Samson L2400 - Manuals - manualsarea.com

PRECAUCION : Para reducir el riesgo de incendios o descargas, no permita que este aparato quede expuesto a la lluvia o la humedad. Para reducir el riesgo de descarga eléctrica, nunca quite la tapa ni el chasis. Dentro del aparato no hay piezas susceptibles de ser reparadas por el usuario. Dirija cua...

Page 4 - Table of Contents; Introduction

Table of Contents Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 L2400 And L3200 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Controls And Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 -...

Page 7 - Controls and Functions; INPUT CHANNEL SECTION; Mono Inputs

3 Controls and Functions INPUT CHANNEL SECTION The following section details each part of the L2400 and L3200’s INPUT CHANNELS including the 3-BAND EQ, the MONITOR and EFX sends, PAN, GAIN and VOLUME controls. 1 – SIGNAL LED The L2400 and L3200’s MIC/LINE pre-amp also includes a SIGNAL LED which, wh...

Page 8 - INPUT CHANNEL SECTION - continued

4 Controls and Functions 5 INPUT CHANNEL SECTION - continued That means that the channel Fader also affects the level of a POST aux send. A POST Auxiliary bus is what you want to use (almost always) for sending to an effects processor, either internal or external. When using the POST aux sends, (whi...

Page 10 - 4 BIT DIGITAL EFFECT SECTION; 4BIT DIGITAL EFFECT SECTION; 8 - Program Effects Display; 1 - TO AUX 1 - Effects Return to Aux 1 control knob

6 Controls and Functions TO AUX 1 TO AUX 2 TO AUX 3 TO AUX 4 EFFECTS 00-09PERFORMANCE10-19HALL REVERB20-29PLATE REVERB30-39SPRING REVERB40-49ECHO50-59FLANGE+VERB60-69CHORUS+VERB70-79ECHO+VERB80-89CHORUS90-99FLANGE PROGRAM 1 TO AUX 1 TO AUX 2 TO AUX 3 TO AUX 4 00-09PERFORMANCE10-19HALL REVERB20-29PLA...

Page 11 - 5 – EFX ON switch; Master Auxiliary Send Section

7 Controls and Functions 24BIT DIGITAL EFFECT SECTION - continued24 – TO AUX 4- Effects Return Control The TO AUX 4 control is used to adjust the level of the effects from the built-in digital Multi-effect that’s being sent to the AUX 4 monitor bus. This allows you to add the DSP effects to the sign...

Page 12 - STEREO AUX RETURN Input; 7 - MAIN – control knob

8 STEREO AUX RETURN Input The L Series feature two additional STEREO AUX RETURN inputs that can be used to return the outputs of the an external effects processor, or to connect the output of any stereo line level device. The STEREO AUX RETURN can be routed to the MAIN mix, or to a pair of AUX outpu...

Page 13 - Meter Section

9 Controls and Functions 42 - PHONES – control knob This control adjusts the overall level of the Headphone Output. 43 – PFL DEFEAT – switch You can defeat all the channels in PFL by using the PFL DEFEAT switch. When the switch is pressed down it will illuminate, indicating the PFL and AFL are tempo...

Page 15 - MAIN Output Section

11 MONO/SUBWOOFER Output Section - continued 58 - SUBWOOFER ON/OFF – switch Used to engage the Low Pass Filter and turn the MONO output into a subwoofer output. 59 - FREQUENCY – control knob The L Series mixers have an onboard Low Pass Filter to make it simple to connect a subwoofer. Use the FREQUEN...

Page 19 - Getting Started with Windows XP; Figure 1; Figure 4; Figure 5

15 Using the USB I/O The L series consoles have a built-in stereo USB audio interface allowing you to record and playback from a PC using virtually any digital recording software. In addition, the L series consoles feature powerful routing options that let you route your USB digital recording and pl...

Page 20 - Figure 7; Figure 9; Figure 8

16 Getting Started with Windows XP - continued 5. To use the L Series as your default input/output device (for system sounds and programs like Sound Recorder), ensure that it is set for playback and recording in the Audio tab (figure 6). 6. The volume can then be set by pressing the Volume button (f...

Page 21 - Getting Started with MAC OS X - continued; At this point you can begin using your L Series console; Recording from the L Series’ USB I/O

17 Getting Started with MAC OS X - continued 5. Next, click in the Output tab and select USB Audio Codec (figure 11). You may notice that the Volume slider sets itself to the full level. This will allow you to have full range using L Series’ hardware MAIN Volume control. At this point you can begin ...

Page 23 - Specifications

19 Specifications Maximum Output Level(0.5% T.H.D at 1kHz) +24dB(MAIN L/R) @10k +20dB(GROUP, AUX/EFX, CTRL ROOM) @10k +20dB(INSERT) @10k More than 100mW(HEADPHONES) @33 T.H.D <0.1% @+14dB 20Hz ~ 20kHz (MAIN L/R, GROUP, AUX /EFX SEND) @10k Frequency Response 20Hz ~ 20kHz, +1/-2dB (MIX L/R, GROUP, ...

Page 24 - - Input Specifications; * Specifications and design subject to change without notice.

20 Specifications - Input Specifications Input Connector Input Impedance Nominal Load Impedance Rated Input Level Connector Type CH Mic 4 k 50 ~ 600 -50dBu XLR Type Balanced CH Line 10k 600 -30dBu Phone Jack (TRS) T = Hot R = Cold S = GND Stereo Input Mic 3 k 600 -50dBu XLR Type Balanced Stereo Inpu...

Page 25 - Block Diagram

Page 26 - Notes