Page 2 - SUPPLEMENTAL MARKING INFORMATION; SPECIAL MESSAGE SECTION
SUPPLEMENTAL MARKING INFORMATION Yamaha Digital Musical Instrument Products will have either a label similar to the graphic shown below or a molded/stamped facsimile of the graphic on its enclosure. The explanation of these graphics appears on this page. Please observe all cautions i n d i c a t e d...
Page 3 - Welcome
Welcome Welcome to the DX7s, the newest member of the growing family of FM digital synthesizers from Yamaha. Using the industry-standard DX7 as its starting point, the DX7s offers a number of important new features, such as improved sound quality,additional FM features, new performance options, and ...
Page 4 - Tips; remains a healthy member of your family; musical instruments, please keep the
Tips The DX7s has been designed for years of trouhle-free use. In order to ensure that it remains a healthy member of your family of musical instruments, please keep the following tips in mind: Installation: When setting up the DX7s in your home or studio, avoid exposure to direct sunlight orother s...
Page 6 - Contents
Contents 1 Section 1: Playing the DX7s 3 Getting Started 6 Setting the ROM Cartridge Banks 8 Exploring the DX7s Performance Library 12 Exploring the DX7s Voice Library 16 The Play Modes 17 Using Controllers with the DX7s 19 Section 2: Creating and Storing New Sounds 21 Creating New Sounds 26 Saving ...
Page 7 - Playing the DX7s
Page 9 - Connecting the DX7s; Making Audio Connections; you
Getting Started Connecting the DX7s to a single input amplifier. Using stereo headphones with the DX7s. You can begin to enjoy your DX7s immediately, without poring through a lot of complicated electronic theory. All you have to do is take the instrument out of the box and proceed as follows: Making...
Page 10 - Turning on the DX7s; will see on the main panel:
The DX’s “welcome” display. The DX’s next initial display. Turning on the DX7s After you have made the audio connection of your choice, turn the DX7s on by pressingthe power switch located on the right side of the back panel. This is the first display you will see on the main panel: After a few seco...
Page 11 - Setting the Volume Slider; Volume Slider
Setting the Volume Slider Since the volumes of the various voices differ, start with a setting in the middle of theslider’s range; adjust later to suit your taste, depending on the voice or voices being played. Volume Slider - 5 -
Page 12 - necessary changes before you begin playing.; Inserting the ROM Cartridge
Setting the ROM Cartridge Banks The ROM Cartridge supplied with your DX7s actually contains several sets of data — called “banks.” These banks can be selected from the front panel. In order to hear all of the Voice and Performance data, you will need to set the Voice/Performance bank to 2. Also, cer...
Page 13 - Selecting the ROM Banks
Selecting the ROM Banks This is the Set Bank LCD display with Bank 2 of the ROM cartridge selected for Voice & Performance data. This is the Set Bank LCD displaywith Bank 3 of the ROM cartridge selected for Fractional Scaling data. - 7 -
Page 14 - will be explained in detail in Sections 2 and; the steps below, and explore the richness; the Performance Mode by playing through all; Selecting the Internal Performance Memories
Exploring the DX7s Performance Library The Performance Mode is a completely new feature for the DX7s. It allows a number of useful performance-oriented features to be stored and recalled instantly. These features will be explained in detail in Sections 2 and 3 of this manual. For now, though, just f...
Page 15 - The Internal Performance Memories
These are the Performance Memories loaded into the DX7s when it is shipped from the factory. Since these memories can be adjusted, your DX’s Internal Memory may contain different data. If so, reload the Internal Voice & Performance data from bank 4 of the supplied ROM cartridge (see page 70). Th...
Page 16 - Selecting the Cartridge Performance Memories
Selecting the Cartridge Performance Memories The LCD display will show the number and name of the selected Performance m e m o r y . - 1 0 -
Page 17 - The Cartridge Performance Memories
Bank 4 of the supplied ROM cartridge contains the Voice & Performance Memory loaded into the DXs Internal Memory when it is shipped from the factory. Bank 2 contains an entirely different set of Voice & Performance data. The Cartridge Performance Memories Performance Voice Voice Name No. Nam...
Page 18 - Selecting the Internal Voice Memories
Exploring the DX7s Voice Library The voices in the DX7s were created using techniques like those used on the original DX7. There are a number of new features available in Voice Mode (most of them extensions of the Function Mode in the original DX7). All of these features will he discussed in detail ...
Page 19 - The Internal Voice Memories
These are the Voice Memories loaded into the DX7s when it is shipped from the factory. Since these memories can be adjusted, your DX’s Internal Memory may contain different data. If so, reload the Internal Voice & Performance data from bank 1 of the supplied ROM cartridge (see page 70). The Inte...
Page 20 - Selecting the Cartridge Voice Memories
Selecting the Cartridge Voice Memories As explained on page 6, the DX7s ROM cartridge contains several banks. To hear thecartridge voices, make sure that the Voice/Performance bank is set to bank 2 of the ROM cartridge (see page 7 for instructions on how to change the cartridge banks). The LCD displ...
Page 21 - The Cartridge Voice Memories
1 SuperBass 33 Analog-X Bank 4 of the supplied ROM cartridge contains the Voice & Performance Memory loaded into the DX’s Internal Memory when it is shipped from the factory. Bank 2 contains an entirely different set of Voice & Performance data. The Cartridge Voice Memories 2 S t r i n g B a...
Page 22 - The Play Modes; Now that you have an idea of some; the sound possibilities; the DX7s, it is time to take; Voice Mode and Performance Mode; voices 33 ~ 64 can be selected using the number buttons.; Using the Poly/Mono Button
The Play Modes Now that you have an idea of some of the sound possibilities of the DX7s, it is time to take a closer look at how the various Play Modes operate. Read on: Voice Mode and Performance Mode The DX7s has two different play modes: Voice Mode and Performance Mode. As you have just seen, the...
Page 23 - Pitch Bend Wheel
Using Controllers with the DX7s - 17 - The DX7s is designed to operate with many controllers, each of which can be set to perform one of a number of different effects. The settings for these controllers can be different for each Voice memory or Performance memory. To begin your exploration of the ex...
Page 24 - Foot Controllers 1 and 2; other effects are possible.; Footswitches 1 and 2
Foot Controllers 1 and 2 The Foot Controllers plug into the two Foot Controller plugs on the back panel of the DX7s. They can give you continuous control over a number of aspects of the sounds. Tryusing Foot Controller 1 with Cartridge Performance #25 or Internal Performance #12 (from bank 2 of the ...
Page 26 - Creating New Sounds; Memory Protection
Contents 2 1 2 1 2 2 2 3 2 3232 4 26 2 62 6262 7 27 Creating New Sounds Editing and Edit ModeEntering Edit ModeEditing Performance and Voice DataUsing the Cursor Buttons and the Data Entry Buttons/SliderEdit/CompareEdit Button Quick Reference Guide Saving New Sounds Memory Protection Turning Memory ...
Page 27 - the DX7s can be; they do in electronic organs), but rather as streams; data. This data can be changed; Editing and Edit Mode; for the factory preset Voices and Performance setups.
Creating New Sounds The Voices and Performance setups in the DX7s are stored as digital information in a computer-like memory. And, like computer memory, the memory of the DX7s can be altered for different uses. In other words, voices do not exist as unchangeable presets (as they do in electronic or...
Page 28 - Entering Edit Mode; necessary to make the desired edits.
In the Edit Mode, you can edit both Voice and Performance parameters. Entering Edit Mode In the above procedure, the Edit Mode is entered after the Edit button is pressed in step #1. At that time, you can push any or all of the buttons indicated as many times as necessary to make the desired edits. ...
Page 29 - Editing Performance and Voice Data; number of parameters.; Using the Cursor Buttons and the Data Entry Buttons/Slider; LCD
The cursor buttons and the data entry slider/buttons. The Edit/Compare LED display. Editing Performance and Voice Data After entering one of the Edit Modes, use the number buttons to access the parameterwhose value you wish to change. Each number button calls up a variety of parameters, often throug...
Page 30 - Edit Button Quick Reference Guide
Voice parameters are discussed in more detail in Section 4. Voice parameters are discussed in more detail in Section 4. Edit Button Quick Reference Guide - 24 -
Page 36 - 1 Performance Edit Buttons; 1 Button 27 LCD Displays; 6 Performance Controllers; 7 FM Parameters Assignable to CS1 and; Basic Performance Parameters; Total Volume; Micro Tuning
Contents 3 1 Performance Edit Buttons 3 1 Button 27 LCD Displays 3 1 Button 28 LCD Displays3 2 Button 29 LCD Displays 3 3 3333 34 3535 3 6 Performance Controllers 36 Sustain Footswitch (FS 1) 36 Footswitch 2 (FS 2)3 7 Continuous Sliders 3 7 FM Parameters Assignable to CS1 and CS2 3 8 3 8 3 8 38 Basi...
Page 37 - until you reach the desired; Buttons 27 LCD Displays
Performance Edit Buttons All of the Performance Mode parameters are adjusted via the LCD displays called up using buttons 27 ~ 29. All of the these buttons call up multiple LCD displays. The charts below show all of the displays called up by each button, and provide a complete list of parameters and...
Page 38 - Button 29 LCD Displays
Page 39 - relationships in Peformance Mode.
Basic Performance Parameters Accessed using buttons 28 and 29, these parameters determine the basic voice relationships in Peformance Mode. Total Volume This parameter allows you to set an overall volume for each Performance memory. If youdesire, you can use this setting to balance the levels of you...
Page 40 - EG Forced Damp; envelope to retrigger for each new note played:
Under normal conditions, the DX’s envelope acts this way. Using the EG Forced Damping parameter, the envelope is forced to retrigger itself for each new note played. EG Forced Damp Even though the DX7s is a 16-voice synthesizer, these voices can be used up quickly when you use a Sustain Footswitch p...
Page 42 - Footswitch 1 is set to operate as a sustain pedal.
Performance Controllers The DX7s features a greatly expanded set of controller options. The settings for Footswitches 1 and 2 and Continuous Sliders 1 and 2 are adjusted in Performance EditMode, using button 27. (The other controller settings are accessed in voice parameters.) Sustain Footswitch (FS...
Page 43 - Continuous Sliders; There are a total of 103 different possibilities:; FM Parameters Assignable to CS 1 and CS2
The Continuous Sliders provide a new avenue for exploration of real-time timbral control. Continuous Sliders The two Continuous Sliders give you access to real-time control of FM voice parameters. There are a total of 103 different possibilities: FM Parameters Assignable to CS 1 and CS2 DATA ENTRY s...
Page 44 - The new DX7s contains eleven; Selecting a Micro Tuning; Werckmeister Werckmeister; Micro Tuning Editing and Storage
Micro Tuning The new DX7s contains eleven preset Intonations, which provides you with a good introduction to alternate intonation schemes. Micro Tuning is another new feature for the DX7s. It offers the possibility of performingmusic using tuning and intonation systems other than Equal Temperament (...
Page 48 - 3 Voice Edit Buttons
Contents 43 Voice Edit Buttons 43 Button 7 LCD Display 44 Button 8 LCD Display 44 Button 9 LCD Display 45 Button 10 LCD Displays 46 Button 11 LCD Display47 Button 12 LCD Display 48 Button 13 LCD Display 48 Button 23 LCD Displays 49 Button 24 LCD Displays 50 Button 25 LCD Displays 51 Button 26 LCD Di...
Page 49 - button repeatedly) until you reach the desired LCD display.; Button 7 LCD Display
Voice Edit Buttons All of the Voice Mode parameters are adjusted via the LCD displays called up using buttons 7 - 13 and 23 - 26. Many of the these buttons call up multiple LCD displays. The charts below show all of the displays called up by each button, and provide a completelist of parameters and ...
Page 51 - Button 10 LCD Displays
Page 52 - Button 11 LCD Display
Button 11 LCD Display Key Velocity (0 ~ 7) Amplitude Modulation Sensitivity (0 ~ 7) Pitch Modulation Sensitivity (0 ~ 7) - 46 -
Page 53 - Button 12 LCD Display
Button 12 LCD Display LFO Wave (triangle, saw down, saw up, square, sine, s/hold) LFO Speed(0 ~ 99) LFO Delay (0 ~ 99) LFO Mode (single, multi) LFO Pitch Modulation Depth (0 ~ 99) LFO Amplitude Modulation Depth(0 ~ 99) LFO Key Sync (off, on) - 47 -
Page 54 - Button 13 LCD Display; Button 23 LCD Displays
Button 13 LCD Display Pitch Envelope Octave Range (1/2, 1,2,8) Pitch Envelope Velocity(off, on) Pitch Envelope Rate Scaling(0 ~ 7) Pitch Envelope Rates 1 ~ 4 (0 ~ 99) Pitch Envelope Levels 1 ~ 4 (0 ~ 99) Button 23 LCD Displays Key Mode Assign (polyphonic, monophonic, unison poly, unison mono) Unison...
Page 55 - Button 24 LCD Displays
Button 24 LCD Displays Pitch Bend Mode(normal, lowest, highest, key on) Pitch Bend Range (0 ~ 12) Pitch Bend Step(0 ~ 12) Portamento Mode (Poly: sus-key, p retain, sus-key p follow) (Mono: fingered porta, full time porta) Portamento Time (0 ~99) Portamento Step (0 ~ 99) Random pitch (0 ~ 7) -49-
Page 56 - Button 25 LCD Displays
Button 25 LCD Displays Aftertouch EG Bias (0 ~ 99) AftertouchPitch Bias (-50 ~ +50) Modulation Wheel Pitch Modulation Depth (0 ~ 99) Modulation Wheel Amplitude Modulation Depth (0 ~ 99) Modulation Wheel EG Bias(0 ~ 99) - 50 -
Page 57 - Button 26 LCD Displays
Button 26 LCD Displays Foot Controller 2EG Bias (0 ~ 99) Foot Controller 2 Volume (0 ~ 99) MIDI Controller Pitch Modulation Depth(0 ~ 99) MIDI Controller Amplitude Modulation Depth (0 ~ 99) MIDI Controller EG Bias (0 ~ 99) MIDI Controller Volume (0 ~ 99) - 51 -
Page 58 - Voice editing is easier on the; Operator Select
Basic Voice Editing Functions Voice editing is easier on the DX7s, thanks to the direct operator access provided by buttons 1 ~ 6 and 17 ~ 22. Operator Select The parameters accessed using buttons 8 ~ 11 are adjustable for each of the six operators. While editing Voice data, buttons 1 ~ 6 provide a ...
Page 59 - Range; Representative Pitch Enselope; Pitch Envelope; speed of the pitch envelope as you move up the keyboard.; LFO
New Voice Parameters Maximum Pitch Range C h a n g e R a n g e 1/2 6 semitones 1 1 octave 2 2 octaves 8 8 octaves Representative Pitch Enselope Generator shape. The basic voice of the DX7s is almost exactly the same as that of the ori,ginal DX7, assuring complete compatibility between the old and ne...
Page 60 - Key Modes
Key Modes The DX7s offers two Unison Key Modes, which create “fatter” sounds. Since these new Modes use more than one note of the DX’s sixteen-note capacity, they will affect the totalnumber of notes available at any one time: - 54 - K e y Number of M o d e N o t e s Polyphonic 16 Monophonic 1Unison...
Page 61 - Pitch Bend Modes; Function Data and Voice Effect Data; Pitch Bend Chord notes Applied to sound; Highest highest note only yes; Foot Controller 1 and 2
Voice Controllers Pitch Bend Modes on the DX7s. The DX7s features an expanded set of controller options. The settings for Pitch BendWheel, Modulation Wheel, Aftertouch, Breath Controller, and Foot Controllers 1 and 2 are adjusted in Voice Edit Mode, using buttons 24 ~ 26 (The other controller settin...
Page 62 - Pitch Bias
Pitch Bias With the new Pitch Bias feature you can use After Touch or the Breath Controller tocontrol the pitch of a voice. When Pitch Bias is set to 0, there is no pitch change. Positive Pitch Bias settings result in an upward bend, while negative Pitch Bias settings cause thepitch to bend down. Th...
Page 63 - Fractional Scaling and Level Scaling
Fractional Scaling Fractional Scaling allows you to adjust the output level of each operator for three-note groups. Entering Fractional Scaling Edit Mode One of the most important aspects of DX7 voicing is Level Scaling, which allows adjustment of each operator’s output over the range of the keyboar...
Page 65 - Memory Functions
Page 66 - 1 Utility Buttons
Contents 61 Utility Buttons 6 2 Button 14 LCD Displays63 Button 15 LCD Displays 64 Memory Types 64 Voice & Performance Memory 65 System Setup Memory65 Micro Tuning Memory 6 5 Fractional Scaling Memory 65 Initialized Memory 65 Current Play/Edit Memory 6 5 Compare/Recall Memory 66 Memory Storage T...
Page 67 - Utility Buttons
Utility Buttons All of the memory functions (and related utility functions) are adjusted via the LCD displays called up using buttons 14 and 15. Both of the these buttons call up multiple LCD displays. The charts below show all of the displays called up by each button, and providea complete list of ...
Page 68 - Button 14 LCD Displays
Page 70 - Memory Types; Voice & Performance Memory
Memory Types The chart below is a graphic representation of the way all the different DX7s memoryareas interact with one another. Since there are many facets to the memory layout of the DX7s, it may look intimidating at first. Once you become more familiar with the instrument, though, you will fjnd ...
Page 72 - Internal Memory; also be stored in Cartridge Memory.; Cartridge Memory; to the 64 Voices in the DX’s Internal Memory.
Memory Storage Types The RAM4 cartridge can be used to store one of three possible kinds of data. In addition to having a number of distinct types of memory, the DX7s offers a number of ways to store these various memories. To understand how the various memory storage possibilities interact, read on...
Page 73 - ROM Cartridge; call up Internal Voices.
The supplied ROM cartridge holds a number of different kinds of DX memory. ROM Cartridge The supplied ROM cartridge contains 4 banks, which can be accessed using button 15 inEdit Mode: The first two banks are Cartridge Voice and Performance data. The third bank containsFractional Scaling data, and t...
Page 74 - Master Tune
Basic Utility Functions Most of the basic Internal Memory Utility functions are accessed using button 14 in Edit Mode, as follows: Master Tune This sets the tuning of the DX7s relative to its internal A-440 reference. Recall Edit These functions can be used to recall Voice, Performance, or Micro Tun...
Page 75 - Using Cartridge Data
Cartridge Memory Functions LCD display indicating that required Fractional Scaling or Micro Tuning data is not available. When the needed data is supplied via a RAM cartridge, these displays disappear. RAM cartridges are useful storage centers for Voice & Performance data. To understand the basi...
Page 77 - MIDI Functions
Page 78 - 3 MIDI Buttons; 6 After Touch; 7 MIDI System Exclusives; 7 MIDI Device Number; 8 Immediate MIDI Program Change Out
Contents 73 MIDI Buttons 73 Button 31 LCD Displays74 Button 32 LCD Displays 75 System Setup 7 5 Transmit Channel7 5 Receive Channel75 Omni Mode75 Local On/Off 75 MIDI IN Control Number75 CS 1 and CS 2 Controller Numbers 76 Note On/Off 76 Program Change Transmission76 Program Change Memory 76 After T...
Page 79 - MIDI Buttons; below show; Button 31 LCD Displays
MIDI Buttons All of the MIDI functions and parameters are adjusted via the LCD displays called up using buttons 31 and 32. Both of the these buttons call up multiple LCD displays. The charts below show all of the displays called up by each button, and provide a complete list of parameters and value ...
Page 80 - Button 32 LCD Displays
Page 81 - System Setup; the; Transmit Channel
System Setup Since the use of many basic MIDI functions might depend on the contents of a specific set of Voice & Performance data, the DX7s provides a special memory location, System Setup Memory, to store basic MIDI parameters and orher data in conjunction with a Voice & Peformance Memory ...
Page 83 - functions available for your use:; MIDI Device Number
MIDI System Exclusives If you use the DX7s as part of a MIDI system, there are a number of advanced MIDI functions available for your use: MIDI Device Number If the DX7s is connected to another Yamaha product, this parameter must be used to set a Yamaha System Exclusive Device Number for MIDI System...
Page 84 - This function allows you
Immediate MIDI Program Change Out This function allows you to send a program change number to an external MIDI tone generator without changing the program number on the DX7s. If you wish to send a quick MIDI Program Change Message to an external MIDI unit, use the following procedure: In either of t...
Page 85 - Appendices
Page 86 - needed to
Appendix 1: Supplemental Information As mentioned at the outset, this manual has not attempted to cover all of the functions ofthe DX7s in exhaustive detail. To do so would have required a manual of large scale and density, one in which it would have been very difficult to locate specific informatio...
Page 87 - Bibliography
Appendix 2: Bibliography Many of the basic functions of the DX7s are the same as those of the original DX7. Sincethere is a wealth of material available on the operation of the original DX7, this manual has focused on the new functions and features. For more information on the parameters and feature...
Page 90 - M I D I D A T A F O R M A T
M I D I D A T A F O R M A T 1. Transmission Requirements A d d - 1
Page 106 - SPECIFICATIONS
SPECIFICATIONS K e y b o a r d 61 keys (C 1 ~C 6 ), with Initial/After touch Tone Generator FM tone Generator (6 operators 32 algorythms) Simultaneous Note Output (Reverse priority) 16 notes Internal Memory 64 voices/32 performances, 2 micro tunings, 1 system set-up External ROM Memory 128 voices/64...
Page 107 - FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.; PLEASE KEEP THIS MANUAL
IMPORTANT SAFETY AND INSTALLATION INSTRUCTIONS INFORMATION RELATING TO POSSIBLE PERSONAL INJURY, ELECTRIC SHOCK AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING – When using electronic products, basic prec- autions should always be followed, including the following: 1. Read all ...
Page 108 - YAMAHA
FCC INFORMATION While the following statements are provided to comply with FCC Regulations in the United States, the cor- rective measures listed below are applicable world-wide. This series of Yamaha professional music equipment uses frequencies that appear in the radio frequencyrange and if instal...