Shure 57A - Manual

MODEL BETA 57A



SUPERCARDIOID DYNAMIC

PERFORMANCE MICROPHONE

GENERAL

The Shure BETA 57A is a high output supercardioid dynamic

microphone designed for professional sound reinforcement and

project studio recording. It maintains a true supercardioid pattern

throughout its frequency range. This insures high gain before

feedback, maximum isolation from other sound sources, and

minimum off–axis tone coloration. A completely new grille design

lets you take better advantage of proximity effect. The BETA 57A

is an exceptionally versatile microphone. Typical applications

include drums, guitar amplifiers, brass, woodwinds and vocals.

FEATURES

•

Tailored frequency response provides drums, guitars,

vocals, and horns with studio quality sound

•

Uniform supercardioid pattern for high gain before feed-

back and superior rejection of off–axis sound

•

Hardened steel mesh grille that facilitates use of proximity

effect and resists wear and abuse

•

Neodymium magnet for high signal–to–noise ratio output

•

Minimally affected by varying load impedance

•

Advanced pneumatic shock mount system that minimizes

transmission of mechanical noise and vibration

•

Legendary Shure quality and reliability

GENERAL RULES FOR MICROPHONE USE

1. Aim the microphone toward the desired sound source and

away from unwanted sources. Since supercardioid micro-

phones such as the BETA 57A have narrow pickup patterns

and can pick up sounds from the rear, this may not be ob-

vious or intuitive. Refer to Figure 1.

2. Place a microphone as close as practical to the desired

sound source (refer to the table in the facing column).

3. Work close to the microphone for extra bass response.
4. Use only one microphone to pick up one sound source.
5. Keep the distance between microphones at least three

times the distance from a microphone to a sound source.

6. Use the fewest number of microphones as is practical.
7. Place mics as far as possible from reflective surfaces.

8. Add a windscreen when using the microphone outdoors.
9. Avoid excessive handling to minimize pick up of mechanical

noise.

APPLICATIONS AND PLACEMENT

The most common applications and placement techniques

for the BETA 57A are listed in the following table. Keep in mind

that microphone technique is largely a matter of personal

taste–there is no one “correct” microphone position.

APPLICATION

SUGGESTED MICROPHONE

PLACEMENT

TONE QUALITY

Tom–Toms

One BETA 57A on each tom, or

between each pair of toms, 2.5 to

7.5 cm (1 to 3 in.) above drum

heads. Aim each mic at top drum

heads.
On double head toms, you can

also remove bottom head and

place a mic inside, pointing up to-

ward top head.

Medium attack,

balanced sound.

Medium attack,

balanced sound.

Snare Drum

2.5 to 7.5 cm (1 to 3 in.) above the

rim of the top drum head. Aim the

mic at the drum head.
If desired, place a second mic

just below rim of bottom head.

Most “snap” from

drumstick impact

More “snare”

sound.

Guitar &

Bass

Amplifiers

2.5 cm (1 in.) from speaker, on–

axis with speaker cone.
2.5 cm (1 in.) from speaker, at

edge of speaker cone.

15 to 30 cm (6 to 12 in.) away

from speaker and on–axis with-

speaker cone.
2 to 3 ft. (60 to 90 cm) back from

speaker, on–axis with speaker

cone.

Sharp attack;

emphasized bass.
Sharp attack;

higher frequency

sound.
Medium attack;

full, balanced

sound.
Softer attack;

thin, reduced

bass sound.

Vocals

2.5 to 15 cm (1 to 6 in.) from the

vocalist’s mouth.

Rich, warm

sound.

Brass &

Woodwinds

Brass: 30 to 90 cm (1 to 3 ft.)

away, on–axis with bell of instru-

ment.
Woodwinds: 2.5 to 15 cm (1 to 6

in.) away, on–axis with bell of

instrument.
Bell of the instrument 90

°

off–axis

from the front of the mic.

Bright, clear

sound.

Bright, clear

sound.

Softer, mellow

sound.

PROXIMITY EFFECT

Unidirectional microphones such as the BETA 57A pro-

gressively boost bass frequencies by 6 to 10 dB at 100 Hz

when the microphone is at a distance of about 6 mm (1/4 in.)

from the sound source. This phenomenon, known as prox-

imity effect, can be used to create a warmer, more powerful

sound. To prevent explosive low frequency sound during

close–up use, the BETA 57A bass response gradually rolls

off. This provides greater control and helps the user take ad-

vantage of proximity effect.

Model BETA 57A



User Guide

27

C

2797 (Rev.

4

)



200

5

, Shure Incorporated

Printed in U.S.A.