Mackie SR244 - Manual

Mackie SR244

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Table of Contents:

  • Page 2 – Recording flexibility.
  • Page 3 – The SR Series: The most; As you can see, there is
  • Page 5 – “Most significant [about; AUX; Mackie’s SR Series was
  • Page 6 – SPECIFICATIONS
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SOUND REINFORCEMENT CONSOLES

Fast, easy, accurate

level-setting via Solo
4 Submix Buses
8•Bus-style mic preamps

with –129.5dBm
“Double-Bussed” sub

outs for 8-tk. recording
6 aux sends available

at all times
Globally-switchable

AFL/PFL
3 Band EQ on mono chs.:

• 80Hz Lo Shelving

• Sweepable, 100Hz to

8kHz Mid

• 12kHz Hi Shelving

AIR EQ Circuit for Extra

Sheen

Very Low Impedance (VLZ)

circuitry for low noise

Trim Control on each

channel for wide gain

range

Balanced Inputs and

Outputs

Tape Return to Main Mix

Mono Out with level

control

The SR24•4 and SR32•4

do for live sound what
Mackie’s already done for
studio recording. Like our
acclaimed 8•Bus series,
these professional grade
mixing consoles were built
to deliver the same kind of
useful features and pro
specifications as those found
on “bigger boards.” And to
stand up to continuous,
24-hr.-a-day use.

Many of today’s large

hotels, convention centers,
theaters and places of wor-
ship require mixers that can
handle advanced sound
reinforcement. At the same
time, they need to be por-
table and compact enough
to move around, flexible
enough to work in a variety
of applications, and be easy
to use. Of course, they must
be affordable. The SR24•4 &
32•4 mixing consoles are all
that. And they feature the

MORE INFORMATION

SR32•4/SR24•4

ARCHITECTS’ AND

ENGINEERS’

SPECIFICATIONS

“IN YOUR FACE”

ALL-PRODUCT BROCHURE

FEATURES

same high headroom
and ultra-low noise

components and cir-

cuitry as our 8•Bus

series, with many of the

same features.

24 or 32 in, 4 x 2 x 1 out.

The SR Series mixers are

true 4-bus consoles. Any

channel can be assigned
to any bus (or directly to

the main mix), and each

bus can be assigned to

the main L/R or mono

mixes, or fed out directly to,
for instance, an 8-track re-
corder. The SR24•4 and 32•4
each have 6 aux sends,
3-band EQ with sweepable
mids, and Mackie’s unique
“AIR” EQ circuit.

At a price that belies their

durability and features, the
SR24•4 and 32•4 are easily
affordable workhorses that’ll
be as welcome as live mix-
ing consoles as they are in a
recording studio.

Durability. A word

Mackie lives by.

The SR Series of mixing

consoles can take just about
any kind of punishment.
They’re built like tanks. Be-
cause we knew they would
be moved around and used
as both live and recording
consoles, we made them to
stand up to continuous duty.
Not only can they take active
abuse — they’re as rugged as
anything Mackie makes —
the SR24•4 and 32•4’s
insides are made to stand up
to more passive problems.

®

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Summary

Page 2 - Recording flexibility.

The SR Series have amazingly high headroom.Like the 8•Bus and theCR-1604 before them, theirbus and main mix amplifi-ers use Mackie’s distinctivenegative gain mix amplifierarchitecture, for up to twiceas much extra headroom.Since the mix amp is whereall the signals cometogether, we built ours todeal ...

Page 3 - The SR Series: The most; As you can see, there is

dB 30 20 10 O O 4050 5 5 U 60 10 dB 30 20 10 O O 4050 5 5 U 60 10 dB 30 20 10 O O 4050 5 5 U 60 10 dB 30 20 10 O O 4050 5 5 U 60 10 dB 30 20 10 O O 4050 5 5 U 60 10 dB 30 20 10 O O 4050 5 5 U 60 10 dB 30 20 10 O O 4050 5 5 U 60 10 dB 30 20 10 O O 4050 5 5 U 60 10 O O U O O +15 U O O +15 O O U O O +1...

Page 5 - “Most significant [about; AUX; Mackie’s SR Series was

Pro features even amateurs can understand. “Most significant [about the SR Series] is the largedegree of flexibility whileretaining ease of use. Typi-cally these two factors are atodds — the more somethingdoes, the harder it is to makeit do what you want. Not sowith the SR24•4. Things arelaid out ve...

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