Page 2 - Please read carefully before use of this product; • Follow all security advice printed on your mixer
Please read carefully before use of this product Failure to follow the instructions printed below may void warranty • Follow all security advice printed on your mixer • When removing the unit's AC plug from the power source, grasp and pull the plug, NEVER the cord itself! • Avoid placing your mixer ...
Page 3 - Welcome
Congratulations and thank-you for purchasing the latest addition to the grow-ing Stanton family. Sporting a new attitude, and a fresh, modern look, theRM.406 is a 4-channel, rackmount mixer loaded with features and innova-tions giving club and mobile DJs a complete, powerful, yet simple tool to mix,...
Page 5 - Section A: Output Meters; Master or Zone output signals.; Section B: FX Controls; Controls the output level (send volume) of the FX Loop when
RM.406 Top Panel (FUNCTIONS) A 1 2 Section A: Output Meters 1. Meter Switch: Switches the display of the Level Meter (#2) between Master or Zone output signals. 2. Level Meter: Displays the left and right Master or Zone output level of the mixer. Red indicates clipping. Section B: FX Controls B 3 4 ...
Page 6 - Section C: Output Controls
RM.406 Top Panel (FUNCTIONS) Section C: Output Controls C LR 6 7 8 9 10 11 6. Master Level: Controls the overall output level of the audio signal sent through the Master connectors (see Output Connections.) 7. Stereo/Mono Switch: Switches the Master output between a stereo or mono signal. Mono mode ...
Page 7 - Section D: Cue Controls; Sends the effected signal from the FX Loop to the Headphone Cue for
RM.406 Top Panel (FUNCTIONS) Section D: Cue Controls D 15 16 17 12 13 14 12. Cue FX: Sends the effected signal from the FX Loop to the Headphone Cue for monitoring (see Section-B.) This allows DJs to hear what the FX Loop sounds like,before sending it to the Master Outputs. 13. Split Cue: Controls h...
Page 8 - Section E: Crossfader Controls; Controls the audio signal that is sent to the Outputs (Section C.)
RM.406 Top Panel (FUNCTIONS) Section E: Crossfader Controls E 18 19 20 21 18. Fader Start (A): Activates this side (A) of the Crossfader (#19) for use with com- ponents with the Fader Start feature. Moving the crossfader away from the left-mostposition will cause the device (CD / Turntable) to start...
Page 9 - Section G: Mic Controls
RM.406 Top Panel (FUNCTIONS) Section F: MP3/Aux In F 22 22. MP3 / Aux. Input: This 1/8" Mini-jack (3.5 mm) input was designed for easy access and connectivity to a variety of portable devices (portable MP3/ mini-disc / CD players / iPods.) Use this input instead of having to re-wirethe back pane...
Page 11 - Section H: Channel Controls; (each channel has its own controls which; Selects phono or line input for the corresponding
RM.406 Top Panel (FUNCTIONS) Section H: Channel Controls (each channel has its own controls which are duplicated for channels 1-4) AB H 34 36 38 43 42 41 35 37 39 40 34. Input selector switch: Selects phono or line input for the corresponding channel. This is a three way switch allowing input from o...
Page 14 - Section J: Master Output; These Right & Left XLR connections are; Section L: Zone Output; These Right & Left output connections are used for a
RM.406 Rear Panel (FUNCTIONS) Section J: Master Output J. Master Output Connection: These Right & Left XLR connections are used for the Master Output signal. Volume levels for this output are controlledby the section C front panel controls. NOTE: The TRIM knob sets the maxi-mum volume allowed fo...
Page 15 - This group of connections are ALL; Section P: Channel 3 Inputs; Section Q: Channel 2 Inputs; This group of connections are ALL inputs; Section R: Channel 1 Inputs
RM.406 Rear Panel (FUNCTIONS) P. Channel 3 Input Connections: This group of connections are ALL inputs which are only routed to channel 3 (select input using section H, (#34)from top panel.) Only two lines (L3, L7) and one phono (PH3) OR CD can beused as inputs here (the select switch located here t...
Page 16 - Application Example
This is a typical setup you’ll find in many nightclubs: 2 turntables, 2 CD play-ers, plus a microphone for the DJ. Here’s how you would set up your equip-ment with the RM.406: 1. Be sure all equipment is powered “OFF” and all of theRM.406’s Channelfaders and Level knobs are at minimum volume. 2. Con...
Page 17 - Superior Sound Technology
Superior Sound Technology The audio quality of the RM.406 is nothing short of revolutionary for DJ mix-ers in its price class. The RM.406 was designed by Stanton’s new productdevelopment team, seasoned audio professionals who have designed worldclass professional recording studio and broadcast mixer...
Page 18 - Technical Specifications
Technical Specifications Line Inputs.................................................................................7 x 2 (RCA) , -10 dBV / >10 kOhm 1 (1/8” stereo mini-jack), 10 dBV / >10kOhm Phono / CD Inputs...................................2 x 2 (RCA), -46 dBV / -10 dBV / 47 kOhm / >1...
Page 19 - Troubleshooting; Possible Cause/ Solution; No Sound
Troubleshooting Problem / Symptom Possible Cause/ Solution No Sound Is the power on? Check the power switch. Makesure the channels are assigned properly to the crossfaders. Make sure INPUT GAIN is turned upand output level control is turned up. Dependingon the input, check the rear panel selectorswi...
Page 21 - Warranty
Stanton Magnetics, Inc. – Warranty Provision – Returns for Repairs or Replacement WarrantyThrough Stanton’s authorized dealers around the World, Stanton, or one of Stanton’s authorized dis-tributors outside the U.S., will, without charge, repair or replace, at the sole discretion of the entityrespon...