Mackie SR244-VLZ - Manual
Mackie SR244-VLZ – Manual, read for free online in PDF format. We hope this helps you resolve any issues you may have. If you have further questions, please contact us through the contact form.
MIXER
SR24•4-
VLZ PRO
SR24•4-VLZ PRO
24-Channel Sound
Reinforcement Console
O F 8 P A G E S
MIXER
SR24•4-
VLZ PRO
SR24•4-VLZ PRO
24-Channel Sound
Reinforcement Console
O F 8 P A G E S
www.mackie.com
16220 Wood-Red Road NE, Woodinville, WA 98072 USA
800.898.3211, fax 425.487.4337, [email protected]
UK
+44.1268.570.808, fax +44.1268.570.809, [email protected]
SR24•4-VLZ PRO
™
24-Channel
Sound Reinforcement Console
1
O F 8 P A G E S
MIXER
SR24•4-
VLZ PRO
MIXER
SR24•4-
VLZ PRO
O F 8 P A G E S
SR24•4-VLZ PRO
24-Channel Sound
Reinforcement Console
Features
Low noise/high headroom XDR™ (Extended Dynamic
Range) mic preamps with excellent RFI rejection
New high-performance 2068 op-amps for incredibly low
noise and distortion
Improved cooling for even greater thermal protection
20 mic/line mono, and 2 stereo line channels
True 4-bus design
Solo, pan, and 16 kHz Air EQ on each submaster
6 individual aux sends per channel (2 pre, 2 post,
2 switchable pre/post)
3-band swept midrange EQ on mic channels;
4-band fixed on stereo line channels
75 Hz low-cut filters on mic channels
Mute, solo, signal present and OL LEDs on every channel
6 aux send masters with individual solos
4 stereo aux returns with EFX monitor
Separate Talkback section with mic preamp
Double-bused sub outs for easy multi-track routing
Balanced stereo TRS & XLR main outputs
Balanced XLR mono output with level control
Applications
Live sound mixing
Multi-track recording
Introduction
THE SR24•4-VLZ PRO is the latest update of our SR24•4
sound reinforcement console, incorporating our ultra-high
quality XDR™ (Extended Dynamic Range) mic preamps with
the best RFI rejection of any sound reinforcement mixer
design on the market.
Like all Mackie mixers, the SR24
•
4-VLZ PRO is designed
for rugged, 24-hour-a-day use. With its multiple input/
output configurations, true 4-bus architecture, 6 aux
sends, and extensive routing capabilities, it can be used
in a variety of live sound and recording applications. Its
sturdy steel construction houses rugged, double-sided
SMT-plated fiberglass circuit boards, and 60 mm faders
with ultra-tight lip seals for keeping out dust and other
contaminants. Impact-resistant knobs are mounted so they
“ride” just above the steel chassis.
The SR24•4-VLZ PRO has 20 mono mic/line input chan-
nels, with XLR mic inputs and 1/4" TRS line inputs, and 2
stereo line input channels with 1/4" TRS inputs. All mono
channels have TRS insert jacks (tip = send, ring = return).
Each channel strip has an input trim, 6 aux sends (2 pre-
fader, 2 post-fader, and 2 switchable pre or post), 3-band
EQ with sweepable midrange (4-band EQ on the stereo chan-
nels), pan control, and mute, solo, and bus assign switches.
A 60 mm fader provides output gain for each channel.
Twenty XDR mic preamps provide high-headroom and
low-noise. They are impedance-independent, so the fre-
quency response remains constant whether the mic preamp
is presented with an extremely high- or low-impedance
load. Additionally, each channel has its own switchable
low-cut filter (18 dB/octave @ 75 Hz).
The mono channel EQs provide a range of ±15 dB at the
following frequencies: 12 kHz shelving high-frequency EQ,
100 Hz to 8 kHz sweepable peaking mid-frequency EQ,
and 80 Hz shelving low-frequency EQ. The stereo channels
(21-24) provide ±15 dB of boost and cut at the following
frequencies: 12 kHz shelving high-frequency EQ, 3 kHz
peaking high-mid frequency EQ, 800 Hz peaking low-mid
frequency EQ, and 80 Hz shelving low-frequency EQ.
(continued on page 2)
R E L A T E D P R O D U C T S
SR32•4-VLZ PRO
"Loading the manual" means you need to wait until the file loads and becomes available for online reading. Some manuals are very large, and the time they take to appear depends on your internet speed.
