÛÚ ËÁ ÓÚ‚ÂÒÚËÈ. 2 ì·Â‰ËÚ...

Page 61 - èÓÒÎÂ Ò·ÓÍË ÔÓ‚Â ̧ÚÂ ÒÎÂ‰Û ̨ ̆ÂÂ.

CLP-F01 ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚ 61 èêÖÑìèêÖÜÑÖçàÖ Ç˚·Ó ÌÂÔ‡‚ËÎ¸ÌÓ„Ó Ì‡ÔﬂÊÂÌËﬂ ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ ÔÓ‚Â‰ËÚ¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ. èÓÒÎÂ Ò·ÓÍË ÔÓ‚Â¸ÚÂ ÒÎÂ‰Û˛˘ÂÂ. èË ÔÂÂÏÂ˘ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‰ÂÊËÚÂÒ¸ Á‡ Û˜ÍË ‚ ÌËÊÌÂÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚. ÇçàåÄçàÖ! ç ç ç çÂÂÂÂ ··· ·Â...

Page 62 - ëÔËÒÓÍ ‚ÒÚÓÂÌÌ ̊ı ÚÂÏ·Ó‚; ëÔËÒÓÍ ‚ÒÚÓÂÌÌ ̊ı ÚÂÏ·Ó‚

CLP-F01 ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ 62 ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ç‡Á‚‡ÌËÂ ëÚÂÂÓ- Ò˝ÏÔÎËÓ‚‡ÌËÂ óÛ‚ÒÚ‚ËÚÂÎ¸- ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ ÑËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ *1 ë˝ÏÔÎËÓ- ‚‡ÌËÂ Á‚ÛÍ‡ ÓÚÔÛ˘ÂÌÌÓÈ ÍÎ‡‚Ë¯Ë (Key-Off) *2 éÔËÒ‡ÌËÂ ÚÂÏ·Ó‚ GRANDPIANO 1 (êÓﬂÎ¸) ë˝ÏÔÎ˚, ÏÓ‰ÂÎËÛ˛˘ËÂ Á‚Û˜‡ÌËÂ ÍÓÌˆÂÚÌÓ„Ó ÓﬂÎﬂ. ÇÍÎ˛˜ÂÌ˚ ÚË...

Page 64 - ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ ̊ı ÔÂÒÂÌ; ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ ̊ı ÔÂÒÂÌ; éÔËÒ‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ ̊ı ÚÂÏ·Ó‚ ÙÓÚÂÔ ̧flÌÓ; ç‡Á‚‡ÌËÂ ÚÂÏ·‡

CLP-F01 ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ 64 ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ìÍ‡Á‡ÌÌ˚Â Ô¸ÂÒ˚ — ˝ÚÓ ÍÓÓÚÍËÂ ÔÂÂ‡·ÓÚ‡ÌÌ˚Â ÓÚ˚‚ÍË ËÁ ÓË„ËÌ‡Î¸Ì˚ı ÔÓËÁ‚Â‰ÂÌËÈ.ÇÒÂ ÓÒÚ‡Î¸Ì˚Â ÔÂÒÌË ﬂ‚Îﬂ˛ÚÒﬂ ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÍÓÏÔ‡ÌËË (© Yamaha Corporation, 2004). éÔËÒ‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÚÂÏ·Ó‚ ÙÓÚÂÔ¸ﬂÌÓ ç‡Á‚‡ÌËÂ ÚÂÏ·‡ ç‡Á‚‡ÌË...

Page 65 - èÂ‰ÏÂÚÌ ̊È ÛÍ‡Á‡ÚÂÎ ̧; èÂ‰ÏÂÚÌ ̊È ÛÍ‡Á‡ÚÂÎ ̧; ñËÙ ̊

CLP-F01 èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ 65 èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ ñËÙ˚ 50 Greats for the Piano ...................................................19 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ .....................................................19 A ALL (Ò‚ÂÚÓ‰ËÓ‰Ì˚È ËÌ‰ËÍ‡ÚÓ) .................................19 AUX IN ..................

Page 67 - MIDI Implementation Chart / MIDI Implementierung stabelle /; Specifications / Technische Daten / Caractéristiques techniques /

CLP-F01 67 èËÎÓÊÂÌËÂ Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÒÓ‰ÂÊ‡ÚÒﬂ Ò‚Â‰ÂÌËﬂ Ó· ÛÒÚ‡ÌÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ, ÓÔËÒ‡ÌËÂ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ Ë ‰Û„‡ﬂ ËÌÙÓÏ‡ˆËﬂ. Factory Setting List / Liste der Vorgabeeinstellungen / Liste des réglages / ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎﬂ ..............................................................

Page 68 - Function

CLP-F01 èËÎÓÊÂÌËÂ 68 Factory Setting List / Liste der Vorgabeeinstellungen / Liste des réglages / ë ë ë ëÔ Ô Ô ÔË Ë Ë ËÒÒÒÒÓÓÓ ÓÍÍÍ Í Ì Ì Ì Ì‡‡‡‡ÒÒÒÒÚÚÚÚ ÓÓÓ ÓÂÂÂÂÍÍÍ Í Ë Ë Ë ËÁÁÁÁ„„„„ÓÓÓ ÓÚÚÚÚÓÓÓ Ó‚‚‚‚Ë Ë Ë ËÚÚÚÚÂÂÂÂÎÎÎÎﬂﬂﬂﬂ Function Backup Group Voice GRAND PIANO 1 F9.1 Variation OFF Dual Mode...

Page 69 - îÓÓÓ

CLP-F01 èËÎÓÊÂÌËÂ 69 MIDI Data Format / MIDI-Datenformat / Format des données MIDI / î î î îÓÓÓ Ó Ï Ï Ï Ï‡‡‡‡ÚÚÚÚ M M M MIIIID D D DIIII----‰‰‰‰‡‡‡‡Ì Ì Ì ÌÌ Ì Ì Ì˚ ˚ ˚ ˚ıııı If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-gener-ated...

Page 72 - • Effect MIDI Map

CLP-F01 èËÎÓÊÂÌËÂ 72 ccH = don’t care (under 7FH)F7H = End of Exclusive <Table 1> MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) Parameter Description Default value (H) 00 00 00 4 020C - 05F4(*1) MASTER TUNE -50 - +50[cent] 00 04 00 00 01 1st bit 3 - 0 ➝ bit 15 - 12 400 02 ...

Page 77 - IMPORTANT SAFETY INSTRUCTIONS; INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,; WARNING; PLEASE KEEP THIS MANUAL

IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING - When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limite...