Yamaha DGX-305 - User Manual

Yamaha DGX-305

Yamaha DGX-305 Synthesizer – User Manual, read for free online in PDF format. We hope this helps you resolve any issues you may have. If you have further questions, please contact us through the contact form.

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Table of Contents:

  • Page 2 – PLEASE KEEP THIS MANUAL; SPECIFICATIONS SUBJECT TO CHANGE:; SPECIAL MESSAGE SECTION
  • Page 4 – èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà; ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà; * ï‡ÌËÚ ̋ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï  ̆ ÔÓ̇‰Ó·ËÚÒfl.; èêÖÑìèêÖÜÑÖçàÖ
  • Page 5 – ëÓı‡ÌÂÌËÂ Ë ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ ̊ı; åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË
  • Page 6 – 삉ÓÏÎÂÌË ӷ ‡‚ÚÓÒÍËı Ô‡‚‡ı
  • Page 7 – èË·„‡ÂÏ ̊È ÍÓÏÔ‡ÍÚ-‰ËÒÍ; Ò ÓÔÂ‡ˆËÓÌÌ ̊ÏË ÒËÒÚÂχÏË Windows.; èË̇‰ÎÂÊÌÓÒÚË, ‚ıÓ‰fl ̆Ë ‚ ÔÓÒÚ‡‚ÍÛ
  • Page 8 – ëÔˆˇΠ̧Ì ̊ ÙÛÌ͈ËË ËÌÒÚÛÏÂÌÚ‡ DGX-505/305; íÂıÌÓÎÓ„Ëfl performance assistant; ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ‡ÁÌ ̊ı ËÌÒÚÛÏÂÌÚÓ‚
  • Page 9 – ëÓ‰ÂʇÌËÂ
  • Page 10 – ìÒÚ‡Ìӂ͇; èêÖÜÑÖ óÖå ‚ÍÎ ̨ ̃‡Ú ̧ ÔËÚ‡ÌËÂ, ‚ ̊ÔÓÎÌËÚ ÒÎÂ‰Û ̨ ̆Ë ‰ÂÈÒÚ‚Ëfl.; èÓ‰ÍÎ ̨ ̃ËÚ ‡‰‡ÔÚÂ Í ̋ÎÂÍÚÓÒÂÚË.; àÒÔÓÎ ̧ÁÓ‚‡ÌË ·‡Ú‡ÂÈ; á‡ÍÓÈÚÂ Ë Á‡ ̆ÂÎÍÌËÚ Í ̊ ̄ÍÛ ÓÚÒÂ͇.; í·ӂ‡ÌËfl Í ̋ÎÂÍÚÓÔËÚ‡ÌË ̨
  • Page 11 – ꇷÓÚ‡ Ò Ô·ڇÏË Ô‡ÏflÚË SmartMediaTM
  • Page 12 – ÇÒ ÌÂÓ·ıÓ‰ËÏ ̊ ÔÓ‰ÍÎ ̨ ̃ÂÌËfl ÒΉÛÂÚ ‚ ̊ÔÓÎÌËÚ ̧ Ñé ‚ÍÎ ̨ ̃ÂÌËfl ÔËÚ‡ÌËfl.; îÛÌ͈Ëfl ÒÛÒÚÂÈ̇ ÔÓÁ‚ÓÎflÂÚ ÔÓ‰ÎËÚ ̧ Á‚Û ̃‡ÌËÂ; èÓ‰ÍÎ ̨ ̃ÂÌËÂ Ì‡Û ̄ÌËÍÓ‚
  • Page 13 – ÇÍÎ ̨ ̃ÂÌË ÔËÚ‡ÌËfl
  • Page 14 – è‡ÌÂÎ ̧ ÛÔ‡‚ÎÂÌËfl Ë ‡Á ̇ÂÏ ̊; è‰Ìflfl Ô‡ÌÂÎ ̧; ëÔËÒÓÍ Í‡Ú„ÓËÈ ÔÂÒÂÌ
  • Page 15 – ᇉÌflfl Ô‡ÌÂÎ ̧; ëÔËÒÓÍ Í‡Ú„ÓËÈ ÚÂÏ·Ó‚
  • Page 16 – ì ̃ËÏÒfl Ë„‡Ú ̧ ̇ ÙÓÚÂÔˇÌÓ; ÌÓ ‡‡ÌÊËÓ‚‡ÌÌ ̊È Á‚ÛÍ ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ̃ÚÓ Ë„‡ÂÚ ̇ Ò‡ÏÓÏ ‰ÂÎÂ.; ÄÍÍÓ‰Ì ̊È ÚËÔ – Ë„‡ ‰‚ÛÏfl Û͇ÏË
  • Page 17 – ·ÁÁ; ç‡ ̃ÌËÚ ˄‡Ú ̧ ̇ Í·‚ˇÚÛÂ.
  • Page 18 – àÒÔÓÎ ̧ÁÛfl ÚÛ Ê ÔÂÒÌ ̨, ÔÓÔ ̊Ú‡ÈÚÂÒ ̧ ÔÓË„‡Ú ̧ ÏÂÎÓ‰Ë ̨ ÚÓÎ ̧ÍÓ Ó‰ÌËÏ Ô‡Î ̧ˆÂÏ.; • ÖÒÎË ‚ ̊ ÛÒÔ ̄ÌÓ Á‡‚ ̄ËÎË ‰ÂÈÒÚ‚Ëfl, ÓÔËÒ‡ÌÌ ̊ ̇ Ô‰ ̊‰Û ̆Ëı; ÑÎfl ̇ ̃‡Î‡ ÔÓÒÚ‡‡ÈÚÂÒ ̧ ÔÓ ̃Û‚ÒÚ‚Ó‚‡Ú ̧ ËÚÏ ÔÂÒÌË. á‡ÚÂÏ Ì‡ÊË; åÂÎÓ‰Ë ̃ÂÒÍËÈ ÚËÔ – Ë„‡ Ó‰ÌËÏ Ô‡Î ̧ˆÂÏ
  • Page 19 – àÒÔÓÎ ̧ÁÓ‚‡ÌË ԇÚËÚÛ ̊ ‚ ÏÂÎÓ‰Ë ̃ÂÒÍÓÏ ÚËÔÂ; éÚÓ·‡ÊÂÌË ԇÚËÚÛ ̊; àÒÔÓÎ ̧ÁÓ‚‡Ú ̧ Ô‡ÚËÚÛÛ Û‰Ó·ÌÓ ‚ ÚÂı ÒÎÛ ̃‡flı, ÍÓ„‰‡ ...; Ç ̊ ıÓÚËÚ ˄‡Ú ̧ ÏÂÎÓ‰Ë ̨ ‚ Ô‡‚ËÎ ̧ÌÓÏ ËÚÏÂ; Û͇Á‡ÚÂÎ ̧Ì ̊È
  • Page 20 – — ëÂÍÂÚ ÚÂıÌÓÎÓ„ËË performance assistant —; ä‡Í ËÁ ÒÎÛ ̃‡ÈÌ ̊ı ÌÓÚ ÒÓÁ‰‡ÂÚÒfl ÏÛÁ ͇̊?; ä‡ÍË ÔÂÒÌË ÏÓÊÌÓ ËÒÔÓÎ ̧ÁÓ‚‡Ú ̧ Ò ÚÂıÌÓÎÓ„ËÂÈ performance assistant
  • Page 21 – èÓÔÓ·ÛÈÚ ÔÓË„‡Ú ̧ ̇ Í·‚ˇÚÛÂ.; óÂÂÁ ͇ÍÓÂ-ÚÓ ‚ÂÏfl ÚÂıÌÓÎÓ„Ëfl performance assistant ‡‚ÚÓχÚË ̃ÂÒ; àÁÏÂÌÂÌË ÚÂÏÔ‡ ÔÂÒÌË
  • Page 22 – àÁÏÂÌÂÌË flÁ ͇̊ ͇̋̇
  • Page 23 – èÓÔÓ·ÛÈÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‡ÁÌ ̊ ÚÂÏ· ̊; èÓË„‡ÈÚ ̇ Í·‚ˇÚÛÂ.; èÓÔÓ·ÛÈÚ ‚ ̊·‡Ú ̧ Ë ÔÓË„‡Ú ̧ ‡ÁÌ ̊ ÚÂÏ· ̊.; Ç ̊·Ó Ë Ë„‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡; – MAIN
  • Page 24 – èÓfl‚ËÚÒfl ̋Í‡Ì ‚ ̊·Ó‡ ‚ÚÓÓ„Ó ÚÂÏ·‡.; Ç ̊·ÂËÚ Ê·ÂÏ ̊È ‚ÚÓÓÈ ÚÂÏ·.; à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·‡ÏË; – DUAL
  • Page 25 – èÓÔÓ·ÛÈÚ ‚ ̊·‡Ú ̧ Ë ÔÓË„‡Ú ̧ ‡ÁÌ ̊ ‚ÚÓ ̊ ÚÂÏ· ̊.; à„‡ ‡ÁÌ ̊ÏË ÚÂÏ·‡ÏË Ô‡‚ÓÈ Ë Î‚ÓÈ Û͇ÏË; – SPLIT
  • Page 26 – èÓÔÓ·ÛÈÚ ‚ ̊·‡Ú ̧ Ë ÔÓË„‡Ú ̧ ‡ÁÌ ̊ ‡Á‰ÂÎÂÌÌ ̊ ÚÂÏ· ̊.
  • Page 27 – àÁÏÂÌÂÌË ‚ ̊ÒÓÚ ̊ Á‚Û͇
  • Page 28 – ᇷ‡‚Ì ̊ Á‚ÛÍË; èӈ‰ۇ ‚ ̊·Ó‡ ̇·Ó‡ Û‰‡Ì ̊ı ÚÂÏ·Ó‚; àÒÔÓÎ ̧ÁÛfl ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl, ‚ ̊·ÂËÚ ÚÂÏ· “122 Standard Kit 1”.; ç Á‡· ̊‚‡ÈÚ ̇ÊËÏ‡Ú ̧ ̃ÂÌ ̊ Í·‚Ë ̄Ë!; èӈ‰ۇ ‚ ̊·Ó‡ Á‚ÛÍÓ‚ ̊ı ̋ÙÙÂÍÚÓ‚; àÒÔÓÎ ̧ÁÛfl ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl, ‚ ̊·ÂËÚ ÚÂÏ· “133 SFX Kit 2”.; ç‡ÊËχfl ‡ÁÌ ̊ Í·‚Ë ̄Ë, ‚ ̊ ÒÏÓÊÂÚÂ; ç‡·Ó ̊ Û‰‡Ì ̊ı ÚÂÏ·Ó‚
  • Page 29 – êËÚÏ ÒÚËÎfl ·Û‰ÂÚ ÓÒÚ‡ÌÓ‚ÎÂÌ.; à„‡ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ; – STYLE
  • Page 30 – ÖÒÎË ÂÊËÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ÍÎ ̨ ̃ÂÌ...
  • Page 31 – èÓÔÓ·ÛÈÚ ÔÓ‰ ̊„‡Ú ̧ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÏÛ ÒÚËÎ ̨.; ùÙÙÂÍÚ Harmony
  • Page 32 – Ç ̊·ÂËÚ ÚËÔ ̋ÙÙÂÍÚ‡ Harmony.; èÓËÁÓȉÂÚ ‚ÓÁ‚‡Ú ̇ „·‚Ì ̊È ̋Í‡Ì.; èÓË„‡ÈÚ ‡ÍÍÓ‰ ‚ ӷ·ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ Í·‚ˇÚÛÂ.; ç‡ ̃ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.
  • Page 33 – ëÔÓÒÓ· ̊ Á‡ÔÛÒ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl; ç‡ÊÏËÚ ÍÌÓÔÍÛ [SYNC STOP] ‰Îfl ÓÚÍÎ ̨ ̃ÂÌËfl ÂÊËχ ÒËÌıÓÌÌÓÈ ÓÒÚ‡ÌÓ‚ÍË.; ê‡ÁÌÓÓ·‡ÁË ÒÔÓÒÓ·Ó‚ Á‡ÔÛÒ͇ Ë ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl
  • Page 34 – á‡ÔÛÒÍ ÍÌÓÔÍÓÈ Tap; ëÔÓÒÓ· ̊ ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl; çÂωÎÂÌ̇fl ÓÒÚ‡Ìӂ͇; àÁÏÂÌÂÌË ÚÂÏ·‡; ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ËÒÔÓÎÌflÂÏ ̊È Ì‡ Í·‚ˇÚÛ ÚÂÏ·
  • Page 35 – ꇷÓÚ‡ Ò ÔÂÒÌflÏË; Ç ̊·ÂËÚ ÔÂÒÌ ̨ ËÁ ÒÔËÒ͇ ͇Ú„ÓËÈ ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ Ì‡ ÒÚ. 36.; “èÖëçü”; ÔÓÌËχÂÚÒfl Ù‡ÈÎ Ò ‰‡ÌÌ ̊ÏË, ‚ÍÎ ̨ ̃‡ ̨ ̆ËÏË Í‡Í ÏÂÎÓ‰Ë ̨, Ú‡Í Ë; Ç ̊·Ó Ë ÔÓÒÎÛ ̄Ë‚‡ÌË ÔÂÒÌË
  • Page 36 – ä‡Ú„ÓËË ‚ÒÚÓÂÌÌ ̊ı ÔÂÒÂÌ; íËÔ ̊ ÔÂÒÂÌ
  • Page 37 – éÚÓ·‡ÊÂÌË ԇÚËÚÛ ̊ ÔÂÒÌË
  • Page 38 – ÇÒÚÓÂÌÌ ̊ ÔÂÒÌË Ò ÚÂÍÒÚÓÏ ‰Îfl ÓÚÓ·‡ÊÂÌËfl ̇ ͇̋ÌÂ; Ç ̊‚‰ËÚ ̇ ̋Í‡Ì ÚÂÍÒÚ ÔÂÒÌË
  • Page 39 – Ç ̊·ÂËÚ ÔÂÒÌ ̨ ‰Îfl Ó·Û ̃‡ ̨ ̆Â„Ó ÛÓ͇; ç‡·Ó Ó·Û ̃‡ ̨ ̆Ëı Ò‰ÒÚ‚; Ç ̊·ÂËÚ ÔÂÒÌ ̨ ‰Îfl ÛÓ͇.
  • Page 40 – èË ‚ ̊·Ó ìÓ͇ 1 ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ì‡ ̃ÌÂÚÒfl ‡‚ÚÓχÚË ̃ÂÒÍË.; ëÏ ̆ÂÌË Í·‚ˇÚÛ ̊ ‚ÎÂ‚Ó ËÎË ‚Ô‡‚Ó.
  • Page 41 – èÓÒÏÓÚËÏ, ̃ÚÓ Û ‚‡Ò ÔÓÎÛ ̃ËÎÓÒ ̧; èË ‚ ̊·Ó ìÓ͇ 2 ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ì‡ ̃ÌÂÚÒfl ‡‚ÚÓχÚË ̃ÂÒÍË.; ìÓÍ 2: ÑÓ·‡‚ÎflÂÏ ÚÂÏÔ
  • Page 42 – èË ‚ ̊·Ó ìÓ͇ 3 ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ì‡ ̃ÌÂÚÒfl ‡‚ÚÓχÚË ̃ÂÒÍË.; ̄Â̇ Ó ̄˷͇ ËÎË Á‡ˆËÍÎËÚ ̧ ÚÛ‰Ì ̊È ‰Îfl ËÒÔÓÎÌÂÌËfl ÍÛÒÓÍ.; èÓ‚ÚÓÂÌ ̧ – Ï‡Ú ̧ Û ̃ÂÌ ̧fl: ÙÛÌ͈Ëfl “Repeat and Learn”
  • Page 43 – àÁÏÂÌËÚ ÒÚËÎ ̧ ÔÂÒÌË; ä‡Í ÔÓÎ ̧ÁÓ‚‡Ú ̧Òfl ÙÛÌ͈ËÂÈ Easy Song Arranger
  • Page 44 – DUAL
  • Page 45 – á‡ÔË ̄ËÚ ҂Ó ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌËÂ; á‡ÔËÒ ̊‚‡ÂÏ ̊ ‰‡ÌÌ ̊Â; äÓÌÙ˄ۇˆËfl ‰ÓÓÊÍË
  • Page 46 – á‡ÔË ̄ËÚ ÒÓ‚ÏÂÒÚÌÓ ‰ÓÓÊÍÛ ÏÂÎÓ‰ËË Ë ‰ÓÓÊÍÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡; óÚÓ Ì‡‰Ó ËÏÂÚ ̧ ‚ ‚Ë‰Û ÔË ‚ ̊·Ó ‰ÓÓÊÂÍ; •ÖÒÎË ‚ ̊ ̇ÏÂ‚‡ÂÚÂÒ ̧ ËÒÔÓÎ ̧ÁÓ‚‡Ú ̧ Á‡ÔËÒ‡ÌÌÛ ̨ ÏÂÎÓ‰Ë ̨ ‰Îfl ÛÓ͇; èӈ‰ۇ Á‡ÔËÒË
  • Page 47 – á‡ÔËÒ ̧ ̇ ̃ÌÂÚÒfl ÔË Ì‡ ̃‡Î ˄ ̊ ̇ Í·‚ˇÚÛÂ.; ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl
  • Page 48 – ç‡ ̋Í‡Ì ÔÓfl‚ËÚÒfl ÔÓ‰Ú‚Âʉ‡ ̨ ̆ ÒÓÓ· ̆ÂÌËÂ.; îÛÌ͈Ëfl Song Clear – Û‰‡ÎÂÌË ÔÂÒÌË ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl; îÛÌ͈Ëfl Track Clear – Û‰‡ÎÂÌË ÓÚ‰ÂÎ ̧ÌÓÈ ‰ÓÓÊÍË ‚ ÔÂÒÌÂ
  • Page 49 – 쉇ÎÂÌË ‰‡ÌÌ ̊ı ÂÁ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl; êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ
  • Page 50 – éÒÌÓ‚Ì ̊ ÓÔ‡ˆËË Ë ̋Í‡Ì ̊; ìÔ‡‚ÎÂÌË ÒËÌÚÂÁ‡ÚÓÓÏ DGX-505/305 ÓÒÌÓ‚ ̊‚‡ÂÚÒfl ̇ ÒÎÂ‰Û ̨ ̆Ëı ÔÓÒÚ ̊ı ÓÔÂ‡ˆËflı.; ç‡ÊÏËÚ ÍÌÓÔÍÛ ‰Îfl ‚ ̊·Ó‡ ÓÒÌÓ‚ÌÓÈ ÙÛÌ͈ËË.; éÒÌÓ‚Ì ̊ ÓÔ‡ˆËË; ç‡Ê‡Ú ̧ ÍÌÓÔÍÛ ‰Îfl ‚ ̊·Ó‡ ÓÒÌÓ‚ÌÓÈ ÙÛÌ͈ËË.
  • Page 51 – ÑËÒÍÓÏ ÛÔ‡‚ÎÂÌËfl ‚ ̊·ÂËÚ ̋ÎÂÏÂÌÚ ËÎË Á̇ ̃ÂÌËÂ.
  • Page 52 – ÅÓÎ ̧ ̄ËÌÒÚ‚Ó ÓÒÌÓ‚Ì ̊ı ÓÔÂ‡ˆËÈ ‚ ̊ÔÓÎÌfl ̨ÚÒfl ̇ „·‚ÌÓÏ ̋Í‡ÌÂ; ëËÏ‚ÓÎ “Press & Hold”; ùÍ‡Ì ̊
  • Page 53 – ùÎÂÏÂÌÚ ̊ „·‚ÌÓ„Ó ͇̋̇
  • Page 54 – ì‰Ó·Ì ̊ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl; èË ÔÓÏÓ ̆Ë ÍÌÓÔÓÍ CATEGORY [; ÑÓ·‡‚ÎÂÌË ‚·‡ˆËË
  • Page 55 – ÑÓ·‡‚ÎÂÌË ̋ÙÙÂÍÚ‡ Chorus
  • Page 56 – åÂÚÓÌÓÏ
  • Page 57 – óÛ‚ÒÚ‚ËÚÂÎ ̧ÌÓÒÚ ̧ Í ÒËΠ̇ʇÚËfl; ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»
  • Page 58 – ] ‚ ̊·ÂËÚ Π̨·ÓÈ ËÁ ÔÂ ̃ËÒÎÂÌÌ ̊ı; ÉÓÏÍÓÒÚ ̧ ‚ÚÓÓ„Ó ÚÂÏ·‡; ] ÔÂÂȉËÚÂ Í ÔÛÌÍÚÛ Sustain. è‡‡ÏÂÚ Panel Sustain ÏÓÊÌÓ ‚ÍÎ ̨-; ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡
  • Page 59 – àÒıÓ‰ÌÓÈ ÚÓ ̃ÍÓÈ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ ̊ ÔÓ ÛÏÓÎ ̃‡ÌË ̨ ÒÎÛÊËÚ Í·‚Ë ̄‡ ÌÓÏÂ 54 (Í·‚Ë ̄‡ F; ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚ‡ Split Point; ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓÎ ̧ÍÓ ËÚχ ÒÚËÎfl
  • Page 60 – ëÔ‡‚Ó ̃ÌËÍ; ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÒÚËÎfl
  • Page 61 – ÖÒÚ ̧ ‰‚‡ ÒÔÓÒÓ·‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡:; ÚÛ ̊ Ò΂‡ ÓÚ ÚÓ ̃ÍË ‡Á‰ÂÎÂÌËfl (ÔÓ ÛÏÓÎ ̃‡ÌË ̨ 54/F; èÓÒÚ ̊ ‡ÍÍÓ‰ ̊; èÓË„ ̊‚‡ÌË ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
  • Page 62 – ê‡ÒÔÓÁ̇‚‡ÂÏ ̊ Òڇ̉‡ÚÌ ̊ ‡ÍÍÓ‰ ̊
  • Page 63 – ä‡Í ÔÓÒÏÓÚÂÚ ̧ ‡ÍÍÓ‰ ̊ ‚ ÒÎÓ‚‡Â ‡ÍÍÓ‰Ó‚
  • Page 64 – éÒÌÓ‚Ì ̊ ҂‰ÂÌËfl Ó· ‡ÍÍÓ‰‡ı; ÄÍÍÓ‰ – ̋ÚÓ ‰‚ ËÎË ·ÓΠÌÓÚ, Ò ̊„‡ÌÌ ̊ı Ó‰ÌÓ‚ÂÏÂÌÌÓ.; ä‡Í ̃ËÚ‡Ú ̧ ̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚; çÂÍÓÚÓ ̊ ÚËÔ ̊ ‡ÍÍÓ‰Ó‚
  • Page 65 – ç‡ÒÚÓÈÍË ÔÂÒÌË; èË„ÎÛ ̄ÂÌË ÌÂÁ‡‚ËÒËÏ ̊ı ̃‡ÒÚÂÈ ÔÂÒÌË
  • Page 66 – á̇ ̃ËÚÂÎ ̧ÌÓ ËÁÏÂÌÂÌË ‚ ̊ÒÓÚ ̊ Á‚Û͇; çÂÁ̇ ̃ËÚÂÎ ̧ÌÓ ËÁÏÂÌÂÌË ‚ ̊ÒÓÚ ̊ Á‚Û͇ (ç‡ÒÚÓÈ͇); ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË.; àÁÏÂÌÂÌË ÚÓ̇Π̧ÌÓÒÚË ÔÂÒÌË; èÂÂÏÓÚ͇ ÔÂÒÌË ‚Ô‰, ̇Á‡‰ Ë Ô‡ÛÁ‡
  • Page 67 – àÁÏÂÌÂÌË ÚÂÏ·‡ ÏÂÎÓ‰ËË; Media Select
  • Page 68 – ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ Ô‡ÌÂÎË; •ç‡ÒÚÓÈÍË ÚÂÏ·‡; á‡ÔËÒ ̧ ‚ „ËÒÚ‡ˆËÓÌÌÛ ̨ Ô‡ÏflÚ ̧; ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË
  • Page 70 – ç‡ÒÚÓÈÍË ÙÛÌ͈ËÈ; ä‡Í ̇ÈÚË Ë ËÁÏÂÌËÚ ̧ ̇ÒÚÓÈÍË ÙÛÌ͈ËË
  • Page 71 – ëÔËÒÓÍ ͇̋̇ Function
  • Page 73 – àÒÔÓÎ ̧ÁÓ‚‡ÌË ԇÏflÚË SmartMediaTM; é·flÁ‡ÚÂÎ ̧ÌÓ ÔÓ ̃ÚËÚÂ Ó Ï‡ı Ô‰ÓÒÚÓÓÊÌÓÒÚË ÔË ‡·ÓÚ ÒÓ SmartMedia ̇ ÒÚ. 11.; ìÒÚ‡Ìӂ͇ ÔÎ‡Ú ̊ SmartMedia
  • Page 74 – àÁÏÂÌÂÌË ̇ÒÚÓÈÍË Media Select ̇ SmartMedia
  • Page 75 – •ë ÔÓÏÓ ̆ ̧ ̨ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl ‚ ̊·ÂËÚÂ; ëÓı‡ÌÂÌË ‰‡ÌÌ ̊ı
  • Page 76 – Ç ̊·Ó ËÒıÓ‰ÌÓÈ ÔÓÎ ̧ÁÓ‚‡ÚÂÎ ̧ÒÍÓÈ ÔÂÒÌË.
  • Page 77 – ᇄÛÁ͇ Ù‡ÈÎÓ‚ ‰‡ÌÌ ̊ı ÔÓÎ ̧ÁÓ‚‡ÚÂÎfl; 쉇ÎÂÌË ‰‡ÌÌ ̊ı Ò ÔÎ‡Ú ̊ SmartMedia
  • Page 78 – ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ ̊ı ̇ Ô·ÚÛ SmartMedia
  • Page 79 – èÓ‰ÍÎ ̨ ̃ÂÌËÂ Í ÍÓÏÔ ̧ ̨ÚÂÛ; ëÓÓ· ̆ÂÌËfl ͇̇ÎÓ‚; é Òڇ̉‡Ú MIDI
  • Page 80 – ëËÒÚÂÏÌ ̊ ÒÓÓ· ̆ÂÌËfl; å ̊ Ô‰ÓÒÚÓÓÊÌÓÒÚË ÔË ‡·ÓÚÂ Ò USB; ùÚÓ Ì‡ÒÚÓÈÍË ÔÂ‰‡ ̃Ë Ë ÔÓÎÛ ̃ÂÌËfl MIDI-‰‡ÌÌ ̊ı.; îÛÌ͈Ëfl Local ON/OFF; èÓ‰ÍÎ ̨ ̃ÂÌË USB; ç‡ÒÚÓÈÍË MIDI
  • Page 81 – ç‡ÒÚÓÈ͇ ÂÊËχ PC; óÚÓ· ̊ ËÒÔÓÎ ̧ÁÓ‚‡Ú ̧ ÙÛÌ͈ËË ‰ËÒ-; ç‡ÒÚÓÈÍË MIDI ‰Îfl ÔÓ‰ÍÎ ̨ ̃ÂÌËfl Í ÍÓÏÔ ̧ ̨ÚÂÛ (ÂÊËÏ PC); ÑËÒڇ̈ËÓÌÌÓ ÛÔ‡‚ÎÂÌË MIDI-ÛÒÚÓÈÒÚ‚‡ÏË
  • Page 82 – Musicsoft Downloader ÔÓÁ‚ÓÎflÂÚ; • èÂʉ ̃ÂÏ ÔËÒÚÛÔËÚ ̧ Í Ô‰‡ ̃ هÈÎÓ‚ ̇; ÇÒÚ‡‚ ̧ÚÂ; • èÂʉ ̃ÂÏ ÔËÒÚÛÔËÚ ̧ Í Ô‰‡ ̃ هÈÎÓ‚ ‚Ó; 艇 ̃‡ Ù‡ÈÎÓ‚ ÔÂÒÂÌ Ò ÍÓÏÔ ̧ ̨Ú‡
  • Page 83 – î‡ÈÎ ̊ ÒÚËÎÂÈ
  • Page 84 – êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÛÒÚ‡ÌÓ‚Í ÔÓ„‡ÏÏ Ò; àÒÔÓÎ ̧ÁÓ‚‡ÌË ÍÓÏÔ‡ÍÚ-‰ËÒ͇; ëèÖñàÄãúçõÖ ìÇÖÑéåãÖçàü; ëÓ‰ÂʇÌË ÍÓÏÔ‡ÍÚ-‰ËÒ͇
  • Page 85 – ìÒÚ‡Ìӂ͇ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ ̃ÂÌËfl.; • Digital Music Notebook Ë Musicsoft Downloader:; ᇄÛÁ͇ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ ̃ÂÌËfl.; ìÒÚ‡Ìӂ͇ ‰‡È‚‡ USB-MIDI; • ìÒÚ‡Ìӂ͇ Windows 98/Me; ëËÒÚÂÏÌ ̊ Ú·ӂ‡ÌËfl; ìÒÚ‡Ìӂ͇ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ ̃ÂÌËfl; 쉇ÎÂÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ ̃ÂÌËfl
  • Page 86 – éÍÌÓ ÔÓÁ‚ÓÎflÂÚ ‚ ̊·‡Ú ̧ ÏÂÚÓ‰ ÔÓËÒ͇.
  • Page 87 – ìÒÚ‡Ìӂ͇ ‰‡È‚‡ ‚ Windows XP; * èÓÒÎÂ‰Ì ̨ ̨ ‚ÂÒË ̨ Musicsoft Downloader
  • Page 88 – ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ
  • Page 90 – ÑÎfl ÔË·„‡ÂÏÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ ̃ÂÌËfl; ç ۉ‡ÂÚÒfl ÛÒÚ‡ÌÓ‚ËÚ ̧ ‰‡È‚Â.
  • Page 91 – ëÓÓ· ̆ÂÌËfl
  • Page 93 – ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ ̊; ì·Â‰ËÚÂÒ ̧ ÔË ̋ÚÓÏ, ̃ÚÓ Ô‡ÌÂÎË ‡ÒÔÓÎÓÊÂÌ ̊; ÑÂÚ‡ÎË Ò·ÓÍË
  • Page 94 – èËÍÂÔËÚ Á‡‰Ì ̨ ̨ Ô‡ÌÂÎ ̧.; èÓÒÚ‡‚ ̧Ú Í·‚ˇÚÛÛ Ì‡ ÔÓ‰ÒÚ‡‚ÍÛ; ìÒÚ‡ÌÓ‚ËÚ Í·‚ˇÚÛÛ Ì‡ ÔÓ‰ÒÚ‡‚ÍÛ.; èÓ‚Â ̧Ú ԇ‚ËÎ ̧ÌÓÒÚ ̧ Ò·ÓÍË
  • Page 95 – íÂıÌË ̃ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
  • Page 96 – å‡ÍÒËχΠ̧̇fl ÔÓÎËÙÓÌËfl • • • • • • • • • • • • • • • • • • • • • • •; ëÔËÒÓÍ ÚÂÏ·Ó‚
  • Page 97 – ëÔËÒÓÍ ÚÂÏ·Ó‚ XGlite/‰ÓÔÓÎÌËÚÂÎ ̧Ì ̊ı ÚÂÏ·Ó‚ XGlite*
  • Page 100 – ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì ̊ı ÚÂÏ·Ó‚
  • Page 102 – ëÔËÒÓÍ ÒÚËÎÂÈ
  • Page 103 – ëÔËÒÓÍ ÔÂÒÂÌ; ÇÒÚÓÂÌÌ ̊Â ÔÂÒÌË
  • Page 104 – ëÔËÒÓÍ ÚËÔÓ‚ ̋ÙÙÂÍÚÓ‚; íËÔ ̊ „‡ÏÓÌËÁ‡ˆËË
  • Page 105 – 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡
  • Page 106 – 퇷Îˈ‡ ̋ÙÙÂÍÚÓ‚; REVERB
  • Page 107 – è‰ÏÂÚÌ ̊È Û͇Á‡ÚÂÎ ̧
  • Page 111 – Limited Warranty; YEAR PARTS; CONSUMERS RESPONSIBILITIES; EXCLUSIONS; KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!
  • Page 113 – Back Cover
Loading the manual

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-505/305

1

Portable Grand

DGX-505/305

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl (̇ ÛÒÒÍÓÏ flÁ˚ÍÂ)

2- ËÁ‰‡ÌËÂ

(04.02.25)

dgx505_e.book Page 1 Monday, August 16, 2004 2:09 PM

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Summary

Page 2 - PLEASE KEEP THIS MANUAL; SPECIFICATIONS SUBJECT TO CHANGE:; SPECIAL MESSAGE SECTION

2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-505/305 PLEASE KEEP THIS MANUAL This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or speci fi cally recommended by Yamaha. This pr...

Page 4 - èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà; ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà; * ï‡ÌËÚ ̋ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï  ̆ ÔÓ̇‰Ó·ËÚÒfl.; èêÖÑìèêÖÜÑÖçàÖ

4 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-505/305 (4)-8 1/2 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ï‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï ¢ ÔÓ̇‰Ó·ËÚÒfl. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊ Í...

Page 5 - ëÓı‡ÌÂÌËÂ Ë ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ ̊ı; åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-505/305 5 (4)-8 2/2 ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË Ì ËÒÔÓθÁÛÂÚ „Ó. èË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, ‰‡Ê ÂÒÎË ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ STANDBY, ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ‚‡ı ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝Ì„˲. ÖÒÎË ËÌÒÚÛÏÂÌÚ Ì ËÒÔÓθÁÛÂÚÒfl ‰...

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All Yamaha Synthesizers