Page 2 - Safety Instructions
Safety Instructions Important Safety Instructions 1. Please read all instructions before operating the unit. 2. Keep these instructions for future reference. 3. Please heed all safety warnings. 4. Follow manufacturers instructions. 5. Do not use this unit near water or moisture. 6. Clean only with a...
Page 3 - Table of Contents
Table of Contents Introduction 2 System Features 3 Controls and Functions Front Panel 4 Rear Panel 5 Setting Up and Using the S curve 231 6 - 7 System Configurations 8 - 10 About Equalization 11 Grounding Techniques 12 Using a Patchbay 12 Using the S curve 231 with an RTA 13 Using the S curve 231 to...
Page 4 - Introduction
2 Congratulations on purchasing the Samson S curve 231 dual channel,1/3 Octave, 31 Band Constant QGraphic Equalizer! Although this product is designed for easy operation, we suggest you take sometime out first to go through these pages so you can fully understand how we’ve implemented a numberof uni...
Page 5 - S cur ve 231 Features
3 S cur ve 231 Features The Samson S curve 231 Graphic Equalizer utilizes state-of-the-art, Constant Q filtering technology forprecise tonal control. Here are some of it’s main features: • The S curve 231 is a two channel equalizer and each channel provides 31 bands of equaliza-tion, with each frequ...
Page 6 - Controls and Functions; FRONT PANEL LAYOUT
4 1 Equalizer level sliders - Independent Equalizer sliders are provided for each frequency area (The S curve 231 provides 31 frequency areas).Calibration markings on either side of each Equalizer sliderallow you to cut or boost each frequency area. As described below, the exact action of the Equali...
Page 7 - REAR PANEL LAYOUT
5 CUT ONLY switch - When pressed in, the LED switch lights and all the Equalizer sliders serve to attenuate their frequency areas only (there is no boost) by up to 6 or 12 dB, depending upon the setting of theRANGE switch (see #7 below). The Cut Only switch should be used when you need to notch out ...
Page 8 - SETTING UP THE S cur ve 231
6 SETTING UP THE S cur ve 231 SETTING UP THE S cur ve 231 Setting up your S curve 231 Graphic Equalizer is a simple procedure which takes only a few minutes: 1. Remove all packing materials (save them in case of need for future service) and decide where the unit is to be physically placed—it can be ...
Page 10 - S cur ve 131 System Configurations
8 S cur ve 131 System Configurations Using the S curve 231 with Active Speakers In this example, the mixer’s stereo output is connected to the S curve 231’s inputs. Then, the S curve 231’s outputs are connected to theinputs of each active (self-powered) loudspeaker. Using the S curve 231 with Passiv...
Page 12 - Using Two S curve 231’s for Mains and Monitors
10 S cur ve 131 System Configurations Using Two S curve 231’s for Mains and Monitors In this example, two S curve 231’s are used for the stereo main and for the 2-channel monitor mix. The mixer’s left and right o utputs are connected to the first S curve 231’s inputs for the main PA speakers. Then, ...
Page 13 - About Equalization
11 The S curve 231 gives you fine control over shaping a sound, using a process called equalization . But there are few areas of sound engineering more misunderstood than equalization, and, just as good EQcan really help a sound, bad EQ can really hurt it, so read on... Every naturally occurring sou...
Page 14 - Grounding Techniques
Grounding Techniques Hum and buzz are the biggest enemies you face when interconnecting a large number of different pieces ofequipment to one another. This is because each piece of equipment may operate at a marginally different voltage(this difference is called potential ) and, when two devices at ...
Page 15 - Using the S cur ve 231 with an RTA
13 Using the S cur ve 231 with an RTA An RTA (Real Time Analyzer) is a device which measures the relative levels of multiple frequencyareas. This device, in conjunction with a pink noise generator, is the perfect companion for your Scurve 231. Together with a high quality microphone, these tools all...
Page 16 - Using the S cur ve 231 to Remove Feedback
14 Using the S cur ve 231 to Remove Feedback One of the most important applications for the S curve 231 is removing feedback from an onstagemonitor system. This procedure is sometimes called “ringing out,” since feedback usually begins witha slight ringing sound at the resonant frequencies where the...
Page 17 - Unbalanced 1/4” to RCA Cable; S cur ve 231 Wiring Guide; Balanced XLR to XLR Cable
15 S cur ve 231 Wiring Guide Unbalanced 1/4” to RCA Cable S cur ve 231 Wiring Guide There are several ways to interface the S curve 231, depending on your exact monitoring set-up.Follow the cable diagrams below for connecting your monitor system. Balanced XLR to XLR Cable Balanced 1/4” to 1/4” Cable...
Page 18 - Specifications; Boost
16 Specifications 1: Center frequencies (Hz) 20, 25, 31.5, 40, 50, 63, 80, 100, 125, 160, 200, 250, 315, 400, 500, 630, 800, 1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k, 5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k 2: Variable range ±6 dB or ±12 dB 3: Frequency response (unity) <10 Hz to 70 kHz -3 d...
Page 19 - S cur ve 231 Block Diagram
Page 20 - Samson Technologies Corp.
Samson Technologies Corp. 575 Underhill Blvd. P.O. Box 9031 Syosset, NY 11791-9031 Phone: 1-800-3-SAMSON (1-800-372-6766) Fax: 516-364-3888 www.samsontech.com