Kodak 7239 - Manual

Kodak 7239

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Table of Contents:

  • Page 2 – Lighting Contrast; Lens Aperture; * The LAD control method is described in the paper “A Simplified; Diffuse RMS Granularity; Resolving Power†
  • Page 3 – Sensitometric Curves; Spectral-Sensitivity Curves
  • Page 4 – AVAILABLE ROLL LENGTHS; HOLLYWOOD, CALIFORNIA; LATIN AMERICAN REGION; and Wratten are trademarks.
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©Eastman Kodak Company, 1998

TECHNICAL DATA / COLOR REVERSAL FILM

February 1999

H-1-5239

H-1-5247

August 1996

EASTMAN EKTACHROME
Film (Daylight) 7239

DESCRIPTION

EASTMAN EKTACHROME Film 7239 (Daylight) is a
high-speed color reversal film intended for photography
under low-level daylight illumination. Among its many
applications are news photography, sporting events, and
high-speed photography. The processed original camera film
is ready for projection; because it is balanced for projection
at 5400 K, it is suitable for television broadcasting.

You can expose this film at effective film speeds ranging

from

1

2

to 2 times the normal exposure indexes with little

loss in quality. For emergency situations when some loss in
quality is acceptable, increase the normal exposure index by
the equivalent of 2 to 3 stops. When you expose the film at
other than the normal exposure index, tell the processing
laboratory so they can adjust the processing.

The processed camera original on EASTMAN

EKTACHROME Film (Daylight) is meant for direct
projection; however, you can make color duplicates on
EASTMAN EKTACHROME Print Film 7399

.

BASE

This film has a clear acetate safety base.

DARKROOM RECOMMENDATIONS

Handle unprocessed film in total darkness until after the stop
bath following first development. You can do the remaining
operations in a normally lighted room. Use a safelight with a
KODAK Safelight Filter No. 3 / dark green to illuminate
dials, meters, etc, during first development; do not shine the
light directly on the film.

STORAGE

Store unexposed film at 13˚C (55˚F) or lower. Process
exposed film promptly. Store processed film at 21˚C (70˚F)
or lower at a relative humidity of 40 to 50 percent for normal
commercial storage. For more information on long-term
storage, see KODAK Publications No. H-1, KODAK Motion
Picture Film
, and No. H-23, The Book of Film Care.

COLOR BALANCE

This film is balanced for daylight exposure. For other light
sources, use the correction filters in the table below.

Note: Consult the manufacturer of high-intensity ultraviolet
lamps for safety information on ultraviolet radiation and
ozone generation

.

EXPOSURE INDEX/DIN

Daylight—160/23

Tungsten

*

(3200 K)—40/17

Use these indexes with incident- or reflected-light exposure
meters and cameras marked for ISO or ASA speeds or
exposure indexes. These indexes apply for meter readings of
average subjects made from the camera position or for
readings made from a gray card of 18-percent reflectance
held close to and in front of the subject. For unusually light-
or dark-colored subjects, decrease or increase the exposure
indicated by the meter accordingly.

Light Source

KODAK Filters

on Camera*

* These are approximate corrections only. Make final corrections during

printing.

Exposure

Index/DIN

Daylight (5500 K)

None

160/23

Tungsten (3000 K)

WRATTEN Gelatin No. 80A

40/17

Tungsten lamps
(3200 K)

WRATTEN Gelatin No. 80A

40/17

Tungsten photoflood
(3400 K)

WRATTEN Gelatin No. 80B

50/18

Metal halide H.M.I.

None

160/23

White-flame arcs

None

160/23

Yellow-flame arcs

WRATTEN Gelatin No. 80A

40/17

Optima 32

WRATTEN Gelatin No. 80A

40/17

Vitalite

None

160/23

Fluorescent Cool
White†

† These are starting-point recommendations for trial exposures. When you

don’t know the type of fluorescent lamps, use a CC20M filter with an
exposure index of 100/21.

Color Compensating 30M

100/21

Fluorescent Deluxe
Cool White†

Color Compensating 20B

100/21

*With a KODAK WRATTEN Gelatin Filter No. 85B.

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Summary

Page 2 - Lighting Contrast; Lens Aperture; * The LAD control method is described in the paper “A Simplified; Diffuse RMS Granularity; Resolving Power†

2 EASTMAN EKTACHROME Film (Daylight) 7239™ • H-1-5239 EXPOSURE TABLE FOR DAYLIGHT At 24 frames per second (fps), 170˚ shutter opening: Use this table for average subjects that contain a combination of light, medium, and dark colors. When a subject includes only pastels, use at least 1 ⁄ 2 stop less ...

Page 3 - Sensitometric Curves; Spectral-Sensitivity Curves

EASTMAN EKTACHROME Film (Daylight) 7239™ • H-1-5239 3 Sensitometric Curves Spectral-Dye-Density Curves LOG EXPOSURE (lux-seconds) 3.0 0.0 2.0 DENSITY 1.0 2.0 3.0 4.0 1.0 0.0 1.0 F002_0149AC G B R Process: Exposure: Densitometry: Daylight, 1/100 second VNF-1 Status A G -0.2 250 WAVELENGTH (nm) 650 DI...

Page 4 - AVAILABLE ROLL LENGTHS; HOLLYWOOD, CALIFORNIA; LATIN AMERICAN REGION; and Wratten are trademarks.

EASTMAN EKTACHROME Film(Daylight) 7239KODAK Publication No. H-1-5239 CAT 824 4295 Professional Motion Imaging Minor Revision 2-99 Printed in U.S.A. EASTMAN EKTACHROME Film (Daylight) 7239™ AVAILABLE ROLL LENGTHS For information on film roll lengths, check Kodak’sProfessional Motion Imaging Price Cat...

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