Page 2 - COMPATIBILITY WITH EXISTING SYSTEMS; INTRODUCING...NEW 2009 LENSES; PL Mount Cine Zoom
40 41 EOP-102J-70B Aux. 1 & 2 2 Ch Alternate Page Button Page x 8 shot = 32 preset Head Select (1– 4) (Available on EOP-102J-60B/70B) 4 pin E-conn RS-485 DB9(M) RS-232 12V DC External P/S Supplied Preset Buttons 32 Preset (4 page x 8 shot) Iris Control Auto/Manual Pan/Tilt Control Focus Control ...
Page 3 - Prefix
3 HD & SD ENG Features . . . . . . . . . . . . . . . . . . 4 – 5 HD & SD Studio/Field Features . . . . . . . . . . . . . . 6 PL Mount Cine Lenses . . . . . . . . . . . . . . . . . . . . . . 7 24p/HD Digital Cine Lenses . . . . . . . . . . . . . . . 8 – 9 PF Lenses . . . . . . . . . . . . . ....
Page 4 - DIGIPOWER; DIGI POWER; ONE SHOT PRESET
4 HD & SD ENG FEATURES DIGIPOWER In order to enhance the newest optical design technology,Fujinon has developed the digital servo control system DIGI POWER offering advanced performance of its zoom lenses. In addition to improved specification and performancethe utilization of digital circuitry ...
Page 5 - Remote control of zoom, focus and iris for all; lenses is possible via 13 bit; ACCESSORY COMPATIBILITY
5 ZOOM MODE SELECT A zoom mode switch provides the optionto change the zoom response from “nor-mal” to more sensitive on the wide ortelephoto side. With the 3-zoom mode(10-zoom mode on ENG/EFP) the usercan select the most suitable fine touch.These zooming mode settings are idealwhen switching betwee...
Page 6 - Standard on DigiPower Field lenses and HA27x6.5.; DIGI; lenses. Installing software for; in
6 ONE SHOT PRESET Zoom and focus can be preset and memorized in advance ata selected position. One touch of the switch during shootingwill instantly returnto the memorizedposition for timesaving production. ZOOM MODE SELECT A zoom modeswitch provides theoption to changethe zoom response from “normal...
Page 7 - NEW FUJINON PL SERIES; CINE LENSES; LENS
7 eset switch release switch S NEW FUJINON PL SERIES CINE LENSES FOR FILM AND DIGITAL CINEMATOGRAPHY LENS 18-85mm (HK 4.7 x 18-F) Application 35mm Film and Digital Cinema Camera Focal Length 18 ~ 85 mm Zoom Ratio 4.7x Maximum Relative Aperture F1.9 (18 ~ 85 mm) T-No. T2.0 Iris Range T2 – T16 / Close...
Page 9 - E SERIES
9 LENS 5mm T 1.7 8mm T 1.5 10mm T 1.5 Model Number HAeF5 HAeF8 HAeF10 Close Focus From Image Plane 0.5 m / 1.64 ft 0.4 m / 1.31 ft 0.5 m / 1.64 ft T-No. T 1.7 T 1.5 T 1.5 Object at Close Focus 591 x 332 mm 288 x 162 mm 335 x 188 mm 16:9 Aspect RatioAngular Field of View 87°36' x 56°39' 61°52' x 37°1...
Page 10 - PRECISION FOCUS LENSES; achieving precise focus.; FEATURES AND FUNCTIONS; Contrast focusing method
10 PRECISION FOCUS LENSES PF-BUILT-IN LENSES Fujinon’s Precision Focus Assistenables camera operators the ability to ensure fast accuratefocusing of high definition imagesunder varying conditions. The PFsystem is the first to incorporateFujinon’s patented system whichutilizes a unique contrast metho...
Page 15 - New for 2009 is the addition of the ZA12X4.5B RM/RD and; HD Series
15 Zoom Ratio / Format 12X / 2/3" Focal Length 4.5 to 54 mm Maximum Relative 1:1.8 (4.5 ~ 41 mm) Aperture 1:2.4 (59 mm) Maximum Photometric 1:1.9 (4.5 ~ 41 mm) Aperture T-No. 1:2.6 (59 mm) Angular Field of View16:9 Aspect RatioM.O.D. from Image Plane 0.59 m M.O.D. from Front of Lens 0.3 m Object...
Page 17 - Great consideration in the design and development of these
17 Zoom Ratio / Format 13X / 2/3" Focal Length 4.5 to 59 mm (2X) 9 to 118 mm Maximum Relative 1:1.8 (4.5 ~ 41 mm) Aperture 1:2.6 (59 mm) Maximum Photometric 1:2.0 (4.5 ~ 41 mm) Aperture T-No. 1:2.9 (59 mm) Angular Field of View16:9 Aspect Ratio M.O.D. from Image Plane 0.59 m M.O.D. from Front of...
Page 21 - HDTV STUDIO LENSES
21 LENS XA22x7BES HA22x7.2BE SM Zoom Ratio / Format 22X / 2/3" 22X / 2/3" Focal Length 7.0 ~ 154 mm 7.2 ~ 158 mm (2X) 14 ~ 308 mm (2X) 14.4 ~ 316 mm Maximum Relative 1:1.8 (7 ~ 116 mm) 1:1.7 (7.2 ~ 149 mm) Aperture 1:2.4 (154 mm) 1:1.8 (158 mm) Maximum Photometric 1:2.2 (7 ~ 116 mm) 1:1.9 (7...
Page 22 - HDTV FIELD LENSES
22 Zoom Ratio / Format 50X / 2/3" Focal Length 9.5 ~ 475 mm (2X) 19 ~ 950 mm Maximum Relative 1:1.7 (9.5 ~ 311 mm) Aperture 1:2.6 (475 mm) Maximum Photometric 1:1.9 (9.5 ~ 311 mm) Aperture T-No. 1:2.9 (475 mm) Angular Field of View (Hor. x Vert. in °) 4:3 Aspect Ratio Angular Field of View (Hor....
Page 25 - SDTV ENG/EFP PROFESSIONAL LENSES; Wide-angle lenses have become increasingly popular for profes-
25 SDTV ENG/EFP PROFESSIONAL LENSES A13x6.3B / S13x4.6B RM/ERM* Fujinon’s Professional grade lenses offer high optical quality and arange of focal lengths for every professional production application. Wide-angle lenses have become increasingly popular for profes- sional videographers and Fujinon’s ...
Page 26 - HDTV VIDEOCONFERENCING LENSES
26 HDTV VIDEOCONFERENCING LENSES Fujinon’s HD lenses for videoconferencing and otherremote control applications open new markets forHDTV. New for 2009 is the addition of the ZA12x4.5BMD, ZA17x7.6B MD and the ZA22x7.6B MD. Accessories for above lenses shown on page 34. *Optional Accessory Configurati...
Page 27 - SDTV VIDEOCONFERENCING LENSES
27 SDTV VIDEOCONFERENCING LENSES LENS A20x8.6B MD S20x6.4B MD Zoom Ratio / Format 20X / 2/3" 20X / 1/2" Focal Length 8.6 mm ~ 172 mm 6.4 mm ~ 128 mm Maximum Relative 1.8 (to 115 mm) 1.4 (to 90 mm) Aperture 2.7 (at 172 mm) 2.0 (at 128 mm) Angular Field of View 8.6 mm 54° 11' x 41° 59' 6.4 mm ...
Page 29 - requiring digital
29 G/EFP 1 mand able art of Kit) ion art of Kit) on art of Kit) n Cable mp A ch ACCESSORIES: HD & SD ENG/EFP THREE-MODE FINEFOCUS By shifting the sensitivity fromthe wide side to the telephotoside of the focus range, thiscontrol provides more precisefocusing for studio or sports productions. A. ...
Page 30 - STANDARD REAR CONTROL KITS; DIGI POWER REAR CONTROL KITS
30 ACCESSORIES: HD & SD ENG/EFP STANDARD REAR CONTROL KITS FMM-6BFMM-3B 12 PIN ERD-10A-D01 MCA-7 MCA-6B CFH-11 CFC-12-990 FMM-6BFMM-3B CFC-12-990 MCA-7 MCA-7 CZH-14 CFH-11 CFC-12-990 ZMM-6 SS-13A Servo Focus / Servo Zoom For use with ERD type lenses. *Specify camera type**FMM-3C for use on HA42x...
Page 31 - PROFESSIONAL REAR CONTROL KITS
31 ACCESSORIES: HD & SD ENG/EFP PROFESSIONAL REAR CONTROL KITS A. B. C. D. E. F. G. H. I. *Specify camera type. *FMM-8 for use with S16 x 7.3 A. CFC-990 Flex Cable B. FMM-6B/FMM-8* Focus Manual Module C. ZMM-6 Zoom Manual Module D. SRD-92B Zoom Demand E. FSM-30B Focus Servo Module F. MCA-7 Mount...
Page 32 - LENS CONVERTERS; Wide Converter; HD/ENG LENS CONVERTERS; Converted
32 LENS CONVERTERS Wide Converter (WCV) Tele Converter (TCV) ACCESSORIES: HD ENG/EFP HD/ENG LENS CONVERTERS Converted M.O.D. Weight Model Type ø Size Converter* Mag. Focal (m) (kg) Length (mm) HS16x4.6 TELE 95 mm TCV-H95 1.5x 74.0 111.0 0.90 1.00 WIDE 95 mm WCV-H95 0.8x 4.6 3.9 0.29 1.00 HS18x5.5/ T...
Page 33 - Wide Attachment; PROFESSIONAL LENS CONVERTERS
33 Wide Attachment (WAT) Fish-Eye Attachment (F–AT) ACCESSORIES: SD ENG/EFP PROFESSIONAL LENS CONVERTERS Converted M.O.D. Weight Model Type ø Size Converter Mag. Focal (m) (kg) Length (mm) A13x6.3 TELE 85 mm TCV-85C 1.6x 82.0 131.2 1.02 1.15 RM/ERM WIDE 85 mm WCV-85C 0.8x 6.3 5.0 0.26 1.09 WIDE 85 m...
Page 34 - ACCESSORIES: VIDEOCONFERENCING; LENS CONTROLLERS; Select Signal; SS-33A OPTIONAL ACCESSORY CONFIGURATION; Uses Standard ENG Accessories (
34 RMD-10 ECM-25FECM-50FECM-100F Extension cables To camera RMD-20 RMD-30 ACCESSORIES: VIDEOCONFERENCING LENS CONTROLLERS Fujinon’s lens controllers all featurecontrol of zoom, focus, and iris. TheRMD-10 provides basic control of allfunctions, while the RMD-20 features arocker-type zoom control. The...
Page 35 - Image After-Shaking Reduced to a Minimum; adapters can be quickly attached between most; Amount of Compensation; At Telephoto End with 2X Extender
35 nal gnal Signal ACCESSORIES: HD & SD FIELD Fujinon’s anti-vibration system optically compensates for imagevibration resulting in stable images even at extreme focal lengths.Three types of OS-TECH systems are available: two external anti- vibration adapters, TS for box-type lenses and TS-P for...
Page 36 - igital servos provide; Studio Lens System
36 ACCESSORIES: HD & SD STUDIO/FIELD DIGI ZOOM DEMAND SERVOS D igital servos provide precise control of zoom and focus for the most demanding productions. ELH* Fujinon’s convenient ELHbracket allows studio/fieldlenses to be used with hand-held type cameras. *Additional power may be required for ...
Page 37 - For XA50X Model Only; DIGITAL LENS CONFIGURATION
37 ACCESSORIES: HD & SD STUDIO/FIELD DIGITAL LENS CONFIGURATION MS-21A Manual Focus / Servo Zoom For XA50X Model Only MANUALMODULE EMM-51B FLEXIBLE CABLE BFC-36 FOCUS GRIP BFH-1A ZOOM RATEDEMAND UNIT ERD-10A-D11 MOUNTING CLAMP MCA-6B SERVO MODULE ESM-D51B LENS MS-22D (w/Shot Box) Manual Focus / ...
Page 38 - ACCESSORIES: XA22x7 BES; DIGI ZOOM / ANALOG FOCUS; Studio Controls; DIGI ZOOM / DIGI FOCUS; Full Digital Production Controls; XA22x7BES ACCESSORY OPTIONS
38 A. MCA-7 Mounting Clamp B. EPD-21A-02A Focus Demand C. ERD-10A-DO5A Zoom Demand A. ERD-5A-DO1 Digi Zoom Demand B. MCA-6B Mounting Clamp C. EPD-4A-EO2 Digi Focus Demand D. EBZ-23 Zoom Cable E. EBF-1 Focus Cable ACCESSORIES: XA22x7 BES A. B. C. A. A. B. C. D. E. A. B. C. D. E. DIGI ZOOM / ANALOG FO...
Page 39 - FUJINON HEADQUARTERS:; WEST; Broadcast & Communications Products Division
39 PAN & TILT Printed in the USA 4 / 2009-5M FUJINON HEADQUARTERS: NEW JERSEY – SALES & SERVICE CENTER 10 High Point Drive, Wayne, NJ 07470-7434(973) 633-5600 FAX: (973) 633-5216E-mail: [email protected] www.fujinon.com SOUTH EAST: FLORIDA – SALES 4101 No. 48th Terrace, Hollywood, FL 33...