Yamaha 02R96 - Manual

Yamaha 02R96

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Table of Contents:

  • Page 2 – IMPORTANT; NEDERLAND; C A U T I O N
  • Page 3 – Important Information; Warnings; places that receive direct sunlight.
  • Page 4 – ii; This unit is heavy. Use two or more people to carry it.; Operating Notes
  • Page 7 – Contents
  • Page 9 – vii
  • Page 10 – viii
  • Page 11 – ix
  • Page 13 – xi
  • Page 14 – Welcome; Sonic Spec
  • Page 15 – Chapter 1—Welcome; EQ
  • Page 16 – Surround Sound
  • Page 17 – Chapter 2—Control Surface & Rear Panel; Control Surface & Rear Panel; Control Surface
  • Page 18 – AD Input Section
  • Page 20 – J K L
  • Page 22 – INTERNAL EFFECTS button
  • Page 23 – Display Section; Display; This control is used to adjust the contrast of the display.; Left Tab Scroll button
  • Page 24 – SELECTED CHANNEL Section; ROUTING; ROUTING DISPLAY button
  • Page 25 – DELAY button; DYNAMICS; DYNAMICS DISPLAY button
  • Page 26 – PAN/SURROUND DISPLAY button
  • Page 27 – EQUALIZER
  • Page 29 – These buttons are used to select Scene memories. Pressing the; USER DEFINED KEYS
  • Page 31 – Data Entry & Transport; SHUTTLE button
  • Page 32 – STUDIO LEVEL control
  • Page 33 – MONITOR Section; STUDIO
  • Page 34 – TR IN DIGITAL COAXIAL 2
  • Page 35 – DIMMER button
  • Page 36 – Rear Panel
  • Page 40 – This switch applies 75
  • Page 41 – Power Section; Grounding screw; SLOT Section
  • Page 42 – Operating Basics; Connecting the Power Cord
  • Page 43 – Chapter 3—Operating Basics; Page tab scroll arrows:
  • Page 44 – Selecting Display Pages
  • Page 45 – Confirmation Messages
  • Page 46 – Selecting Layers
  • Page 47 – Selecting Channels; Auto Channel Select & Touch Sense Select
  • Page 48 – Selecting Fader Modes; Use the FADER MODE buttons to select a Fader mode.; depending on the selected Layer.
  • Page 49 – Selecting Encoder Modes; Use the ENCODER MODE buttons to select an Encoder mode.; Encoders function as Pan controls.
  • Page 50 – Assigning Parameters to the ENCODER MODE Assign Buttons; Input Patch
  • Page 51 – Assignable Encoder Mode Parameter List
  • Page 52 – Gain
  • Page 53 – Chapter 4—Analog I/O & the AD Input Section; Stereo Out; See page 73 for information on the Stereo Out outputs.; Control Room Monitor Out; See page 114 for information on the Control Room Monitor output.; Studio Monitor Out; See page 115 for information on the Studio Monitor output.; Omni Outs
  • Page 54 – Wordclocks; wordclock; Wordclock Connections
  • Page 55 – Selecting the Wordclock Source
  • Page 56 – Terminating External Wordclocks; ON/OFF switch should be set to ON. The OFF setting; Star Distribution; TR Digital Outs
  • Page 58 – Available Cards; See the Yamaha Professional; Card Combination Restrictions; , in which case Yamaha; See the Yamaha Professional Audio Web
  • Page 59 – This section explains how to install I/O Cards.; Undo the two fixing screws and remove the slot cover, as shown below.; Keep the cover and fixing screws in a safe place for future use.
  • Page 60 – Setting the Transfer Format for Higher Sampling Rates; The SLOT TYPE column displays the names of any installed I/O Cards.
  • Page 61 – Dithering Digital Outputs; Use the DISPLAY ACCESS [DIO] button to locate the Dither page.; The SLOT column displays the names of any installed I/O Cards.; Monitoring Digital Input Channel Status
  • Page 62 – Cascading Consoles; Linked Functions
  • Page 63 – Cascade Hookup Examples; Cascading Three or More 02R96s
  • Page 64 – Attenuating Cascade Inputs; Use the DISPLAY ACCESS [DIO] button to locate the Cascade In page.; When you want to output the same signals from two 02R96s, turn on; CASCADE IN ATTENUATOR:; These controls are used to attenuate Cascade Input sig-; Turning On & Off Cascade Outputs; Individual Cascade Outputs can be turned on or off as follows.; Use the DISPLAY ACCESS [DIO] button to locate the Cascade Out page.
  • Page 65 – Chapter 6—Input & Output Patching; Input & Output Patching; Input Patching; Patching Input Channels
  • Page 66 – Patching Input Channel Insert Ins
  • Page 67 – Output Patching; Patching Slot Outputs
  • Page 68 – Patching Omni Outs
  • Page 69 – Patching Direct Outs
  • Page 70 – Naming Input & Output Ports; Use the Parameter wheel or INC/DEC buttons to select the ports.; Patch Select Window
  • Page 71 – Patching with the Encoders; Press the ASSIGN button to which you assigned the patch parameter.
  • Page 72 – Input Channels; The signal phase of each Input Channel can be reversed as follows.
  • Page 73 – Chapter 7—Input Channels; Gating Input Channels; Using the SELECTED CHANNEL DYNAMICS Controls; See “Gate Library” on page 127 for more information.
  • Page 74 – Attenuating Input Channels
  • Page 75 – Grouping Input Channel EQs; Use the LAYER buttons to select the Layers.; The corresponding group row is selected as each Layer is selected.; Use the Up/Down cursor buttons to select EQ groups a–d.; The selected group is highlighted by a flashing cursor box.; Input Channel Inserts
  • Page 76 – Grouping Input Channel Compressors; Use the Up/Down cursor buttons to select Comp groups i–l.; Delaying Input Channels; Input Channels can be muted as follows.
  • Page 78 – Setting Input Channel Levels; Input Channel levels can be set as follows.; Grouping Input Channel Faders
  • Page 79 – Routing Input Channels; Using the SELECTED CHANNEL ROUTING Controls; These buttons route the currently selected Input Channel to the; Routing Pages; This button assigns all Input Channels to the Stereo Out.
  • Page 80 – Panning Input Channels; Using the Encoders; Using the SELECTED CHANNEL PAN/SURROUND Controls; Use the Pan control to pan the currently selected Input Channel.
  • Page 81 – Pan Pages; In Gang mode, paired Input Channel pan controls operate in unison.
  • Page 82 – Using Surround Pan; See page 116 for information on surround monitoring.; Selecting Surround Pan Modes; The Surround mode can be selected as follows.
  • Page 83 – Using the Joystick
  • Page 84 – This determines how the Center signal is fed to the Left, Right, and; Input Channel Surround Pages; Surround pan positions can be viewed and set on the Surround pages.
  • Page 85 – Input Channels can be soloed. See page 102 for more information.
  • Page 86 – Stereo Out
  • Page 87 – Chapter 8—Stereo Out; Stereo Out Inserts
  • Page 88 – Balancing the Stereo Out; Use the Pan control to set the balance.; Delaying the Stereo Out
  • Page 89 – Chapter 9—Bus Outs; Bus Outs
  • Page 90 – Bus Outs can be muted by using the channel strip [ON] buttons.; Setting Bus Out Levels; Bus Out levels can be set as follows.; Use faders 17–24 to set the Bus Out levels.; Grouping Master Faders; Bus Outs can be soloed. See page 102 for more information.; Pairing Bus Outs
  • Page 91 – Sending Bus Outs to the Stereo Out; highlighted when faders are set to 0.0 dB.; Viewing Bus Out Settings
  • Page 92 – Aux Sends; Patching Aux Send Masters to Outputs; Use the AUX SELECT [DISPLAY] button to select the Aux Send pages.
  • Page 93 – Chapter 10—Aux Sends; Setting Aux Send Levels; Aux Send levels can be set by using the faders or Encoders.; Using the Faders; Aux Send Pages; Variable Mode; See page 79 for information on how to select Variable Aux mode.
  • Page 94 – Fixed Mode; See page 79 for information on how to select Fixed Aux mode.; settings cannot be changed by using the faders.
  • Page 95 – Viewing Aux Send Settings; Level Parameters; Use the AUX SELECT [DISPLAY] button to select the Aux View pages.; The various Aux View page indicators are as follows:
  • Page 97 – Panning Aux Sends; are not paired” appears.; Use the AUX SELECT [DISPLAY] button to select the Aux Pan pages.; In individual mode, Aux Send pan controls operate independently.
  • Page 98 – Metering Aux Send Masters; Aux Send Masters can be muted as follows.; Use channel strip [ON] buttons 9–16 to mute the Aux Send Masters.; The [ON] button indicators of Aux Send Masters that are on light up.
  • Page 99 – Aux Send Master levels can be set as follows.; Press the FADER MODE [FADER] button to select the Fader mode.; Aux Sends can be soloed. See page 102 for more information.
  • Page 100 – Common Channel Functions; 1 Common Channel Functions; Metering; Setting the Metering Position
  • Page 101 – Chapter 11—Common Channel Functions; Metering Output Channels
  • Page 102 – Metering the Stereo out
  • Page 103 – Attenuating Signals; Use the EQUALIZER [DISPLAY] button to select the Attenuator pages.
  • Page 104 – Using EQ; Preset EQs
  • Page 105 – Using the SELECTED CHANNEL EQUALIZER Controls; Use the GAIN controls to set the gain of each band.; The frequency is displayed by the corresponding EQ display.
  • Page 106 – EQ Edit Pages; Use the EQUALIZER [DISPLAY] button to select the EQ Edit page.; and its horizontal or vertical partner.
  • Page 107 – Grouping Output Channel EQs; Use the Up/Down cursor buttons to select EQ groups e–h.
  • Page 108 – Using Inserts; The Insert page for Input Channels is shown below.
  • Page 110 – Compressing Channels
  • Page 111 – See “Comp Library” on page 128 for more information.
  • Page 113 – Grouping Output Channel Compressors; Use the Up/Down cursor buttons to select Comp groups m–p.
  • Page 114 – Delaying Channel Signals
  • Page 115 – Soloing Channels; Input Channels, Bus Outs, and Aux Sends can be soloed as follows.; Use the [SOLO] buttons to solo the channels on the selected Layer.; The [SOLO] button indicators of channels that are soloed light up.; Configuring Solo; Use the MONITOR [DISPLAY] button to locate the Solo Setup page.; This is used to enable and disable the Solo function.
  • Page 116 – affect Mixdown Solo mode.
  • Page 117 – Pairing Channels; Pairing Channels by Using the [SEL] Buttons; Only horizontal pairing can be set by using the [SEL] buttons.; Pairing Channels by Using the Pair Pages; Both horizontal and vertical pairing can be set on the Pair pages.; Use the DISPLAY ACCESS [PAIR] button to locate the Pair pages.
  • Page 119 – Grouping Output Channel Faders; Use the Up/Down cursor buttons to select Fader groups Q–T.
  • Page 120 – Use the Up/Down cursor buttons to select Mute groups U–X.
  • Page 121 – Viewing Channel Parameter Settings
  • Page 122 – Output Channels; Viewing Channel Fader Settings; Use the DISPLAY ACCESS [VIEW] button to select the Fader View page.; This is the Fader View page for the Input Channels.
  • Page 123 – rently selected Input Channel is in.; Bus Outs; This is the Fader View page for the Bus Outs.
  • Page 124 – Below is the Fader View page for the Aux Sends.; page 75 for more information.
  • Page 125 – Naming Channels
  • Page 127 – Chapter 12—Monitoring & Talkback; 2 Monitoring & Talkback; Control Room Monitoring
  • Page 128 – Control Room Setup; The other parameters on this page are as follows.; CONTROL ROOM DIMMER LEVEL:; This determines the amount of attenuation; Studio Monitoring; Selects the Control Room Monitor.
  • Page 129 – Surround Monitoring; These parameters are used to mute and solo Surround Channels. A Sur-
  • Page 130 – Configuring Surround Monitoring
  • Page 131 – This is used to select the Surround Monitor Matrix. In 5.1 Sur-
  • Page 133 – Patching Slot Inputs to Surround Channels; These parameters are used to set the monitor level of each Slot.
  • Page 134 – Using Talkback; Talkback Setup; Use the MONITOR [DISPLAY] button to locate the Talkback Setup page.; When the Talkback function is active, this determines the; USE AD IN; This allows you to select an AD Input as the Talkback sig-; NEVER LATCH TALKBACK:; This options allows you to disable latching for the Talkback
  • Page 135 – Chapter 13—Libraries; About the Libraries; Use the Parameter wheel or INC/DEC buttons to select the memories.; A memory is selected when it appears inside the dotted box.
  • Page 136 – Channel Library; dB),” resets all parameters of the currently selected channel to; CURRENT CONFIGURATION:; If the currently selected channel is an Input Channel,
  • Page 137 – Input Patch Library
  • Page 138 – Effects Library; This is the name of the previously recalled Effects memory.
  • Page 139 – Bus to Stereo Library; Bus Out pairing information for the current configura-; LIBRARY CONFIGURATION:; Bus Out pairing information for the configuration stored
  • Page 140 – Gate Library; Use the DYNAMICS [DISPLAY] button to select the Gate Library page.; This is the Gate curve of the currently selected channel.
  • Page 141 – Comp Library; Use the DYNAMICS [DISPLAY] button to select the Comp Library page.; This is the Comp curve of the currently selected channel.
  • Page 142 – EQ Library; Use the EQUALIZER [DISPLAY] button to select the EQ Library page.; This indicates the current EQ type (TYPE I or TYPE II) for the cur-
  • Page 143 – Automix Library; Use the AUTOMIX [DISPLAY] button to select the Automix Memory page.; When storing, the current Automix is stored to the selected memory.; Surround Monitor Library
  • Page 144 – Reverbs
  • Page 146 – Others; Editing Effects; The internal effects processors can be edited as follows.
  • Page 147 – figuration is shown below this.
  • Page 150 – These parameters determine the minimum and maximum values of the
  • Page 151 – Chapter 15—Scene Memories; 5 Scene Memories; About Scene Memories; What
  • Page 152 – Auto Scene Memory Update
  • Page 153 – Storing & Recalling Scenes with the SCENE MEMORY Buttons; Storing Scenes; See “Title Edit Window” on page 32 for more information.; Press OK on the Title Edit window.; The current Scene is stored to the selected Scene memory.; Recalling Scenes
  • Page 154 – Using the Scene Memory Page; A Scene memory is selected when it appears inside the dotted box.
  • Page 155 – Fading Scenes; Use the SCENE MEMORY [DISPLAY] button to locate a Fade Time page.; The Fade Time can be set from 0 to 30 seconds in 0.1 second steps.
  • Page 156 – Recalling Scenes Safely; Use the SCENE MEMORY [DISPLAY] button to locate the Recall Safe page.; Recall safe settings are stored in Scenes memories.
  • Page 157 – Sorting Scenes; Scene can be sorted by using the Scene Memory Sort function.
  • Page 158 – Automix; About Automix; The following parameters can be recorded in an Automix.
  • Page 159 – Chapter 16—Automix; Automix Main Page; This section explains the Automix Main page.
  • Page 163 – Automix Memory Page
  • Page 164 – Fader Edit Pages
  • Page 165 – Selecting the Timecode Source & Frame Rate; The following timecode sources can be selected.
  • Page 166 – Creating a Time Signature Map
  • Page 167 – Recording an Automix; This section provides a general procedure for Automix recording.; Rerecording Events
  • Page 168 – Parameter Recording
  • Page 169 – Punching In & Out Individual Parameters
  • Page 170 – Playing Back an Automix
  • Page 171 – Editing Events Offline; Event Copy Page; These buttons are used to specify the Input and Output Channels
  • Page 172 – Pressing this button opens the
  • Page 173 – This button is used to move/merge the specified Automix data.
  • Page 174 – Event Edit Page; This button is used to duplicate events. Use the Parameter wheel to; Event select buttons:; These buttons are used to select the type of events to be displayed
  • Page 175 – This button is used to capture the current timecode position. Up to; Capture memory display:; This displays the captured timecode position. The captured
  • Page 176 – MIDI
  • Page 177 – Chapter 17—MIDI; MIDI Port Setup; MIDI ports are configured as follows.
  • Page 178 – MIDI Channel Setup; Use the DISPLAY ACCESS [MIDI] button to locate the MIDI Setup page.
  • Page 179 – Assigning Scenes to Program Changes; A Scene to Program Change assign-
  • Page 180 – Assigning Parameters to Control Changes
  • Page 181 – Using Bulk Dump; Use the DISPLAY ACCESS [MIDI] button to locate the Bulk Dump page.; The CATEGORY parameters can be set as follows:
  • Page 182 – Pro Tools Remote Layer; 8 Pro Tools Remote Layer; Configuring Windows Computers; Install the necessary drivers.; Configuring Macintosh Computers; Install Yamaha USB MIDI driver 1.04 or later.; See “MIDI Port Setup” on page 164 for more information.
  • Page 183 – Chapter 18—Pro Tools Remote Layer; Configuring Pro Tools; Choose Peripherals from the Setups menu.
  • Page 184 – Control Surface Operation with the Pro Tools Remote Layer; These buttons are used to select the following display modes:; TARGET; Pro Tools timecode format set to “Time Code.”; CURSOR MODE
  • Page 185 – INSERT ASSIGN/EDIT Display Mode
  • Page 186 – Meter Display Mode; Channel Strips
  • Page 187 – Faders; AUX SELECT Section
  • Page 188 – This button is used to open and close plug-in windows.
  • Page 189 – USER DEFINED KEYS Section; This button is used to toggle between the Mix and Edit windows.
  • Page 190 – MACHINE CONTROL Section; This button is used to open and close the Memory Locations window.
  • Page 191 – Data Entry Section; Parameter Wheel
  • Page 192 – Use the faders to set channels levels.; Muting Channels; Use the Encoders to pan the channels.
  • Page 193 – Viewing Send Destinations; Sends can be configured as either pre or post as follows.; Use the Encoder push-switches to toggle between pre and post.; Setting Send Levels; Send levels can be set as follows.; Use the Encoders to set the send levels.; Muting Sends
  • Page 194 – Flip Mode; The button indicator of the selected send lights up.
  • Page 195 – Use the [SEL] buttons to select channels for insert assignment.; Its indicator flashes, as does the ASSIGN indicator on the display.
  • Page 196 – Use the [SEL] buttons to select the channel whose
  • Page 197 – Grouped channels are reset together.; Navigating the Edit Window; The CURSOR MODE section of the display shows “NAVIGATION.”; To select the track above, press the Up cursor button.
  • Page 198 – Zooming
  • Page 199 – The Parameter wheel can be used to scrub and shuttle as follows.; Make sure that Pro Tools is stopped.
  • Page 200 – Automation; Viewing the Automation Mode; Channel Display mode or Meter Display mode is selected.; Setting the Automation Mode; The Automation mode can be set as follows.
  • Page 201 – Trim Mode; Trim mode can be set as follows.; Arming Parameters for Automation; Parameters can be selected for automation recording as follows.; Use the following USER DEFINED KEYS; The button indicators for armed parameters light up.
  • Page 202 – Remote Control; 9 Remote Control; About the Remote Layer; Targets are assigned to the Remote Layer as follows.; Use the DISPLAY ACCESS [REMOTE] button to locate the Remote 1–4 pages.
  • Page 203 – Chapter 19—Remote Control; Configuring the User Defined Remote Layer; The User Defined Remote Layer can be configured as follows.; Use the DISPLAY ACCESS [REMOTE] button to locate the Remote page.; This initializes the settings of the currently selected bank.
  • Page 204 – Using the User Defined Remote Layer
  • Page 205 – About Machine Control; Up to eight machines can be configured as follows.
  • Page 206 – Transport Buttons; This button starts rewind on the external machines.; Using Shuttle & Scrub
  • Page 207 – Using the Locator; The locate points can be set as follows.
  • Page 209 – Chapter 20—Other Functions; 0 Other Functions; Using the User Defined Keys; A function is selected when it appears inside the dotted box.
  • Page 210 – Setting Preferences; Preferences 1; Auto DYNAMICS Display:
  • Page 211 – Fast Meter Fall Time:; Preferences 2; Fader Touch Sensitivity:
  • Page 212 – Preferences 3; Auto Inc TC Capture:
  • Page 213 – Using the Oscillator; This turns the Oscillator on or off. While the LEVEL parameter is; Checking the Battery
  • Page 215 – Appendix A: Parameter Lists
  • Page 217 – USER DEFINED KEYS Initial Assignments
  • Page 218 – Input Patch Parameters
  • Page 220 – Initial Input Patch Settings; Input channel Inputs
  • Page 221 – Output Patch Parameters; Output Patch Table 1
  • Page 224 – Output Patch Table 2
  • Page 226 – Initial Output Patch Settings; Slot Outputs
  • Page 227 – Initial Input Channel Names
  • Page 228 – Initial Input Port Names
  • Page 229 – Initial Output Port Names
  • Page 230 – GPI Trigger Source List
  • Page 232 – User Defined Remote Layer Initial Bank Settings
  • Page 236 – Effects Parameters
  • Page 237 – GATE REVERB, REVERSE GATE; One input, one output basic repeat delay.
  • Page 238 – STEREO DELAY; Two input, two output basic stereo delay.
  • Page 239 – DELAY LCR
  • Page 240 – ECHO; Two input, two output stereo delay with crossed feedback loop.; CHORUS
  • Page 241 – FLANGE
  • Page 242 – PHASER
  • Page 243 – TREMOLO; Two input, two output tremolo effect
  • Page 244 – DUAL PITCH; One input, two output rotary speaker simulator.
  • Page 245 – DISTORTION
  • Page 246 – AMP SIMULATE; One input, two output guitar amp simulator.
  • Page 247 – Two input, two output dynamically controlled flanger.
  • Page 248 – One input, two output reverb and chorus effects in parallel.
  • Page 249 – One input, two output reverb and flanger effects in parallel.
  • Page 250 – One input, two output reverb and symphonic effects in parallel.
  • Page 251 – One input, two output reverb and autopan effects in parallel.
  • Page 254 – One input, two output delay and reverb effects in parallel.
  • Page 255 – One input, two output delay and reverb effects in series.
  • Page 256 – One input, two output distortion and delay effects in series.; MULTI FILTER
  • Page 257 – FREEZE
  • Page 258 – OCTA REVERB
  • Page 264 – Preset EQ Parameters
  • Page 273 – Appendix B: Specifications; General Spec
  • Page 276 – EQ Parameters
  • Page 277 – Gate Parameters
  • Page 278 – Controls; Analog Section
  • Page 280 – Indicators; Libraries
  • Page 281 – Analog Input Spec
  • Page 282 – Digital Input Spec
  • Page 284 – Connector Pin Assignments; CASCADE IN
  • Page 285 – Dimensions; For European Model
  • Page 286 – Scene Memory to Program Change Table
  • Page 287 – Initial Parameter to Control Change Table
  • Page 288 – MIDI Data Format; SYSTEM COMMON MESSAGE; Format Details
  • Page 301 – Installation
  • Page 302 – Meter Bridge Controls; These 12-segment LED meters display Bus Out signal levels.
  • Page 303 – Attach the side panels as shown below.
  • Page 304 – Index; Symbols
  • Page 314 – MIDI Implementation Chart; Transmitted
  • Page 315 – YAMAHA CORPORATION
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DIGITAL MIXING CONSOLE

Owner’s Manual

Owner’s Manual

Owner’s Manual

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Summary

Page 2 - IMPORTANT; NEDERLAND; C A U T I O N

WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identi...

Page 3 - Important Information; Warnings; places that receive direct sunlight.

i 02R96—Owner’s Manual Important Information Warnings • Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-ual or as marked on the unit. Failure to do so is a fire and electrical shock hazard. • Do not allow water to enter this unit or allow the unit to become...

Page 4 - ii; This unit is heavy. Use two or more people to carry it.; Operating Notes

ii 02R96—Owner’s Manual • This unit has ventilation holes along the front underside and at the rear to prevent the inter-nal temperature from rising too high. Do not block them. Blocked ventilation holes are a fire hazard. In particular, do not operate the unit while it’s on its side, is upside down...

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