Yamaha A5000 - User Manual

Yamaha A5000

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Table of Contents:

  • Page 2 – SPECIAL MESSAGE SECTION; Model; CAUTION
  • Page 3 – Handling and Installation of Options; WARNING; PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING; SAVING USER DATA
  • Page 4 – sary. Please be sure to store the manual in a safe and handy location.; List of Accessories
  • Page 5 – Features
  • Page 6 – Using the Manual; Manual Organization; This manual is divided into 10 chapters, as follows:; Finding Information You Need; Look here to locate information in relatively broad categories.
  • Page 7 – Flip Through the Pages; Other Conventions
  • Page 8 – Chapter 1 Setting Up; Tutorial; Contents
  • Page 9 – Chapter 6 RECORD Mode
  • Page 10 – Panel and Connector Arrangement; Front Panel; w y
  • Page 11 – POWER switch
  • Page 12 – AC inlet; These are the main analog output jacks.; SCSI connector
  • Page 13 – Rear Panel (with optional AIEB1 board installed); OPTICAL IN, OUT connectors
  • Page 14 – pair must have the same memory capacity.; SIMM Type and SIMM Configuration
  • Page 15 – Handling the Floppy Disk Drive(FDD) and Floppy Disk; Precautions; To insert a floppy disk into the disk drive:; damage the disk and possibly the disk drive.
  • Page 16 – Cleaning the Disk Drive Read/Write Head; To handle floppy disks with care:; floppy disks in their protective cases when they are not in use.; Data backup
  • Page 17 – Chapter
  • Page 18 – Setup Procedure; Setup Sequence; Connecting the Power
  • Page 19 – Power Connection; Connecting the Cord
  • Page 20 – Audio Output Connections; Connecting the Analog Outputs
  • Page 21 – For assignable output:
  • Page 22 – Connecting the Digital Outputs; OPTICAL output connection
  • Page 23 – Audio Input Connections; Connecting to Analog Input; For monaural input
  • Page 24 – Connecting to Digital Input; OPTICAL input connection
  • Page 25 – MIDI Connections; About MIDI; MIDI connectors and cables
  • Page 26 – MIDI Connection Configurations; Connecting to keyboard or MIDI controller
  • Page 27 – Powering On and Off; Power ON; before proceeding to Step 2.; Switch on power to speakers and other audio devices.; Power OFF; Switch off the amplifiers or speakers.
  • Page 28 – Sound Check; Set the external MIDI controller’s MIDI transmit channel to 1.
  • Page 29 – this case we have selected the “sine wave” sample for our sound check.; Turn down all audio volume controls.; • This completes the sound check procedure.
  • Page 32 – SAMPLER BASICS; Editing — Tidying up and modifying the sound as desired.; RECORDING; Getting Sounds Into Your Sampler; Loading Sample Data
  • Page 33 – EDITING; Making Your Samples Sound Right; Trimming and/or Looping
  • Page 34 – Mapping; varies over time whenever a note is played.
  • Page 35 – Other Edit Functions
  • Page 36 – PLAYBACK; Putting It All Together & Making Music; Programs; Controller Functions
  • Page 37 – ESSENTIAL PROCEDURES; MICROPHONE/LINE RECORDING; Connect a Source
  • Page 38 – Select a Record Type
  • Page 39 – Select a Sample Type
  • Page 40 – Go To the Record Trigger Display
  • Page 41 – Go To the Record Display
  • Page 42 – Stop Recording; TRIMMING; Go To the TRIM/LOOP Display
  • Page 43 – Select a Sample To Edit
  • Page 44 – LOOPING
  • Page 45 – Specify the Loop Mode
  • Page 46 – Go To the MAP/OUT Display
  • Page 47 – FILTER SETUP; Go To the FILTER Display
  • Page 50 – Set the Filter’s Velocity Sensitivity & Gain; EG SETUP; Go To the EG Display
  • Page 52 – Set the Rate Scaling, Velocity Sensitivity, and Attack Mode; LFO SETUP; Go To the LFO Display
  • Page 54 – Set the Appropriate Modulation Depth Parameters
  • Page 55 – PROGRAM ASSIGNMENT; Go To the Program Select Display
  • Page 56 – Assign Your Samples; IN CONCLUSION
  • Page 57 – A5000/A4000 system structure and basic operating procedures.
  • Page 58 – Internal Structure
  • Page 59 – Sampling Tone Generator; Samples
  • Page 60 – Sample Banks
  • Page 61 – Program Data
  • Page 63 – The Effect Stage; Effects and the Sampling Tone Generator; Effect Connections
  • Page 64 – Recording Effects; Total EQ
  • Page 65 – Data Organization & Management; Data in Memory
  • Page 68 – Mode Buttons
  • Page 72 – STEREO; Converts stereo samples to mono.
  • Page 73 – Function Tree; Page
  • Page 77 – Common Mode Display Features; The currently selected mode and display page.; ” will appear when the sample solo function (page 93) is turned on.; Selecting Modes & Functions
  • Page 78 – One of the FILTER display pages will appear.; Selecting Display Pages; Using Knob 1
  • Page 79 – Using the Mode and Function Buttons; Editing Parameters
  • Page 81 – Character Entry; Characters are entered via this display as follows:; Cursor Position
  • Page 82 – MIDI Input
  • Page 83 – w e
  • Page 84 – Press] Parameter View; Returns to the previous display.
  • Page 85 – Symbol; PLAYABLE AREA; MIDI Indicator
  • Page 86 – Shortcut Operation; Special Button Functions
  • Page 87 – This mode is used to edit and play programs.
  • Page 88 – About the PLAY Mode; PLAY Mode Functions
  • Page 89 – Program Select; Program Mode = Single
  • Page 90 – Program Mode = Multi; Program Mix
  • Page 91 – Program Portamento
  • Page 93 – Select Sample
  • Page 95 – Select Sample from Sample Bank
  • Page 96 – Mix
  • Page 97 – Output
  • Page 98 – Filter; Pitch
  • Page 99 – Amplitude EG; Key
  • Page 100 – Velocity; Crossfade
  • Page 101 – Control
  • Page 102 – Effect Setup A
  • Page 104 – Effect Setup B; Effect Edit
  • Page 105 – Effect Edit Type = full; Effect Edit Type = favorite
  • Page 107 – AD Input
  • Page 110 – Program Controller A/B; CONTROLLER A
  • Page 112 – Channel Setup
  • Page 113 – Program LFO
  • Page 117 – This mode is used to directly edit samples and sample banks.
  • Page 118 – About the EDIT Mode; EDIT Mode Functions
  • Page 119 – Samples and Sample Banks; freestanding sample,; Freestanding sample
  • Page 120 – Waveform; q w
  • Page 124 – Sample Information
  • Page 125 – Loop Remix
  • Page 131 – Expand & Velocity Range
  • Page 132 – Level Scaling
  • Page 135 – Filter Scaling
  • Page 138 – Filter EG
  • Page 140 – Pitch EG
  • Page 145 – MIDI Set
  • Page 146 – Sample Controller A & B
  • Page 149 – This mode is used to record new samples.
  • Page 150 – About the RECORD Mode; Record Mode Functions
  • Page 151 – This display page is used to actually record new samples.; Record
  • Page 153 – Record Setup
  • Page 157 – Process
  • Page 158 – Trigger
  • Page 160 – Recording Effect Setup; Recording Effect Edit
  • Page 166 – About the DISK Mode; DISK Mode Functions & Commands; Drive; disks are all “drives.”; Disk
  • Page 167 – PgmLoad
  • Page 169 – SmpLoad
  • Page 170 – The following functions are available from this display.
  • Page 171 – SeqLoad; Use this page to load one or all sequences from disk.
  • Page 172 – Volume
  • Page 173 – Disk Select; Disk Setup
  • Page 175 – Import
  • Page 177 – Selecting a Command; Select the desired command from the COMMAND menu.; Command Execution; Formatting Floppy Disks
  • Page 181 – COPY VOLUME
  • Page 182 – SYSTEM FILE; BACKUP
  • Page 185 – LOAD OS
  • Page 187 – This mode includes a range of utility functions
  • Page 188 – About the UTILITY Mode; UTILITY Mode Functions
  • Page 189 – Total Equalizer
  • Page 191 – Knob Controller; Knob Controller Setup
  • Page 192 – Function Key Play Setup
  • Page 194 – Sequence
  • Page 195 – Tuning
  • Page 197 – KeysSet
  • Page 198 – Customise
  • Page 200 – Channel Message
  • Page 201 – System Exclusive; This page sets parameters related to MIDI bulk dumps.
  • Page 203 – Program and sample copy, editing, and other operations
  • Page 204 – About the COMMANDS; Command Menu; The following 16 commands are available:
  • Page 208 – SAVE; Saves specified data in memory to disk.
  • Page 211 – ARRANGE
  • Page 212 – FREEZE
  • Page 214 – REGISTER
  • Page 216 – BULK DUMP
  • Page 217 – INITIALIZE
  • Page 218 – PROCESS
  • Page 221 – LOOP DIVIDE; ”. The new samples are stored with consecutive; * Make sure the sample’s loop is properly set up before using
  • Page 222 – RESAMPLE
  • Page 226 – MOVE
  • Page 227 – CREATE OSC
  • Page 228 – EXPORT
  • Page 230 – REVERT
  • Page 231 – Appendix
  • Page 232 – Installing Optional Equipment; Removing the Top Cover; surface will help prevent scratching.; Remove the screws holding the A5000/A4000 top cover in place.; ) along the sides of
  • Page 233 – Replacing the Top Cover; Use the original screws to re-attach the top cover.; • Use a “plus” screwdriver to replace the five screws; Important
  • Page 234 – Installing SIMMs; found at the beginning of this manual.
  • Page 235 – Insert the SIMM module into the slot on the circuit board.; sockets for bank 2 are labeled
  • Page 236 – Plug in the power cord.; that the newly installed SIMM memory is functioning properly.
  • Page 237 – Installing the AIEB1 I/O Expansion Board
  • Page 238 – Connect the flat cable.
  • Page 239 – Adjust the tie so that the cables are secure.
  • Page 240 – Installing an Internal SCSI Hard Disk; Check the hard disk settings.; to the instructions provided with the disk.
  • Page 243 – Install the hard disk and mount panel assembly in the A5000/A4000.
  • Page 244 – Installing an Internal IDE Hard Disk
  • Page 245 – illustration on the following page.
  • Page 246 – Secure the cables with the cable straps.
  • Page 247 – Installing an ATAPI ZIP Drive; Check the ZIP drive settings.
  • Page 249 – • Guide the ZIP drive into place using the groove on the side panel.
  • Page 250 – the illustration below.
  • Page 251 – Connecting external SCSI devices; About SCSI; SCSI connector of the SCSI interface board.
  • Page 252 – Use SCSI cables to daisy-chain the external SCSI devices.; Realities of terminator installation
  • Page 253 – Reasons for SCSI errors
  • Page 254 – Specifications
  • Page 255 – Rear panel
  • Page 256 – Effect Type List
  • Page 258 – Effect Parameter List
  • Page 270 – Control Change Number List
  • Page 271 – Troubleshooting; No sound; When there is a problem with the program settings; • Has the pitch bend wheel of an external MIDI device been moved?; When there is a problem with the program settings
  • Page 272 – Cannot record
  • Page 273 – Error Messages
  • Page 274 – MIDI Data Format
  • Page 287 – INDEX
  • Page 293 – IMPORTANT NOTICE FOR THE UNITED KINGDOM; Connecting the Plug and Cord
  • Page 294 – IMPORTANT SAFETY INSTRUCTIONS; INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,; PLEASE KEEP THIS MANUAL
  • Page 295 – HEAD OFFICE
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Summary

Page 2 - SPECIAL MESSAGE SECTION; Model; CAUTION

2 A5000/A4000 ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/sta...

Page 3 - Handling and Installation of Options; WARNING; PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING; SAVING USER DATA

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● A5000/A4000 3 ■ Handling and Installation of Options WARNING • Before beginning installation, switch off the power to the A5000/A4000 and con- nected peripherals, a...

Page 4 - sary. Please be sure to store the manual in a safe and handy location.; List of Accessories

4 A5000/A4000 ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● Thank you for your purchase of the Yamaha A5000/A4000 Professional Sampler. The A5000/A4000 incorporates a leading-edge AWM2 tone generator, and is ...

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