Page 3 - Table Of Contents
Table Of Contents 1 Introduction..........................................................5 Welcome! ...................................................................................................... 5 About the MultiMix USB2.0 .............................................. 6 All-In-One Mixer an...
Page 7 - Introduction
Introduction 5 Welcome! Thank you for making the Alesis MultiMix USB2.0 a part of your studio. Since 1984, we've been designing and building creative tools for the audio community. We believe in our products, because we've heard the results that creative people like you have achieved with them. One ...
Page 8 - About the MultiMix USB2.0; folder on your desktop or insert the software DVD into your; BEFORE; you plug your MultiMix into; MultiMix USB2.0 Key Features
Introduction 6 About the MultiMix USB2.0 The MultiMix USB2.0 mixers are the latest in the large family of Alesis audio mixers and the fourth series that includes computer interfacing (following on the launch of the MultiMix USB mixers in 2004, the MultiMix FireWire mixers in 2005, and the iMultiMix8...
Page 10 - How to Use This Manual
Introduction 8 How to Use This Manual This manual is divided into the following sections describing the various functions and applications of the MultiMix consoles. While it's a good idea to read through the entire manual once carefully, those having general knowledge about mixing should use the tab...
Page 11 - A Few Words for Beginners
Introduction 9 A Few Words for Beginners We realize that some of you who have purchased the MultiMix USB2.0 are fairly new to the art of mixing and computer recording. We’ve written this manual with that in mind. We designed the MultiMix to be both powerful and easy enough to use that even a beginne...
Page 13 - Getting Started; CD drive; you plug your MultiMix into your computer; Hooking up the MultiMix USB2.0
1 Getting Started 11 Important: download the drivers from http://www.alesis.com onto a folder on your desktop or insert the software CD into your computer’s CD drive BEFORE you plug your MultiMix into your computer for the first time. See page 25 for details. Hooking up the MultiMix USB2.0 This diag...
Page 14 - Using Proper Cables
1 Getting Started 12 Using Proper Cables When connecting instruments and other equipment to the MultiMix, it’s important that you use the appropriate types of cables. Here are some simple but important guidelines: y For the mic inputs, use XLR cables. y For the line inputs and all other 1/4” connect...
Page 15 - A Tour of the MultiMix USB2.0; Patchbay
2 A Tour of the MultiMix USB2.0 13 In this chapter, you’ll learn all about the MultiMix’s components (except for the digital effects processor, which is explained in the next chapter). Please refer to the diagrams as you read each section to see which components we’re talking about. Patchbay At the ...
Page 16 - PHONE Jack
2 A Tour of the MultiMix USB2.0 14 Line Inputs (Channels 9 – 16) Unlike channels 1 – 8, the line inputs on channels 9 – 16 are stereo inputs that have left and right inputs. If you’re using one of these channels as a mono input, plug your instrument into the left input. Channels 9 – 16 don’t have th...
Page 17 - Channel Strips
A Tour of the MultiMix USB2.0 2 15 CTRL RM OUT You can use these 1/4" jacks to send the control room signal to the input of the amplifier driving your monitors or headphones. This output can carry several different signals, depending on which source you have selected in the master section of the...
Page 18 - EQ
2 A Tour of the MultiMix USB2.0 16 the relative balance of the left and right channel signals being sent to the left and right main mix buses. Aux Here you’ll find knobs that control the levels of aux sends A and B. AUX A is either pre-fader or post-fader, depending on the position of the PRE / POST...
Page 19 - TK To Mix
A Tour of the MultiMix USB2.0 2 17 MAIN MIX OUT and the 2-TRACK OUT. In its lowest position the signal is cut off completely, and in the uppermost position you get an additional 10dB of gain. In the 0 position the fader is at unity gain. Alt 3/4 Fader This fader controls the output of the Alt 3/4 bu...
Page 20 - MIX Switch
2 A Tour of the MultiMix USB2.0 18 HDPH / CTRL RM The HDPH / CTRL RM knob controls the level of the signal being sent to the CTRL RM OUT and the PHONES output. The level of this signal is represented by the LED meters. The switches to the right of the HDPH / CTRL RM knob determine the source of the ...
Page 22 - Rear of the Mixer; Power Supply Unit
2 A Tour of the MultiMix USB2.0 20 Rear of the Mixer Here’s what you’ll find at the rear of the mixer. Power Input Here’s where you plug in your mixer’s external power supply. You should always connect your power supply to the mixer before you plug the power supply into an electrical outlet. Power S...
Page 23 - Digital Effects Processor; Effects Section Components
3 Digital Effects Processor 21 Onboard your MultiMix USB2.0 is a powerful effects unit that has 100 preset programs. We offer a few tips on where to use these, but don’t limit yourself to our suggestions. We recommend that you experiment with these effects to get a good feel for how they can improve...
Page 24 - CHORUS
3 Digital Effects Processor 22 CHORUS These create the effect of multiple voices (or instruments) sounding at once from a single input. FLANGE These create a sweeping, swooshing sound effect that you will probably recognize. DELAY These effects are based on a discreet repetition or echo of the input...
Page 25 - Traditional Mixing; Simple Live Setup
4 Traditional Mixing 23 Simple Live Setup Connect your instruments and microphones to the mono and stereo channels, making sure to properly set the level of each channel. You can select one on-board effect and control its level with the AUX B knob for each channel. You can also use an external effec...
Page 28 - Installing the optional applications
5 USB2.0 Recording 26 Installing the optional applications The software DVD that comes with the MultiMix USB2.0 contains not only the drivers (the small computer programs that work behind the scenes so that your MultiMix works properly with your computer) but also some powerful music applications . ...
Page 29 - USB2.0 inputs and outputs
USB2.0 Recording 5 27 USB2.0 inputs and outputs Channels sent from the MultiMix to the computer The USB2.0 port sends every individual mixer channel as well as the MultiMix’s MAIN OUT/2-TRACK OUT left and right signals to the computer. This means that, for the MultiMix 16 USB2.0, 16 individual chann...
Page 30 - Sound setup under Windows
5 USB2.0 Recording 28 Sound setup under Windows To use your MultiMix USB2.0 as your default Windows sound device, follow these steps: 1. From the Windows Start menu, choose “Control Panel.” Depending on your Windows preferences, it will appear similar to one of the two pictures below: 2. Choose “Sou...
Page 32 - Disabling Windows System Sounds
5 USB2.0 Recording 30 Disabling Windows System Sounds Windows System Sounds—the sounds that Windows plays to signal starting up, shutting down, alerts and so forth—can interfere with your audio recording. We strongly suggest that you disable these sounds. 1. Click the “Sounds” tab of “Sounds and Aud...
Page 33 - Using the MultiMix USB2.0 with Cubase
USB2.0 Recording 5 31 Connections and settings for USB2.0 recording and monitoring The best way to begin using the MultiMix for USB2.0 recording is to set up your system this way: 1. Hook up your monitoring system to the MultiMix’s CTRL RM OUT jacks. 2. Apply the MASTER section’s buttons as follows:...
Page 34 - Choosing the MultiMix as your audio device
5 USB2.0 Recording 32 Choosing the MultiMix as your audio device 1. Choose the menu option “Devices” | “Device Setup….” 2. Click the “VST Multitrack” option. This discussion uses Steinberg’s Cubase software, but the principles provided here apply to all ASIO recording software.
Page 37 - Creating a new audio file
USB2.0 Recording 5 35 Creating a new audio file Now, you’re ready to create an audio project. 1. Choose “File” | “New Project…” 2. You can begin with a template or an empty file. For now, begin with an empty file.
Page 45 - Assigning inputs to audio tracks
USB2.0 Recording 5 43 Assigning inputs to audio tracks Now, you’re ready to assign the MultiMix’s inputs to various channels. For each audio track that you want to record, click on the input section of the track and select the MultiMix channel that you want. Record-enable the tracks to be recorded (...
Page 51 - Basic troubleshooting
7 Troubleshooting: USB2.0 49 Computer or audio application does not see the MultiMix USB2.0 Basic troubleshooting First, check that the MultiMix is seen by the computer: Open the Alesis control panel and check that Windows sees the device as attached. No connection If “MultiMix Audio” does not appea...
Page 53 - Specifications
8 Specifications 51 For the more technical-minded, here are some detailed specifications for the MultiMix’s operating levels. Input Channels Mic In Sensitivity Range: -60dBu to –10dBu nominal, +5dBu maximum Line In Sensitivity Range: -40dBu to -+10dBu nominal, +25dBu maximum Mic/Line Gain Range: +10...
Page 54 - Computer Requirements:
8 Specifications 52 Mechanicals (W x L x H) MultiMix 12 USB2.0: 13.0” x 13.4” x 3.2” / 331mm x 340mm x 80mm, 7.0lbs / 3.2kg MultiMix 16 USB2.0: 13.0” x 15.2” x 3.2” / 331mm x 386mm x 80mm, 9.7lbs / 4.4kg Computer Requirements: Minimum PC Requirements: • Pentium 4, 2.4GHz Processor (or equivalent, su...
Page 55 - Block Diagrams
Page 57 - Glossary
Glossary 55 Here are the definitions to some terms you’ll probably encounter while using your MultiMix USB2.0. Term Definition ASIO Audio Stream Input/Output. An audio protocol developed by Steinberg and used by multiple audio software manufacturers. aux (auxiliary) An additional set of outputs and ...
Page 60 - Alesis Contact Information
58 Alesis Contact Information Alesis Distribution, LLC Los Angeles, CA USA E-mail: [email protected] Web site: http://www.alesis.com MultiMix USB2.0 Reference Manual Revision 1.0 by Edwin Erdmann, Brooks Bruner, and Fred Morgenstern. Copyright 2005-2007, Alesis Distribution, LLC. All rights reserve...