Yamaha MG124CX - Manual
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Table of Contents:
- Page 2 – IMPORTANT NOTICE FOR THE UNITED KINGDOM
- Page 3 – PRECAUTIONS; PLEASE READ CAREFULLY BEFORE PROCEEDING; * Please keep this manual in a safe place for future reference.; WARNING
- Page 5 – Before Turning on the Mixer; Contents; Accessories
- Page 6 – Quick Guide; Getting Sound to the Speakers; Mixer Basics
- Page 7 – NOTE
- Page 8 – Making the Most of Your Mixer; Balanced, Unbalanced—What’s the Difference?; Balanced noise cancellation; To summarize
- Page 9 – To EQ or Not to EQ; Cut for a Cleaner Mix
- Page 10 – Ambience; Reverb and Delay Time; The Modulation Effects:; INPUT
- Page 11 – Setup; Reference
- Page 12 – Channel Control Section; GAIN Control
- Page 13 – COMP Control; AUX PRE Switch; ON Switch; ST Switch
- Page 14 – Master Control Section; SEND Jacks; • XLR jacks; MONITOR OUT Jacks
- Page 15 – PHONES Jack; • STEREO Control
- Page 16 – DIGITAL EFFECT; Rear Input/Output Section
- Page 17 – Digital Effect Program List
- Page 18 – Troubleshooting
- Page 19 – Specifications; Electrical Specifications
- Page 20 – Input Specifications
- Page 21 – Dimensional Diagrams
- Page 22 – Block Diagram and Level Diagram
ES
FR
DE
EN
Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Manual de instrucciones
Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Manual de instrucciones
MIXING CONSOLE
MIXING CONSOLE
Features
Input Channels..............................................................page 12
With up to six mic/line inputs or up to four stereo inputs, the MG
mixer can simultaneously connect to a wide range of devices:
microphones, line-level devices, stereo synthesizers, and more.
Compression.................................................................page 10
Compression increases the overall level without introducing
distortion by compressing excessive peaks in the signals from
microphones and guitars.
AUX Sends and Stereo AUX Return............................page 14
You can use the AUX SEND jack to feed the signal sent to an
external signal processor, and then return the processed stereo
signal through the RETURN jack.
High-quality digital effects (MG124CX).................page 16, 17
With digital effects built in, the MG124CX can deliver a wide
range of sound variations all by itself.
Caractéristiques
Canaux d’entrée...............................................................page 44
Avec six entrées micro/ligne ou quatre entrées stéréo maximum,
la console de mixage MG peut connecter simultanément une
grande variété d’appareils : micros, appareils de ligne,
synthétiseurs stéréo, etc.
Compression....................................................................page 42
La compression augmente le niveau général sans engendrer de
distorsion en comprimant les pics excessifs des signaux des
micros et des guitares.
Envois AUX et retour AUX stéréo...................................page 46
Vous pouvez utiliser la prise jack AUX SEND pour envoyer le
signal vers une unité de traitement de signaux externes, puis pour
renvoyer le signal stéréo traité via la prise jack RETURN.
Effets numériques de qualité supérieure (MG124CX)....page 48, 49
Grâce aux effets numériques intégrés, la console MG124CX peut
proposer de nombreuses variations de sons.
Funktionen
Eingangskanäle............................................................Seite 28
Mit bis zu sechs Mikrofon-/Line-Eingängen oder bis zu vier
Stereoeingängen können viele Geräte gleichzeitig am MG-
Mischpult angeschlossen werden: Mikrofone, Geräte mit
Leitungspegel, Stereo-Synthesizer uvm.
Kompression................................................................Seite 26
Kompression erhöht den Durchschnittspegel, ohne Verzerrung
hinzuzufügen, indem übermäßige Pegelspitzen der Signale von
Mikrofonen oder Gitarren komprimiert werden.
AUX Sends und Stereo AUX Return...........................Seite 30
Von der AUX SEND-Buchse können Sie das Signal einzeln an
einen externen Signalprozessor führen, und das verarbeitete
Stereosignal über die RETURN-Buchse zurück in das Pult
führen.
Hochwertige Digitaleffekte (MG124CX)................Seite 32, 33
Mit den eingebauten digitalen Effekten kann das MG124CX aus
sich heraus eine Reihe von Klangvariationen liefern.
Características
Canales de entrada.......................................................página 60
Con un máximo de seis entradas de micrófono/línea o cuatro
entradas estereofónicas, la mezcladora MG puede conectarse
simultáneamente con una gran variedad de dispositivos:
micrófonos, dispositivos de nivel de línea, sintetizadores
estereofónicos, etc.
Compresión...................................................................página 58
La compresión aumenta el nivel general sin causar distorsión,
mediante la compresión del exceso de picos en las señales de
los micrófonos y guitarras.
Envíos AUX y retorno AUX estereofónico..................página 62
Puede utilizar la toma AUX SEND para introducir la señal enviada
en un procesador de señales externo y luego devolver la señal
estereofónica procesada a través de la toma RETURN (retorno).
Efectos digitales de alta calidad (MG124CX)...........page 64, 65
Gracias a sus efectos digitales incorporados, la mezcladora
MG124CX puede producir por sí misma una amplia gama de
variaciones de sonido.
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Summary
2 MG124CX/MG124C Owner’s Manual 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions con-tained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the produc...
MG124CX/MG124C Owner’s Manual 3 (5)-4 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-cir...
MG124CX/MG124C Owner’s Manual 5 Introduction .......................................... 5 Contents ................................................................. 5 Before Turning on the Mixer ................................... 5 Turning the Power On............................................. 5...
