Page 3 - Warranty
Warranty This warranty is valid only for the original purchaser and only in the United States. 1. The warranty registration card that accompanies this product must be mailed within 30 days after purchase date to validate this warranty. Proof-of-purchaseis considered to be the burden of the consumer....
Page 7 - Quuiicckk SSttaarrtt; Powering the Unit
1 Q Quuiicckk SSttaarrtt Ideally, you should read this entire manual before using the MX200. But, if you just can’t wait to get started, this section explains how to set up a simple parallel connection (using the MX200 with a mixer) and select a program. Powering the Unit 1. Plug the included power ...
Page 9 - Overview; Studio Operation; Live Operation; Abboouutt tthhee M
Overview The MX200 is a dual-processor, single rack space multi-effects device designed with both live sound reinforcement and home recording in mind. Featuring the deep, rich reverb algorithms that built the Lexicon ® legend, the MX200 offers increased versatility with dynamics and specialty effect...
Page 10 - . Dual Input Bargraph Meters; Diiaaggrraam
1 . Dual Input Bargraph Meters LEDs indicate input level for each channel. 2. Digital In LED Indicates when the S/PDIF digital input is selected and active. 3. Routing Button Press this button to cycle through the four signal routing options. For more informa- tion about routing, see page 12. 4. Act...
Page 11 - Program Select Knob
D Diiaaggrraam m -- FFrroonntt PPaanneell 14. Effect Select - P1 This button selects the reverb, delay, or effect to be loaded in Processor 1. 15. Pre Delay Knob - P1 Controls Pre Delay of the reverbs or the first parameter of the selected delay or effect in Processor 1.* 16. Decay Knob - P1 Control...
Page 12 - Balanced Analog Line Outputs
1. Power Jack Connect only the included Harman Pro PS0913B power supply here. 2. Footswitch Input An optional 2-button footswitch can be plugged into this TRS jack for independent Bypass control of P1 and P2. Use the Lexicon ® LEX-DFS or a 2-button footswitch wired as follows: T ip = Bypass 2 R ing ...
Page 13 - Parallel Connection; SSeettuupp
Connecting the MX200 Parallel vs. Serial The MX200 can be used as both a Parallel and Serial (in-line) effects processor. Typically, reverbs and delays are used in parallel, compressors and de-essers in serial, and modulated effects can be used in either configuration, depending on the desired appli...
Page 14 - Mixer - Dual Mono Setup; Serial Connections; Guitar - Effects Loop Setup
SSeettuupp Bargraph LEDs stay lit, too much signal is being sent to the MX200; reduce the Aux Master or Aux send on the mixer. 9. Turn up the Aux Return to the 12 o’clock position (or line input faders to the 0db positions, if you used that connection). 10. To increase or decrease the amount of effe...
Page 15 - Instrument - In Line Setup
SSeettuupp Instrument - In Line Setup This setup utilizes the MX200 as a multi- effects processor connected in line from an instrument to a mixer. It is an ideal setup to use when your mixer does not have an Aux Send/Return option built in. 1. Select routing 2 using the Routing button (you can alway...
Page 16 - Ussiinngg tthhee M
The MX200 is equipped with 99 Factory programs that combine the 32 reverbs and effects to cover a wide range of applica- tions. Additionally, there are 99 User pro- gram locations in which to store your own reverb and effects combinations. These are identical to the Factory programs until you change...
Page 17 - Tap Tempo; To change Audition options:
An LED lights next to the selected reverb or effect label in the Active Reverb/Effects Matrix (green LED for P1, red for P2). The Effect Select control is cyclical, meaning if Effect Select is pressed up when Small Hall is active, Detune will be the next selected effect . Similarly, if Detune is act...
Page 19 - Reverbs; Hall Reverbs; Small Hall; EEffffeeccttss D
The MX200 effects come in four varieties: Stereo, Mono In/Stereo Out, Mono (Wet only), and Stereo (Wet only). When using Wet only effects, turn the processors Mix knob fully clockwise. Reverbs Reverberation (or “reverb” for short) is the complex effect created by the way we per- ceive sound in an en...
Page 20 - Small Plate
14 EEffffeeccttss D Deessccrriippttiioonnss -- RReevveerrbbss A Plate reverb is a large, thin sheet of metal suspended upright under tension on springs. Transducers attached to the plate transmit a signal that makes the plate vibrate, causing sounds to appear to be occurring in a large, open space. ...
Page 21 - Spring Reverb
EEffffeeccttss D Deessccrriippttiioonnss -- RReevveerrbbss Arena reverb emulates a huge physical space such as an indoor sports venue or stadium. The characteristics of Arena reverb are long secondary reflection times and a reduced amount of high frequency content. Arena is a mostly mid- and low- fr...
Page 22 - RReevveerrbb CCoonnttrrooll VVaalluueess
Note : Values of 0 – 100 are displayed as 0 – 00 (100 is displayed as 00 in the Program Display ). Values of greater than 100 are shown with a decimal between the digits, i.e. 115 displayed as 1.5 , 150 displayed as 5.0 , and 200 is displayed as 0.0 . RReevveerrbb CCoonnttrrooll VVaalluueess 16
Page 23 - Delays; Delay Controls; Time Range
Delays Delays repeat a sound a short time after it first occurs. Delay becomes echo when the output is fed back into the input (feedback). This turns a single repeat into a series of repeats, each a little softer than the last. The Studio Delay features up to 2.5 sec- onds of stereo delay and offers...
Page 25 - Knob 1: Compression Ratio; Knob 2: Compression Ratio; Compressor
dbx ® Dynamics A De-Esser is a type of compressor used to control specific frequencies. Excessive sibilance, or the “s” sounds, can be tamed by applying this effect. De-Esser Controls Knob 1: Compression Ratio Determines the amount of compression, from 1:1 (no effect) to Infinity:1 (complete limitin...
Page 26 - Modulated Effects; Phaser; Flanger; Chorus
Modulated Effects Chorus creates a lush, full sound by com- bining two or more signals together where one is unaffected and the other signals vary in pitch very slightly over time. Chorus is commonly used to fatten up tracks and to add body to guitars without coloring the original tone. Chorus can a...
Page 27 - Knob 3: Stereo Spread; Vibrato
ed signal being fed back into the input, cre- ating feedback. Higher amounts add more resonance to the effect signal. Tremolo and Panner create rhythmic changes in signal amplitude. Tremolo affects both channel’s amplitude simultane- ously, while the Panner affects the ampli- tude of each channel in...
Page 28 - Knob 3: Cutoff Frequency; Knob 1: Left Shift Amount; Detune; Pitch Shift
EEffffeeccttss D Deessccrriippttiioonnss -- ddbbxx® DDyynnaam miiccss Vibrato Controls Knob 1: Speed Controls the modulation rate of Vibrato . Knob 2: Depth Controls the maximum amount of pitch shift. Lower settings result in a mere “war- ble,” while higher settings produce a more exaggerated “wow” ...
Page 29 - Uttiilliittiieess; MIDI Channel
M MXX220000 U Uttiilliittiieess The MX200 has several global functions that can be customized to meet your needs. These functions are MIDI Channel Select , Program AutoLoad enable, Dry Track to digital output, Analog/Digital Input Select , and Factory Reset . To access these Utility functions, press...
Page 30 - Digital Out Dry Track
M MXX220000 U Uttiilliittiieess buttons simultaneously. 2. Press the Audition button repeatedly until In appears in the Program Display . The Program Display flashes between In and dI if the digital input is selected. If you want to disable the digital input and use the analog inputs, turn the Progr...
Page 32 - Minimum System Requirements; Installing the MX-Edit; TThhee M; Wiinnddoow
The included MX-Edit Editor/Librarian soft- ware lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Windows ® computer. While the MX200 has 99 User program locations, you can create and save as many programs you like on your computer, and load t...
Page 33 - Library
Program Editor appears, with the selected program’s name in the Title Bar and Program Name field. The program settings are also reflected in the Parameter knobs and buttons in the Program Editor window. The selected program is now loaded in your MX200 as well, and can be previewed using the Audition...
Page 34 - Editing a Program; Signal Routing Options
this program is a basic clean sound. However, you can create your own default program by overwriting the Default file in the MX-Edit directory with the program of your choice. The MX-Edit TM Program Editor The MX-Edit Program Editor lets you quickly and easily view, compare and edit any program stor...
Page 35 - Arrow Keys; Tempo
TThhee M MXX--EEddiitt EEddiittoorr//LLiibbrraarriiaann -- W Wiinnddoow wss tion depending on the default values for the selected reverb or effect. Adjusting Knobs To make editing in MX-Edit easy and intu- itive, there are three ways to adjust knobs in MX-Edit: Mouse - Circular Place the cursor at t...
Page 36 - Saving a Program; Storing a Program
Saving a Program If you make any changes to a program, an asterisk (*) will appear next to the program name in the Title Bar of the Program Editor. The LED associated with the corre- sponding knob or button and the Store but- ton on the MX200’s front panel also illumi- nates, indicating a change fro...
Page 38 - Maacc
The included MX-Edit Editor/Librarian soft- ware lets you create, edit, save and load reverbs and effects programs for use with your MX200 on your Macintosh® OSX computer. While the MX200 has 99 User program locations, you can create and save as many programs you like on your computer, and load them...
Page 40 - Archiving; Quick Access Menu
Archiving Archiving is a powerful tool for preserving the current state of your MX200. When you archive the MX200, all of its presets and global settings are sent to the computer and saved to a file. When an archive is restored, the MX200 is configured exactly how it was when you archived it. This a...
Page 41 - Audio; Windows; Installing the MX-Edit VST; For Windows XP users
The MX200 comes with VST™ and Audio Units software which allows you to use the MX200 as a Hardware Plug-In. Now you have access to classic Lexicon ® reverbs and effects within your software recording projects, with full automation and total recall, without burdening your CPU! Using the MX200 with th...
Page 42 - Software Configuration; To set up a send and return path:; Using the MX200 Plug-In; Controls
either 44.1kHz or 48kHz sample rate to avoid problems. Software Configuration Because the audio is being processed within the MX200 hardware, and not inside your computer, your DAW (Digital Audio Workstation, or Recording Software) needs to be set up to send and receive audio to and from the MX200. ...
Page 43 - MIDI Port Error Message
CCCC M Maappppiinngg IIm mppoorrttaanntt!! MIDI Port Error Message If you see this message, the MX200 is either disconnected or its USB MIDI ports are in use by an application. Some hosts, such as Cubase, may automatically open the MX200’s MIDI ports by default. In this case, you will need to desele...
Page 44 - SSppeecciiffiiccaattiioonnss
SSppeecciiffiiccaattiioonnss Audio Inputs : (2) 1/4” TRS balanced or unbalanced Input Impedance : 20k Ohms balanced, 10k Ohms unbalanced Input Level : +4dBu Nominal, +20dBu Maximum Frequency Response : 20 Hz - 20kHz, ref. 1kHz +/- 1dB THD+N : <.007% 20Hz - 20kHz Line Outputs : (2) 1/4” TRS balanc...
Page 45 - Delay; Time Range Values; Frequency Values; Appppeennddiixx
Delay Time Range Values Note : A value of 36 is the 12 o'clock knob position, or equal to the Tempo LED rate. Intermediate values (e.g. 1-3) do not repre- sent exact note values. De-Esser Frequency Values Bandwidth Values A Appppeennddiixx 39