Mackie 1604-VLZ - Manual

Mackie 1604-VLZ

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Table of Contents:

  • Page 2 – Specifi cations; Radio frequency interference from TV/radio
  • Page 4 – FILES FOR DOWNLOADING; recessed; Input/Output Pod mounted to top; Log-taper 60mm faders deliver a consistent fade
  • Page 5 – Input/Output Pod mounted to back
  • Page 7 – Architect & Engineering Specifi cations; OTHER INPUTS: The mixer shall include 8 bal/unbal; MAIN; PRO
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16-Channel Mic/Line Mixer

Continued on Page 2

Features

Applications

Introduction

The 1604-VLZ PRO

is the latest update of our

CR1604-VLZ, incorporating our new ultra-high quality
XDR™ (Extended Dynamic Range) mic preamps with
the best RFI rejection of any compact mixer design on
the market and maximum freedom from ground loops.

Like all Mackie mixers, the 1604-VLZ PRO is

designed for rugged, 24-hour-a-day use. It is a
supremely fl exible mixer, not just because of its mul-
tiple input/output confi gurations, but because of its
true 4-bus architecture, 6 aux sends (with 3-4/5-6 shift
switch), and extensive routing capabilities.

No matter what the application, the 1604-VLZ

PRO can be confi gured for optimal use. As a table-
top mixer, input/output jacks can be positioned at
the rear of the unit, or with the optional RotoPod Kit
(RP1604-VLZ), positioned on the same plane as the
controls. Placed in a rack system, the 1604-VLZ PRO
can be set so that jacks are facing front (using the
RotoPod kit) or facing the rear to keep wandering
hands from playing with cords. Whether used in a
permanent installation, or as a portable mixer, the
1604-VLZ PRO is completely at home.

Built like a tank, the 1604-VLZ PRO is a team

player that can stand up to vigorous use, day in
and day out, any place it is installed. Its sturdy-yet-
light steel monocoque construction houses rugged,
double-sided through-hole-plated fi berglass circuit
boards, and 60mm faders with ultra-tight lip seals
for keeping out dust and other contaminants.
Impact-resistant knobs are mounted so they "ride"
just above the steel chassis — they absorb impact
without trouble. They’re designed to last, too,
thanks to co-molded potentiometers that don’t get
brittle and crack up. Then, we use metal stand-offs

RP1604-VLZ RotoPod bracket kit, 1604-VLZ Dirt Avert™

Ballistic Nylon Dust Cover, 1604-VLZ Fabric Mixer Bag and

1604-VLZ Suede Mixer Bag for 1604-VLZ PRO. 12-inch

and 18-inch Running Light Gooseneck lamps. 1202-VLZ

PRO 12-Channel Mic/Line Mixer, 1402-VLZ PRO 14-Chan-

nel Mic/Line Mixer, 1642-VLZ PRO 16-Channel Mic/Line

Mixer, SRM350/SRM450 Active 2-Way SR Loudspeakers,

M•800/M•1400i/M•1400 Power Amplifi ers, C200/

C300z passive 2-way SR Loudspeakers

Live sound mixing for churches, clubs,
schools, conference centers, board-
rooms, tradeshows, presentations

Keyboard, drum machine and DJ

Multitrack studio and fi eld recording

A/V presentations, video post produc-
tion, CD authoring, multimedia

Live broadcast remotes, ENG, ad production

16 low noise/high headroom XDR™ (Extended

Dynamic Range) XLR mic inputs with the best
RFI rejection of any compact mixer design and
maximum freedom from ground loops.

16 balanced/unbalanced mono line inputs
True 4-bus design
Multi-way physical confi guration via rotatable

I/O pod, or optional RotoPod Kit (RP1604-VLZ)

Inserts on all channels
Direct outs on channels 1–8
3-band EQ with sweepable mids
75Hz, 18dB/oct. Low Cut fi lter on each channel
PFL/AFL (Solo In-Place) on all channels (global)
Very Low Impedance (VLZ) architecture
Control Room/Phones source matrix
6 aux sends, 2 with master level controls
Wide input gain range with “virtual pad”
Stereo main outputs plus mono main output

with separate level control

Balanced inputs and outputs (except RCAs,

phones & inserts)

Level set LED and marker

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Summary

Page 2 - Specifi cations; Radio frequency interference from TV/radio

2 Specifi cations footnotes:1) 20Hz–20kHz bandwidth, 1/4" Main out, Channel Trims @ unity gain, channel EQs fl at, all channels assigned to Main Mix, odd channels Pan left, even channels Pan right. Reference +4dBu. 2) 1kHz @ +14dBu, 20Hz–20kHz.3) 1kHz relative to 0dBu, 20Hz–20kHz bandwidth, Line...

Page 4 - FILES FOR DOWNLOADING; recessed; Input/Output Pod mounted to top; Log-taper 60mm faders deliver a consistent fade

4 FILES FOR DOWNLOADING 1604VLZP.PDF this specifi cation sheet 1604VPAE.TXT text version of Architects and Engineering Specifi cations for insertion into proposals 17.6" (447.0mm) 10 rack spaces 5.0" (127mm) 19.0" (482.6mm) 5.6" (142.2mm) 17.3" (442.0mm) recessed normal Input/Out...

Page 5 - Input/Output Pod mounted to back

5 17.9" (454.7mm) 11 rack spaces 6.0" (152.4mm) 19.0" (482.6mm)17.3" (442.0mm) 6.6" (167.6mm) recessed normal 13.0" (325.1mm) 8 rack spaces 8.7" (221mm) 19.0" (482.6mm)17.3" (442.0mm) 9.3" (236.2mm) recessed normal Input/Output Pod mounted to front* Input/Outp...

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