Page 2 - MOS; SAFETY COMPONENT (HAS TO BE REPLACED WITH ORIGINAL PART ONLY); IMPORTANT SERVICE INSTRUCTIONS
The lightning flash with arrowhead symbol, within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point withi...
Page 3 - Al; CONTENTS; D E S C R I P T I O N
Congratulations! Y ou will find out that purchasing a MP7 Entertainment System was an excellent decision. The design of the MP7 is based on decades of experience, research and development as well as a steadfastmanufacturer-customer-relationship in the professional audio market. With the MP7 you own ...
Page 5 - Note on how to set the input level:; corresponding MIC or LINE input.
Another welcome side effect is, that the power amplifier and the connected loudspeakersystems are not “polluted” by low-frequency interference “closing off” the sound system,which certainly is not in yours or the audience’s interest. Your speaker systems will provideyou with a truly clear, natural, ...
Page 8 - I N P U T / S T E R E O
13. STEREO INPUT A (CD/MD): Unbalanced stereo inputs for connecting LINE level devices like for example: CD-Players,MD-Players, Tape Decks, PC Soundcards, etc. B (phono): only channels 4/5 - stereo inputs with RIAA equalization for the connection of magnetic turntable pickups. Caution: Make sure to ...
Page 9 - TRANSITION SECTION
16. TONE CONTROL The mixer’s tone control section allowsvery differentiated and effective sha-ping of the incoming audio signal withinmiscellaneous frequency bands. Tur-ning one of the tone controls to the rightenhances/amplifies the correspondingfrequency range while turning it to theleft lowers/at...
Page 11 - which lists all preset names together with the correspon-
FX1/FX2 The MP7 employs two completely independent 18-bit stereo effect units - FX1 andFX2. The setting of the mono input channels’ individual FX-controls determines theaudio signal that is fed to these two units. Identically configured, each unit provides99 stereo program presets, which can be sele...
Page 12 - Note on how to adjust the FX input signal:; signal in the main mix.
26. PEAK LED These indicators signal if the input stages of the internal FX-units are driven intoclipping. To achieve an adequate S/N-ratio, please adjust the FX units’ input level asfollows. Note on how to adjust the FX input signal: It is good advice to keep an eye on the peak indicators when oper...
Page 13 - ASSIGNABLE TRANSITION; This control lets you adjust the headphones’ volume.; T R A N S I T I O N / P H O N E S
28. X/Y LED These LED’s indicate whether an input channel has beenassigned to either side of the TRANSITION FADER (29).When these LED’s are dimmed, the transition function hasnot been activated for either input channel and the TRANSI-TION FADER is inactive. 29. ASSIGNABLE TRANSITION This assignable ...
Page 14 - The SUB OUT audio signal is output via the SUB OUT connector (41).; M A S T E R
34. MASTER B This control allows setting the output level of the MASTER B, which is asecond universal stereo output carrying the stereo-sum audio signal iden-tical to the MASTER A. It is extremely useful in accomplishing soundreinforcement in a neighboring room or monitoring purposes using a secondp...
Page 15 - STATUS INDICATORS; POWER ON; lights whenever the MP7’s power is set to ON. If, after; LIMIT; indicator signals that the MP7’s internal power amplifiers; PROTECT; indicator lights when one of the power amplifiers’
45. STATUS INDICATORS These LED’s provide information about the actual operational statusof the MP7’s internal power amplifiers. POWER ON lights whenever the MP7’s power is set to ON. If, after switching the MP7 on, the LED does not light, the first thing to do isto make sure that the mains plug is ...
Page 16 - Indicates the master display mode.
The frequency ranges as well as the characteristics of the EQ-fadersare designed to meet your day-in-day-out requirements. In case youintend to have a clear and highly intelligible sound, you might wantto increase the level setting of the 8kHz or 16kHz band a bit. If themid-range sounds a bit nasal,...
Page 17 - R E A R P A N E L
SPEAKER OUTPUTS RIGHT / LEFT The MP7 provides professional SPEAKON-type high-perfor-mance connectors, which offer mechanically and electric secu-re connection that complies with any safety standards.Additionally, SPEAKON-type connectors allow utilizing high-performance loudspeaker cables with diamet...
Page 18 - S T A N D A R D I N S T A L L A T I O N
CABLING The mains cord is supplied with your MP7. The quality of all other cables is left to your responsibility. Carefully chosenhigh quality cables are the best precaution to prevent problems from occurring during the later operation. In thefollowing we would like to provide you with some recommen...
Page 19 - Setting up
In the following we will explain how to set up a standard PA-system with monitoring facility using the MP7. The equipment list includes: 1 MP72 Hi-range speaker system cabinets, e.g. CP 12-22 Bass speaker system cabinets e.g. CP 12-12 Loudspeaker pole-mount stands or 2 intermediate poles2 Speakon ca...
Page 20 - Your PA-system is now ready for operation!
— Place the needed sound source devices (e.g. CD-Player, turntable) or microphones on a secure even locationand, if necessary, establish mains connections — Connect all the gear to the MP7 (Fig. 2). — Employ cables with stereo phone-type plugs to connect the AM12 to the MONO OUT of the MP7. Set theL...
Page 21 - When operating the MP7 be sure to mind the following notes:; performance and make corrections, if necessary.; Ask your local dealer before extending your system!
When operating the MP7 be sure to mind the following notes: 1. A red LED next to the meter instruments that is constantly lit signals that the corresponding channel is on the verge of clipping! Use the Gain-control of the corresponding channel to reduce the audio signal level until the red LED light...
Page 22 - S P E C I F I C A T I O N S
Technical Specifications MP7 Mixing desk in rated condition. Unity Gain (MIC Gain 20 dB), all faders position 0 dB, all pots in mid position, master fader + 6dB, amplifier rated output power into 8 ohms, one channel driven, unless otherwise specified. Maximum Midband Output Power , 1 kHz, THD = 1 % ...
Page 23 - B L O C K D I A G R A M
Page 24 - A B M E S S U N G E N / D I M E N S I O N S
Abmessungen/Dimensions (in mm) A B M E S S U N G E N / D I M E N S I O N S 6 6