Page 2 - Important Safety Instructions; Grounding Instructions
Important Safety Instructions WARNING - When using this electric product, basic precautions should always be followed, including the following: 1) Read all the instructions before using the product. 2) Do not use this product near water - for example, near a bathtub, washbowl,kitchen sink, in a wet ...
Page 4 - ONTENTS; : Your First Session With The QuadraSynth Plus
Index QuadraSynth Plus Piano Reference Manual 5 C ONTENTS 1: Setting Up 7 Unpacking and Inspection 7 AC Power 7 Line Conditioners and Protectors 8 About Audio Cables 9 Basic Audio Hookup 9 A Word About Sound Bridge 10 2: Your First Session With The QuadraSynth Plus 11 Powering Up 11 Adjusting the Di...
Page 8 - ETTING; Unpacking and Inspection; AC Power Hookup
Setting Up: Chapter 1 QuadraSynth Plus Piano Reference Manual 9 C HAPTER 1 S ETTING U P Unpacking and Inspection Your QuadraSynth Plus was packed carefully at the factory. The shipping cartonwas designed to protect the unit during shipping. Please retain this container inthe highly unlikely event th...
Page 9 - Line Conditioners and Protectors
Setting Up: Chapter 1 QuadraSynth Plus Piano Reference Manual 10 tester to determine this. If the outlet is not grounded, consult with a licensedelectrician. J Do not operate any electrical equipment with ungrounded outlets. Plugging the QuadraSynth Plus into an ungrounded outlet, or “lifting” the u...
Page 13 - A Word About Sound Bridge
Setting Up: Chapter 1 QuadraSynth Plus Piano Reference Manual 14 A Word About Sound Bridge Included with the QuadraSynth Plus is a 3-1/2" floppy disk containing asoftware program called Sound Bridge. This software has been provided free ofcharge in an effort to promote sound design for the Quadr...
Page 14 - Powering Up; Adjusting the Display Contrast
Your First Session With The QuadraSynth Plus: Chapter 2 QuadraSynth Plus Piano Reference Manual 15 C HAPTER 2 Y OUR F IRST S ESSION W ITH T HE Q UADRA S YNTH P LUS Powering Up After making your connections, turn on the system’s power using this procedure: ¿ Before turning on the QuadraSynth Plus’s p...
Page 16 - Playing the Demo Sequence; Playing Specific Sections of the Demo; Enabling General MIDI Mode
Your First Session With The QuadraSynth Plus: Chapter 2 QuadraSynth Plus Piano Reference Manual 17 Playing the Demo Sequence The QuadraSynth Plus has a built-in demo sequence which demonstratesthe wide variety of sounds this amazing instrument is capable ofgenerating. In order to get the full effect...
Page 17 - Playing the QuadraSynth Plus; Program Mode and Mix Mode
Your First Session With The QuadraSynth Plus: Chapter 2 QuadraSynth Plus Piano Reference Manual 18 Playing the QuadraSynth Plus The QuadraSynth Plus is shipped from the factory with 5 Banks of 128 PresetPrograms (sounds) each. Additionally, there are 100 Mixes in each of the 5 Banks. Program Mode an...
Page 19 - Auditioning Internal Programs; Selecting Banks
Your First Session With The QuadraSynth Plus: Chapter 2 QuadraSynth Plus Piano Reference Manual 20 Auditioning Internal Programs ¿ Press the [PROGRAM] button to select Program Play Mode. You can now play the QuadraSynth Plus keyboard; the Program will be whatever was selected when last in Program mo...
Page 22 - Auditioning Mix Play Mode
Your First Session With The QuadraSynth Plus: Chapter 2 QuadraSynth Plus Piano Reference Manual 23 1 2 3 4 When in Program Edit Mode or Mix Edit , the Quad Knobs are linked tothe parameters that appear in the right side of the display. The lower lineof the alphanumeric display will show the abbrevia...
Page 24 - Editing a Mix
Your First Session With The QuadraSynth Plus: Chapter 2 QuadraSynth Plus Piano Reference Manual 25 Editing a Mix In this section, we will assign Programs to and set volume levels for the16 MIDI channels in a Mix, for playing back tracks from a MIDIsequencer. However, there is much more about a Mix t...
Page 26 - Setting the Effects Level
Your First Session With The QuadraSynth Plus: Chapter 2 QuadraSynth Plus Piano Reference Manual 27 Setting the Effects Level Each Program can use up to four Sounds, for either layering or splittingthe keyboard. Each of these Sounds has its own effects send level andeffects bus assignment. Many of th...
Page 28 - ONNECTIONS; Basic MIDI Hookup
Connections: Chapter 3 QuadraSynth Plus Piano Reference Manual 29 C HAPTER 3 C ONNECTIONS Basic MIDI Hookup MIDI is an internationally-accepted protocol that allows musical-related data tobe conveyed from one device to another. See the MIDI Supplement in AppendixB if you are not familiar with how MI...
Page 29 - Example 1: Master Controller for Live Use
Connections: Chapter 3 QuadraSynth Plus Piano Reference Manual 30 Example 1: Master Controller for Live Use Most live applications use the QuadraSynth Plus to generate sounds, with(possibly) the MIDI output driving other MIDI devices, such as an S4 Plus rackunit, QuadraVerb 2, other keyboards and so...
Page 30 - Example 2: Using an External Sequencer
Connections: Chapter 3 QuadraSynth Plus Piano Reference Manual 31 Example 2: Using an External Sequencer The QuadraSynth Plus can generate MIDI signals that are recorded by asequencer. On playback, the sequencer sends this data back into theQuadraSynth Plus, which then serves as a multitimbral sound...
Page 32 - About the Keyboard Mode; Pedal and Footswitch Hookup
Connections: Chapter 3 QuadraSynth Plus Piano Reference Manual 33 About the Keyboard Mode In a Mix, the QuadraSynth Plus’s keyboard may be set up in severalways using the Keyboard Mode parameter found on Page 2 of Globalmode. You need to determine which way is best for your application.The Keyboard ...
Page 34 - Digital Audio/Optical Hookup; Recording Digital Audio; 8 kHz Clock In
Connections: Chapter 3 QuadraSynth Plus Piano Reference Manual 35 Digital Audio/Optical Hookup The QuadraSynth Plus can send digital audio directly into ADAT, whichprovides better fidelity than using the analog inputs and outputs. The digital I/O connector follows a proprietary Alesis format that ca...
Page 36 - VERVIEW; Basic Architecture
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 37 C HAPTER 4 O VERVIEW Basic Architecture The QuadraSynth Plus contains digitized acoustic and electronic voices , organized into 18 groups of sound types. The groups are: Piano Bass Ensemble Drums Organ Guitar Ethnic Percussion Keyboard B...
Page 37 - Modes; Program Play Mode; Mix Play Mode
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 38 Modes The QuadraSynth Plus is always in one of two main modes: Program Mode orMix Mode. Pressing [PROGRAM] selects Program Play Mode, while pressing[MIX] selects Mix Play Mode. While in Program Play Mode, you can press[SELECT] to access ...
Page 40 - About the Display
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 41 The User Interface: Display, Functions, Pages, andParameters The key to the QuadraSynth Plus user interface is the combination of the Displayand four Quad Knobs/Buttons [1] — [4] located toward the right of the frontpanel. The Display co...
Page 41 - MIDI Buttons
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 42 and right-hand side of the display will show values related to thatfunction. Only the functions used by the current edit mode will bedisplayed and selectable. Functions can also be selected from theDIRECT SELECT buttons (see page 31). • ...
Page 42 - Parameter Editing
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 43 Parameter Editing All parameter editing involves the same general procedure, with minorvariations: ¿ Select the type of parameters you want to edit with the corresponding button: [MIX], [PROGRAM], or [GLOBAL]. Mix parameters edit a Mix. ...
Page 45 - Edit 4 and Edit 1 Modes
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 46 Pressing FUNCTION [ ∅ ] advances to the next function, and FUNCTION [ ♦ ] returns to the previous function. As you select the different edit Functions, the page number strip shows how many pages exist for that function, and the right par...
Page 47 - Resetting a Parameter Value; Comparing Edited and Stored Versions; Preset Memory and User Memory
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 48 Resetting a Parameter Value It’s often convenient while editing to return a parameter to its defaultsetting (usually, but not always, 0). This normally involves turning aQuad Knob or repeatedly pressing the VALUE [ ¬ ] and [ ] buttons,...
Page 49 - Storing; Store a Program
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 50 Storing The [STORE] button selects Store mode. Store mode has 6 pages which you canscroll through by using the PAGE [ ♦ ] and [ ∅ ] buttons. Each page in Store mode provides a different type of storage, copy or data transfer function. Wh...
Page 51 - Copying Effects Between Programs; Store an Effect
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 52 Copying Effects Between Programs Follow the steps below to copy the Effects from one Program to anotherProgram in the User Bank. ¿ Press [PROGRAM] to select Program Play Mode. ¡ Use the VALUE [ ¬ ] and [ ] buttons to select the Program...
Page 53 - To Audition Programs Before Storing
Overview: Chapter 4 QuadraSynth Plus Piano Reference Manual 54 To Audition Programs Before Storing To look for available memory locations to permanently store yourProgram to, you can move between Program Mode and Mix Modewithout losing your changes. This is because Program Mode has aProgram edit buf...
Page 57 - DITING; Mix Edit Mode
Editing Mixes: Chapter 5 QuadraSynth Plus Piano Reference Manual 58 C HAPTER 5 E DITING M IXES What is a Mix? Mix Mode is one of the most powerful features of the QuadraSynth Plus. Whilein Program Mode you can play only one Program at a time, in Mix Mode you canplay up to 16 Programs at once, either...
Page 58 - Understanding the Edit Buffers
Editing Mixes: Chapter 5 QuadraSynth Plus Piano Reference Manual 59 to use. Each channel may be enabled or disabled, without changing any of itsparameter settings. When a channel is disabled, its number will not appear in theupper left display, except when it is selected for editing. You can set lev...
Page 60 - Program Assign for each MIDI Channel; Level Setting for Each Program
Editing Mixes: Chapter 5 QuadraSynth Plus Piano Reference Manual 61 Program Assign for each MIDI Channel The first function of Mix Edit is Program Assign. Program Bank (User, Preset 1–4, Card) This determines which Bank the selected Program is located infor the selected MIDI channel. There are five ...
Page 62 - Pitch
Editing Mixes: Chapter 5 QuadraSynth Plus Piano Reference Manual 63 Pitch The Pitch function lets you transpose a channel’s Program in either semitone oroctave increments. By using both parameters together, you have a totaltransposition range of ±3 octaves. Octave (-2 to +2 octaves) This transposes ...
Page 64 - Transmitting MIDI Volume and Panning
Editing Mixes: Chapter 5 QuadraSynth Plus Piano Reference Manual 65 Range (Page 2) MIDI In (On or Off) This determines whether or not the selected channel willrespond to incoming MIDI messages. MIDI Out (On or Off) This determines whether or not the selected channel willtransmit MIDI messages. Keybo...
Page 65 - Effects in Mix Play Mode; Effect Level
Editing Mixes: Chapter 5 QuadraSynth Plus Piano Reference Manual 66 • whenever a Channel’s “Level” parameter is edited, volume information will be transmitted as controller #7 on that Channel; • whenever a Channel’s “Pan” parameter is edited, panning information will be transmitted as controller #10...
Page 66 - Naming a Mix
Editing Mixes: Chapter 5 QuadraSynth Plus Piano Reference Manual 67 The Effect Channel determines which channel’s Program’s EffectPatch will be used for the entire Mix. In other words, when theEffect Channel is set to 3, the Mix will use the Effect Patch usedby the Program assigned to channel 3. FX ...
Page 67 - Polyphony in Mix Play Mode
Editing Mixes: Chapter 5 QuadraSynth Plus Piano Reference Manual 68 Polyphony in Mix Play Mode The QuadraSynth Plus has 64-note polyphony. In Mix Play Mode, if you have all16 MIDI channels assigned to the same keyboard range, and each channel'sProgram has only one active Program Sound, you’ll have 4...
Page 69 - Overview
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 70 C HAPTER 6 E DITING P ROGRAMS Overview Synthesizer programming is the art and science of shaping sounds in a particularway by altering the parameters of various modules. Like music itself, learningsynth programming is an ongoing ...
Page 71 - QuadraSynth Plus Signal Flow; The Four Sounds of a Program
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 72 messages from your sequencer (one for each channel) for every note; a layeredprogram would need only one Note On message. • When layers of a Program are designed to be used together, and the individual layers by themselves wouldn...
Page 72 - Voice; Lowpass Filter
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 73 Let’s look at each module’s function in detail. Voice This digitally-based oscillator provides the actual raw sounds from the24 megabyte library of on-board samples. The oscillator's pitch can betuned to a fixed frequency or modu...
Page 73 - Amp; About Modulation
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 74 Static (non-changing) filter settings can be useful, but varying the filtercutoff dynamically over time often produces more interesting effects.Modulating with velocity produces brighter sounds with louderdynamics, which produces...
Page 75 - Envelopes; About Signal Processing
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 76 LFO (Low Frequency Oscillator) The pitch, filter, and amp modules each have a dedicated LFO modulefor modulation. The term LFO stands for low frequency oscillator, andcomes from how modulation was created in the early synth days ...
Page 76 - Drum Mode
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 77 Effects parameters are edited separately from either the Program or the Mix,using Effects Edit Mode (more in Chapter 7). In Program Edit Mode, each of thefour sounds in the Program has its own Effect Level control and can be assi...
Page 78 - Program Edit Functions; Assign Voice; Name
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 79 When Drum Mode is enabled, the sound will have fewer parameters for editing.Consequently, not all Function labels will appear in the LCD display as whenDrum Mode is turned off. Specifically, the LFOs and all Envelopes (with theex...
Page 79 - Group
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 80 On the following page, you’ll find a chart listing the varioussamples in their respective groups. Group Voice Piano GrandPiano, Dark Piano, No Hammer, Piano wave, BrtRhdsHrd, BrtRhdsSft, BrtRhdsVel, MidRhdsHrd, MidRhdsSft, MidRhd...
Page 80 - Level
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 81 Drums Stndrd Kit, Rock Kit 1, Rock Kit 2, Dance Kit, Stab Kick, Deep Kick, Spike Kick, Flap Kick, GarageKick, PillowKick, Elect Kick, Studio Snr, TurboSnare, PiccoloSnr, Crisp Snr, Power Snr, Dance Snr, Rimshot, Side Stick, Power...
Page 84 - Filter
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 85 Filter Filter (Page 1) Frequency (00 to 99) This sets the filter's initial cutoff frequency. Lower values give aduller sound since this removes more harmonics; higher valueslet through more harmonics, which gives a brighter sound...
Page 88 - Range
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 89 higher the number (either positive or negative), the greater theeffect for a given amount of aftertouch. Tip: Use aftertouch to “swell” the amplitude of brass and horn parts. Amplitude LFO Depth (-99 to +99) At +00, the Amp LFO h...
Page 92 - Mod; About General Purpose Modulation
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 93 Mod About General Purpose Modulation Although there are several dedicated modulators in theQuadraSynth Plus (e.g., the pitch can always be modulated bythe pitch LFO and pitch envelope), sophisticated synthesizerprogramming demand...
Page 95 - Modulation Destination
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 96 • Random This provides a different modulation value every time you hit a key. Example: With vintage analog synthpatches, use pitch as the destination and apply a very slightamount of random modulation. Each note will have a sligh...
Page 97 - Pitch LFO
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 98 Pitch LFO Pitch LFO (Page 1) The Pitch LFO is most often used to apply vibrato to a sound. J The following Pitch LFO variables will make a difference in the sound only if the PITCH LFO DEPTH (on Page 2 of the PITCH function) is s...
Page 100 - Filter LFO
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 101 Filter LFO Filter LFO (Page 1) The Filter LFO is most often used to apply tremolo-like or "wah-wah" effects to a sound. J The following Filter LFO variables will affect the sound only if the FILTER LFO DEPTH (on Page 2 o...
Page 101 - Amp LFO
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 102 Mod Wheel (-99 to 99) This parameter sets how much the Mod Wheel will increase ordecrease the Filter LFO’s Level. A positive value raises the levelwhen the Mod Wheel is moved up, and lowers the level whenmoved down. Negative set...
Page 103 - Pitch Envelope
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 104 Amp LFO (Page 2) Level (00 to 99) This is the base output level of the Amp LFO. If you want tohave a constant value of tremolo, even without using the ModWheel or Aftertouch, set LEVEL above 00. The Mod Wheel andAftertouch will ...
Page 108 - Filter Envelope
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 109 Velocity Modulation (00 to 99) This determines how keyboard dynamics will affect theenvelope level. When set to 99, note velocity controls theenvelope’s output; notes played hard will deliver a higherenvelope output than notes p...
Page 112 - Amp Envelope
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 113 Sustain Pedal (On or Off) This determines whether or not the Sustain Pedal will have aneffect on the envelope. When turned on, holding down theSustain Pedal while playing short notes is virtually theequivalent to holding down th...
Page 116 - Tracking Generator
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 117 Tracking Generator The Tracking Generator is used to scale a modulation source. Forexample, normally you could modulate the Amp (volume) of a soundusing velocity; the harder you play, the louder the sound gets. Theamount of chan...
Page 117 - Input
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 118 0 100 POINTS: 0 1 2 3 4 5 6 7 8 9 10 LINEAR 0 100 POINTS: 0 1 2 3 4 5 6 7 8 9 10 NON-LINEAR 0 100 POINTS: 0 1 2 3 4 5 6 7 8 9 10 NON-LINEAR STEPPED Tip: The Tracking Generator can be used to turn a variable control, such as the ...
Page 120 - Programming Drum Sounds
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 121 Programming Drum Sounds To program a sound in Drum Mode, you must first enable Drum Mode for thatparticular sound in the Misc. Function (see previous section). Quad Knob [4] isalways used to select a Drum (1—10), regardless of w...
Page 121 - Effects Level
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 122 Each of the 10 drums in a sound can have its own level, pan position,and output assignment. The Level function provides these controls. UseQuad Knob [1] to adjust the selected drum’s level (00 to 99), Quad Knob[2] to adjust pan ...
Page 125 - Initializing Programs
Editing Programs: Chapter 6 QuadraSynth Plus Piano Reference Manual 126 ƒ Press [STORE] to copy the sound. Initializing Programs If you want to start programming from “scratch”, you can easily reset allparameters to their default settings by re-initializing the software. Make sureyour mod wheel is a...
Page 127 - Selecting Effects in Mix Mode; Setting Effects Send Levels
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 128 adjustments– left and right – for several parameters). Consequently, the moreparameters an effect has, additional pages become available for that function.The number of pages the currently selected function has and the current pa...
Page 130 - Storing Effect Patches In Program Mode; Storing Effect Patches in Mix Mode
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 131 sends 1, 2 and 3 in Configuration #1, but not on send 4—as you can see in thechart on page 92. Although only used in Configuration #s 4 and 5, the word “MISC.” will appearin the display. This can be selected in the same manner as...
Page 132 - Copying Effect Patches; Configurations
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 133 Copying Effect Patches When you want a Program to use the Effects from a different Program, you mustcopy that other Program’s Effects into the Program you are working on. This isdone within Store Mode using the “Copy Effect” func...
Page 142 - Reverb; Input 1
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 143 Reverb Reverb can be thought of as a great number of distinct echoes, called reflections,that occur so fast that our ear hears them blurred together as one. In nature,different sized spaces give distinctly different sounding reve...
Page 143 - Input Balance
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 144 which Pitch type is selected. If the signal is taken from the effectsend, the Reverb will receive direct, uneffected signal. Input Balance Quad Knob [3] allows you to control the balance between ReverbInputs 1 and 2 and therefore...
Page 144 - Input level; Send Input Levels
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 145 Input level Quad Knob [4] controls the overall Input Level going into theReverb. Chorus Input Level If Configuration #2 is selected (refer to block diagram ofConfiguration #2, earlier in this chapter), the first page of theReverb...
Page 146 - Reverb Type
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 147 If Configuration #2 is selected and you press [EDIT 1] toadvance to effect send 2 while the Reverb function is selected,the display will look like this: M I D I CHAN P R O G P R O G 1 PRESET EDITING: 2 E F F E C T PITCH MOD CONFI...
Page 148 - Input Filter
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 149 Gated. Gated Reverb is a very popular effect on drums first found on English records in the early 1980s. This reverb type cansimulate applying a noise gate (a device that automaticallydecreases the volume once the signal falls be...
Page 150 - Density
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 151 Reverb (Page 4) Density Density controls how the first reflection of the reverb effect willappear. When set to 0, the first reflection is heard alone withoutany other reflections. When set to 99, the first reflection appearsto “f...
Page 151 - Delay; Delay Type
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 152 Delay The Delay function is used to edit Delay parameters. Delay (Page 1) The QuadraSynth Plus’s effects processor has three different Delay typesavailable. Note: Some delay modules only feature a mono Delay, and therefore the De...
Page 153 - Pitch Type
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 154 Pitch The Pitch function is used to edit Pitch parameters. Pitch (Page 1) The first page of the Pitch function will look different depending on theselected Configuration and which effect send you are editing. Normally,there will ...
Page 156 - Delay Input
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 157 Stereo Flange. In the case of the Stereo Flange, the signal is split into three parts with a dry signal and a separate Delay sectionfor both left and right channels with one channel flanging upwhile the other channel flanges down...
Page 158 - Selecting the Modulator
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 159 Mod The Mod Function lets you control various effects parameters from the variouscontrols on the QuadraSynth Plus (keyboard, after-touch, pitch-bender, etc.) orfrom the MIDI input. This is extremely useful when dynamic or real-ti...
Page 159 - Mod Level; Mix; Pitch Level
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 160 depending on the effect chosen. However, the Mod Destinations retaintheir names. Example: If the Resonator is the Pitch effect, the Pitch Speed Modulation Destination controls the first parameter in the Resonator(Tuning). Mod Lev...
Page 160 - Reverb Level; Lo EQ Frequency; Overdrive
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 161 section is still available (depending on the bus and configuration) tofollowing Pitch and Reverb sections. Reverb Level Adjusting this value will cause the Reverb Output Level to increase ordecrease. The Reverb Output level is th...
Page 161 - Overdrive Type
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 162 The Overdrive effect provides four parameters spread across two editingpages. It is only used in Configuration #5. Overdrive Type This selects one of two Overdrive Types: Soft and Hard. The SoftOverdrive has less gain and provide...
Page 162 - Overdrive Threshold
Editing Effects: Chapter 7 QuadraSynth Plus Piano Reference Manual 163 Overdrive Threshold This sets the level the signal feeding the Overdrive effect must bereach before the Overdrive effect will begin distorting. It can beset between 00 and 99. If this number is very low, the Overdriveeffect will ...
Page 164 - LOBAL; Editing Global Parameters; LCD Contrast; Enabling General MIDI Mode via MIDI
Global Settings: Chapter 8 QuadraSynth Plus Piano Reference Manual 165 C HAPTER 8 G LOBAL S ETTINGS Global Edit Mode is where you will find several parameters which affect the entireinstrument, such as overall master tuning, display contrast, controller settings, keyboardmode, edit mode and the 48 k...
Page 165 - Master Pitch and Master Tuning
Global Settings: Chapter 8 QuadraSynth Plus Piano Reference Manual 166 MIDI mode will be enabled, and Mix 00 of Preset Bank 4 willautomatically be selected. Master Pitch and Master Tuning In Page 1 of Global Edit Mode, Quad Knob [3] adjusts the QuadraSynth Plus’soverall pitch (-12 to +12/up or down ...
Page 166 - Controllers A – D Assignment
Global Settings: Chapter 8 QuadraSynth Plus Piano Reference Manual 167 In Page 2 of Global Edit mode, Quad Knob [4] selects the Keyboard Mode(NORMAL, CH SOLO, OUT 1 – OUT 16). This determines how the keyboard willfunction. When in Mix Mode, you have the option to transmit on several MIDIchannels at ...
Page 167 - Controllers A – D Mode
Global Settings: Chapter 8 QuadraSynth Plus Piano Reference Manual 168 Example: If you adjusted Controller A (using Quad Knob [1]) to, say, a value of 25 and then you recalled a different Program, the value of Controller A wouldremain at 25 if the “A–D Reset” function was turned off. Alternatively, ...
Page 168 - Pedal 1 and 2 Assignment; Using Pedals to Control Volume or Modulation; MIDI Program Select
Global Settings: Chapter 8 QuadraSynth Plus Piano Reference Manual 169 Remember, whenever one of the Controllers A–D is used in the currentlyselected Program, a pair of arrows will appear on either side of that Controllersname in the display while in either Program Play Mode or Mix Play Mode. Thisin...
Page 169 - Receiving and Transmitting Bank Change Message
Global Settings: Chapter 8 QuadraSynth Plus Piano Reference Manual 170 In Page 6 of Global Edit mode, Quad Knob [1] determines the MIDI ProgramSelect mode (Off, On, Mix Select Channel 1 –16). When this is set to “Off”, theQuadraSynth Plus will not respond to incoming MIDI Program Changemessages, nor...
Page 170 - Edit Mode
Global Settings: Chapter 8 QuadraSynth Plus Piano Reference Manual 171 If the MIDI Program Select parameter is turned “On” and a new Bank isselected using the BANK [ ♦ ] and [ ∅ ] buttons, a Bank Change message (followed by the appropriate Program Change message) will betransmitted out the MIDI Out ...
Page 171 - MIDI T; RANSFER; Saving the User Bank to an External Card; Loading a Bank from an External Card
MIDI Transfer and Storage Operations: Chapter 9 QuadraSynth Plus Piano Reference Manual 172 C HAPTER 9 MIDI T RANSFER A ND S TORAGE O PERATIONS Saving the User Bank to an External Card The entire contents of the QuadraSynth Plus’s User memory (100 Mixes, 128Programs, 128 Effects Patches) can be stor...
Page 173 - Card Storage RAMifications; Saving Programs via MIDI Sys Ex
MIDI Transfer and Storage Operations: Chapter 9 QuadraSynth Plus Piano Reference Manual 174 Card Storage RAMifications Whenever you transfer an internal Bank to a RAM card, the result is thatall Mixes in the transferred Bank are changed so that they now access thePrograms on the card bank to which t...
Page 175 - ROUBLE; Trouble-Shooting Index; Symptom
Troubleshooting: Appendix A QuadraSynth Plus Piano Reference Manual 176 A PPENDIX A T ROUBLE -S HOOTING Trouble-Shooting Index If you are experience problems while operating the QuadraSynth Plus, please usethe following table to locate possible causes and solutions before contactingAlesis customer s...
Page 176 - Checking Software Version; Cleaning
Troubleshooting: Appendix A QuadraSynth Plus Piano Reference Manual 177 Checking Software Version The current software version may be determined by holding [GLOBAL] andpressing [PROGRAM]. The QuadraSynth Plus will indicate the current softwareversion installed in the upper right display. Maintenance...
Page 180 - MIDI S; UPPLEMENT; MIDI Basics
MIDI Supplement: Appendix B QuadraSynth Plus Piano Reference Manual 181 A PPENDIX B MIDI S UPPLEMENT MIDI Basics Most current electronic instruments and signal processors, including theQuadraSynth Plus, contain an internal computer. Computers and music havebeen working together for decades, which is...
Page 181 - MIDI Message Basics; Channel Messages: Mode Messages
MIDI Supplement: Appendix B QuadraSynth Plus Piano Reference Manual 182 MIDI Message Basics The are two main types of MIDI messages. Channel messages, which arechannel-specific, consist of Voice and Mode messages. System messages, whichdo not have a channel number and are received by all units in a ...
Page 184 - System Common Messages; General MIDI
MIDI Supplement: Appendix B QuadraSynth Plus Piano Reference Manual 185 System Common Messages Intended for all units in a system, some of these MIDI messages are: Song Position Pointer. This indicates how many “MIDI beats” (normally a 16th note) have elapsed since a piece started (up to 16,384 tota...
Page 187 - MIDI IMPLEMENTATION CHART; Function
MIDI Implementation Chart QuadraSynth User’s Manual 188 MIDI IMPLEMENTATION CHART Function Transmitted Recognized Remarks BasicChannel DefaultChanged 1 — 161 — 16 each 1 — 161 — 16 each Memorized Mode DefaultMessagesAltered Mode 3 X * * * * * * * * Mode 3 X NoteNumber True Voice 0 — 127 * * * * * * ...
Page 188 - Program Parameters
Parameters Index: Appendix C QuadraSynth Plus Piano Reference Manual 189 APPENDIX C: P ARAMETERS I NDEX Program Parameters Parameter Function Page Quad Knob Page in Manual Aftertouch Depth: Amp Amp 1 2 61 Aftertouch Depth: ALFO ALFO 2 3 71 Aftertouch Depth: Filter Filter 2 2 60 Aftertouch Depth: FLF...
Page 190 - Mix Parameters
Parameters Index: Appendix C QuadraSynth Plus Piano Reference Manual 191 Tuning: Semitone Pitch 1 1 57 Parameter Function Page Quad Knob Page in Manual Tuning: Detune Pitch 1 3 57 Tuning: Type Pitch 1 4 57 Velocity Filter 1 4 59 Velocity Curve/Crossfade Amp 1 1 61 Voice Select: Group Assign Voice 1 ...