Yamaha PSR8000- User Manual

Yamaha PSR8000

Yamaha PSR8000– User Manual, read for free online in PDF format. We hope this helps you resolve any issues you may have. If you have further questions, please contact us through the contact form.

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Table of Contents:

  • Page 2 – SPECIAL MESSAGE SECTION
  • Page 3 – INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,; IMPORTANT SAFETY INSTRUCTIONS; PLEASE KEEP THIS MANUAL
  • Page 4 – PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING; REPLACING THE BACKUP BATTERY; SAVING USER DATA; WARNING
  • Page 6 – Packing List; GM System Level 1; The Panel Logos
  • Page 7 – Main Features; and performance power.; DOC
  • Page 8 – Contents
  • Page 10 – Panel Controls
  • Page 12 – A standard pair of stereo headphones can be plugged in here for; The PHONES Jack; The PSR-8000 includes a microphone/line input jack into which; Connections & Music Stand
  • Page 13 – The TRIM control allows the input sensitivity of the AUX; These jacks deliver the output of the PSR-8000 for connec-; When a plug is inserted into the LOOP SEND L/L+ R jack; Loop Signal Flow Diagram
  • Page 14 – FOOT PEDAL SWITCH 1 and 2 Jacks; One or two optional Yamaha FC5 footswitches connected to; FOOT PEDAL VOLUME Jack; An optional Yamaha FC7 Foot Controller can be connected; MIDI IN, THRU and OUT Connectors; The MIDI IN connector receives MIDI data from an exter-
  • Page 15 – TO HOST Connector & HOST SELECT Switch; “Mac” Cable Connections; “PC-2” Cable Connections
  • Page 16 – Connector Pin Numbers; The Music Stand; The PSR-8000 is supplied with a music stand that can be
  • Page 17 – Plug the AC power cord into the AC INLET on the rear panel; Switch ON; Set the [MASTER VOLUME] control to a position about a; Select a Play Mode; Use either of the LCD dials under; The Demonstration
  • Page 18 – Select a Song
  • Page 19 – The MIXING CONSOLE Buttons; The lower section of the normal play mode display, shown; A full-screen mixing console which provides access to a
  • Page 20 – The 5-language Help Function; HELP
  • Page 21 – Display Messages; NAME
  • Page 22 – Before You Begin; Part Poly/Mono Modes & Mono Note Priority
  • Page 23 – Poly/mono switching for each individual part can also be; The XG Voices
  • Page 24 – Keyboard Percussion and Special Effects; Part Selection and Voice Assignment; Set Initial Volume Levels; Set the [MASTER VOLUME] control to an appropriate; MIXING CONSOLE MAIN VOLUME
  • Page 25 – Select the Parts You Want To Play; Select the Part You Want to Assign a Voice To; SELECT
  • Page 26 – Other Play Mode Functions; Master Transpose; Voice Effects; FULL MIXING CONSOLE
  • Page 27 – Octave Change; The; Left Hold; Pitch Bend & Modulation Wheels; The range of the PITCH BEND wheel can be indpendently; FULL MIXING CONSOLE TUNING; The type of modulation applied by the MODULATION; TROLLER
  • Page 28 – Auto Accompaniment; Turn AUTO ACCOMPANIMENT ON; Select the Desired Fingering Mode; SPLIT POINT/FINGERING FUNCTION; Select a Style; Using the Accompaniment Section
  • Page 29 – The PSR-8000 automatically determines the voices to be; Set the Tempo; If necessary, set the playback tempo as required (see “Tempo; Start the Accompaniment; Use one of the start modes described in “Auto Accompani-; Play On the AUTO ACCOMPANIMENT Section Of the Keyboard; As soon as you play any chord that the PSR-8000 can
  • Page 30 – Select the MAIN A and B Sections as Required; SPLIT; SINGLE FINGER
  • Page 31 – FINGERED 1; The FINGERED 1 mode will accept the following chord types:
  • Page 32 – FINGERED 2; Example for “C” chords
  • Page 33 – Auto Accompaniment Start Modes; Straight Start; Synchronized Start; The first dot of the BEAT display above the TEMPO
  • Page 34 – The MAIN A and MAIN B Sections and Fill-ins; The MAIN A and MAIN B sections can be selected at any
  • Page 35 – Tempo Control; When you select a different style while the accompaniment; any time by pressing both the TEMPO [; Synchronized Stop; The Sync Stop function is engaged by pressing the [SYNC
  • Page 36 – Accompaniment Volume
  • Page 37 – The effect to be applied, the volume of the effect in relation; Harmony-based Effects; and may need some explanation. MULTI ASSIGN automati-
  • Page 38 – To select a One Touch Setting setup for the current style,; One Touch Setting
  • Page 39 – Mixing Console Parameters; The Mixing Console
  • Page 40 – VOLUME
  • Page 41 – FILTER; this display page affect the; HARMONIC CONTENT; EFFECT DEPTH; The individual effect types and parameters for each DSP
  • Page 42 – EFFECT TYPE; TYPE LIST; Parameter Page; BLOCK; Type Page
  • Page 43 – VALUE; THE TEMPO-DELAY EFFECTS
  • Page 44 – TUNING; TRANSPOSE
  • Page 45 – MASTER EQ; TOTAL GAIN ADJUST
  • Page 46 – Registering the Panel Settings; If you want to select a different registration bank prior to; Registration Memory
  • Page 47 – Recalling the Registered Panel Settings; The selected bank, registration number, and name appear in; The Freeze Function
  • Page 48 – Organ Flute Voice Editing; ORGAN TYPE; ROTARY SP SPEED; Rotary SP Speed; VIBRATO DEPTH; Vibrato Depth; FOOTAGE
  • Page 51 – Engaging the Easy/Full Edit Mode; Engage the CUSTOM VOICE CREATOR Mode; ATOR MENU; Select a Preset Voice; Select Easy or Full Edit; EASY EDIT; EXITING; Custom Voice Creator
  • Page 52 – The Easy Edit Parameters; EDIT; EG
  • Page 54 – CLEAR CUSTOM VOICE; The Full Edit Parameters
  • Page 55 – MASTER VOLUME
  • Page 57 – AMP RATE; These parameters set the amplitude envelope output level.; AMP LEVEL
  • Page 58 – FILTER RATE; These parameters sets the pitch envelope level offset value.; PITCH RATE
  • Page 59 – RESONANCE
  • Page 60 – DELAY; VOICE SET; DEPTH; DSP TYPE and VARIATION; DSP TYPE; EQ LOW and HIGH; FREQUENCY
  • Page 62 – The Custom Style Creator; Custom Style Recording; Engage the STYLE CREATOR mode.; ORIGINAL; Engage the CUSTOM STYLE CREATOR.; CUSTOM STYLE CREATOR
  • Page 63 – Go to the; PART RECORD; display and set up; Start the record loop.
  • Page 64 – Record the selected part.; MAIN and FILL Section Rules; Repeat until all parts have been recorded.
  • Page 65 – Source Chord Type List
  • Page 66 – CUSTOM STYLE CREATOR Parameters; Exiting; CREATOR] button while the; BASIC
  • Page 67 – PART COPY; SETUP; Editing Other SETUP Parameters
  • Page 68 – SETUP COPY; QUANTIZE
  • Page 69 – VELOCITY CHANGE; MEASURE CLEAR
  • Page 70 – REMOVE DUPLICATE NOTES; STORE; CLEAR CUSTOM STYLE; CLEAR
  • Page 71 – PARAMETER EDIT
  • Page 72 – HIGH KEY; NOTE LIMIT LOW; RTR
  • Page 73 – Custom Style Recording via an External Sequence Recorder; Connections
  • Page 75 – Saving and Loading the Sequence Data
  • Page 76 – The Groove Style Creator; Creating a Groove Style; Engage the GROOVE STYLE CREATOR.; GROOVE STYLE CREATOR
  • Page 77 – Modify the style as required.; GROOVE STYLE CREATOR Parameters
  • Page 79 – GROOVE
  • Page 80 – DYNAMICS
  • Page 82 – DRUM EXCHANGE
  • Page 83 – Vocal Harmony; Using Vocal Harmony; Setting Up; SOLE EFFECT PARAMETER
  • Page 84 – Selecting a VOCAL HARMONY Type; MIXING CONSOLE EFFECT TYPE; Producing the VOCAL HARMONY Effect; Using Music Software With a Vocal Harmony Track; SONG SELECT; Editing the Vocal Harmony Parameters; MIXING CONSOLE EFFECT PARAMETER
  • Page 85 – The Vocal Harmony Modes; EFFECT TYPE PARAMETER
  • Page 86 – Vocoder
  • Page 87 – Detune
  • Page 88 – Sampling; WAVE; A “wave” is the raw audio data created whenever you sample; WAVEFORM; All PSR-8000 waves are contained in a “waveform”, which; Waveforms created by the PSR-8000 SAMPLING feature
  • Page 89 – Setting Up for Sampling; Connecting the Source; If you will be using a microphone, set the panel MIC/LINE; If you will be sampling from a CD player or other line source; Setting Levels; Begin with the INPUT VOLUME control set all the way to
  • Page 90 – Sampling & File Import; Sampling New Material
  • Page 91 – AUTO TRIGGER LEVEL
  • Page 92 – Monitor Selection; Direct Access To the WAVE EDIT and WAVEFORM EDIT Displays
  • Page 93 – Wave Edit
  • Page 95 – TUNING BY TEMPO
  • Page 97 – Waveform Edit
  • Page 98 – ADD
  • Page 99 – : STORE AS CUSTOM VOICE; STORE AS CUSTOM VOICE; : CLEAR CUSTOM VOICE
  • Page 100 – Song Playback; The Song Type Symbols
  • Page 101 – Enter Next Song
  • Page 102 – Lyric Display; LYRIC; The CHORD DETECT and VOCAL HARM. Parameters; CHORD DETECT
  • Page 103 – Setting the Song Playback Order; FADER
  • Page 104 – FULL; [FULL] button will select the normal parts display, song track
  • Page 105 – Song Recording; Insert a recordable disk.
  • Page 106 – Select a record mode.; Quick Record; Set up for the recording.
  • Page 107 – Turn the metronome on or off as required.
  • Page 108 – THE TRACK INDICATORS
  • Page 109 – Chord Step Recording; CHORD STEP; Select an entry point.; CURSOR
  • Page 110 – DELETING EVENTS; INSERTING OR DELETING MEASURES
  • Page 111 – Quick Record Mode Edit Functions; RENAME SONG; DIRECTORY; Multi Track Record
  • Page 112 – The available parts for all tracks are:
  • Page 113 – stopped the “; The track indicators above the track mode selectors indicate
  • Page 114 – TRACK DELETE; PUNCH IN
  • Page 115 – REPLACE; Return to the main recording display and record.
  • Page 116 – Multi Track Record Mode Edit Functions
  • Page 117 – TRACK MIX
  • Page 118 – Multi Track Record Set Up
  • Page 119 – The Multi Pads; MULTI PAD Playback; MULTI PAD Recording; Go to the MULTI PAD RECORD display.; RECORDING MENU
  • Page 120 – Select a bank and pad.; BANK; Engage the REC WAITING mode.; REC; Stop Recording
  • Page 121 – MULTI PAD NAME; The Repeat & Chord Match Modes; REPEAT
  • Page 122 – The FUNCTION Parameters; Each of the FUNCTION pages can be selected via the
  • Page 123 – MASTER TUNE
  • Page 124 – FINGERING; FOOT CONTROLLER
  • Page 126 – PANEL CONTROLLER; MODULATION WHEEL; LATION wheel will apply.; INITIAL TOUCH
  • Page 127 – REGISTRATION; ONE TOUCH SETTING
  • Page 128 – OTS
  • Page 130 – DSP MIC
  • Page 131 – AUTO LOAD; INITIALIZE; METRONOME VOLUME/POLY COUNTER
  • Page 132 – PARAMETER LOCK; This function can be used to “lock” the specified parameters; TEMPLATE
  • Page 134 – SYSTEM; LOCAL CONTROL; The LOCAL CONTROL parameters determine whether or; CLOCK & RECEIVE TRANSPOSE
  • Page 135 – MESSAGE SWITCH; RECEIVE; TRANSMIT; TRANSMIT MONITOR; CH
  • Page 136 – RECEIVE MONITOR
  • Page 137 – These “switches” turn reception of the specified data type on
  • Page 138 – PANEL CONTROL; OCTAVE; OCT; TYPE SELECT
  • Page 139 – The DISK Parameters; Disk Operations
  • Page 140 – LOAD FROM DISK
  • Page 141 – SAVE TO DISK
  • Page 142 – LIST
  • Page 143 – Copying Files
  • Page 144 – CHANGE SONG ORDER; Copying Floppy Disks
  • Page 146 – FORMAT FD; NEW DIR
  • Page 147 – FORMAT HARD DISK; To format the hard disk press the; CHECK HARD DISK; Performs a check on the internal hard disk. Be sure to save
  • Page 148 – Symptom; Troubleshooting
  • Page 150 – Index
  • Page 152 – Optional SIMM Installation; Installing Options
  • Page 153 – First SIMM
  • Page 154 – Second SIMM
  • Page 155 – Removing SIMMs
  • Page 156 – Optional Hard Disk Installation; Hard Disk
  • Page 159 – Voice List
  • Page 166 – Keyboard Drum Assignments
  • Page 168 – Style List
  • Page 170 – Direct Access Chart
  • Page 171 – Parameter Chart
  • Page 176 – Effect Signal Flow Chart
  • Page 177 – MIDI Data Format
  • Page 196 – MIDI Implementation Chart
  • Page 198 – MIDI RECEVE MESSAGES FOR INDIVIDUAL PARTS
  • Page 199 – VOCAL HARMONY MIDI SPECIFICATIONS
  • Page 200 – Audio Sampling Library CD Contents
  • Page 202 – AMG
  • Page 203 – Specifications
  • Page 204 – IMPORTANT NOTICE FOR THE UNITED KINGDOM
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Summary

Page 2 - SPECIAL MESSAGE SECTION

92-469- ➀ ENVIRONMENTAL ISSUES: Yamaha strives to pro-duce products that are both user safe and environmentallyfriendly. We sincerely believe that our products and theproduction methods used to produce them, meet thesegoals. In keeping with both the letter and the spirit of thelaw, we want you to be...

Page 3 - INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,; IMPORTANT SAFETY INSTRUCTIONS; PLEASE KEEP THIS MANUAL

WARNING- When using any electrical or electronic prod- uct, basic precautions should always be followed. These pre-cautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructionsfound in...

Page 4 - PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING; REPLACING THE BACKUP BATTERY; SAVING USER DATA; WARNING

PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceableparts. If it should appear to be m...

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