Yamaha PSR-630 - Manual

Yamaha PSR-630

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Table of Contents:

  • Page 2 – SPECIAL MESSAGE SECTION
  • Page 3 – SAVING USER DATA; PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING
  • Page 4 – Important Features
  • Page 5 – Packing List; GM System Level 1; Please check that these items are packed with your PSR-730/630.; XG; • Sample Disk
  • Page 6 – Contents
  • Page 8 – Panel Controls
  • Page 9 – Top Panel Controls; The Music Stand; Rear Panel Controls
  • Page 10 – n d; Basic Display Operation; The Display Icons
  • Page 12 – The Menus; MENU
  • Page 13 – Shortcuts
  • Page 14 – Setting Up; Power Supply; Using An Optional AC Power Adaptor; Plug an optional Yamaha PA-6 Power Adaptor into a wall AC outlet.; Using Batteries; Replace the batteries as follows:; Important Notes on Battery Use
  • Page 15 – Connections; PHONES Jack; MIDI IN/OUT and TO HOST Connectors; A standard pair of stereo headphones can be; FOOT VOLUME Jack; Connecting an optional Yamaha FC7 foot con-
  • Page 16 – The Demonstration; T r u m p e t; Switch ON
  • Page 17 – Skip to the Beginning Of a Different Demo Song
  • Page 18 – is displayed under the voice number at the top; A Word About the “R1”, “R2”, and “L” Voices; Choose a voice you like, and tr y it out!; Playing with a Single Voice
  • Page 19 – Selecting & Playing R1 Voices; Select the VOICE Menu; Select a Panel Voice; The Number Buttons; p 1
  • Page 20 – The Data Dial; o p h o n e
  • Page 21 – Keyboard Percussion; The Drum Kits; The Dual Voice Mode; voices) simultaneousl y across the entire keyboard .; The DUAL VOICE mode is turned on and off by pressing the [DUAL VOICE]; can also be used to turn the R2 voice on or off as required.
  • Page 22 – The Split Voice Mode; also be used to turn the L voice on or off as required.; The SPLIT VOICE mode is engaged by pressing the [SPLIT VOICE] button.
  • Page 23 – Then use the SUB MENU [; Changing the SPLIT VOICE Split Point; to match your individual playing requirements.; Select the SPLIT VOICE Split Point Function; ] buttons to the left of the display to move the triangular; indicator next to “OVERALL” on the left side of the display.; S p l i t P o i; Set As Required
  • Page 24 – Auto Accompaniment; Using Auto Accompaniment; Select a Style; What is Auto Accompaniment?
  • Page 25 – Turn AUTO ACCOMPANIMENT On; Star t the Accompaniment; There are several ways to start the accompaniment:; D a n c e; Straight start
  • Page 26 – Start with an introduction followed by the MAIN A section
  • Page 27 – Play the Melody with the Accompaniment; Changing Accompaniment Sections
  • Page 28 – The Beat Indicator; Changing Tempo; You can change the tempo for accompaniment or song playback.; ] buttons. Press either button brief ly to
  • Page 29 – Accompaniment Sections; INTRO Section
  • Page 30 – The Synchro Stop Function; Accompaniment Track Muting; What’s in the Tracks
  • Page 31 – Accompaniment Volume Control; the best overall balance by using the ACMP/SONG VOLUME [; Using Virtual Arranger; A c m p V o l u; O f f; When Style Mode is selected with the Style Menu (the; status will be shown at the top right of the display.
  • Page 32 – Changing the Accompaniment Split Point; Select the Accompaniment Split Point Function; Then use the SUB MENU [; A c m p S p l i
  • Page 33 – The Auto Accompaniment Fingering Modes; modes which can be selected as follows.; Select the Fingering Mode Function
  • Page 34 – Select the Required Fingering Mode; The SINGLE FINGER Mode; For a major chord, press the root key only.
  • Page 35 – The FINGERED 1 Mode; g e r e d
  • Page 36 – The FINGERED 2 Mode; Example for “C” chords
  • Page 37 – The Stop Accompaniment Function; Groove and Dynamics; Lets you play the music with some swing or put a little groove; t i
  • Page 38 – Applying Groove & Dynamics; indicator next to “GROOVE & DYNAMICS” on the left side of the display.; Select the Beat Groove Template; T h r u
  • Page 39 – Beat Groove Template List
  • Page 40 – Select the Dynamics Template; Dynamics Template List
  • Page 41 – Set the Expand Rate; E x p a n d R a; Set the Dynamics Rate; D y n a m c s R
  • Page 42 – Set the Boost Rate; One Touch Setting; One Touch Setting Parameter List; B o o s t R a t
  • Page 43 – Press the [ONE TOUCH SETTING] button. The ONE TOUCH SETTING and; Turn ONE TOUCH SETTING Off When Done; Press the [ONE TOUCH SETTING] button again and the ONE TOUCH SET-; Select a ONE TOUCH SETTING Type, as Required
  • Page 44 – Digital Effects; REVERB Button
  • Page 45 – Selecting a Reverb Type; Select one of the 13 Reverb types.; display next to “DIGITAL EFFECT”.; Reverb; Reverb Return Level; R o o; ] buttons to move the triangular indicator in the
  • Page 46 – Chorus Return Level; The Cho.Return (Chorus Return Level) parameter sets the amount of; C h o; Selecting a Chorus Type; Select one of the 10 Chorus types.; displa y next to “DIGITAL EFFECT”.; Chorus
  • Page 47 – Select the DSP Type
  • Page 48 – DSP Return Level; ] buttons to move the triangular indicator in the display; next to “DIGITAL EFFECT”.; S t a; D S P
  • Page 49 – Selecting a Harmony Type; Harmony; according to the chords detected in the Accompaniment section.; ] buttons to move the triangular indica tor in the; D u e
  • Page 50 – Adjusting the Harmony Volume; for Harmony types 1 through 16 as follows:; harmony volume as required. The range is from “0” to “127”.; Multi Effect; How Multi Effect Works; There are 2 ways to combine the effects in series or in parallel.; Example 1) Applying Effects 1 and 2 to separate parts (parallel)
  • Page 51 – Applying Multi Effect; Setting Parts for Effect 1/2; Select a part each for Effect 1 and Effect 2; ] buttons to move the tr iangular indicator in the display; R i g
  • Page 52 – Select the Effect Type for Effect 1/2; Adjust the Dry/Wet Settings for Effect 1/2; H a l
  • Page 53 – The Digital Equalizer
  • Page 54 – Selecting a Digital EQ Type.; Select one of the 5 Digital EQ types.; n umber buttons, or Data Dial to select the desired equalizer type.; Equalizer Type List; B r i
  • Page 55 – ] buttons to select “LowGain”.The current LowGain value for; and “HighGain”, and set them in the same way as the “LowGain.”; After finishing the gain settings, use the SUB MENU [; U s e
  • Page 56 – Setting the Pitch Bend Range; in the OVERALL function group. Use the MENU [; triangular indicator in the display next to “OVERALL”.; The Pitch Bend Wheel; P B
  • Page 57 – Changing the Modulation Wheel Function; The Modulation Wheel; Modulation; select one of the 3 effects.; M o d u l a t i o n
  • Page 58 – Transpose; Setting Transposition; T r a n s p o s; ] buttons to set the desired degree of transposi-
  • Page 59 – Registration Memory; Set Up the Controls as Required; Registration Memory function:; Registering the Panel Settings; Data Stored By the Registration Memory; Select a Registration Bank (if necessary); ] buttons to move the triangular indicator next to; i s t 1
  • Page 60 – Register the Settings; While holding the [MEMORY] button, press one of the REGISTRATION; y ou have stored settings.; ] buttons to select “Reg Naming”. The current; name will appear on the top right of the display.; Naming the Registration Banks
  • Page 61 – buttons or the Data Dial to enter the name.; Dial; L I V
  • Page 62 – Recall the Registered Panel Settings; The Accompanient Freeze Function; i s t 3
  • Page 63 – The Multi Pads; Selecting a MULTI PAD Set; Select the Multi Pad Function; To select a multi pad set first use the MENU [; Select a Multi Pad Set Number; If necessary use the SUB MENU [; f a r e 1
  • Page 64 – Playing the MULTI PADs; When the CHORD MATCH function (page 63) f or a pad is turned on, the; The Multi Pad Sets
  • Page 65 – Turning the CHORD MATCH Function On/Off; Select the MULTI PAD Function; ] buttons to select the MULTI PAD function so that the; Select a CHORD MATCH Function; the selected pad “on” or “off” as required.; O n
  • Page 66 – Disk Operations; Floppy Disk Handling Precautions
  • Page 67 – User Song Data; User Song; User Style/User Pad/Registration Memory Data
  • Page 68 – Try playing some of the songs on the inc luded Sample Disk.; Inser t the Sample Disk into the Disk Drive.; The Sample Disk; Star t and Stop the Song; For details, see page 76 “Song Pla yback.”
  • Page 69 – Follow the steps below to format a disk.; Insert the Disk into the Disk Drive; The “DISK” menu will be automatically selected, and the Sub Menu; Format; F o r m a t; Star t Formatting; selected before inserting the disk.; N o w
  • Page 70 – Inser t a Formatted Floppy Disk.; Save; Select the File Type; appear on the display.
  • Page 71 – Save File Confirmation; showing the new file the data will be saved to.; or the Data Dial to select the file you want to overwrite.; If Necessary Change the File Name
  • Page 72 – available Yamaha Style File disks.; Select the File to Load; ] buttons to select the Disk function so that the triangular; w ere originally saved to this file.; Inser t the Floppy Disk into the Disk Drive.
  • Page 73 – Select the Data to Be Loaded If Necessary; Source Selection; l e 1; Select the Destination; destination for the data.; l e
  • Page 74 – Execute the Load Operation; oper ation can’t be canceled.; Disk Copy; Select a Disk Copy Function; n d P i
  • Page 75 – finished, “Insert Copy Disk” will be displayed.; Insert the Destination Disk into the Floppy Drive; Copying” will appear on the displa y.; n d P i Y E S; Song Copy; Insert the Floppy Disk into the Disk Drive; Insert the disk with the songs you want to copy into the disk drive.
  • Page 76 – Select a Song Copy Function; ] buttons to select the Disk function so that the triangular; Select the (Source) Song File to Be Copied; showing the name that will be given to the new song file being made.; Execute the Copy Operation; Y E S
  • Page 77 – Select the File to Be Deleted; Delete File; Memory) from the floppy disk in file units.
  • Page 78 – Song Playback; Select the Song Menu; icon on the display.; Song Playback Procedure; Enter the Song Number; icon on the display, and the; A l w a y s
  • Page 79 – Select Play Mode; ] buttons so that “Play Mode” appears on the; The songs will be displayed in sequence, as follows:; Selecting a Disk Song Quickly; g l e
  • Page 80 – Play from a Specified Measure; appear next to “SONG” to the right of the display). Use the SUB MENU [; Song Volume Control; fr om the keyboard. While in Song Mode (the; ] buttons. When either button is pressed the current song; ] buttons to button to decrease or; m e
  • Page 81 – Selecting the Song for Minus-one Playback; Press one of the TRACK buttons below the display, and its number; will; Select the R1 Voice; muted (listed under the TRACK Number
  • Page 82 – Repeat Play; continuous repeat playback.; Select the A-B Repeat Parameter; ] buttons to select the “A-B Repeat” parameter in the display. The; Star t Playback; a t
  • Page 83 – Song Repeat; Select a Song Number; After making sure that the “SONG” menu is selected, use the SUB MENU [; setting will be shown on the top line of the display.
  • Page 84 – Next Song; with the next song number.; Select the first song you want to play; will be shown on the top line of the display.; song is finished, playback will continue with the next song.; m p e t
  • Page 85 – Song Recording; Quick Recording; Multi Recording; The accompaniment tracks record the following and data:
  • Page 86 – Inser t Floppy Disk and Change to Record Mode; Quick Recording Procedure; With quick recording, you can use 5 tracks for recording each song.; ACMP track; as chord change and section change data).; MELODY 1–4 track; The; icon will be lit on the display indicating that the Song mode is; a n d
  • Page 87 – Select the SONG Record Mode; Press the [SONG] button to select the SONG record mode. The SONG menu; If Necessary, Select a User Song Number; When recording a melody track.
  • Page 88 – Record; Recording the ACMP track
  • Page 89 – Stop Recording; By repeating steps; Exit From the Record Mode; Recording from the Middle of the Song
  • Page 90 – Engage the Song Record Mode and Select the User Song; Multi Recording Procedure; Select the Record Method; ] buttons so that “Quick Record” or “Multi; Select the Track and Part to Record; ] buttons so that “Part Select” (record part
  • Page 92 – Star t/Stop Recording; About the Recording with the Digital Effects Applied
  • Page 94 – parts with the Punch In/Punch Out feature.; P u n c h
  • Page 95 – Quantize; appears on the display.; After making the setting in step 2, use the SUB MENU [; Q u a n t i z e; When Quantize is finished, the display will return to “Quantize? YES”
  • Page 96 – Naming User Songs; You can give your own name (8 characters or less) to user songs.; ] buttons so that “Song Name”; Clearing Song Data; Clearing Selected Tracks; contain data will flash, showing that those tracks can be clear ed.
  • Page 97 – A r e; return to “Track Clear?”
  • Page 98 – Clearing an Entire Song; song that you want to clear.; Song Edit
  • Page 99 – ] button so that the voice parameter you wish to change; See pag e 110 for information about each value.; When editing is finished, press the SUB MENU [; Exit the Record Mode and try playing the song.; n d P i a n o
  • Page 100 – Style Recording; The STYLE tracks record the following operations and data:; Select a Style To Begin With; Style Recording Procedure; B e a t
  • Page 101 – Select the Style Record Mode; Engage the Record Ready Mode
  • Page 102 – If Necessary, Select a User Style Number; n umber buttons, or the Data Dial to select it.; Select a Section to Record; section for recording.; Select a Track to Record; This shows that RHYTHM1 has been selected as the recording track.; PHRASE 1/2 as the style track you want to record.
  • Page 103 – Select a Voice, If Necessary; If the [SYNC START] button is pressed while in Record Ready Mode, it
  • Page 104 – return to Record Ready Mode.; Record Additional Sections & Tracks as Required
  • Page 105 – Drum Cancel; c e l
  • Page 106 – Naming Styles; You can give your own name (8 characters or less) to user styles.; r S t y 1; G I N A L
  • Page 107 – Clearing User Style Data; Clearing an Entire Style
  • Page 108 – The MULTI PADs record the following operations and data:; Multi Pad Recording Procedure; Multi Pad Recording
  • Page 109 – Select the MULTI PAD Record Mode; If Necessary, Select a User Pad Set Number; r P a d 1; Specify Chord Match if Required; e g g i o
  • Page 110 – Record Additional Pads as Required
  • Page 111 – Naming Pads; You can give your own name (8 characters or less) to user pad sets.; Clearing an Entire Pad Set; Clearing User Pad Data
  • Page 112 – Revoice Parameters; Select the VOICE REVOICE Mode; Revoicing
  • Page 113 – If Necessary Select a Voice to Revoice; ] buttons to select the desired parameter. The; Repeat as Required and Exit When Done; Repeat steps
  • Page 114 – Select the STYLE REVOICE Mode; Revoicing a Style; If Necessary Select a Track to Revoice; S r a
  • Page 115 – Select and Edit the Revoice Parameters
  • Page 116 – To access an OVERALL function first use the MENU [; the triangular indicator in the display next to “OVERALL”.; Overall Functions; T o u c h S e n
  • Page 117 – Touch Sensitivity; The Tuning function sets the overall pitch of the PSR-730/630 over a; Scale Tuning; Pitch Bend Range
  • Page 118 – PANIMENT playback as well as SONG playback and recording .; Voice Set parameter list; S o n g T r a n
  • Page 119 – Pedal; Select the Functions to Be Controlled by the Pedals; functions that can be controlled by Pedal 2.; Pedal Function List; t a i n
  • Page 120 – whether it increases or decreases when you step on the pedal.; m a l
  • Page 121 – MIDI Functions
  • Page 122 – System Messages; Da ta Format and MIDI Implementation Chart on pag es 168 and 169.; Channel Messages
  • Page 123 – MIDI Terminal/TO HOST Terminal; be connected by a cable.; What You Can Do with MIDI
  • Page 124 – There are two ways to connect.; Connect using the TO HOST terminal.; Connect using the PSR-730/630 MIDI terminals; For the connection cab le, use a special MIDI cab le.; Connecting to a Personal Computer
  • Page 126 – Connect using the TO HOST terminal; personal computer type.; y ou are using, see the owner’s manuals for each of them.
  • Page 127 – To access a MIDI function first use the MENU [; Transmit Channel & Transmit Track; Transmit Channel; T r a n s m i t
  • Page 128 – Receive Channel & Receive Mode; Receive Channel; Transmit Track
  • Page 129 – Receive Mode; Local Control
  • Page 130 – Initial Data Send; Clock
  • Page 131 – MIDI Template; ] buttons to select the MIDI menu so that the triangular; M o d u l e
  • Page 132 – Appendix
  • Page 135 – Voice List; Maximum Polyphony
  • Page 142 – Drum Kit List
  • Page 144 – Style List
  • Page 145 – as a insertion effect. Each different way will be explained here.; When DSP type Is Selected as a System Effect
  • Page 146 – When DSP type Is Selected as a Insertion Effect
  • Page 147 – The Digital Effect List
  • Page 149 – Harmony Type List
  • Page 150 – Refining User Styles with Style File Format; Source Pattern; Source Pattern Settings; n d P; i x e d
  • Page 151 – o o; Other Settings
  • Page 152 – About the Source Chord Type; See page 101 for the information on the chord note and scale note.
  • Page 153 – Troubleshooting
  • Page 154 – Data Backup & Initialization; Data Initialization; A M; Data Backup; settings whenever the pow er is turned on.
  • Page 155 – MIDI Data Format
  • Page 170 – MIDI Implementation Char t; MIDI Implementation Chart
  • Page 173 – Specifications
  • Page 174 – Index
  • Page 176 – Limited Warranty; YEAR PARTS; CONSUMERS RESPONSIBILITIES; EXCLUSIONS; KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!
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Summary

Page 2 - SPECIAL MESSAGE SECTION

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained inthis manual, meets FCC requirements. Modifications not expressly ap-proved by Yamaha may void your authority, granted by the FCC, to usethe product. IMPORTANT: When connecting this pr...

Page 3 - SAVING USER DATA; PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING

1 • Do not use the instrument near other electrical products such as televi- sions, radios, or speakers, since this might cause interference which canaffect proper operation of the other products. • Do not place the instrument in an unstable position where it might acci- dentally fall over. • Before...

Page 4 - Important Features

2 Congratulations! Important Features Touch-sensitive 61-key keyboard for a wide range of dynamic musical expression (page 115). A variety of voices, 215 panel voices (200 panel voices for PSR-630), 12 drum kits and 480XG voices, with the maximum polyphony of 64voices (32 voices for PSR-630). Voice ...

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