Yamaha MX200-16 - Manuals

4 ■ Master control section 1 STEREO ON switchThis switch turns the ST OUT output on/off.When this switch is off, levels will not be displayed in theST meters. The MONO OUT signal will be sent regardlessof this switch. 2 STEREO L, R master fadersThese faders adjust the final level of the combined sig...

6 ■ Connectors INPUT A INPUT B OUT IN INPUT CH INSERT I/O 0dB OUT IN 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 –10dB R R L L 1R 1L/MONO 2R 2L/MONO 3 1 4 2 L R +4dB –10dB TAPE IN REC OUT STEREO OUT +4dB AUX RETURN +4dB AUX SEND +4dB MONO OUT 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 9 MICROPHONE CABLES ANDMICROPHONES CO...

7 8 AUX SEND (1, 2, 3, 4)These are unbalanced jacks with a nominal output and im-pedance of +4dB/600 Ω . (AUX 1 and 2 are pre-fader, and AUX 3 and 4 are post-fader.) 9 AUX RETURN (1L/MONO, 1R, 2L/MONO, 2R)These are unbalanced jacks with a nominal input level andimpedance of +4dB/10 k Ω . These jacks...

8 MIXING CONSOLE STEREO OUT AUX SEND1 88 Mic and line input 88 AUXRTN2 AUXRTN1 AUXSEND4 AUX SEND3 AUX SEND2 Cassette Deck or DAT TAPE IN REC OUT Stage monitors Front of house  main speakers Power amp Power amp Graphic EQ Headphone Effects processor Application Example

9 Specifications ■ General specifications Maximum output level +24dB (STEREO L/R) @600 Ω , 0.5% THD at 1kHz +24dB (MONO OUT) @600 Ω , 0.5% THD at 1kHz +20dB (AUX SEND) @600 Ω , 0.5% THD at 1kHz Total harmonic distortion < 0.1% @+14dB 20Hz–20kHz(ST L/R, MONO, AUX SEND @600 Ω ) Frequency response 2...

11 ■ Block and level diagrams PAD OFF PAD ON (dB) (dB) -70 -60 -50 -40 -30 -20 -10 AUX SEND ST MONO 0 +10 AUX STEREO TAPE IN AUX RETURN GAIN MIN GAIN MIN PAD ON GAIN MAX PAD OFF GAIN MAX -70 -60 -50 -40 -30 -20 -10 0 +10 ON METER METER METER METER METER SELECT (AUX SEND 4) (PHONES) (AUX SEND 3) (MON...

12 W 897 657 537 417 929 689 569 449 Wi MX200-12 MX200-24 MX200-16 MX200-8 MODEL D: 461.7 W Wi (54.5) (54.5) H: 124.6 57.3 295 54.5 8 101.2 80.6 ■ Dimensions Units: mm

Introduction Nous vous remercions d’avoir fait l’acquisition d’une console de mixage MX200 Yamaha. La sérieMX200 apporte un excellent équilibre entre fonctionnalité et facilité d’emploi. Afin de tirer pleine-ment partie des possibilités du MX200 et de garantir des années d’utilisation sans problème,...

1 Précautions 1. Evitez tout emplacement excessivement chaud, hu- mide, poussiéreux ou soumis à des vibrationsNe placez pas l’appareil dans un endroit où il risque d’êtreexposé à des températures élevées ou une forte humidité(évitez la proximité de radiateurs, poêles, etc). Evitez éga-lement les end...

2 Panneau de commande ■ Section de contrôle de canal 1 Sélecteur d’entréeCette touche sélectionne le connecteur d’entrée du canal.Lorsque A ( ) est sélectionné, le signal d’entrée est pris à partir du connecteur d’entrée A (INPUT A) (type XLR symétrique) du panneauarrière. Lorsque B ( ) est sélectio...

4 ■ Section de contrôle principale 0 10 PHONES –15 +15 HIGH –15 +15 LOW 0 10 AUX 1 0 10 LEVEL 0 10 REC OUT 0 10 TAPE IN AUX RETURN 1 AUX RETURN 2 L ST R PHONES MONO ON AFL AFL AFL AFL AFL AUX SEND 4 AUX SEND 3 AUX SEND 2 AUX SEND 1 METER SELECT L ST R 1 AUX 2 MONO PFL/AFL 3 AUX 4 +6 +4 +2 0 –2 –4 –7...

6 ■ Connecteurs INPUT A INPUT B OUT IN INPUT CH INSERT I/O 0dB OUT IN 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 –10dB R R L L 1R 1L/MONO 2R 2L/MONO 3 1 4 2 L R +4dB –10dB TAPE IN REC OUT STEREO OUT +4dB AUX RETURN +4dB AUX SEND +4dB MONO OUT 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 9 CONNEXIONS DES MICROPHONESET DE LE...

7 Les fils cavaliers internes peuvent être changés pour dépla-cer le signal de sortie mono (MONO OUT) de façon à cequ’il soit pris après le fader stéréo (ST). Si on veut effec-tuer cette modification, consulter votre revendeur. ON ON R L STEREO OUT MONO OUT INV INV SUM SUM SUM INV INV ON ON R L STER...

8 MIXING CONSOLE Retours de sc ène Haut-parleurs  de salle Amplificateur Amplificateur Casque STEREO OUT 88 88 AUXRTN2 AUXRTN1 AUXSEND4 AUX SEND3 Platine à bobines, DAT TAPE IN REC OUT Equaliseur graphique Entrées ligne et micro Processeur d’effets AUX SEND1 AUX SEND2 Exemple d’application

9 Caractéristiques ■ Caractéristiques générales Niveau de sortie maximum +24dB (STEREO L/R) @ 600 Ω , DHT 0,5 % à 1kHz +24dB (MONO OUT) @ 600 Ω , DHT 0,5 % à 1kHz +20dB (AUX SEND) @ 600 Ω , DHT 0,5 % à 1kHz Distorsion harmonique totale < 0,1 % @ +14dB 20Hz–20kHz(ST L/R, MONO, AUX SEND @ 600 Ω ) R...

11 ■ Schémas de connexions et de niveaux PAD OFF PAD ON (dB) (dB) -70 -60 -50 -40 -30 -20 -10 AUX SEND ST MONO 0 +10 AUX STEREO TAPE IN AUX RETURN GAIN MIN GAIN MIN PAD ON GAIN MAX PAD OFF GAIN MAX -70 -60 -50 -40 -30 -20 -10 0 +10 ON METER METER METER METER METER SELECT (AUX SEND 4) (PHONES) (AUX S...

Deutsch MISCHPULTE Bedienungsanleitung Bescheinigung des importeurs Hiermit wird bescheinigt, daß der / die / das MIXING CONSOLE, Typ: MX200-8 MX200-12 MX200-16 MX200-24 (Gerät, Typ, Bezeichnung) in Übereinstimmung mit den Bestimmungen der82/499/EWG(EG-Richtlinie) funkentstört ist.Der Deutschen Bund...

Einleitung Vielen Dank für den Kauf des Yamaha Mischpults MX200. Die Mischpulte der MX200 Serie zeich-nen sich durch eine praktische Anordnung, vielseitige Funktionen sowie eine einfache Bedienung ausund erlauben zahlreiche Anwendungsmöglichkeiten. Um das große Leistungspotential des MX200voll aussc...

1 Vorsichtsmaßnahmen 1. Meiden Sie extreme Temperaturen, starke Feuchtig- keit, Staub und VibrationenStellen Sie das Pult niemals an einen extrem warme oderfeuchten Ort – also niemals in die Nähe eines Heizkörpers,Ofens usw. Meiden Sie außerdem staubige Orte sowieOrte, an denen das Pult starken Vibr...

2 Bedienkonsole ■ Eingangskanal-Bedienfeld 1 Eingangsbuchsen-Wahlschalter (A/B)Dieser Schalter dient zur Wahl der Eingangsbuchse für den betreffendenKanal.Bei ausgerastetem Schalter ( A) wird das Eingangssignal über die symmetrische XLR-Eingangsbuchse (INPUT A) auf der Geräterückseiteempfangen. Wird...

4 ■ Mischkonsole 0 10 PHONES –15 +15 HIGH –15 +15 LOW 0 10 AUX 1 0 10 LEVEL 0 10 REC OUT 0 10 TAPE IN AUX RETURN 1 AUX RETURN 2 L ST R PHONES MONO ON AFL AFL AFL AFL AFL AUX SEND 4 AUX SEND 3 AUX SEND 2 AUX SEND 1 METER SELECT L ST R 1 AUX 2 MONO PFL/AFL 3 AUX 4 +6 +4 +2 0 –2 –4 –7 –10 –15 –20 –00 +...

6 ■ Anschlüsse INPUT A INPUT B OUT IN INPUT CH INSERT I/O 0dB OUT IN 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 –10dB R R L L 1R 1L/MONO 2R 2L/MONO 3 1 4 2 L R +4dB –10dB TAPE IN REC OUT STEREO OUT +4dB AUX RETURN +4dB AUX SEND +4dB MONO OUT 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 9 1 Eingangsbuchsen INPUT AHierbei ha...

7 Durch Umsetzen von internen Überbrückungen kann derSignalabgriff für das MONO OUT-Signal hinter die Ste-reo-Fader versetzt werden. Falls Sie dies wünschen, wen-den Sie sich bitte an Ihren Händler. ON ON R L STEREO OUT MONO OUT INV INV SUM SUM SUM INV INV ON ON R L STEREO OUT MONO OUT INV INV SUM S...

8 Anwendungsbeispiel Mikrofon- und Line-Eingänge MIXING CONSOLE STEREO OUT 88 88 AUXRTN2 AUXRTN1 AUXSEND4 AUX SEND3 Tonbandgerät, DAT TAPE IN REC OUT Bühnenmonitore Saalbeschallung Endstufe Endstufe Graphischer Equalizer Kopfhörer Außenbordeffektgerät AUX SEND1 AUX SEND2

9 Spezifikationen ■ Allgemeine Spezifikationen Max. Ausgangspegel +24dB (STEREO L/R) bei 600 Ω , 0,5% Klirrfaktor bei 1kHz +24dB (MONO OUT) bei 600 Ω , 0,5% Klirrfaktor bei 1kHz +20dB (AUX SEND) bei 600 Ω , 0,5% Klirrfaktor bei 1kHz Klirrfaktor <0,1% bei +14dB 20Hz–20kHz(ST L/R, MONO, AUX SEND be...

10 Abmessungen (W × H × D) 449 × 124.6 × 461.7 mm MX200-8 569 × 124.6 × 461.7 mm MX200-12 689 × 124.6 × 461.7 mm MX200-16 929 × 124.6 × 461.7 mm MX200-24 Gewicht 9.5kg MX200-8 11kg MX200-12 13.5kg MX200-16 17kg MX200-24 0dB=0.775 Vrms ■ Eingangsdaten Eingangsbuchsen Eingang Nennim- Eingangspegel Ans...

11 ■ Blockschaltbild und Pegeldiagramm PAD OFF PAD ON (dB) (dB) -70 -60 -50 -40 -30 -20 -10 AUX SEND ST MONO 0 +10 AUX STEREO TAPE IN AUX RETURN GAIN MIN GAIN MIN PAD ON GAIN MAX PAD OFF GAIN MAX -70 -60 -50 -40 -30 -20 -10 0 +10 ON METER METER METER METER METER SELECT (AUX SEND 4) (PHONES) (AUX SEN...

12 W 897 657 537 417 929 689 569 449 Wi MX200-12 MX200-24 MX200-16 MX200-8 MODEL D: 461.7 W Wi (54.5) (54.5) H: 124.6 57.3 295 54.5 8 101.2 80.6 ■ Abmessungen Einheit: mm

Introducción Gracias por su compra de la Consola de Mezclas Yamaha MX200. La serie MX200 proporciona unequilibrio excelente entre operabilidad, funcionalidad y facilidad de uso. Si desea obtener lasmáximas ventajas de las prestaciones de su MX200 y disfrutar durante años de un funcionamiento sinprob...

1 Precauciones 1. Evite un exceso de calor, humedad, polvo o vibraciones. Mantenga el aparato alejado de lugares donde puedaquedar expuesto a elevadas temperaturas o grados dehumedad, como por ejemplo cerca de radiadores, estufas,etc. Evite también los lugares que estén sometidos a unaexcesiva acumu...

2 Panel de Control ■ Sección de control de canales 1 Selector de entradaEste botón selecciona el conector de entrada para el canal.Cuando se selecciona A ( ), se tomará la señal de entrada del conector de entrada A (INPUT A) del panel trasero (tipo XLR simétrico). Cuandose selecciona B ( ), se tomar...

4 ■ Sección de control principal 1 Interruptor de encendido del estéreo (STEREO ON)Este interruptor enciende y apaga la salida estereofónica(ST OUT).Cuando este interruptor está apagado, no se visualizaránlos niveles en los medidores estereofónicos (ST). La señalde la salida monoaural se enviará ind...

6 ■ Conectores INPUT A INPUT B OUT IN INPUT CH INSERT I/O 0dB OUT IN 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 –10dB R R L L 1R 1L/MONO 2R 2L/MONO 3 1 4 2 L R +4dB –10dB TAPE IN REC OUT STEREO OUT +4dB AUX RETURN +4dB AUX SEND +4dB MONO OUT 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 9 1 Entrada A (INPUT A)Son conectores...

8 Micrófonos, línea entradas MIXING CONSOLE STEREO OUT 88 88 AUXRTN2 AUXRTN1 AUXSEND4 AUX SEND3 Platina de cinta o DAT TAPE IN REC OUT Monitores de escenario Altavoces principales frente al edificio Amplificador de potencia Amplificador de potencia Ecualizador gráfico Auriculares Procesador de efect...

9 Especificaciones ■ Especificaciones generales Nivel máximo de salida +24dB (STEREO L/R) @600 W, 0,5% DAT a 1kHz+24dB (MONO OUT) @600 W, 0,5% DAT a 1kHz+20dB (AUX SEND) @600 W, 0,5% DAT a 1kHz Distorsión armónica total <0,1% @+14dB* 20Hz–20kHz(ST L/R, MONO, AUX SEND @600 Ω ) Respuesta en frecuen...

11 ■ Diagramas de bloque y de nivel PAD OFF PAD ON (dB) (dB) -70 -60 -50 -40 -30 -20 -10 AUX SEND ST MONO 0 +10 AUX STEREO TAPE IN AUX RETURN GAIN MIN GAIN MIN PAD ON GAIN MAX PAD OFF GAIN MAX -70 -60 -50 -40 -30 -20 -10 0 +10 ON METER METER METER METER METER SELECT (AUX SEND 4) (PHONES) (AUX SEND 3...

1 . Dual Input Bargraph Meters LEDs indicate input level for each channel. 2. Digital In LED Indicates when the S/PDIF digital input is selected and active. 3. Routing Button Press this button to cycle through the four signal routing options. For more informa- tion about routing, see page 12. 4. Act...

D Diiaaggrraam m -- FFrroonntt PPaanneell 14. Effect Select - P1 This button selects the reverb, delay, or effect to be loaded in Processor 1. 15. Pre Delay Knob - P1 Controls Pre Delay of the reverbs or the first parameter of the selected delay or effect in Processor 1.* 16. Decay Knob - P1 Control...

1. Power Jack Connect only the included Harman Pro PS0913B power supply here. 2. Footswitch Input An optional 2-button footswitch can be plugged into this TRS jack for independent Bypass control of P1 and P2. Use the Lexicon ® LEX-DFS or a 2-button footswitch wired as follows: T ip = Bypass 2 R ing ...

Connecting the MX200 Parallel vs. Serial The MX200 can be used as both a Parallel and Serial (in-line) effects processor. Typically, reverbs and delays are used in parallel, compressors and de-essers in serial, and modulated effects can be used in either configuration, depending on the desired appli...

SSeettuupp Bargraph LEDs stay lit, too much signal is being sent to the MX200; reduce the Aux Master or Aux send on the mixer. 9. Turn up the Aux Return to the 12 o’clock position (or line input faders to the 0db positions, if you used that connection). 10. To increase or decrease the amount of effe...

SSeettuupp Instrument - In Line Setup This setup utilizes the MX200 as a multi- effects processor connected in line from an instrument to a mixer. It is an ideal setup to use when your mixer does not have an Aux Send/Return option built in. 1. Select routing 2 using the Routing button (you can alway...

The MX200 is equipped with 99 Factory programs that combine the 32 reverbs and effects to cover a wide range of applica- tions. Additionally, there are 99 User pro- gram locations in which to store your own reverb and effects combinations. These are identical to the Factory programs until you change...

An LED lights next to the selected reverb or effect label in the Active Reverb/Effects Matrix (green LED for P1, red for P2). The Effect Select control is cyclical, meaning if Effect Select is pressed up when Small Hall is active, Detune will be the next selected effect . Similarly, if Detune is act...

The MX200 effects come in four varieties: Stereo, Mono In/Stereo Out, Mono (Wet only), and Stereo (Wet only). When using Wet only effects, turn the processors Mix knob fully clockwise. Reverbs Reverberation (or “reverb” for short) is the complex effect created by the way we per- ceive sound in an en...

14 EEffffeeccttss D Deessccrriippttiioonnss -- RReevveerrbbss A Plate reverb is a large, thin sheet of metal suspended upright under tension on springs. Transducers attached to the plate transmit a signal that makes the plate vibrate, causing sounds to appear to be occurring in a large, open space. ...

EEffffeeccttss D Deessccrriippttiioonnss -- RReevveerrbbss Arena reverb emulates a huge physical space such as an indoor sports venue or stadium. The characteristics of Arena reverb are long secondary reflection times and a reduced amount of high frequency content. Arena is a mostly mid- and low- fr...

Note : Values of 0 – 100 are displayed as 0 – 00 (100 is displayed as 00 in the Program Display ). Values of greater than 100 are shown with a decimal between the digits, i.e. 115 displayed as 1.5 , 150 displayed as 5.0 , and 200 is displayed as 0.0 . RReevveerrbb CCoonnttrrooll VVaalluueess 16

Delays Delays repeat a sound a short time after it first occurs. Delay becomes echo when the output is fed back into the input (feedback). This turns a single repeat into a series of repeats, each a little softer than the last. The Studio Delay features up to 2.5 sec- onds of stereo delay and offers...

dbx ® Dynamics A De-Esser is a type of compressor used to control specific frequencies. Excessive sibilance, or the “s” sounds, can be tamed by applying this effect. De-Esser Controls Knob 1: Compression Ratio Determines the amount of compression, from 1:1 (no effect) to Infinity:1 (complete limitin...

Modulated Effects Chorus creates a lush, full sound by com- bining two or more signals together where one is unaffected and the other signals vary in pitch very slightly over time. Chorus is commonly used to fatten up tracks and to add body to guitars without coloring the original tone. Chorus can a...

ed signal being fed back into the input, cre- ating feedback. Higher amounts add more resonance to the effect signal. Tremolo and Panner create rhythmic changes in signal amplitude. Tremolo affects both channel’s amplitude simultane- ously, while the Panner affects the ampli- tude of each channel in...

EEffffeeccttss D Deessccrriippttiioonnss -- ddbbxx® DDyynnaam miiccss Vibrato Controls Knob 1: Speed Controls the modulation rate of Vibrato . Knob 2: Depth Controls the maximum amount of pitch shift. Lower settings result in a mere “war- ble,” while higher settings produce a more exaggerated “wow” ...

M MXX220000 U Uttiilliittiieess The MX200 has several global functions that can be customized to meet your needs. These functions are MIDI Channel Select , Program AutoLoad enable, Dry Track to digital output, Analog/Digital Input Select , and Factory Reset . To access these Utility functions, press...

M MXX220000 U Uttiilliittiieess buttons simultaneously. 2. Press the Audition button repeatedly until In appears in the Program Display . The Program Display flashes between In and dI if the digital input is selected. If you want to disable the digital input and use the analog inputs, turn the Progr...

The included MX-Edit Editor/Librarian soft- ware lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Windows ® computer. While the MX200 has 99 User program locations, you can create and save as many programs you like on your computer, and load t...

Program Editor appears, with the selected program’s name in the Title Bar and Program Name field. The program settings are also reflected in the Parameter knobs and buttons in the Program Editor window. The selected program is now loaded in your MX200 as well, and can be previewed using the Audition...

this program is a basic clean sound. However, you can create your own default program by overwriting the Default file in the MX-Edit directory with the program of your choice. The MX-Edit TM Program Editor The MX-Edit Program Editor lets you quickly and easily view, compare and edit any program stor...

TThhee M MXX--EEddiitt EEddiittoorr//LLiibbrraarriiaann -- W Wiinnddoow wss tion depending on the default values for the selected reverb or effect. Adjusting Knobs To make editing in MX-Edit easy and intu- itive, there are three ways to adjust knobs in MX-Edit: Mouse - Circular Place the cursor at t...

Saving a Program If you make any changes to a program, an asterisk (*) will appear next to the program name in the Title Bar of the Program Editor. The LED associated with the corre- sponding knob or button and the Store but- ton on the MX200’s front panel also illumi- nates, indicating a change fro...

The included MX-Edit Editor/Librarian soft- ware lets you create, edit, save and load reverbs and effects programs for use with your MX200 on your Macintosh® OSX computer. While the MX200 has 99 User program locations, you can create and save as many programs you like on your computer, and load them...

Archiving Archiving is a powerful tool for preserving the current state of your MX200. When you archive the MX200, all of its presets and global settings are sent to the computer and saved to a file. When an archive is restored, the MX200 is configured exactly how it was when you archived it. This a...

The MX200 comes with VST™ and Audio Units software which allows you to use the MX200 as a Hardware Plug-In. Now you have access to classic Lexicon ® reverbs and effects within your software recording projects, with full automation and total recall, without burdening your CPU! Using the MX200 with th...

either 44.1kHz or 48kHz sample rate to avoid problems. Software Configuration Because the audio is being processed within the MX200 hardware, and not inside your computer, your DAW (Digital Audio Workstation, or Recording Software) needs to be set up to send and receive audio to and from the MX200. ...

CCCC M Maappppiinngg IIm mppoorrttaanntt!! MIDI Port Error Message If you see this message, the MX200 is either disconnected or its USB MIDI ports are in use by an application. Some hosts, such as Cubase, may automatically open the MX200’s MIDI ports by default. In this case, you will need to desele...

SSppeecciiffiiccaattiioonnss Audio Inputs : (2) 1/4” TRS balanced or unbalanced Input Impedance : 20k Ohms balanced, 10k Ohms unbalanced Input Level : +4dBu Nominal, +20dBu Maximum Frequency Response : 20 Hz - 20kHz, ref. 1kHz +/- 1dB THD+N : <.007% 20Hz - 20kHz Line Outputs : (2) 1/4” TRS balanc...

Delay Time Range Values Note : A value of 36 is the 12 o'clock knob position, or equal to the Tempo LED rate. Intermediate values (e.g. 1-3) do not repre- sent exact note values. De-Esser Frequency Values Bandwidth Values A Appppeennddiixx 39