Yamaha RS7000 - Manual

Yamaha RS7000

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Table of Contents:

  • Page 2 – SPECIAL MESSAGE SECTION; PRODUCT SAFETY MARKINGS:; CAUTION
  • Page 3 – PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING; * Please keep this manual in a safe place for future reference.; WARNING
  • Page 4 – Saving and backing up your data; Connections
  • Page 5 – Handling and Installation of Options
  • Page 6 – ble location for future reference.; Supplied Accessories
  • Page 8 – Memory Card Storage, SCSI, and Memory Expansion; The Tutorial Section; Using the Owner’s Manual
  • Page 9 – tion throughout the manual.; Finding Specific Information
  • Page 10 – Chapter 2. The Pattern Mode; CONTENTS; Tutorial
  • Page 11 – Chapter 5. The Sampling Mode
  • Page 12 – Control Knob 1 ~ Control Knob 4; Selects the master effect type.; SAMPLING; SAMPLING
  • Page 13 – MIDI IN/OUT Indicator; SEQUENCE PLAY FX Controls
  • Page 14 – LFO Knobs; Selects the LFO waveform.
  • Page 15 – PITCH Knobs
  • Page 16 – Sequencer Buttons; Stops pattern or song playback or recording.; LED Display
  • Page 17 – MODE Buttons; Selects the PATTERN CHAIN mode.; SUB MODE Buttons; Selects the GROOVE quantize sub mode.; ENTER
  • Page 18 – Keyboard
  • Page 19 – The Rear Panel
  • Page 20 – Rear Panel with Optional AIEB2 I/O; OPTICAL IN, OUT Connectors; Options
  • Page 21 – AIEB2 I/O Expansion Board; Notes on Musical Copyright
  • Page 22 – Headphones; Preparation and Setup
  • Page 23 – Connecting to a Mixer; Connecting a Footswitch; Connecting a tone generator module
  • Page 24 – RS7000 Synchronized to External MTC; * In this case MTC must be sent to the RS7000 from an external; RS7000 Controlling External Device via MMC; Turning Power On and Off; Turn the RS7000 power on after the peripheral devices.
  • Page 25 – The original RS7000 factory settings can be restored as follows.; Restoring the Initial Factory Settings
  • Page 27 – Assemble a Pattern Using
  • Page 29 – SmartMedia is a trademark of Toshiba Corporation.; In Depth Jobs and Editing
  • Page 30 – • Patterns; internal tone generator, or samples in the RS7000’s sample memory.; Procedure; Engage the PATTERN Play mode; Assemble a Pattern Using Preset Phrases
  • Page 31 – UTORIAL; Hint; when you do want to create pattern in a different meter, here’s how:
  • Page 32 – Set the Approximate BPM; Our tutorial pattern is designed to be played at a BPM of about 120.; Select a Track; PATTERN Play display is highlighted.
  • Page 33 – currently selected BMP indicating that playback is in progress.
  • Page 34 – Select a Phrase for the First Track; is in the PLAY mode, you’ll hear the phrase as soon as you select it.; Select the Next Track; The Phrase Selections for STYLE 01, SECTION A; Create a New Section; The Phrase Selections for STYLE 01, SECTION B
  • Page 35 – MUTE
  • Page 36 – Play the Pattern & Switch Sections in Real Time; disks offer greater storage capacity.
  • Page 37 – The Save Procedure; Press [EXIT] twice to return to the PATTERN Play or Patch display.
  • Page 38 – Adjust the BPM
  • Page 39 – Real-time Recording Procedure; Select a New Track; Recording Original Phrases
  • Page 40 – Select a Record Mode; keys on the keyboard as a 16; Select a REC LOOP Mode; will be only one recording pass. Turn REC LOOP ON.; The REC QUANTIZE Function; Record; and play your original part on the RS7000 keyboard.; Changing the Count-in Length; Stop Recording
  • Page 41 – Job Selection (Quantize) and Execution Procedure; TERN Play or Patch mode to go to the job list.
  • Page 42 – make sure “NOTE” is selected.; notes. Each diamond-shaped marker corresponds to a 32; lar pointer above the 32; Step Recording
  • Page 43 – For Line-level Sources; The Source; What to Record
  • Page 44 – Basic Sampling Procedure; Select a Track for the Sample; TYPE
  • Page 45 – Editing Your Sample
  • Page 46 – Select the Grid Groove Mode; beats. The 16 gray or white keys on; Play the Pattern & Adjust the Groove Parameters as Required; NOTE OFFSET; Finalizing Your Sound; Grid Groove
  • Page 47 – VELO OFFSET; ciple applies to all the SUB MODE functions.; The Mixer
  • Page 48 – Adjust the Parameters as Required; Now that you know the basic procedure (select mixer page; Turn the MASTER EFFECT Stage ON; MASTER EFFECT stage ON.; Master Effects
  • Page 49 – RS7000 master effects can do for your sound.
  • Page 52 – PATTERN CHAIN mode; Mode Structure
  • Page 53 – Basic
  • Page 55 – Function Tree
  • Page 56 – SONG Mode
  • Page 58 – The 6 Functional Blocks
  • Page 59 – Sequencer; Internal Pattern Structure; Pattern Chains; Pattern Chain Track Structure
  • Page 60 – Songs; • The meter (time signature) can be changed for each; Song Track Structure; Data Recorded with Styles and Songs; Tone Generator; Voices & Sample Voices
  • Page 62 – Maximum Polyphony; Controllers; The Keyboard
  • Page 63 – the current pattern or song.; Arpeggiator
  • Page 64 – applied to individual tracks.
  • Page 65 – Setup and SCSI Communication pages.; When One Button Accesses Several Pages
  • Page 67 – Job Selection
  • Page 68 – ] buttons include an auto key; Auto Load; • Undo/Redo cannot be used during sequencer; • If a SCSI drive is connected, first a memory
  • Page 69 – Changing the Sound of Voices
  • Page 70 – Sub Modes of the Pattern Mode; About the Pattern Mode
  • Page 71 – Provides access to the master EQ and master effect settings.
  • Page 72 – Style Name; The black-key indicators indicate section status as follows:; METER; ] buttons can also be
  • Page 73 – Numeric Keypad; Transpose
  • Page 74 – Track Status; • Mute
  • Page 75 – Display Parameters; NOTE SHIFT; length of the pattern.; PHRASE METER, PHRASE LENGTH; Displays the currently selected section.; LENGTH; ] buttons can be used
  • Page 76 – Pattern Assembly Procedure; Select a track to which you want to assign a phrase (Page 67).
  • Page 77 – The Phrase Recording Display; Phrase Recording has the following display pages.
  • Page 78 – Prepare to record to the currently selected user phrase.; Record Standby Procedure; Select the pattern for which a phrase is to be recorded.; REC TYPE = REPLACE or OVERDUB; SWING; Record Standby
  • Page 79 – • When the OVERDUB record type is selected,
  • Page 80 – Record Procedure; Recording Notes; • If REC LOOP is ON, the phrase being
  • Page 81 – Recording Pitch Bend or Control Change Data; When “NOTE” has been selected via the EVENT knob; Beat Graph; beat (each 1/4 note division is divided into 8; For example, if the following rhythmic pattern; POINTER
  • Page 83 – When the EVENT TYPE is CC; note divisions, and the; Grid Step Recording
  • Page 84 – GATE TIME; Sets the gate time as a percentage of the grid’s 16; VELOCITY
  • Page 85 – Groove Features; Add groove to the preset phrases.; Grid Groove Procedure; note segments which are selected; Adding Groove to a Pattern; /4 note beat is selected
  • Page 86 – Set up the GROOVE parameters as required.; • Please note that during this process any keys
  • Page 87 – Play Effect Features; Add play affects to the preset phrases.; Play Effect Procedure; • When you need to make large value changes
  • Page 88 – UNISON
  • Page 89 – Recording the Play Effect Settings to a; Set up the PLAY FX parameters as required.; • Please note that during process any keys
  • Page 90 – MIDI Delay Features; MIDI delay uses polyphony.; MIDI Delay Setup Procedure
  • Page 91 – DELAY LEVEL; Sets the velocity of the delay sound in percent.; REPEAT TIMES; Specifies the number of delay repeats.
  • Page 92 – Recording the MIDI Delay Settings to a; Set up the MIDI DELAY parameters as required.
  • Page 93 – Mixer Features; The mixer settings are memorized with the style.; Mixer Setup Procedure; BANK
  • Page 94 – Program Number; VOLUME; Sets the volume level of the selected track.; PAN; Sets the stereo pan position of the selected track.; RANDOM PAN; responding individual outputs on the
  • Page 95 – Specifies the type of equalization to be applied to each track.; FREQUENCY
  • Page 97 – Voice Edit Features; Versatile relative editing of voice parameters.; Voice Edit Procedure
  • Page 98 – Specifies the LFO phase reset mode.
  • Page 99 – User Wave Page; SLOPE
  • Page 100 – Adjusts the pitch in semitone increments.
  • Page 101 – Sets the amount of pitch bend.; AEG Page; FEG DECAY (Filter Envelope Generator Decay)
  • Page 102 – PEG Page; PEG ATK (Pitch Envelope Generator Attack); Sets the final pitch reached after the note is released.
  • Page 103 – RESONANCE; Relative; FILTER TYPE; Absolute; Sets the filter type.; Relative
  • Page 104 – Effect Features; The effect sound is output via the OUTPUT jacks.; VARIATION TYPE; Selects the variation effect type.; DELAY TYPE; Selects the delay effect type.; REVERB TYPE; Selects the reverb effect type.
  • Page 105 – SEND DELAY TO REVERB; RETURN LEVEL
  • Page 107 – Setup Features; Setup settings are memorized with each style.; Arpeggio Features; Arpeggio settings apply to all tracks.; Setup Procedure
  • Page 108 – Selects the arpeggio type.; SORT; Specifies the maximum arpeggio range in octaves.
  • Page 109 – Adjusts the stereo pan position of the A/D input signal.; KNOB SELECT
  • Page 110 – Specifies the MIDI transmit channel.
  • Page 111 – Master Setup Procedure; LOW GAIN; Master EQ and Effects; • The Master EQ and Master Effects do not
  • Page 112 – Sets the frequency of the low EQ band.
  • Page 113 – Selects the master effect type from the 8 types provided.
  • Page 114 – Handling the Memory Card; TM; Saving to Memory Card or Disk
  • Page 115 – About the Memory Cards; Installing the security bracket
  • Page 116 – About Disks; SONG; Files Types Handled In the Save Page
  • Page 117 – • Some imported samples may play at an unex-
  • Page 118 – Save Page Structure
  • Page 119 – FILE TYPE; SCSI disk connected to the SCSI; OK; Switches to the save execution page.; Save Execution Page; FILE NAME
  • Page 120 – Folder Select; Moves to the next highest folder in the folder hierarchy.; OPEN; Export Procedure; • When the file save destination is SCSI only
  • Page 121 – FILE TYPE = WAV, sample kit voice selected; Switches to the export execution page.; Export Execution Page
  • Page 122 – Changes the name of a file or folder.; Rename Procedure; FILE; The file or folder to be renamed.
  • Page 123 – Delete Procedure
  • Page 124 – Formats memory cards and disks.; Format Procedure; • The format operation erases all data from the
  • Page 125 – FORMAT TYPE; selected SCSI disk. Use this; PARTITION; • Disks formatted to DOS format by a personal
  • Page 126 – Load Page Structure; The LOAD sub-mode includes the following display pages.; age; age; Provides access to a number of SCSI settings.; age; Loads data to internal memory from a memory card or disk.; Load Procedure; Loading from Memory Card or Disk
  • Page 127 – Switches to the load execution page.
  • Page 128 – File Select; When the selected FILE TYPE is PATT; • Select the destination style via the PLAY dis-
  • Page 129 – Import Procedure; loaded into the specified internal
  • Page 130 – Switches to the import execution page.; Import Execution Page; When a sample kit is assigned to the selected track.
  • Page 131 – IMPORT; SCSI Setup Procedure; MOUNT ID
  • Page 132 – About the YAMAHA TWE Wave Editor; Launch TWE on the personal computer.
  • Page 133 – Job List; Pattern & Phrase Editing — The Pattern Jobs
  • Page 134 – PATTERN Job Procedure; data from the 1; beat of the 1; measure up to the 4
  • Page 135 – Phrase; Quarter-note triplet; Strength; If quantize value is; beats of the measure will be delayed.
  • Page 136 – The Swing Rate range depends on the selected quantize value.; If the quantize value is; A setting of 100% is equivalent to twice the length of a or; Swing Gate Time; 2 Modify Velocity
  • Page 137 – ” and cannot be changed.; 3 Modify Gate Time
  • Page 138 – Transposes notes in the specified range in semitone increments.; Note
  • Page 139 – End; 7 Create Roll; • The sort affects the order of the notes in the
  • Page 140 – Determines how the chord note data is sorted.; Quarter note; Guitar downstrokes are played from the 6; upstrokes are played from the 1; to the 6; 9 Chord Separate; • Note that there are 480 clock cycles per quar-; 0 Shift Clock
  • Page 141 – Specifies the location to which the data will be copied.; 2 Erase Event
  • Page 142 – Selects the phrase from which events are to be extracted.; Event Type; Selects the destination phrase.; 3 Extract Event; 4 Create Continuous Data
  • Page 143 – Selects the event type to be thinned.; Value = original data; Selects the event type to be modified.; 6 Modify Control Data
  • Page 144 – Phrase Category; 7 Beat Stretch; 8 Copy Phrase
  • Page 145 – Specifies the destination phrase.; • When there is no memory available in the; 9 Exchange Phrase
  • Page 146 – Phrase a; Specify phrase “a”, which will be appended to Phrase “b”.; Phrase b; Specify phrase “b”, to which Phrase “a” will be appended.; Source Phrase; 1 Append Phrase; 2 Split Phrase
  • Page 147 – Specifies the measure at which the phrase will be split.; Specifies the source phrase.; • When there is no memory available in the des-
  • Page 148 – Specify the destination song and track.; 5 Clear Phrase; • When the “2. Delete Sample” box is checked; 6 Phrase Name; • Phrases cannot be selected from this display.
  • Page 149 – SEQ EVENT; SAMPLE; Specify the two tracks between which data will be exchanged.; Data Type; SEQ EVENT; 8 Exchange Track
  • Page 150 – Source Section and Track; Source Track; 9 Clear Track; 0 Normalize Play Effect; 1 Divide Drum Track
  • Page 151 – Specifies the drum track to be divided.; Source Style and Section; PRESET PHRASE; 2 Copy Pattern; 3 Append Pattern; • If this job is applied to patterns which use
  • Page 152 – KEEP ORIGINAL PHRASE; 4 Split Pattern
  • Page 153 – Style and Section; Select the style and section from which data is to be cleared.; Keep Common Samples; 5 Clear Pattern
  • Page 154 – mance data recorded in a track.
  • Page 155 – Parameters; Deletes the currently selected event.; Beat; Specifies the location at which the new event will be inserted.; Insert Page
  • Page 156 – Inserts the specified event.; View Filter Procedure; This icon will appear if any event is not checked; Moves the cursor to select a parameter.; View Filter Page
  • Page 157 – Chapter 3. The Pattern Chain Mode; Sequential Pattern Playback
  • Page 158 – The PATTERN CHAIN Mode SUB MODES; The PATTERN CHAIN mode has the following 7 sub modes.; About the Pattern Chain Mode
  • Page 159 – Pattern Chain Playback Procedure; CHAIN; Chain Name; Pattern Chain Number 01 ~ 20; Specifies the number of the pattern chain to be played.; STYLE; • The parameters in the PATTERN CHAIN Play
  • Page 160 – Style Number; ” on the display corresponds to one octave down,; more information on styles and sections.; ] buttons can also be used
  • Page 161 – Pattern Chain Recording Page; Pattern Chain Recording includes the following display pages.; Selects the track to be recorded.; • Pattern chain real time recording is always
  • Page 162 – Real Time Recording Procedure; and section for the first measure.; Real Time Recording; • If the BPM track is selected use [Knob 4] or
  • Page 163 – Step Recording Procedure; Specifies the BPM value to be entered.
  • Page 164 – Master EQ and Effects
  • Page 165 – The P
  • Page 166 – Saving to Memory Card or Disk
  • Page 168 – Deletes files or folders.
  • Page 169 – Loading from Memory Card or Disk
  • Page 170 – Load Execution Page
  • Page 171 – Pattern Chain Job Procedure; Numeric Keypad to set the parameter values as required.; Precautions; • If there is no data in the specified range “No Data” will appear; The Pattern Chain Jobs
  • Page 172 – Source Range; Specify the source range from which the data will be copied.; Destination Location; Times; Specifies the number of times the data is copied.; Range; Sets the range of measures over which the job will be applied.; 2 Erase Event
  • Page 173 – Creates empty measures at the specified location.; Insert Point; Specifies the meter of the measures to be created.; Number of Measures; Deletes the specified measures.; Delete Range; Specifies the range of measures to be deleted.; 3 Create Measure; 4 Delete Measure; 5 Convert to Song
  • Page 174 – Specifies the range of data to be converted and copied.; 7 Clear Chain
  • Page 175 – Pattern Chain Edit Procedure; When the BPM or SCENE/MUTE track is selected; When a pattern track is selected; Use [Knob 1] to move the cursor to the measure to be edited.; Pattern Chain Editing; • The Solo function cannot be used during pattern chain editing.
  • Page 176 – Selects the track to be edited.; Be sure to enter “END” at the end of the chain.; Edit Change Page
  • Page 177 – Clears the style or section at the cursor position.; • For more information on styles and sections
  • Page 179 – Chapter 4. The Song Mode; Changing the Sound of Voices
  • Page 180 – Sub Modes of the Song Mode; The SONG MODE is made up of the following 14 sub-modes.; About the Song Mode
  • Page 181 – The Song Mode
  • Page 182 – Song Playback Procedure; Select the playback SONG number.; Song Name; Measure; Show the current measure number and beat during playback.; • The parameters in the SONG Play page can; The
  • Page 184 – The Song Recording Display; Song Recording has the following display pages.
  • Page 185 – Selects the record track.; • The STEP and GRID record types cannot be
  • Page 186 – Can be set when the REC TYPE is set to PUNCH.; EVENT TYPE
  • Page 187 – • The OVERDUB and GRID record types can-; • Voices can be selected in the MIXER sub
  • Page 188 – beat (each 1/4 note division is divided into 8 32; Numeric Keypad to directly enter a
  • Page 189 – is entered with 1/4 note step time. If the step time is then; DELETE; beat onward can be
  • Page 190 – ] buttons to move to the previous or
  • Page 191 – CLOCK SHIFT; Adding Groove to a Pattern
  • Page 193 – DELAY TIME
  • Page 202 – Master EQ and Effects
  • Page 204 – The SAVE sub-mode includes the following display pages.; Save; Saves data from the internal memory to memory card or disk.; Export; Changes the file name of a file stored on memory card or disk.; Delete; Deletes a specified file from memory card or disk.; Format; Formats a memory card or disk.; Saving to Memory Card or Disk
  • Page 208 – Load; Import; SCSI Communication; Loading from Memory Card or Disk
  • Page 210 – loaded into the specified internal sam-; • When the SMPL file type is selected the song
  • Page 213 – Job Procedure; measure up to
  • Page 214 – Adjusted gate time = (original gate time
  • Page 218 – Selects the track from which events are to be extracted.
  • Page 219 – Control data changes are calculated as follows:
  • Page 220 – 8 Create Measure; • When empty measures are inserted, measure; 9 Delete Measure
  • Page 221 – • Measure and meter data following the deleted; 1 Exchange Track
  • Page 222 – 3 Clear Track; • When the “Sample” box is checked and the; 4 Normalize Play Effect
  • Page 223 – Source Song; Selects the source song.; Destination Song; Select the destination song.; 5 Divide Drum Track
  • Page 224 – Specifies the measure at which the song will be split.; Style; SAMPLE” box is being copied.; • When there is no memory available in the
  • Page 225 – Song Edit Procedure; Select the song you want to edit in the SONG Play mode.
  • Page 228 – The SAMPLING mode is used to record and edit samples.; The Sampling Sub Modes; The SAMPLING mode has the following 3 sub modes.; About the Sampling Mode; • The Real Time Loop Remix function divides
  • Page 229 – Sampling Features
  • Page 230 – Also functions as a regular sampler.; Sampling Procedure; If TRIGGER MODE = MANUAL; • When the KIT+NOTE sampling type is
  • Page 231 – The Sampling Mode; Sampling Setup Page; • At settings other than 44.1 kHz, the sound
  • Page 232 – input signal exceeding the specified; Specifies the method by which sampling will be triggered.; • The DIGITAL and OPTICAL settings can only; Sampling Standby Page
  • Page 233 – The number of the selected track; Trigger Conditions Page
  • Page 234 – NORMALIZE; Sampling Execution Page
  • Page 235 – • The Initial Slice Display; Slice Page
  • Page 236 – When slicing phrases with a long decay.; • The time signature specified here defines the
  • Page 237 – AUDITION; Wave Memory Required for Slice Operations; • The results of a slice operation can be
  • Page 239 – Real Time Loop Remix Features; The Real Time Loop Remix Function
  • Page 240 – REMIX; • Since the remixed data is saved as a new
  • Page 241 – Sample Edit Features; point to the start point.; Sample Edit Procedure; the sample will play back.
  • Page 242 – START Point ~ End of sample; Specifies end point of the sample.
  • Page 243 – Specifies the sample playback mode.
  • Page 244 – Sample Job Procedure; Call the Job List; FILE Category
  • Page 245 – Select a Job; Specifies the source sample voice.; Plays the specified copy source sample.
  • Page 246 – Plays the specified sample.
  • Page 247 – • This parameter is not available when the
  • Page 248 – sound quality, with the “SOUND 4”; Specifies the sample voice to be pitch converted.; 6 TIME STRETCH; 7 PITCH CONVERT
  • Page 249 – Specifies the key number of the sample to be pitch converted.
  • Page 250 – 9 FREQUENCY CONVERT
  • Page 251 – Converts a stereo sample to a mono sample.; reo sample are mixed and converted; Specifies the sample voice to be remixed.; 0 STEREO TO MONO
  • Page 252 – Specifies the key number of the sample to be remixed.; REVERSE 2; ment, some portions of the sample; Sample Selection Display; Specifies the sample voice to be sliced.
  • Page 253 – CREATE TO; The Slice Parameter Page; 3 SAMPLE VOICE NAME
  • Page 255 – Chapter 6. The Utility Mode
  • Page 256 – About the Utility Mode; The UTILITY mode includes the following 3 pages.; About the Utility Mode
  • Page 257 – The Utility Mode; MASTER TUNE; note; CLICK MODE; recording and playback.; CLICK BEAT; provided before recording starts.
  • Page 258 – Selects normal or inverse display on the LCD.; • When a setting other than OFF selected there
  • Page 260 – MIDI SYNC; ted via MIDI OUT A and B.; ECHO BACK; • MTC (MIDI Time Code) allows simultaneous
  • Page 261 – MTC START OFFSET; • If program change or control change data is
  • Page 263 – Chapter 7. Other Information
  • Page 264 – Tone Generators
  • Page 265 – Parts and Part Parameters
  • Page 266 – MIDI Events Handled by the RS7000
  • Page 267 – Other Inf
  • Page 268 – Reset All Controllers (Control Number 121)
  • Page 270 – NRPN MSB
  • Page 271 – Appendix
  • Page 272 – Phillips screwdriver:; Magnetic-tipped screwdriver is recommended.; Installing Optional Equipment; Removing the Bottom Cover; Do not remove the screw marked
  • Page 273 – Use the original screws to re-attach the bottom cover.; Replacing the Bottom Cover
  • Page 274 – Installing SIMMs; the beginning of this manual.; Important information about purchasing SIMMs for the RS7000
  • Page 276 – Plug in the power cord.; Confirm that there are 3 cables extending from the board.; Installing the AIEB2 I/O Expansion Board; hand while removing the screws.
  • Page 277 – Plug in the flat cable backward.
  • Page 278 – Secure the cables to the bundle tie.
  • Page 280 – About SCSI; Connecting external SCSI devices
  • Page 281 – Use SCSI cables to daisy-chain the external SCSI devices.; Realities of terminator installation
  • Page 282 – Sequencer Section
  • Page 283 – Tone generator block
  • Page 285 – Connectors
  • Page 288 – Operational Errors; Error Message List
  • Page 289 – MIDI Errors
  • Page 290 – Completed
  • Page 295 – Full edit type
  • Page 298 – Trigger Type
  • Page 312 – SFX type
  • Page 313 – Phrase Category List
  • Page 315 – Effect Parameter List
  • Page 328 – REVERB
  • Page 329 – VARIATION
  • Page 349 – IMPORTANT NOTICE FOR THE UNITED KINGDOM; Connecting the Plug and Cord; NEDERLAND / THE NETHERLANDS
  • Page 350 – DANGER; IMPORTANT SAFETY INSTRUCTIONS; INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,; PLEASE KEEP THIS MANUAL
  • Page 351 – HEAD OFFICE
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Other Manuals for Yamaha RS7000

Summary

Page 2 - SPECIAL MESSAGE SECTION; PRODUCT SAFETY MARKINGS:; CAUTION

2 RS7000 SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graph-ics appears on this page. Please observe all cautions indi-c...

Page 3 - PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING; * Please keep this manual in a safe place for future reference.; WARNING

RS7000 3 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or oth...

Page 4 - Saving and backing up your data; Connections

4 RS7000 • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise t...

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