RadioShack 322057 - Manual
RadioShack 322057 – Manual, read for free online in PDF format. We hope this helps you resolve any issues you may have. If you have further questions, please contact us through the contact form.
Please read this quick start before
installing, setting up and using your new product
www.radioshack.com
32-2057
3-Channel Stereo Sound Mixer
Quick Start Guide
MIC —
connect a low impedance microphone
with an XLR plug here.
MIC TREBLE —
adjust the microphone’s treble.
MIC BASS —
adjust the microphone’s bass.
ASSIGN A/ASSIGN B
—
select an input source
(channel) for A and B when using cross
fader. Turn to
OFF
to disable the cross fader.
PHONO 1/LINE 1, PHONO 2/LINE 2, LINE 3/LINE 4
— set to
the desired input sources to play.
CROSS FADER
— mix sound output between two sources (A and B). To
equally mix two sources, slide this control to the middle (5).
DJ MIC, CH1
,
CH2
,
CH3
,
MASTER
— adjust the volume of the selected input. The
illuminated controls help you to see in low light conditions.
CUE/PGM
—
balance output play volume with the input being
prepared for mixing when wearing headphones.
CUE LEVEL
—
adjust the headphone’s
volume.
PHONES
—
connect a pair of stereo
headphones with a
1
/
4
-inch plug.
POWER
—
turn the mixer on and off.
12V/3W MAX LAMP
—
connect a lamp to
light up the mixer’s controls.
EQ
—
turn the equalizer on and off.
LEFT CHANNEL/RIGHT CHANNEL
—
tailor sound output
to your preference by cutting or boosting
the frequency by ±12dB.
Your 3-Channel Stereo Sound Mixer is perfect
for mixing sound from multiple audio sources,
such as microphones, tuners, CD players, or
turntables. You can adjust each audio source’s
sound level for the best mix to play through
your sound system, or for recording. This
mixer is ruggedly constructed for home or
professional use.
MONO/STEREO
—
set the sound output to
stereo or monaural.
TALK OVER
ON/OFF
—
lower audio input volume, so
you can talk over it using the microphone.
CUE
—
select a channel to monitor and prepare
for mixing when wearing headphones.
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