Canon EOSC300- User Manual

Canon EOSC300

Canon EOSC300– User Manual, read for free online in PDF format. We hope this helps you resolve any issues you may have. If you have further questions, please contact us through the contact form.

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Table of Contents:

  • Page 2 – are selectively derived; Canon Log Gamma; with future lens data added through firmware updates
  • Page 3 – Canon EF Cinema Lenses
  • Page 4 – side or behind the camera; Compact & Modular Design; shooting situations that are challenging for larger cameras; Comfortable Ergonomic Controls
  • Page 5 – angle; Rich Audio Controls; and beyond; CF Memory Card Recording
  • Page 6 – Multiple Recording Formats & Advanced Recording; C300 camera will perform flawlessly; Connectivity
  • Page 9 – Interval can be set in 25 levels ranging from
  • Page 11 – Timecode; and External Source; Sync; Black Burst signal; Remote; WFT terminal for compatible Wi-Fi accessory; Power Supply; not included
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Canon EOS C300 Cinema EOS Camcorder (EF Mount)

The

Canon EOS C300 Cinema EOS Camcorder Body (EF Lens Mount)

takes what

professionals love about DSLR filmmaking – access to a vast selection of widely available lenses,
a large sensor that facilitates a shallow depth of field, and portable operation with a modular,

compact camera – and addresses its shortcomings. That means that unlike DSLR cameras, this

Cinema EOS camcorder is designed inside and out for professional cinematographers capturing

motion

pictures that will stand up to rigorous post-production processes.


The EOS C300 features an EF mount for compatibility not only with Canon's existing broad range

of DSLR lenses, but also with the burgeoning line of EF Cinema Zoom and Prime lenses. These

lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor that
Canon developed for this camera. Like the camcorder, these lenses were developed specifically for

digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front

diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing.

The Canon Super 35mm sensor is paired with the Canon DIGIC III image processor, which uses
an innovative method of breaking out red, green, and blue data to enable color performance on a

level that would otherwise require three separate chips. Recording HD formats to CompactFlash

cards as the XF codec – at the highest level a 50 Mb/s, 4:2:2 MPEG-2 format – the C300 records
motion video that reduces the jagged edges and Moiré patterns that can plague video with 4:2:0

chroma subsampling and lead to post-production challenges.


Moreover, the files' MXF wrapper brings together video, audio, metadata, and timecode in a

package that enjoys robust support from all professional NLE programs. The EOS C300 is
designed to capture footage that thrives in the post-production suite. To that same end, the camera

also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight

and lowlight regions of an image, and a greatly expanded dynamic range.

The exterior of the camera is as unique as its innards. Featuring the expected HD-SDI output,

timecode I/O, and genlock input BNCs, the body is a modular creature that can either be stripped
down completely, or be built up to host the included handle, 4" rotating LCD unit with full controls,

grip, and thumb rest. With accessible buttons and ridges dividing them, the C300 is physically
designed not for still photography but for the craft of digital cinema.

Canon Super 35mm CMOS Sensor

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an

active image size of 24.4 x 13.5mm. It uses 3840 x 2160 photosites to perform the crucial

optoelectronic transformation of digital imaging. Each photosite is a generous 6.4 x 6.4
micrometers in area, and each has a microlens that ensures the highest efficiency in light transfer

to the individual photodiode. Proprietary technologies within the photosite simultaneously lower the
image sensor noise floor while enhancing the photon capacity of the photodiode – a combination

that assures superb dynamic range. The image sensor employs an innovative readout technique

that delivers full-bandwidth individual RGB video components without the need for any de-Bayering
algorithms. Each of these components has a 1920 x 1080 sampling structure at up to 60 frames.

From these original video components, a 1080-line 60i format or a 1280 x 720 at 60p HD format

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Summary

Page 2 - are selectively derived; Canon Log Gamma; with future lens data added through firmware updates

are selectively derived Wide Dynamic Range The EOS C300 incorporates the first Canon CMOS sensor designed specifically for high-frame- rate motion pictures, offering not only high resolution and shallow depth of field but also high sensitivity with low noise. Working together, Canon's Super 35mm sen...

Page 3 - Canon EF Cinema Lenses

image quality with its XF Codec - the same codec used by other Canon XF professional camcorders. With 4:2:2 color sampling, image files have double the vertical resolution of color components created with 4:2:0 color sampling, minimizing jagged edges between red and blue and ensuring ample quality f...

Page 4 - side or behind the camera; Compact & Modular Design; shooting situations that are challenging for larger cameras; Comfortable Ergonomic Controls

productions, available in both EF- and PL-mount configurations. With fluorite, aspherical lens elements and advanced optical design, these unequalled Cinema EF Zoom lenses are capable of 4K-level image reproduction. The wide-angle CN-E14.5-60mm T2.6 L S/SP provides tremendous breadth of range; the t...

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