Yamaha W5 - Manual

Yamaha W5

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Table of Contents:

  • Page 2 – SPECIAL MESSAGE SECTION; CAUTION: TO REDUCE THE RISK OF; ELECTRIC SHOCK, DO NOT REMOVE
  • Page 3 – IMPORTANT SAFETY INSTRUCTIONS; I N F O R M A T I O N R E L A T I N G T O P E R S O N A L I N J U R Y , E L E C T R I C A L S H O C K ,; PLEASE KEEP THIS MANUAL
  • Page 4 – CONTENTS
  • Page 6 – This manual is divided into three distinct sections, as follows:; INTRODUCTORY SECTION: BEFORE YOU BEGIN
  • Page 7 – PRECAUTIONS; IMPORTANT! PLEASE READ BEFORE PROCEEDING.
  • Page 8 – CLEANING THE DISK DRIVE READ/WRITE HEAD
  • Page 9 – BEFORE YOU BEGIN; AWM2 TONE GENERATION; Instrument voices to the 16-
  • Page 10 – GENERAL MIDI; ABOUT THE GM SYSTEM LEVEL 1; 84 INSTRUMENT VOICES AND 10 DRUM KITS; elements and the many on-board synthesizer parameters.; VOICE EDITING
  • Page 11 – 5 DIGITAL EFFECTS; For storing your song and voice data on 3.5 2DD type floppy disks.; EXPANSION POTENTIAL
  • Page 12 – FRONT PANEL
  • Page 16 – rewind through measures in a song sequence.
  • Page 17 – REAR PANEL; POWER SWITCH; Press to turn the power on or off.; POWER CONNECTOR; Attach the power supply cord and plug into the AC power outlet.; MIDI CONNECTORS
  • Page 19 – SYSTEM LOGIC; MUSICIAN S WORKSTATION; naturally whether compos-
  • Page 20 – SYSTEM OVERVIEW
  • Page 21 – OPERATING MODES; SONG MODE; SONG PLAY
  • Page 22 – SONG JOB; VOICE MODE; VOICE PLAY
  • Page 23 – STORE MODE
  • Page 24 – SYSTEM ARCHITECTURE; CONTROLLER SECTION
  • Page 25 – SONG MULTIS; sequence data, and accompanying Song voice bank
  • Page 26 – NORMAL VOICE; MIXER CHANNEL
  • Page 27 – INSTRUMENT VOICES AND POLYPHONY; The W5/W7 has a total of 10 separate
  • Page 28 – DRUM VOICES
  • Page 29 – VOICE CATEGORIES
  • Page 30 – INSERTION EFFECTS & SYSTEM EFFECTS
  • Page 31 – INSERTION EFFECTS
  • Page 33 – CONTROLLING THE SOUND; - The EG produces a fixed pattern of change
  • Page 34 – - The LFO produces various
  • Page 36 – SONG SEQUENCING
  • Page 37 – SOUND MIXING
  • Page 40 – MEMORY ALLOCATION; settings in the 16 song multi memories.; SONG VOICE MEMORY
  • Page 41 – STORE MULTI; always save your important song sequence and; STORE VOICE; Internal voice memory. Therefore, you must
  • Page 42 – DISK
  • Page 43 – DATA ENTRY; LCD SCREEN
  • Page 44 – SHIFT KEY
  • Page 45 – GETTING STARTED
  • Page 46 – Danger! Type of electrical cable may be different depending; CONNECTING TO A MONITOR SYSTEM
  • Page 47 – EXPLORING THE PRESET VOICES
  • Page 48 – Spin the JOG dial back and forth.
  • Page 49 – SONG PLAY & VOICE PLAY
  • Page 50 – SELECTING VOICE BANKS; beneath the
  • Page 51 – NORMAL VOICES
  • Page 52 – REALTIME CONTROL
  • Page 53 – KEYBOARD VELOCITY SENSITIVITY
  • Page 54 – LOADING & PLAYING THE; LOADING THE DEMONSTRATION SONGS; INSERT THE FACTORY SET & DEMONSTRATION DISK
  • Page 55 – LOAD THE DEMONSTRATION SONGS
  • Page 56 – EXPLORING SONG PLAYBACK OPTIONS; SELECTING TRACKS AND ADJUSTING PARAMETERS; TRACK SELECT; VOLUME ADJUST
  • Page 57 – SOLOING AND MUTING INSTRUMENTS; SOLO; CHANGING THE TEMPO
  • Page 58 – PROGRAMMING; The various types of programming operations; DEFINING MULTIS
  • Page 59 – SELECT A SONG MEMORY
  • Page 60 – EDITING VOICES; there are really only three steps to Voice Editing, as follows:; EDIT THE PARAMETERS; You must store the voice in an Internal voice bank
  • Page 62 – functions and parameters.; COMMON; - Lets you access those parameters which affect the voice as a; KEY; - Lets you assign a different element to each key on the keyboard,; EFFECT; - Lets you assign an Insertion Effect to the voice and determine; CONTROLLER; - Let s you assign Expression Low Limit for the voice, as
  • Page 63 – CREATING SONG SEQUENCES; SEQUENCER CONTROLS
  • Page 64 – SELECT A SONG MEMORY AND DEFINE THE MULTI; lways save important music data to floppy disk.
  • Page 65 – FINE-TUNING THE STEREO MIX; - To select an Instrument
  • Page 66 – MUSIC DATA; INSERT DISK AND ENTER DISK MODE
  • Page 67 – ORGANIZING & MANAGING DATA
  • Page 68 – RELOADING THE FACTORY SET VOICE DATA; Following is the procedure for reloading the preprogrammed data.; Press ENTER to load the voices into the W5/W7.
  • Page 69 – INTEGRATING INTO; CONTROLLING OTHER MIDI DEVICES
  • Page 70 – MIDI SYSTEM COMPONENT
  • Page 71 – SLAVING TO OTHER MIDI DEVICES
  • Page 74 – SONG PLAY MODE; define a multi by; SONG RECORD MODE
  • Page 75 – ENTERING AND EXITING SONG PLAY MODE; ACCESSING A SONG PLAY FUNCTION; SONG MULTI PLAY; PLAYING A SONG SEQUENCE
  • Page 76 – SONG MULTI; DEFINING A SONG MULTI; SELECT A SONG MEMORY; SELECTING TRACKS FOR PLAYBACK
  • Page 77 – STORE THE MULTI IN A SONG MEMORY; ACCESSING SONG MULTI; INSTRUMENT PARAMETER DISPLAY
  • Page 78 – MOVING AROUND IN THE SONG MULTI; SONG MULTI SCREEN
  • Page 79 – - When the cursor is; VOICE
  • Page 80 – - When the cursor is positioned at
  • Page 81 – SYSTEM EFFECTS; System Effects; SYSTEM EFFECT 1: REVERB MODULE; TYPE
  • Page 82 – SONG SEQUENCE PLAY; The Song Sequence Play function lets you select any of the; ACCESSING SONG SEQUENCE PLAY; TIME SIGNATURE SELECT
  • Page 84 – SONG SETUP; The Song Setup function lets you assign various MIDI; ACCESSING SONG SETUP; MIDI FILTER; KEYBOARD SETUP
  • Page 85 – NORMAL MODE
  • Page 87 – SONG RECORD; DESIGNATE REALTIME OR STEP STATUS; ENTERING AND EXITING SONG RECORD
  • Page 88 – USING THE SEQUENCER CONTROLS; ACCESSING A SONG RECORD FUNCTION
  • Page 89 – REALTIME RECORDING
  • Page 90 – PREPARING FOR REALTIME RECORDING; REPLACE; REALTIME RUN
  • Page 91 – STEP RECORDING; Step recording lets you input each part one after another; PREPARING FOR STEP RECORDING; Indicates the currently selected track.; - To record normal notes which sound
  • Page 92 – - To delete all data in the 32nd note area; DATA INPUT; - Each time you press and release a key on; STEP STOP
  • Page 93 – SONG EDIT; ENTERING AND EXITING SONG EDIT MODE; SEQUENCE TRACK GRAPH; The Sequence Track Graph function lets you view notes as; MOVING AROUND THE GRAPH
  • Page 94 – LOCATING DATA
  • Page 95 – ACCESSING DATA CHANGE TEMPO TRACK
  • Page 96 – ACCESSING DATA INSERT TEMPO TRACK; For accessing a specific beat.; INSERTING DATA
  • Page 97 – ENTERING AND EXITING SONG JOB MODE; while holding down SHIFT,; MOVING AROUND IN JOB MODE; jump straight to a particular function in the Job number
  • Page 98 – SONG JOB 1
  • Page 100 – SONG JOB 2
  • Page 102 – CHORD SORT; SONG JOB 3; Song Job 3 lets you perform Quantize, Move Clock, Modify
  • Page 103 – MOVE CLOCK; EXECUTE
  • Page 104 – MODIFY VELOCITY; TRANSPOSE
  • Page 105 – SHIFT NOTE; CRESCENDO
  • Page 106 – AWM TONE GENERATION; waves which define the fundamental charac-; AWM ELEMENTS; WAVE
  • Page 107 – VOICE CONTROL; Musical instrument sounds are constantly changing and
  • Page 108 – VOICE PLAY MODE; NORMAL VOICES & DRUM VOICES; There are two basic types of voices in the W5/W7, the; Normal voices and drum voices are organized in various
  • Page 110 – VOICE EDIT; EDITING A VOICE; STORING A VOICE
  • Page 111 – NORMAL VOICE EDIT MODE; ENTERING AND EXITING NORMAL VOICE
  • Page 112 – COMMON PARAMETER; The common parameter function lets you perform opera-; ACCESSING COMMON PARAMETERS; VOLUME
  • Page 113 – ELEMENT INITIALIZATION VALUES
  • Page 114 – PAN POSITION; VELOCITY LIMIT; ELEMENT; ACCESSING ELEMENT PARAMETERS; ASSIGN; ELEMENT NUMBER
  • Page 115 – NOTE LIMIT; AMPLITUDE; ACCESSING AMP PARAMETERS; LEVEL
  • Page 116 – AMPLITUDE ENVELOPE GENERATOR
  • Page 117 – FILTER
  • Page 118 – ACCESSING FILTER PARAMETERS; TONE; FILTER ENVELOPE GENERATOR
  • Page 119 – PITCH; ACCESSING PITCH PARAMETERS; SCALE
  • Page 120 – TUNE; SENSITIVITY
  • Page 121 – ACCESSING EFFECT PARAMETERS; SYSTEM EFFECT SEND LEVEL; INSERTION EFFECT TYPE
  • Page 123 – MODULATION; LFO; ACCESSING LFO PARAMETERS; PARAMETER
  • Page 124 – ACCESSING CONTROLLER PARAMETERS; SUSTAIN; PITCH BEND
  • Page 125 – MODULATION WHEEL
  • Page 126 – DRUM VOICE EDIT MODE; ENTERING AND EXITING DRUM VOICE EDIT
  • Page 127 – INITIALIZE; KEY PARAMETER; ACCESSING KEY PARAMETERS
  • Page 128 – ELEMENT NUMBER SELECT
  • Page 129 – INSERTION EFFECT PARAMETER
  • Page 130 – EXPRESSION LOW LIMIT; RECORDING
  • Page 131 – ENTERING AND EXITING STORE MODE; SELECTING THE SONG LOCATION; BEFORE STORING A MULTI
  • Page 132 – DISK MODE; STORE VOICE; BEFORE STORING A VOICE; SELECTING THE VOICE LOCATION
  • Page 133 – ENTERING AND EXITING DISK MODE; MOVING AROUND IN DISK MODE
  • Page 134 – SELECTING A FILE TYPE; NAME FILE; SELECTING FILES; FILE TYPES
  • Page 135 – DISK STATUS; ACCESSING DISK STATUS; ALL DATA
  • Page 136 – SAVE TO DISK; offload it into a file on a floppy disk.; ACCESSING SAVE TO DISK; - To view the File Directory and
  • Page 138 – LOAD FROM DISK; ACCESSING LOAD FROM DISK
  • Page 141 – RENAME FILE; RENAMING A FILE; SELECT FILE TYPE
  • Page 142 – DELETE FILE; DELETING A FILE
  • Page 143 – FORMAT DISK; FORMATTING A DISK; INSERT DISK
  • Page 144 – UTILITY MODE; ENTERING UTILITY MODE
  • Page 145 – COPYING TO SONG VOICE MEMORY; ACCESSING SONG VOICE MEMORY; SELECTING A VOICE BANK
  • Page 146 – ACCESSING INITIALIZE; INITIALIZING INTERNAL VOICE BANK; ACCESSING VOICE BULK DUMP; DUMPING INTERNAL VOICE BANK; RECEIVING BULK VOICE DATA
  • Page 147 – SYNTHESIZER SETUP; settings and controller settings.; ACCESSING SYNTHESIZER SETUP; - For adjusting the velocity; NORMAL
  • Page 148 – WIDE
  • Page 149 – CONTROLLERS; volume assignment, and the foot controller initial value.; CONTINUOUS TYPE; ACCESSING CONTROLLERS; MAIN VOLUME
  • Page 150 – MIDI SETUP; keyboard status and set program change status.; ACCESSING MIDI SETUP
  • Page 151 – OTHER SETUP; mation screen will appear before an editing operation is engaged.; GREETING MESSAGE; ACCESSING GREETING MESSAGE; CREATING A GREETING MESSAGE; ACCESSING OTHER SETUP; - For adjusting the contrast
  • Page 154 – APPENDIX; ERROR MESSAGES; MEMORY
  • Page 155 – TROUBLESHOOTING; ISOLATE THE PROBLEM; LISTEN VIA HEADPHONES
  • Page 156 – COMMON PROBLEMS AND POSSIBLE CAUSES; W5/W7 PARAMETER SETTING PROBLEMS; SYMPTOM
  • Page 157 – MOUNTING THE EXPANSION BOARD; MOUNTING THE BOARD; To mount the Expansion Wave/Voice Board, please; SWITCH THE POWER OFF
  • Page 158 – SPECIFICATIONS; DESCRIPTION; TONE GENERATOR; KEYBOARD; Maximum simultaneous notes:
  • Page 159 – Pitch Bend, Modulation; USA and Canadian models:; Factory Set & Demonstration Disk, AC Power Cable
  • Page 160 – INDEX
  • Page 169 – CANADA
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Summary

Page 2 - SPECIAL MESSAGE SECTION; CAUTION: TO REDUCE THE RISK OF; ELECTRIC SHOCK, DO NOT REMOVE

Model Serial No. Purchase Date SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic prod- ucts may have either labels similar to the graphics shownbelow or molded / stamped facsimiles of these graphics onthe enclosure. The explanation of these graphics appears onthis page.Please observ...

Page 3 - IMPORTANT SAFETY INSTRUCTIONS; I N F O R M A T I O N R E L A T I N G T O P E R S O N A L I N J U R Y , E L E C T R I C A L S H O C K ,; PLEASE KEEP THIS MANUAL

IMPORTANT SAFETY INSTRUCTIONS I N F O R M A T I O N R E L A T I N G T O P E R S O N A L I N J U R Y , E L E C T R I C A L S H O C K , A N D F I R E H A Z A R D P O S S I B I L I T I E S H A S B E E N I N C L U D E D I N T H I S L I S T . PLEASE KEEP THIS MANUAL WARNING- When using any electrical or ...

Page 4 - CONTENTS

BEFORE YOU BEGIN .................................................... 7 FRONT PANEL ....................................................... 10 REAR PANEL ......................................................... 15 SYSTEM LOGIC ...................................................... 17 GETTING STARTE...

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