Page 2 - MAIN FEATURES; AWM2 Tone Generator System; nd-generation Advanced Wave Memory (AWM2) technology delivers; Large-capacity Waveform ROM
The SY85 Music Synthesizer delivers the incredible Yamaha AWM sound with improved quality and performance power. In addition to superior sound,the SY85 features “Quick Edit” modes that provide fast, easy access to themost important voice and performance editing jobs so you can customize thesound wit...
Page 4 - Contents; About the Manuals
2 Contents Precautions ............................................................................ 4 About the Manuals ■ The Getting Started Manual (this manual) ................................................................ 7 ■ Icons .................................................................
Page 6 - Precautions; Location; Turn the power switch OFF when the instrument is not in use.; Turn Power OFF When Making Connections; Disconnect all cables before moving the instrument.
4 Precautions ■ Location Do not expose the instrument to the following conditions to avoid deforma- tion, discoloration, or more serious damage. • Direct sunlight (e.g. near a window). • High temperatures (e.g. near a heat source, outside, or in a car during thedaytime). • Excessive humidity. • Exce...
Page 7 - Cleaning; Clean the cabinet and panel with a dry soft cloth.; Electrical Interference
5 ■ Cleaning • Clean the cabinet and panel with a dry soft cloth. • A slightly damp cloth may be used to remove stubborn grime and dirt. • Never use cleaners such as alcohol or thinner. • Avoid placing vinyl objects on top of the instrument (vinyl can stick to anddiscolor the surface). ■ Electrical ...
Page 9 - The SY85 comes with two manuals —; The Getting Started Manual (this manual); Recording and playing sequences and patterns.
7 About the Manuals The SY85 comes with two manuals — Getting Started and Feature Refer- ence . ■ The Getting Started Manual (this manual) In addition to an overview of the SY85 controls and connectors (page 10), the Getting Started manual contains six chapters that take you through themain procedur...
Page 10 - Icons
8 ■ Icons The following simple icons are used throughout the Getting Started manual to draw attention to important points and information where necessary. Theicons also make it easier to differentiate between information that you shouldread immediately and information that can be skipped until later...
Page 11 - The Feature Reference Manual; Once you have become familiar with the way the SY85 works by going
9 ■ The Feature Reference Manual The Feature Reference manual is the “nuts and bolts” reference for the SY85, individually describing its many functions in detail. The Feature Refer-ence manual is divided into 7 main sections, each describing the various func-tions within a particular SY85 edit or u...
Page 14 - OUTPUT 1 and OUTPUT 2 Controls; OUTPUT 2 jacks as well as the PHONES jack.; SEQUENCER Keys; essential information for easy operation and programming.
12 5 OUTPUT 1 and OUTPUT 2 Controls Adjust the volume of the sound delivered via the rear-panel OUTPUT1 and OUTPUT 2 jacks as well as the PHONES jack. 6 SEQUENCER Keys Control the recording and playback functions of the internal sequencer. Getting Started: page 51. 7 Liquid Crystal Display Panel Thi...
Page 15 - Data Entry Dial; Select the memory area — internal 1, internal 2, or card — from which
13 # [EXIT/NO] and [ENTER/YES] Keys The [EXIT/NO] key can generally be used to exit from any sub-mode or function, while the [ENTER/YES] key is used to engage a variety of sub-modesand functions. These keys are also used to respond to the “Are you sure?”confirmation prompt when saving or initializin...
Page 16 - The PROGRAM keys are used in conjunction with the MEMORY and; Floppy Disk Drive; The DATA slot accepts Yamaha MCD64 Memory Cards for storage and
14 ( PROGRAM [1] Through [8] Keys The PROGRAM keys are used in conjunction with the MEMORY and GROUP keys to select voices and performance combinations. They are alsoused to enter characters for voice, performance, song, and pattern names, andto enter ties, rests, and accents when recording with the...
Page 18 - used for volume control.; CLICK VOLUME Control; memory to a maximum of 3 Megabytes.
16 y FOOT CONTROLLER Jack An optional Yamaha FC7 or FC9 foot controller connected here can be used for amplitude modulation, pitch modulation, frequency modulation,envelope generator bias, and filter cutoff frequency control. Getting Started: page 17. u FOOT VOLUME Jack An optional Yamaha FC7 or FC9...
Page 20 - Load & Play the Sequencer Demo; Insert the DEMO Disk; DISK
18 1. Setting Up Your System ■ Power-on Procedure Believe it or not, there’s actually a “right” way to turn on a sound system that will minimize the possibility of damage to the equipment (and your ears!). 1. Make sure your sound system’s volume control and the SY85 volume controls are turned all th...
Page 21 - k] key a few times until the “DISK ALL”; Load the Demo Data; When the data has finished loading, press the [SONG] key to engage the; Play the Demo; Press the SEQUENCER [RUN] key to play the demo sequence. You can; Eject the Disk; then store the disk in a safe place.
1. Setting Up Your System 19 DISK ` All ``````` <--NEW--*> ``````````````` ``````` ** ` BUSY ` ** ` Now ` executing ` ! ``````` SONG ` PLAY `````` Meas ` Tempo ` Time ````` (TR1) ` 01:Demo ```````` 001 `` 120 `` 4/ ` 4 ````` [Tch] If necessary, press the PAGE [ k] key a few times until the “DI...
Page 22 - Insert the DATA Disk; in first, and the label side of the disk should face upward.; Select the Utility DISK ALL LOAD Function; Load the Data; drive slot, to eject the DATA disk, then store the disk in a safe place.
20 1. Setting Up Your System ■ Load the Pre-programmed Voice, Performance, & PatternData Although the factory pre-programmed voices, performance combinations, and patterns are stored in the SY85 internal memory when the instrument isinitially shipped, there is always a possibility that all or pa...
Page 26 - Internal Voice List; INTERNAL VOICE 2; INTERNAL VOICE 1
24 2. Selecting And Playing Voices ■ Internal Voice List A1 SP Sweep A2 SP Space A3 SP Nasty A4 SP Smoky A5 SP Goner A6 SP Vizon A7 SP Slow A8 SP Sqare B1 KY EP3 B2 KY EP4 B3 KY EP5 B4 KY EP6 B5 KY EP7 B6 KY EP8 B7 KY EP9 B8 KY EP10 C1 BA Syn1 C2 BA Syn2 C3 BA Syn3 C4 BA Syn4 C5 BA Syn5 C6 BA Syn6 C...
Page 27 - INTERNAL VOICE 4; INTERNAL VOICE 3
2. Selecting And Playing Voices 25 A1 CH Aah A2 CH Ooh A3 CH Ghost A4 CH Vespa A5 CH Vocod A6 CH Pure A7 CH Quire A8 CH Breth B1 OR JazB B2 OR Perc B3 OR Smoke B4 OR Dist B5 OR Cheap B6 OR Click B7 OR Pipes B8 OR Airy C1 SL Squar C2 SL Sync C3 SL Cutty C4 SL Hamma C5 SL Pulse C6 SL Dist C7 SL Lyle C...
Page 28 - CARD Voice Memory; The CARD memory is an optional Yamaha MCD64 Memory Card (or pre-
26 2. Selecting And Playing Voices Note that the voices are arranged in categories for easier access. The cat- egory of each voice is identified by a two-character prefix, as follows: AP ............... Acoustic PianoOR ............... OrganKY ............... KeyboardBR ............... BrassST ........
Page 29 - PITCH BEND WHEEL; Rolling the MODULATION wheel upward (away from you) will increase
2. Selecting And Playing Voices 27 A properly formatted Yamaha MCD64 memory card (or anappropriate pre-programmed voice card) must be inserted inthe CARD slot before the CARD memory can be selected. If nomemory card is present, the “Data Card not ready!” display willappear when you attempt to select...
Page 31 - FOOT CONTROLLER
2. Selecting And Playing Voices 29 ● FOOT CONTROLLER An optional Yamaha FC7 or FC9 Foot Controller plugged into the rear- panel FOOT CONTROLLER jack can be assigned to amplitude modulation,pitch modulation, frequency modulation, envelope generator bias depth, andfilter cutoff frequency depth control...
Page 32 - The Performance Mode; The SY85 PERFORMANCE mode makes it possible to combine up to four; Play the Internal Performance Combinations; Select the Performance Mode; “PERFORMANCE PLAY” appear on the top line of the LCD panel.; Select an Internal Performance Memory; In the PERFORMANCE mode each INTERNAL memory key accesses a; Select a Performance Combination; PERFORMANCE
30 3. The Performance Mode 3. The Performance Mode The SY85 PERFORMANCE mode makes it possible to combine up to four voices in “performance combinations” that significantly enhance the instru-ment’s performance capabilities. 128 performance combinations can be stored ininternal memory and recalled i...
Page 33 - Play; Internal Performance List; INTERNAL PERFORMANCE 1; INTERNAL PERFORMANCE 2
3. The Performance Mode 31 4. Play Try playing the selected performance combination on the keyboard. In some cases you’ll hear several voices “layered” on top of one another, in othersyou’ll get a split keyboard effect with one voice on the left-hand side of thekeyboard and another on the right. Sel...
Page 34 - CARD Performance Memory; Any Yamaha MCD64 Memory Card used for voice storage can be used for
32 3. The Performance Mode ■ CARD Performance Memory Any Yamaha MCD64 Memory Card used for voice storage can be used for performance storage as well. An MCD64 Memory Card holds two banks of 64performance combinations each — a total of 128 performance combinations inaddition to 256 voices per card. C...
Page 37 - Select the Performance Edit “LAYER” Mode; formance edit LAYER mode.; Select the Voices for Each Layer; If the “LAYER Voice Number” display doesn’t appear as soon as you; the display. After initialization, voice “I; A1” is assigned to all four layers.
3. The Performance Mode 35 Respond to “Are you sure?” on the display by pressing the [ENTER/YES] key again. “Completed” will appear for a few seconds when the initializationjob has finished. 3. Select the Performance Edit “LAYER” Mode Press the SUB MODE [EDIT] key. This selects the performance edit ...
Page 38 - ] keys can usually be used to select the; Set the Volume of Each Layer; l] key to move to the “LAYER Volume” screen.; Set the Pan Position of Each Layer; l] key to move to the “LAYER Pan” screen.
36 3. The Performance Mode The PAGE [ k ] and [ l ] keys can usually be used to select the various parameter and function screens in any edit mode. Thereis another way, however, that can be more direct is some cases.To call the “LAYER Voice Number screen”, for example, pressthe [MENU] key, use eithe...
Page 39 - LAYER; l] key to move to the “LAYER Tune” screen.; Set the Note Limits for Each Layer; l] key to move to the “LAYER Note Limit” screen.; The COMPARE Function
3. The Performance Mode 37 DETAIL LAYER ` Tune ` )NtShft( ``````` <-------->ABC- ` +12 ``` +0 ``` +0 ``` +0 ``` +0 ``` +0 `` --- ``` -- ` LAYER ` NoteLimit ` )Lo( `````` <-------->ABC- `` C ≥ ` ø ` B2 ``` C3 ` ø ` G8 ``` C3 ` ø ` G8 `` --- ` ø--- ` 7. Tune Each Layer Press the PAGE [ l] ...
Page 40 - Go Back And Customize the Parameters; Now you know what the parameters we’ve just edited do, go back and; Store Your Performance Combination; SY85 will return to the PERFORMANCE PLAY mode.
38 3. The Performance Mode 10. Go Back And Customize the Parameters Now you know what the parameters we’ve just edited do, go back and modify them to create a performance combination that suits your musical needs(use the PAGE [ k] and [l] keys to locate the various edit screens). 11. Store Your Perf...
Page 41 - Further Possibilities ...
3. The Performance Mode 39 You can use the PERFORMANCE NAME function described onpage 25 of the Feature Reference manual to give your perform-ance combination an original name before storing it. ■ Further Possibilities … When you’re ready to explore the many other possibilities the SY85 pro- vides f...
Page 42 - Select a Voice; In the VOICE PLAY mode, select the voice you want to edit using the; Select and Set the WAVE Parameters
40 4. Voice Editing & Effects 4. Voice Editing & Effects For the programmer who wants to get serious about voice programming, the SY85 offers an extensive range of parameters that allow extremely fine control.All parameters are discussed in detail in the Feature Reference manual VOICEEDIT se...
Page 43 - Quick Edit Wave Groups; Percussion instruments.; Select and Set the Amplitude Envelope Generator Parameters
4. Voice Editing & Effects 41 Quick Edit Wave Groups 1: Piano Acoustic pianos. 2: Key Other keyboards. 3: Brass Brass instruments. 4: Wind Wind instruments. 5: Strings Strings. 6: A.Guitar Acoustic guitars. 7: E.Guitar Electric guitars. 8: Bass Acoustic & electric bass. 9: Folk Folk & et...
Page 44 - Quick Edit Envelope Types; Synthesizer bass 1.; [CS5] sets the attack rate for the selected envelope. “63” produces the; Select and Set the FILTER Parameters
42 4. Voice Editing & Effects Quick Edit Envelope Types 0: -------- Full-edit envelope. 1: Piano Acoustic piano. 2: Brass Brass. 3: SfzBrass Sforzando brass. 4: SynBrass Synthesizer brass. 5: StFast Fast-attack strings. 6: StSlw/Pd Slow-attack strings (pad). 7: E.Bass Electric bass. 8: SynBass1 ...
Page 45 - Quick Edit Filter Types
4. Voice Editing & Effects 43 Although the SY85 includes a sophisticated digital filter system that can be precisely controlled via the full-edit parameters, the simplified filter parametersprovided here have been specifically created for fast, efficient filter program-ming. [CS3] selects either...
Page 46 - [CS1] selects any of the SY85’s 90 effect types for the EFFECT 1 proces-
44 4. Voice Editing & Effects [CS8] determines how the filter cutoff frequency changes in response to velocity changes (e.g. keyboard dynamics). The range is from -63 to +63. Plus“+” settings produce higher cutoff frequencies in response to higher velocityvalues — i.e. the harder a key is played...
Page 47 - Try playing your new voice on the keyboard (of course, you can play at; Store Your New Voice; to an internal voice memory location as follows:
4. Voice Editing & Effects 45 VOICE ` STORE `````````` To ````````````````` ````````````````````` ¡A1:SP ` Makro ``````` VOICE ` STORE `````````` To ````````````````` ````````````````````` ™D7:ST ` Combo ``````` QED ` EF ` PARAM) ` < ` 1:Cho ` > `` )Mod.Freq ` [Hz]( ` 100 ` Freq `` 1.2 ```...
Page 48 - SY85 will return to the VOICE PLAY mode.
46 4. Voice Editing & Effects Press [ENTER/YES]. Press [ENTER/YES] again. “Completed !” will appear briefly when the data has been stored, then the SY85 will return to the VOICE PLAY mode. If you return to the VOICE PLAY mode before storing the editedvoice, either by pressing the [EXIT/NO] key o...
Page 49 - Engage the Song Mode and Select a Song Number; The SY85 can hold up to 10 different “songs” in memory at the same time.; Set the Transmit Channel For Each Track.; This step is only necessary if you want to change the default track
5. The Sequencer 47 Track ` Transmit ` Channel `````````````````` ``` 1 ```` 2 ```` 3 ```` 4 ```` 5 ```` 6 ```` 7 ```` 8 ` SONG ` PLAY `````` Meas `` Tempo ` Time ```` (TR1) ` 02:InitSong ```` 001 ``` 120 `` 4/ ` 4 ```` [Tch] 5. The Sequencer The SY85 sequencer has 8 “normal” tracks and a special rh...
Page 50 - Here you can specify which MIDI channel (1 ... 16) each of the; Program the MULTI Setup For the Selected Song; Each SY85 “song” has an independent “multi setup” that can have up to 16; MULTI
48 5. The Sequencer Here you can specify which MIDI channel (1 … 16) each of the sequencer’s 8 main tracks will transmit on. Functions keys [F1] through [F8]correspond to tracks 1 through 8. Press a function key to move the underlinecursor to the MIDI channel parameter for that track, then use the c...
Page 52 - Use [CS5] to set the tempo you want to record at (shown in beats per; Set the Time Signature.; Use [CS6] to set the time signature of the song to be recorded. The time; Set the Start Measure.
50 5. The Sequencer SONG ` RECORD ```` Meas ` Tempo ` Time ` -------- ` PUNC `` 001ø ` 001 `` 001 `` 120 `` 4/ ` 4 `````````` ● STEP The STEP record mode will be described in “STEP RECORDING”beginning on page 52. ● PUNC (Real-time Punch-in) Punch-in recording makes it possible to re-record (replace)...
Page 55 - Set the Gate Time and Velocity; The velocity of the notes to be entered is set via the “NORM” (PROGRAM; Select the Desired Note Length
5. The Sequencer 53 3. Set the Gate Time and Velocity Use the [F3] function key to select the gate time of the first note to be entered: “STAC” for short, staccato notes; “NORM” for normal-length notes; or“SLUR” for long notes that run into each other. The velocity of the notes to be entered is set ...
Page 56 - Enter the Required Notes and Rests; want to enter a rest of the currently specified length.; Continue Until the Track Is Complete; h] and [j] keys can be used to move backward and forward a measure at a; Erasing Notes; Use [CS4] to select “PFM” if you want to switch to a performance combi-; Program
54 5. The Sequencer 5. Enter the Required Notes and Rests When you’ve selected the required note length, play the note to be entered on the keyboard. The entered note will appear as a diamond (u) on the steprecord input display line. The cursor will move to the beginning of the nextnote. Press the R...
Page 57 - Creating A Rhythm Track; LISTEN TO THE INTERNAL PATTERNS; PATTERN
5. The Sequencer 55 7. Press [STOP] When the track is finished, press [STOP] to return to the SONG play mode. Now you can press [RUN] and hear how the sequence sounds. ■ Creating A Rhythm Track SY85 rhythm tracks are most easily and efficiently created by creating a sequence of rhythm “patterns”. Th...
Page 58 - Optional; Clear the Current Pattern.; locate the “PTN JOB Clear Pattern” screen.; Set the Pattern Record Parameters; Press the sequencer [RECORD] key to engage the record standby mode.; Select a Record Mode.
56 5. The Sequencer PTN ` JOB ` Clear ` Pattern ````` ptn ``````````` [PTN] ` ALL `` KEY ` <Funk ``` V> ` I00w `````````` PTN ` JOB ` Clear ` Pattern ````` Are ` you ` sure ` ? [PTN] ` ALL `` KEY ` <Funk ``` V> ` I00w `````````` PATTERN ` RECORD ` Meas ` Tempo ` Time ` Qntz ` Vel ` ` REA...
Page 59 - STEP
5. The Sequencer 57 ● STEP The STEP record mode will be described in “Recording an OrignalPattern — Step Record” beginning on page 58. 2-3 Select the Pattern Number to Be Recorded. If necessary, use [CS3] to select the pattern number to be recorded. 2-4 Set the Number of Measures. Use [CS4] to set t...
Page 60 - You can now listen to the part you’ve just recorded by pressing the; RECORDING AN ORIGINAL PATTERN — STEP RECORD
58 5. The Sequencer 4. Record The voice assigned to sequencer rhythm track (page ??) is automatically selected when the PATTERN mode is engaged. While the metronome (or theexisting pattern data) is playing, anything you play on the keyboard will berecorded. Of course, you don’t have to record everyt...
Page 61 - Set the Velocity
5. The Sequencer 59 2. Press [RUN] Press the [RUN] key to call the step record display. 3. Set the Velocity The velocity of the notes to be entered is set via the “NORM” (PROGRAM [4]), “ACC1” through ACC3" (PROGRAM [5] through [7]), and “FIX” (PRO-GRAM [8]) keys. The actual velocity values of th...
Page 62 - Instrument Display Selection; Erasing Notes; BUILDING A RHYTHM TRACK; A rhythm track is built up as a sequence or “parts,” each part; ptn
60 5. The Sequencer SONG ` EDIT ``````````````````````````````` Part: ` 001 `` ptn `` *** ` [INS][DEL][CPY][SCH] Instrument Display Selection Only one instrument is shown on the step write display line at a time. The name of the instrument (and the key via which it is played) is displayed fol-lowing...
Page 63 - edit functions described below:
5. The Sequencer 61 ● ||: (Begin repeat) This symbol indicates the beginning of a range of rhythm parts to berepeated. The begin repeat event has no other parameter. ● :|| (End repeat) A “||:” must always be followed at some point by a “:||” symbol signify-ing the end of the range of parts to be rep...
Page 66 - MCD64 RAM Cards; (this is not a problem for most performance applications).; Floppy Disks; in lost or damaged data.
64 6. Data Management 6. Data Management In this section we’ll offer a few hints on how to efficiently organize and manage your SY85 data for performance applications. Refer to the THE UTILITY MODE section beginning on page 209 of the Feature Reference manual for complete information on card and dis...
Page 69 - INDEX
INDEX 67 INDEX A Aftertouch ................................................................ 29Amplitude envelope generator .............................. 41 C Card performance memory .................................... 32Card voice memory ................................................ 26Cleaning...