Yamaha MT8XII - Manual

Yamaha MT8XII

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Table of Contents:

  • Page 3 – • Explanation of Graphical Symbols; SAFETY INSTRUCTIONS
  • Page 4 – iii; Important; Read the Following Before Operating MT8XII; Warnings; Cautions
  • Page 5 – iv; Interference; Keep This Manual For Future Reference
  • Page 6 – Table of Contents
  • Page 8 – Welcome to the MT8XII; MT8XII Features; Mixer; Recorder
  • Page 9 – Buying Cassette Tapes for the MT8XII; MT8XII Recording Format
  • Page 10 – Touring the MT8XII; Topside View
  • Page 11 – Input Channels; EQ controls
  • Page 12 – Stereo Inputs
  • Page 13 – Master Section
  • Page 14 – Display
  • Page 15 – Transport Section; CLEAR button
  • Page 16 – REC SELECT buttons; REPEAT button; Tape transport buttons
  • Page 17 – Rear Panel Connectors; AUX SEND
  • Page 18 – TAPE IN
  • Page 19 – PHANTOM POWER ON/OFF switch; Front Connectors; PHONES
  • Page 20 – The First Session; Connecting the Power Cord; Plug the other end of the power cord into a suitable AC wall outlet.; Turning On the MT8XII; Loading a Tape
  • Page 22 – Recording the First Track; Set the GROUP 1 MASTER level control midway.; Raise Channel 1 fader to the 7–8 mark.; Set the CUE LEVEL control on Input Channel 1 midway.
  • Page 23 – Listening to the First Track; and set the GROUP ASSIGN switches to OFF.
  • Page 24 – Set the GROUP MASTER level control midway.
  • Page 25 – Mixdown; Set the PAN control on each input channel to its center position.; to your stereo master recorder.
  • Page 26 – signals to the input channel and CUE controls.
  • Page 27 – An Overview of Multitrack Recording; Basic Multitracking; Advanced Multitracking
  • Page 28 – About Monitoring
  • Page 29 – Punch In/Out Recording
  • Page 30 – Using the REC/PAUSE Button; Locate to a position before the point at which you want to punch in.
  • Page 31 – Using the REC SELECT buttons
  • Page 32 – Using a Footswitch; Locate to a position before the point at which you want to punch in.; Press the footswitch to start playback.
  • Page 33 – Setting the Punch In/Out Points
  • Page 34 – Rehearsing Auto Punch
  • Page 35 – Performing Auto Punch for Real
  • Page 37 – Preparing for Ping-Pong; Set the faders on the source channels to the 7–8 mark.; Rehearsing the Ping-Pong
  • Page 38 – Checking the Ping-Pong Operation; monitor the destination track.; Avoid
  • Page 39 – Ping-Pong with Overdub
  • Page 40 – Using Effects; Connect the processor’s stereo outputs to an MT8XII ST INPUT.
  • Page 41 – Applying Effects at Mixdown; Applying Effects with Ping-Pong
  • Page 42 – Patching In Signal Processors
  • Page 43 – Tape Speed & Mixing Tips; Using the Tape Speed Function; Use the speed control to slow down or speed up the tape.
  • Page 44 – Mixing Tips
  • Page 45 – Quick Locate & Repeat Playback; Entering the Memo Points; Locate to the position at which you want to enter a memo point.; Locating the Memo Points; button to check the Memo 1 or Memo 2 point, respectively.; Clearing the Memo Points
  • Page 46 – Repeat Playback; Enter the memo points as explained on page 38,
  • Page 47 – Using the MT8XII in a MIDI System
  • Page 48 – Connecting the MT8XII to a MIDI System
  • Page 50 – Striping the Tape; verter as shown in the previous section.; or SMPTE timecode generator to do this.; Synchronized Operation; Set the MIDI sequencer for external synchronization.
  • Page 51 – MT8XII Applications
  • Page 52 – MIDI Home Studio
  • Page 54 – Using the TAPE OUT/GROUP OUTs
  • Page 55 – Troubleshooting
  • Page 56 – Appendix; Cleaning the Record–Play Head and Other Parts
  • Page 57 – Demagnetizing the Record–Play Head
  • Page 58 – Specifications
  • Page 59 – General
  • Page 60 – Block Diagram
  • Page 61 – Dimensions
  • Page 62 – Glossary
  • Page 65 – MT8XII Tracking Sheet; Session Info; Mixer Setup
Loading the manual

MULTITRACK CASSETTE RECORDER

Owner’s Manual

4

5

6

7

8

3

2

1

0

ST-INPUT

10

ST-INPUT

0

10

ST-INPUT

0

10

9-10

11-12

13-14

1

2

3

4

2

1

2

3

4

3

4

0

10

0

10

GROUP

MASTER

GROUP

1

GROUP

2

0

10

GROUP

3

0

10

GROUP

4

TAPE IN

MIX LEVEL

0

10

MONITOR LEVEL

MIN

MAX

TAPE IN

GROUP

TO
MONITOR

TO
STEREO

STEREO

CUE

MONITOR

SELECT

1

3

2

4

ON

OFF

CUE MIX

TO STEREO

0

10

9

8

7

6

5

4

3

2

1

0

10

9

8

7

6

5

4

3

2

1

MULTITRACK CASSETTE RECORDER

L R

TRACK

STEREO

+9
+6
+3

0dB

–3
–6

–10
–20

+9
+6
+3

0dB

–3
–6

–10
–20

REC

1

2

TAPE

REPEAT

MEMO

IN

OUT

dbx

SYNC

1

2

3

4

5

6

7

8

AUTO PUNCH

NOISE REDUCTION SYSTEM

0

+

TAPE SPEED

REC SELECT

VARI

FIX

GROUP

AUTO
PUNCH I/O

CLEAR

SYNC

CHECK

REPEAT

RESET

MEMO 1

MEMO 2

RTZ

LOC 1

LOC 2

FF

STOP

REW

PLAY

REHE

PHONES

PUNCH I/O

REC/PAUSE

1

1

5

2

2

6

3

3

7

4

4

8

STEREO

1

2

3

4

5

6

7

8

GAIN

LINE

MIC

HIGH

–12

+12

FREQ

250

5k

MID

–12

+12

LOW

–12

+12

AUX

1

0

10

AUX

2

0

10

CUE

L

R

0

10

PAN

L

ODD

R
EVEN

GROUP ASSIGN

1

2

3

4

PEAK

SIGNAL

0

10

9

8

7

6

5

4

3

2

1

P
A
N

L
E
V
E
L

GAIN

LINE

MIC

HIGH

–12

+12

FREQ

250

5k

MID

–12

+12

LOW

–12

+12

AUX

1

0

10

AUX

2

0

10

CUE

L

R

0

10

PAN

L

ODD

R
EVEN

GROUP ASSIGN

1

2

3

4

PEAK

SIGNAL

0

10

9

8

7

6

5

4

3

2

1

P
A
N

L
E
V
E
L

GAIN

LINE

MIC

HIGH

–12

+12

FREQ

250

5k

MID

–12

+12

LOW

–12

+12

AUX

1

0

10

AUX

2

0

10

CUE

L

R

0

10

PAN

L

ODD

R
EVEN

GROUP ASSIGN

1

2

3

4

PEAK

SIGNAL

0

10

9

8

7

6

5

4

3

2

1

P
A
N

L
E
V
E
L

GAIN

LINE

MIC

HIGH

–12

+12

FREQ

250

5k

MID

–12

+12

LOW

–12

+12

AUX

1

0

10

AUX

2

0

10

CUE

L

R

0

10

PAN

L

ODD

R
EVEN

GROUP ASSIGN

1

2

3

4

PEAK

SIGNAL

0

10

9

8

7

6

5

4

3

2

1

P
A
N

L
E
V
E
L

HIGH

–12

+12

FREQ

250

5k

MID

–12

+12

LOW

–12

+12

AUX

1

0

10

AUX

2

0

10

CUE

L

R

0

10

PAN

L

ODD

R
EVEN

GROUP ASSIGN

1

2

3

4

PEAK

SIGNAL

0

10

9

8

7

6

5

4

3

2

1

P
A
N

L
E
V
E
L

HIGH

–12

+12

FREQ

250

5k

MID

–12

+12

LOW

–12

+12

AUX

1

0

10

AUX

2

0

10

CUE

L

R

0

10

PAN

L

ODD

R
EVEN

GROUP ASSIGN

1

2

3

4

PEAK

SIGNAL

0

10

9

8

7

6

5

4

3

2

1

P
A
N

L
E
V
E
L

HIGH

–12

+12

FREQ

250

5k

MID

–12

+12

LOW

–12

+12

AUX

1

0

10

AUX

2

0

10

CUE

L

R

0

10

PAN

L

ODD

R
EVEN

GROUP ASSIGN

1

2

3

4

PEAK

SIGNAL

0

10

9

8

7

6

5

4

3

2

1

P
A
N

L
E
V
E
L

HIGH

–12

+12

FREQ

250

5k

MID

–12

+12

LOW

–12

+12

AUX

1

0

10

AUX

2

0

10

CUE

L

R

0

10

PAN

L

ODD

R
EVEN

GROUP ASSIGN

1

2

3

4

PEAK

SIGNAL

0

10

9

8

7

6

5

4

3

2

1

P
A
N

L
E
V
E
L

1

TAPE

MIC/
LINE

TAPE

FLIP

MIC/
LINE

TAPE

MIC/
LINE

TAPE

FLIP

MIC/
LINE

TAPE

MIC/
LINE

TAPE

FLIP

FLIP

FLIP

FLIP

FLIP

MIC/
LINE

TAPE

MIC/
LINE

TAPE

FLIP

MIC/
LINE

TAPE

LINE

TAPE

LINE

TAPE

LINE

TAPE

LINE

TAPE

LINE

TAPE

LINE

TAPE

LINE

TAPE

LINE

E

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Summary

Page 3 - • Explanation of Graphical Symbols; SAFETY INSTRUCTIONS

• Explanation of Graphical Symbols The exclamation point within an equilateral tri-angle is intended to alert the user to the presence ofimportant operating and maintenance (servicing)instructions in the literature accompanying theproduct. The lightning flash with arrowhead symbol withinan equilater...

Page 4 - iii; Important; Read the Following Before Operating MT8XII; Warnings; Cautions

iii MT8XII—Owner’s Manual Important Read the Following Before Operating MT8XII Warnings • Do not locate MT8XII in a place subject to excessive heat or in direct sunlight. This could be a fire hazard. • Do not place MT8XII in a place subject to excessive humidity or dust. This could be a fire and ele...

Page 5 - iv; Interference; Keep This Manual For Future Reference

iv MT8XII—Owner’s Manual Interference MT8XII uses high-frequency digital circuits that may cause interference on radios and televi-sions placed close to it. If interference does occur, relocate the affected equipment. Copyright © 1996 Yamaha Corporation. All rights reserved. No part of the MT8XII so...

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