Page 2 - EUSE
214 "EFOR EUSE )-0/24!.43!&%49).3425#4)/.3 2EADTHESEOPERATINGINSTRUCTIONSCAREFULLYBEFOREUSINGTHEUNIT&OLLOWTHESAFETYINSTRUCTIONSONTHEUNITANDTHEAPPLICABLESAFETY INSTRUCTIONSLISTEDBELOW+EEPTHESEOPERATINGINSTRUCTIONSHANDYFORFUTUREREFERENCE 2EADTHESEINSTRUCTIONS +EEPTHESEINSTRUCTIONS (EEDALLW...
Page 3 - ETUPFLOW; PEAKERS; PEAKERSETUP; UPPLIEDACCESSORIES
214 "EFOR EUSE 3ETUPFLOW +#"#" %52+$ 3#(4 %52+& 3#(4 23!, .$!!!! +(!(! 21#! 291!3 2913 2%%! MX 3#(4 2%%! MX 2%%# MX 3#(4 3#(4 83.&. X 833&: X XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XX...
Page 4 - KER; &RONTANDSURROUNDSPEAKERASSEMBLY
214 3PEA KER SE TUPFOR3# ( 4 3ETUP 3PEAKERSETUP FOR3#(4 x 4OPREVENTDAMAGEORSCRATCHESLAYASOFTCLOTHANDPERFORMASSEMBLYONIT x &ORASSEMBLYUSEA0HILLIPSHEADSCREWDRIVER &RONTANDSURROUNDSPEAKERASSEMBLY !TTACHTHEPIPETOTHEBASE 4HREADTHESPEAKERCABLETHROUGHTHEBASE 4HREADTHESPEAKERCABLETHROUGHHERE 'ROOVE ...
Page 5 - !DJUSTTHESPEAKERHEIGHT; UPPLIED
214 3PEA KER SE TUPFOR3# ( 4 3ETUP !DJUSTTHESPEAKERHEIGHT EG7ITHTHESTANDATTACHED TOTHELOWERREAROFTHE SPEAKER ,OOSENTHEATTACHEDSPEAKERMOUNTINGPLATESCREWUNTILTHE ATTACHEDSPEAKERISSLIGHTLYLOOSEANDADJUSTABLE x "ECAREFULNOTTOLOOSENTHESCREWTOOMUCHORTHESPEAKERMAY DETACHANDFALL !DJUSTTHEPOSITIONOFTHEPIP...
Page 6 - ETUPANDCONNECTIONSOFSPEAKERS
214 3PEAK ERSE TUPFOR 3#(4AND3#(4 3ETUP 3PEAKERSETUP FOR3#(4AND3#(4 3ETUPANDCONNECTIONSOFSPEAKERS 3#(4 XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX XXXXXX XXX...
Page 7 - #ONNECTTHESPEAKERCABLESTOTHESUBWOOFER; /THERSPEAKERSETUPOPTIONS
214 3PEA KERSE TUPFOR 3#(4 A ND3#(4 3ETUP MM 3#(4 3#(4 MM o MM o 3CREWNOTINCLUDED !TTACHINGTOAWALL 7ALLORPILLAR MM oo MM oo 3#(4 3#(4 #%.4%2 &2/.42 &2/.4, 3522/5.$ , 3522/5.$ 2 &2/.4 : #%.4%2 : 3522/5.$ : 2 , 2 , #ONNECTTHESPEAKERCABLESTOTHESUBWOOFER 3UBWOOFER #OPPER 3ILVER N ote .EVERSH...
Page 8 - (OMETHEATERCONNECTIONS
214 (OMETHEATER CONNECTIONS 3ETUP ,//0!.4 '.$ #$ 4!0% $626#2 46 $6$$6$#( 46 ). 2%#/54 0,!9). /54 ). ). &2/.4 3522/5.$ 35"7//&%2 $626#2 $6$ /54 ). ). #%.4%2 , 2 , 2 , 2 , 2 , 2 , 2 !5$)/ 6)$%/ 4/3"7! ! &-!.4 !-!.4 Ω ,//0 %84 -/.)4/2/54 ). &2/.4 ,2 3522/5.$ ,2 35"7//&%2...
Page 9 - CONNECTIONS; HEREMOTECONTROL
214 (OMETHEATER CONNECTIONS 3ETUP /04 /04 #/!8)!, 46 ). $62 ). $6$ ). $)')4!,). 36)$%/ -/.)4/2/54 ). ). ). 46 $626#2 $6$ 3#(4 5SEDTOCONNECTTOTHE 36)$%/).TERMINALON ATELEVISION #OAXIALCABLENOT INCLUDED 5SEDTOCONNECTTOTHE $)')4!,#/!8)!, /54TERMINALONA$6$ PLAYERTOINPUTAUDIO DIGITALSIGNALS 5SEDTOCONNECT...
Page 11 - G am e m achine or other A V equipm ent
214 /THERCONNECTIONS 3ETUP #$ 4!0% $626#2 $6$$6$#( ). 2%#/54 0,!9). /54 ). ). &2/.4 3522/5.$ 35"7//&%2 $626#2 $6$ /04 /04 #/!8)!, /54 ). ). 46 ). $62 ). $6$ ). #%.4%2 , 2 , 2 , 2 , 2 , 2 , 2 !5$)/ 6)$%/ $)')4!,). 36)$%/ -/.)4/2/54 ). ). ). 46 $626#2 $6$ 4/3"7! ! &-!.4 !-!.4 Ω ,//...
Page 12 - ETTINGS; !DJUSTINGSPEAKEROUTPUTLEVEL
214 3ETTINGS 3ETUP 3ETTINGS !DJUSTINGSPEAKEROUTPUTLEVEL ).054 -/$% 34%2%/ #(-)8 -53)# !6-/6)% 3&# 3,%%0 4/.% "!,!.#% ,%6%, %&&%#4 %.4%2 $)3# 45.%2"!.$ #( 6/,5-% 4/0-%.5 -%.5 $)2%#4 .!6)'!4/2 $)30,!9 $)--%2 35"7//&%2 #%.4%2 &/#53 466)$%/ 2%452. 0,!9 ,)34 $)2%#445.).' 4...
Page 13 - OUNDMODES
/P ERATIO NS 214 "ASICOPERATIONS 3OUNDMODES 6/,5-% ).0543%,%#4/2 -53)# 0(/.%3 $/7. 50 !6-/6% 45.% 45.% ^ 3&# 6)$%/). ,!5$)/2 6#2 8 0/7%2 -5,4)#/.42/, %.4%2 4/0-%.5 02%6 .%84 2%452. ).054 -/$% 34%2%/ #(-)8 -53)# !6-/6)% 3&# 3,%%0 4/.% "!,!.#% ,%6%, %&&%#4 %.4%2 $)30,!9 $)--%2 ...
Page 16 - EMOTECONTROL
/P ERATIO NS 214 #ONTROLGUIDE ; ^ 2%#%)6%2= 3TANDBYONBUTTON ;= 4OENTERRADIOFREQUENCIESAND ޓ CHANNELS ; ҈ %.4%2= 4OENTERTWODIGITCHANNELS ;$)3#$)2%#445.).'= 4OENABLESELECTIONOFRADIOSTATIONS BYFREQUENCY ;45.%2"!.$= &ORSWITCHINGBETWEEN&-AND!- ; 1 #( 2 = &ORSELECTINGPRESETRADIOCHANNELS ;$...
Page 18 - HERADIO; RESSTHENUMBEREDBUTTONSTOENTERTHEFREQUENCY; ELECTINGCHANNELS; ELECTTHEFREQUENCY
/P ERATIO NS 214 4HERADIO )NPUTTHEFREQUENCYOFTHESTATION 2EMOTECONTROL 0RESS;45.%2"!.$=TOSELECTn&-oORn!-o 0RESS;$)3#$)2%#445.).'= 0RESSTHENUMBEREDBUTTONSTOENTERTHEFREQUENCY EG4OSELECT-(ZPRESS;= o ;= o ;= o ;= x )FYOUDONOTPRESSABUTTONWHILETHECURSORISFLASHINGTHE DISPLAYRETURNSTOTHEFREQUENCYBEIN...
Page 19 - UBWOOFERLEVEL
/P ERATIO NS 214 /THERFUNCTIONS 9OU CAN ADJUST THE EFFECT OF -53)# AND 0!./2!-! WITH THE CENTERWIDTHCONTROL 4HIS ADJUSTMENT HELPS YOU REALIZE A MORE NATURAL SOUND IMAGE WHENLISTENINGTOMUSIC-OVESOUNDOUTINTOTHEFRONTSPEAKERS TO IMPROVE THE OVERALL FRONT IMAGE OR ADD SOUND TO THE CENTER SPEAKERTOFIXTHEC...
Page 20 - $YNAMICRANGECOMPRESSION
/P ERATIO NS 214 /THERFUNCTIONS ).054 -/$% 34%2%/ #(-)8 -53)# !6-/6)% 3&# 3,%%0 4/.% "!,!.#% ,%6%, %&&%#4 %.4%2 4/0-%.5 -%.5 $)2%#4 .!6)'!4/2 $)30,!9 $)--%2 35"7//&%2 #%.4%2 &/#53 466)$%/ 2%452. 0,!9 ,)34 4%34 q g h % 0, 466/, 466/, , 2 -5,4)#/.42/, 4/0-%.5 02%6 .%84 2%45...
Page 21 - ECORDINGONOTHEREQUIPMENT; =TOSELECTTHEREQUIREDTIME; LEEPTIMER
/P ERATIO NS 214 -AKINGARECORDING ).0543%,%#4/2 -53)# !6-/6% 45.% 45.% ^ 3&# 6)$%/). ,!5$)/2 6#2 8 7%2 !5$)//54 6)$%//54 6IDEOCAMERA 9OU CAN RECORD TO A TAPE DECK CONNECTED TO 4!0% 2%# /54 3#(4 OR A $6$ RECORDER6#2 CONNECTED TO $626#2 $6$6#2 /54 0RESS;).0543%,%#4/2=TOSELECTTHESOURCETOBE RECORDED...
Page 22 - EMOTECONTROLOPERATIONGUIDE; WITCHON; OR
/P ERATIO NS 214 2EMOTECONTROLOPERATIONGUIDE ).054 -/$% 34%2%/ #(-)8 -53)# !6-/6)% 3&# 3,%%0 4/.% "!,!.#% ,%6%, %&&%#4 %.4%2 $)3# 45.%2"!.$ #( 6/,5-% 4/0-%.5 -%.5 $)2%#4 .!6)'!4/2 $)30,!9 $)--%2 35"7//&%2 #%.4%2 &/#53 466)$%/ 2%452. 0,!9 ,)34 $)2%#445.).' 4%34 u t y i...
Page 23 - ATCHINGVIDEOTAPES
/P ERATIO NS 214 TV / V C R ).054 -/$% 34%2%/ #(-)8 -53)# !6-/6)% 3&# 3,%%0 4/.% "!,!.#% ,%6%, %&&%#4 %.4%2 $)3# 45.%2"!.$ #( 6/,5-% 4/0-%.5 -%.5 $)2%#4 .!6)'!4/2 $)30,!9 $)--%2 35"7//&%2 #%.4%2 &/#53 466)$%/ 2%452. 0,!9 ,)34 $)2%#445.).' 4%34 u t y i -54).' q g h % 0...
Page 24 - C D; &ORTHOSEWITHEXPERTISE
/P ERATIO NS 214 2EMOTECONTROLOPERATIONGUIDE C D ).054 -/$% 34%2%/ #(-)8 -53)# !6-/6)% 3&# 3,%%0 4/.% "!,!.#% ,%6%, %&&%#4 %.4%2 $)3# 45.%2"!.$ #( 6/,5-% 4/0-%.5 -%.5 $)2%#4 .!6)'!4/2 $)30,!9 $)--%2 35"7//&%2 #%.4%2 &/#53 466)$%/ 2%452. 0,!9 ,)34 $)2%#445.).' 4%34 u t...
Page 25 - ENC; )FTHESURFACESAREDIRTY
2EFER ENC E 214 3PECIFICATIONS)(&m R !-0,)&)%23%#4)/. 2-3OUTPUTPOWEROFEACHCHANNELDRIVEN TOTALHARMONICDISTORTION K(ZFRONT#( ;3#(4=7PERCHANNEL : ;3#(4= 7PERCHANNEL : K(ZSURROUND#( ;3#(4=7PERCHANNEL : ;3#(4= 7PERCHANNEL : K(ZCENTER#( ;3#(4=7PERCHANNEL : ;3#(4= 7PERCHANNEL : (ZSUBWOOFER#( ;3#(4=...
Page 26 - RODUCT3ERVICE; RODUCTINFORMATION
214 2EFER ENC E ,ISTENINGCAUTION 3ELECTING FINE AUDIO EQUIPMENT SUCH AS THE UNIT YOUmVE JUST PURCHASED IS ONLY THE START OF YOUR MUSICAL ENJOYMENT .OW ITmS TIMETOCONSIDERHOWYOUCANMAXIMIZETHEFUNANDEXCITEMENT YOUR EQUIPMENT OFFERS 4HIS MANUFACTURER AND THE %LECTRONIC )NDUSTRIES !SSOCIATIONmS #ONSUMER ...
Page 28 - ROUBLESHOOTINGGUIDE
2140 (3' 0ANASONIC#ONSUMER%LECTRONICS #OMPANY$IVISIONOF-ATSUSHITA %LECTRIC#ORPORATIONOF!MERICA /NE0ANASONIC7AY3ECAUCUS .EW*ERSEY HTTPWWWPANASONICCOM 0ANASONIC3ALES#OMPANY $IVISIONOF-ATSUSHITA%LECTRICOF 0UERTO2ICO)NCn03#o !VEDE)NFANTER¥A+M 3AN'ABRIEL)NDUSTRIAL0ARK#AROLINA 0UERTO2ICO 0ANASONIC#ANADA)N...