Yamaha TRB5- Manuals

4. You can then select the entire USER 3 folder, for example, on theleft and select the USER 1 folder on the right of the screen (whichrepresents their current internal USER bank... 5. Double click IMPORT and the Voices will be bulked to the targetlocation. 6. The Motif XS and the Motif-Rack XS shar...

A1 – The Minimoog Bass Classic Minimoog bass sound. The Minimoog has its place in synth history asTHE synth bass instrument, thanks to its warm fat filters and “that” punchy,smooth Moog sound. Moog Minimoog Model D. A2 – Filter Contour Attack Variation minimoog bass sound. – somewhat sharper, more “...

A6 – Taurus Bass Pedal 2 Moog Taurus bass pedal sound – low, smooth, with slowly closing filter. GeddyLee of Rush used a set of Moog Taurus bass pedals, which are designed to siton the floor at a player’s feet, much like a set of organ bass pedals. (Note: Thisvoice is designated “Moog Taurus Bass Pe...

A9 – TX81Z Bass 1 Bright, plucky FM synth bass from the vintage Yamaha TX81z synth module. Yamaha TX-81z module (bottom of rack). A10 - Rubbercomp Percussive, darker, “rubbery” synth bass. A11 – TX81Z Bass 2 Variation FM synth bass, plucked character. A12 – Rubbercomp 2 Variation rubbercomp bass sou...

A14 – S.E. 1 Brassy, resonant synth bass sound characteristic of the programmable StudioElectronics SE 1 synth module. The SE 1 was laid out exactly like the originalMinimoog (it even sported the same style of knobs and switches, in the samepanel locations). Studio Electronics SE-1 (original “grey” ...

A16 – Chameleon Bass The squirting, resonant synth bass sound from Herbie Hancock’s jazz-funk hit“Chameleon”, heard on his 1973 platinum album Headhunters. Herbie Hancock “Headhunters” album cover, 1973. B1 – TX81Z Bass 3 Another percussive/plucked FM bass sound with a bright attack and slightcontou...

Chroma Polaris (circa 1984). B3 – Owng Filter Hybrid “owng” filtered bass sound, using moog and 303 sawtooth oscillatorsounds. B4 - Uniclick Clicky, percussive filtered bass sound, characteristic of the bass sounds heardon many 80’s pop hits. B5 - Rezonint Warm, buzzing edgey and bright synth bass w...

B8 – Prophet Sync Bass “Hard sync” bass sound from the Sequential Prophet 5 synth, circa 1980. Sequential Circuits Prophet 5. B9 – Q Curve “Blip” moog bass – filter has a very high “Q” or resonant emphasis, thusproducing the “blip” at the beginning of the sound. Good for electronic and technoas well...

B15 – Prophet Sync 2 Another Sequential Prophet 5 bass sound, with a more rapidly closing filterenvelope. B16 – TB-303 Mute TB-303 bass sound with very short decay. C1 - Telephonik Sawtooth-Squarewave synth bass with “telephone” timbre. C2 – Warm Square Darker, warm square-wave synth bass. C3 – CZ-1...

C6 – Wet Filter Analog bass with “wet” resonant filter envelope (slower filter attack). C7 - Snark Thinner, very resonant sawtooth analog bass with pointed attack. C8 – More Snoop Update on the by-now-classic “Snoop Dogg” bass sound with the high buzzingfilter. C9 – TB-303 Square Square-wave TB-303 ...

Roland TR-808 D1 thru D16 – SEQUENCER/ARPEGGIO BASS SOUNDSThese sounds feature arpeggios and are good for sequencedbass lines, especially ones that call for shorter duration sounds.They also work well with the arpeggio switch turned off. D1 – Pulse Machine Metallic, pulsing bass sound, similar to th...

ARP 2600 modular synthesizer. D2 - Industrial Frantic, edgy, distorted and metallic industrial synth. D3 - Tron Sequenced bass arpeggiator sound with “sample&hold” electronic character. D4 - Robotix “Robotic” electronic bass arpeggio/sequence. D5 - Flexiband Arpeggio/sequence bass sound with a f...

D7 – Blade Runner Edgy, metallic, “futuristic” sequenced bass sound, inspired by Jean Michel-Jarre’s score for the cult sci-fi film Blade Runner. D8 - Stutterpluck Sliced, plucked, pulsing, darker, rubbery “Euro” bass sound, for trance, electro,ambient, chill, industrial. D9 - Neutronik Pulsing elec...

Trace Elliot AH1000 amp head E4 - Thumbslap Bass 1 Bright, percussive slap bass, through Trace Elliot bass amp/speaker mic’d withan Audio-Technica ATM 4033 mic. E5 – Thumbslap Bass 2 Variation slap bass. E6 – Thubslap Bass 3 Variation of slap bass sound. E7 – Rickenbacker The bright, almost guitar-l...

Rickenbacker 4003 bass. E8 – P-bass Flatwound The electric bass that started it all – the Fender Precision bass, with flatwoundstrings, through a vintage Ampeg B15 tube amp/cab combo, mic’d with a ShureSM57 microphone.

E15 – Rock Overdrive Fender P-bass with roundwound strings, through a Line 6 Bass Pod Pro withoverdrive amp setting. This sound is good for the bass part on the Radioheadsong “The National Anthem” from the band’s Kid A album. Line 6 Bass Pod Pro. E16 – Fender Bassman Teisco Del Ray FB-2 “Beatle “ ba...

1964 “Blonde” Fender Bassman amp/cabinet combo.. F1 – Ovation AcousticBass Ovation electro-acoustic bass, mic’d with an Audio-Technica 4033 fed to a dbx586 tube mic preamp

Ovation acoustic bass. F2 – Martin Acoustic Bass Martin acoustic bass guitar.

Martin acoustic bass guitar F3- Flatpicked E-bass Fender P-bass played “flatpick” style. F4 – Gibson EB3 Emulation of the Gibson EB3 solid-body bass, used perhaps most famously byJack Bruce of Cream in the late 1960’s.

Gibson EB3 bass F5 – Danelectro Silvertone The Danelectro company manufactured basses for several other companies aswell, which were sold under other names. This is the sound of the Danalectro“Silvertone” four-string bass sold through the Sears catalog in the mid to latesixties. The cost back then? ...

Danelectro “Silvertone” bass. F6 – Sunn Coliseum The sound of a picked Alembic Explorer bass through a Sunn Coliseum bassamp and cabinet system. Assignable Knobs 1 and 2 control overdrive amountand color. This is the sound made famous by John Entwhistle of the Who.

F7 – SVT Bass Boost Fender Precision bass, w/roundwound strings, played through an Ampeg SVThead, bass boost switch on, fed to Ampeg SVT 810 cabinet. Perhaps THEclassic rock and roll amp sound. Ampeg SVT head. The “bass boost” switch is the white switch marked “Lo”. Many bassistsengaged both the “Lo...

. Ampeg 810 SVT cabinet – 8 ten-inch speakers and massive bottom end. F8 – Hofner Beatle Bass The slightly “acoustic” sound of the famous Hofner “Beatle Bass” used by PaulMcCartney.

“Standup” or “Upright” acoustic bass – also called the contrabass or contrabass. F10 – Upright Bass Mic’d Upright bass 1 recorded through Neumann U87 microphone, pointed towards thebass soundholes, about 3.5 feet from the instrument.

Neumann U87 microphone F11 – Upright Bass Mic’d 2 Upright bass 2, recorded with a Neumann U47, about 2.2 feet from the bridge ofthe bass.

Neumann U47 microphone. F12 – Upright Bass Mic’d 3 Upright bass 1 recorded with Neumann U87, pointed equidistant between bodyand neck, at a distance of about 3.5 feet. F12 – Upright Bass Mic’d 4 Upright bass 2 recorded with Neumann U87, pointed equidistant between bodyand neck, at a distance of abou...

G1 THRU G4 – ORCHESTRAL BASS SOUNDS. G1 – Double Bass Pitz 1 Orchestral double bass (contrabass) pizzicato sound. G2 – Double Bass Pitz 2 Variation of orchestral double bass (contrabass) pizzicato sound. G3 – Double Bass Pitz 3 Variation of orchestral double bass (contrabass) pizzicato sound. G4 – O...

Mellotron Model 400. G9 – Vox Organ Bass Vox Continental organ bass sound, from the 60’s.

Vox Continental organ G10 – B3 Organ Bass Hammond B3 organ bass pedal sound.

G12 – Crumar Bass Bass sound from the vintage Crumar Orchestrator keyboard (circa 1981). TheOrchestrator featured four sounds – brass, piano, strings, and bass. Crumar Orchestrator

G13 – Rhodes Piano Bass Harold Rhodes is best known for his amazing invention, the Rhodes electricpiano. But his first commercially available product was the “PianoBass” - a three-octave electric piano made for producing bass sounds. Keyboard players couldfinally play left-hand bass parts live witho...

Hohner Clavinet D6 G15 – Clavinet Bass 2 Variation Clavinet bass sound. G16 – Clavinet Bass 3 Variation Clavinet bass sound. H1 thru H16 – LO DRONES & EFFECTSThese are sounds suitable for low, dramatic drones or low-endwashes, perfect for ambient or chillout tracks, movie andtelevision soundtrac...

H3 - Cinematic Noisy wash synth drone H4 - Sublevel Atonal, dark and brooding wash with pulsating effects and artifacts. H5 - Coldcore Brooding, dark synth bass drone. H6 - Antropy Unpitched sci-fi effect wash with machine characteristics. H7 - Arise Noise and low bass tones. H8 – Black Tube Low dro...