Yamaha CLP-555 - Manuals - manualsarea.com

Page 2 - CAUTION; SPECIAL MESSAGE SECTION

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Nie-derlassung und bei Yamaha Vertragshändlern in den jeweiligenBestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercanao el distribuidor autorizado que se lista debajo. For details of products...

Page 3 - SAVING USER DATA; PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING

1 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ • Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in the key cover gap. • Never insert or drop paper or metallic or other objects bet...

Page 4 - Introduction; Thank you for choosing a Yamaha CLP-555

2 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Control Panel ................................................... 4 Preparation .............................................................. 6 ■ The Music Stand ..............

Page 5 - Connecting to a Personal Computer; Tuning; Contents

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Page 6 - Press the [POWER] switch once to turn the power; The Control Panel; This button accesses a range of utility functions; The [TRANSPOSE] button allows access to the; Engages the split mode, in which different voices

4 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 1 [POWER] Switch Press the [POWER] switch once to turn the power ON, a second time to turn the power OFF. When thepower is initially turned ON, a voice selector LEDwill light, an...

Page 7 - Pedals

5 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Control Panel 6 [REVERB] Button The [REVERB] button selects a number of digital reverb effects that you can use for extra depth andexpressive power. See page 14 for details. ...

Page 8 - Preparation; If you will be using sheet music with your; The Music Stand

6 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Preparation If you will be using sheet music with your Clavinova, raise the music stand built into its toppanel by lifting the rear edge of the music stand,then flip down the mus...

Page 9 - Connections; The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for; MIDI IN, THRU and OUT Connectors; The MIDI IN connector receives MIDI data from an external MIDI; TO HOST Connector & HOST SELECT Switch

7 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Connections 1 AUX IN L/L+R and R Jacks These jacks are intended for use with an external tone generator mod- ule such as the Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs...

Page 10 - Selecting & Playing Voices; Turn Power On; After making sure that the Clavinova’s AC cord is properly plugged; Set the Volume; Initially set the [MASTER VOLUME] control about half way; Select a Voice; Play; The Clavinova also offers keyboard touch response, so the volume; Add Effects As Required; You can also change add reverb and/or a chorus effect as desired by

8 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Selecting & Playing Voices Turn Power On ................................................................................................... After making sure that the Clavin...

Page 11 - Playing the Demonstration Tunes; Engage the Demo Mode; Voice Demo Playback; * See page 48 for a complete listing of the demo tunes.; — the voice selector indicators will flash in sequence.; Exit From the Demo Mode; button to exit from the demo mode and return to the normal play mode.

9 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Demonstration tunes are provided that effectively demonstrate each of the Clavinova’s voices. There are also 30 piano songs that you can play individually,all in sequence, or in ...

Page 12 - Piano Song A-B Repeat; Stop Playback

10 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Piano Song A-B Repeat The A-B Repeat function can be used to continuously repeat a specified phrase within a piano song. Combined with the Part Cancelfunction described below, t...

Page 13 - Piano Song Part Cancel; The 30 piano songs have separate left- and right-hand parts that can; Turn the Desired Part Off; Synchro Start; When the Synchro Start function is engaged, playback of the se-; Left Pedal Start/Stop; via the “Left Pedal Mode” function described on page 27.

11 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Piano Song Part Cancel The 30 piano songs have separate left- and right-hand parts that can be turned on and off as required so you can practice the correspondingpart on the key...

Page 14 - The Dual Mode; the entire range of the keyboard.; Other Dual Mode Functions; The CLP-555 Function mode provides access to a number of other

12 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Dual Mode The dual mode makes it possible to play two voices simultaneously across the entire range of the keyboard. To activate the dual mode simply press two voice selecto...

Page 15 - The Split Mode; To activate the split mode simply press the [SPLIT] button so thats; Selecting the Left-hand Voice; The voice that was selected before the split mode was engaged; Setting the Split Point; The split point is initially set at the F; Other Split Mode Functions

13 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Split Mode The split mode makes it possible to play two different voices on the keyboard — one with the left hand and another with the right hand. The left-hand voice isplay...

Page 16 - Reverb; use for extra depth and expressive power.; To select a reverb type press the [REVERB] button a few times until; OFF; ROOM; Adjusting Reverb Depth; The depth of the selected reverb effect can be adjusted for the

14 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Reverb The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power. To select a reverb type press the [REVERB] button a ...

Page 17 - The Chorus Effect; The [EFFECT] button engages a chorus effect that can give your sound; greater depth and animation.; Adjusting Effect Depth; While the chorus effect is on the effect depth can be individually; The Pedals; the “Left Pedal Mode” described on page 27.; If you play a note or chord on the keyboard and press the sostenuto

15 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Chorus Effect The [EFFECT] button engages a chorus effect that can give your sound greater depth and animation. The [EFFECT] button turns the chorus effect on (indicator lit...

Page 18 - Touch Sensitivity; To select a touch sensitivity type press the [TOUCH] button a few; HARD; Transposition

16 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Touch Sensitivity Four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — can be selected to match different playing styles and preferences. To select...

Page 19 - Tuning Up; Release the A-1 and A; To Restore Standard Pitch; Press any key between C3 and B3.; In terms of “Hertz”, the overall tuning range is from 427.0 Hz to 453.0

17 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Tuning Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz … 453.0 Hz (corresponding to the A3 note’s Hz) range in approximately 0.2Her tz intervals. P...

Page 20 - The Metronome & Tempo Control; The Metronome; The metronome sound is alternately turned on and off by pressing; Metronome Volume; The volume of the metronome sound can be adjusted by using the; Other Metronome Functions; The time signature (“beat”) of the metronome can be changed via; Tempo Control; The tempo of the metronome and recorder playback (the recorder is; decreases the tempo and the [

18 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Metronome & Tempo Control The CLP-555 built-in metronome is a convenient feature for practice, and it can also provide a solid rhythmic guide when recording using the Re...

Page 21 - Using the Recorder; The recorder actually records the following data:; Recording; Make All Necessary Initial Settings; Before actually beginning to record, select the voice you want to; Engage the Record Ready Mode; Press the RECORDER [REC] button to engage the record ready; Select the Record Track; When the record mode is engaged in the previous step, the last-

19 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Using the Recorder The CLP-555 features a two-track recorder that let you record what you play on the keyboard and then play it back. Two tracks mean that you can “overdub”one p...

Page 22 - Start Recording; Stop Recording; All data can be erased from either of the recorder’s tracks by engag-; Changing the Initial Settings

20 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Using the Recorder Start Recording ................................................................................................ Recording will begin automatically as soon as...

Page 23 - automatically as soon as you start playing on the keyboard.; To engage the Synchro Start function press the [START/STOP] button; “Left Pedal Mode” function described on page 27.

21 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Using the Recorder Playback To play back what you’ve recorded, first make sure that the green track indicators of the tracks you want to play are lit. If not, press the correspo...

Page 24 - The Function Mode; To Select a Function ...; again to select the desired sub-function.; Operation Example

22 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode The [FUNCTION] button provides access to a range of functions that give the CLP-555 extraordinary versatility. The functions are categorized in groups asfollow...

Page 25 - plished via the F1 function.

23 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode F1 Tuning F2 Scale In addition to the tuning method described on page 17, overall tuning can also be accom- plished via the F1 function. After selecting “F1”, ...

Page 26 - After selecting “; ] buttons to select the desired dual mode function, as listed; If the Dual mode is not engaged “

24 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode F3 Dual Mode Functions After selecting “ F3.Y ”, press the [+/YES] button to engage the dual-mode function sub- mode, then use the [ < ] and [ > ] button...

Page 27 - End; Split Mode Functions; ] buttons to select the desired split mode function, as listed

25 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode F3.5: 1st Voice Effect Depth ............................................................................................................. F3.6: 2nd Voice Effe...

Page 28 - button to reset the values. “

26 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode F4.2: Split Balance ..................................................................................................................................... The v...

Page 29 - ] buttons to select the desired metronome function, as listed; Left Pedal Mode

27 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode F5 Metronome Functions After selecting “ F5.Y ”, press the [+/YES] button to engage the metronome function sub- mode, then use the [ < ] and [ > ] button...

Page 30 - A Brief Introduction to MIDI; ] buttons to select the desired MIDI function, as listed below.; The MIDI system allows transmission

28 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode F8 MIDI Functions ● A Brief Introduction to MIDI MIDI, the Musical Instrument Digital Interface, is a world- standard communication interface that allows MIDI-...

Page 31 - “Local Control” refers to the fact that, normally, the

29 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. A “Multi-timbre” receive mod...

Page 33 - ] buttons to select the desired backup function, as listed below.

31 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ The Function Mode F9 Backup Functions After selecting “ F9.Y ”, press the [+/YES] button to engage the backup function sub-mode, then use the [ < ] and [ > ] buttons to se...

Page 34 - Connect the TO HOST connector of the Clavinova to the modem or; “Mac” Cable Connections

32 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ • When using the [TO HOST] terminal of the CLP-555, first turn the power off on both the CLP-555 and the computer before connecting the cable. After connecting the cable, turn t...

Page 35 - Connecting to an IBM-PC/AT Series Computer; Connect the TO HOST connector of the Clavinova to the RS-232C port; “PC-2” Cable Connections; Connector Pin Numbers; Trademarks

33 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Connecting to an IBM-PC/AT Series Computer ............ Connect the TO HOST connector of the Clavinova to the RS-232C port on your IBM computer, using a standard 8-pin MINI DIN ...

Page 36 - Options; Troubleshooting; that your Clavinova is faulty.; Expander Modules

34 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Factory Preset Recall Options & Expander Modules ● Options HPE-160 Stereo Headphones High-performance lightweight dynamic head- phones with extra-soft ear pads. All dual mod...

Page 40 - REVERB TYPE; Effect MIDI Map; VARIATION TYPE

38 REVERB TYPE TYPE MSB TYPE LSB DEC HEX 00 01 02 03~ 000 0 Effect Off <—— <—— <—— 001 1 Hall1 Hall2 Hall1 <—— 002 2 Room1 <—— <—— <—— 003 3 Stage1 <—— <—— <—— 004 4 No Effect <—— <—— <—— : : : <—— .......... Same as Basic Effect (LSB=0) ● Effect MIDI Map VA...

Page 41 - MIDI Implementation Chart

39 YAMAHA [Clavinova] Date: 11/20, 1996 Model: CLP-555 MIDI Implementation Chart Version: 1.0 Function Transmitted Recognized Remarks Basic Default 1 1 Channel Changed 1~16 1~16 Default 3 1 *1 Poly Mode only Mode Messages X X ***************** X Note 9~120 0~127 Number : True voice *****************...

Page 42 - Zusammenbau und Aufstellung

40 1 • Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble inaccordance with the sequence given below. • Assembly should be carried out by at least two persons. • Be sure to use the correct screw size, as indicated above. Use of incorrect screw...

Page 48 - Den Pedalfuß einstellen.

46 9 < Attach the cord holders and plug in the ACcord. Remove the protective backing from the adhesive surface of the cord holders, and attach at approximately the locations shownin the illustration. Plug the main-unit end of the AC cord into thecorresponding socket on the bottom of the main unit...

Page 49 - Régler la hauteur du pédalier

47 • When moving the instrument after assembly, always hold the lower surface of the main unit,NEVER the lid or keyboard cover. Improperhandling can result in damage to the instrument orpersonal injury. • Fassen Sie zum Umstellen des Instruments nach dem Zusammenbau stets unter das Gehäuse;heben Sie...

Page 52 - INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,; IMPORTANT SAFETY INSTRUCTIONS; PLEASE KEEP THIS MANUAL

WARNING- When using any electrical or electronic prod- uct, basic precautions should always be followed. These pre-cautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructionsfound in...

Page 54 - IMPORTANT NOTICE FOR THE UNITED KINGDOM; ENGLISH; WICHTIG; IMPORTANTE; IMPORTANT

F C C I N F O R M AT I O N ( U. S . A . ) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in thismanual, meets FCC requirements. Modifications not expressly approved byYamaha may void your authority, granted by the FCC, to use the...

Yamaha CLP-555 - Manuals

Manuals:

Manual Yamaha CLP-555

Summary

Yamaha Manuals