Apple 7 - Manual

Apple 7

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Table of Contents:

  • Page 3 – Contents; Chapter 1: A First Look at Final Cut Pro; Learning About Ingesting Media and Setting Up Project
  • Page 4 – Chapter 3: Preparing Clips in the Viewer; Learning About Motion Parameter; Chapter 4: Working with the Canvas and Timeline; Learning About the Trim Edit Windo; Chapter 6: Working with Audio; Change Audio Levels over Tim
  • Page 5 – Chapter 7: Creating Voiceovers; Learning About Transition; Chapter 9: Outputting Your Finished Movie; Export a Movie in a Specific File Forma; Chapter 10: Getting Answers
  • Page 7 – A First Look at Final Cut Pro; Welcome to Final Cut Pro. If you’re new to the Final Cut Pro; If you haven’t installed Final Cut Pro yet:
  • Page 8 – Chapter 1; Opening Final Cut Pro; You’ll start by opening Final Cut Pro and creating a sample project.; To open Final Cut Pro:; Double-click the Final Cut Pro icon in your Applications folder.
  • Page 9 – When Final Cut Pro opens, your screen will look similar to this:
  • Page 10 – Explore the Browser; Getting Ready; To import sample video files:; Click the link below the description of the
  • Page 11 – To import your own video files that are already on your computer:; Navigate to the folder holding your video files.
  • Page 12 – Try This; Feel free to try out any of the following to see what happens.; Change the Browser display:; the clips around in the Browser to reposition or reorder them.; Create and work with bins:; name and press Return.; Select items in the Browser:
  • Page 13 – Create a new sequence:; tabs in the Timeline.; View additional Browser information:; Click in the Browser to close the shortcut menu.; Save changes to your project:
  • Page 14 – Explore the Viewer; Place a clip in the Viewer:; Drag Sample Clip 1 into the Viewer.; Change the display of a clip in the Viewer:
  • Page 15 – Play a clip in the Viewer:; to start and stop playing the video clip.
  • Page 16 – Navigate to specific locations in a clip:; left or right to reposition the playhead in the Viewer.
  • Page 17 – Set and work with In and Out points:; also press I or O as a clip plays to set In and Out points on the fly.)
  • Page 18 – Navigate between edit points:; playhead to the next or previous edit point.; Press the Up Arrow and Down Arrow keys to move between edit points.
  • Page 19 – Explore the Canvas
  • Page 20 – Use the Canvas to place a clip in the Timeline:; If you see a message asking if you want
  • Page 21 – Change the display of the Canvas:
  • Page 22 – Press the Space bar to start and stop playback.; Move the playhead forward or backward:
  • Page 23 – playhead in the Canvas and Timeline.; View pop-up menu again to turn off the display of overlays.
  • Page 24 – Explore the Timeline; Play and navigate within the sequence in the Timeline:
  • Page 25 – Timeline; Scroll through the sequence in the Timeline:; trackball left or right to scroll through the sequence.; Change a clip in the Timeline:
  • Page 27 – Change the Timeline track size:; Change the size of tracks by clicking the Track Height control.; Add more clips to the Timeline using the Canvas window:
  • Page 28 – Work with the Main Windows; Change the active window:; Press Command-3 to activate the Timeline.; Change the window layout for different editing purposes:; Drag the title bar of a window to change its position.
  • Page 29 – Learning About Sequences; order within a single master sequence.
  • Page 30 – Understanding the Relationship Between Clips and Media Files
  • Page 31 – Key Concepts; other device and that correspond to clips in your project.
  • Page 32 – the Viewer and then place the clip in the sequence in the Timeline.
  • Page 33 – Bringing Media into Your System; Final Cut Pro provides a variety of methods for bringing your; ingesting
  • Page 34 – Chapter 2; Explore Tape-Based Video Capture; Connect your camcorder or deck to the computer:; can control your device and capture the footage.
  • Page 35 – Create a new project to hold your video:; In the System Settings window, click Set in the Scratch Disks tab.
  • Page 36 – Select a logging bin:; Select the bin and choose File > Set Logging Bin.; Open the Log and Capture window:
  • Page 37 – Set rough In and Out points for a clip that you want to capture:; Enter a reel name or number in the Reel field.
  • Page 38 – Capture a single clip:; disk. The new clip appears in the Browser.; Log additional clips without capturing them:; increment the previously entered information by one number.
  • Page 39 – Batch capture multiple clips at once:; Capture your footage as a single clip using Capture Now:; Still Images and Other Media
  • Page 40 – Explore File-Based Video Transfer
  • Page 41 – menu. If your footage is from a high definition camcorder, choose HD.
  • Page 43 – Open the Log and Transfer window:
  • Page 44 – Locate files on mounted volumes:; ascending or descending order.
  • Page 45 – Set rough In and Out points for a clip:; adds the folder name of the mounted volume as the reel name.; Enter a short, descriptive clip name in the Clip Name field.
  • Page 46 – worthy of inclusion in your movie, select the Good checkbox.; Add a clip to the Transfer Queue:; Queue and begin transferring the file.; Once the file is transferred, the new clip appears in the Browser.
  • Page 47 – Log additional clips without immediately transferring them:; In: Import Still Images and Other Media.”
  • Page 48 – Import Still Images and Other Media; Final Cut Pro 7 User Manual; Prepare to import a still image:
  • Page 49 – Import still images into a project:; clip in the Timeline just as you can a video clip.
  • Page 50 – Import audio files into a project:
  • Page 51 – Learning About Ingesting Media and Setting Up Projects; hard disks as scratch disks to hold your media.
  • Page 52 – capture the footage to store it as media files on your hard disk. An
  • Page 53 – Ingesting
  • Page 54 – The Capture Now process begins the automatic capture of your
  • Page 55 – Preparing Clips in the Viewer; The Viewer provides efficient ways to review and edit; In this chapter, you’ll explore more of the features of the Viewer.; Get to Know the Viewer; display of your clip to match your work style.
  • Page 56 – Chapter 3; the Browser into the Viewer.
  • Page 57 – Reposition the Viewer:; Select another clip in the Browser.; Close a Viewer window:
  • Page 58 – Show the timecode overlays:; points to see how the timecode overlays change.; Turn off the display of overlays:
  • Page 59 – Change the duration of a clip by specifying a duration in timecode:
  • Page 60 – Add markers to indicate specific times in a clip:; Marker button. Set several markers to mark specific times in a clip.; Navigate between markers:; Press Shift
  • Page 61 – Change Clips in the Viewer; you display the clip in a wireframe view.; clip to a size smaller than that of the Viewer window.; Display a clip in a wireframe mode:; appears with diagonal lines across it and handles on the corners.
  • Page 62 – Reposition the clip on the screen:; image. Play the clip to see the effect of repositioning it.; Scale the display of the clip up or down on the screen:; repositioning it for display.; Rotate a clip to a different viewing angle:; Create a Title Clip; and many other display details.
  • Page 63 – Create a title clip in the Viewer:; Get to know the titling controls:; Choose a font from the Font pop-up menu.
  • Page 64 – the length of the title clip to 3 seconds.; Insert a title clip in your sequence:; to render the clips for playback.
  • Page 65 – Reposition a title on the screen:; Double-click the title clip in the Timeline to open it in the Viewer.
  • Page 66 – Superimpose a title over another clip:; Play the movie to see how the superimposed title looks.; Reposition the superimposed title to fit the background clip:; Play the movie to see the changes that you made.
  • Page 67 – Arrange a title and clip to appear side by side:; Place the playhead in the title clip in the Timeline.
  • Page 68 – Change Clips over Time; frames are called; Set keyframes and scale a clip up or down:; Sample Clip 1 in the Timeline to open it in the Viewer.
  • Page 69 – will begin to change size.
  • Page 70 – Click the Add Motion Keyframe button to set another keyframe.
  • Page 71 – Navigate between keyframes in the Viewer:; Double-click the title clip to open it in the Viewer.
  • Page 72 – effect of your change.
  • Page 73 – Rotate a clip over time:
  • Page 74 – Change a clip’s opacity over time:
  • Page 75 – to change specific parameter settings over time.
  • Page 77 – Learning About Motion Parameters; effects and impressive changes to your clips.
  • Page 79 – A Viewer display mode that shows the video content of
  • Page 81 – You use the Canvas and Timeline to build your project’s
  • Page 82 – Chapter 4
  • Page 83 – Change the window layout for a larger view of the Canvas:; Display a sequence in Image+Wireframe mode in the Canvas:
  • Page 84 – Update the Viewer to show the current frame in the Canvas:; Keep the Viewer and Canvas in sync for easy editing:; Choose Open from the Playhead Sync pop-up menu in the Canvas.
  • Page 85 – Set markers in the Timeline to mark specific points in a sequence:; current position of the playhead.; Navigate to markers in the Timeline:
  • Page 86 – Work with Tracks in the Timeline; Select clips in the Timeline:
  • Page 87 – Lock a track to keep it from changing:; again to unlock the track.; Turn a video track on or off:
  • Page 88 – Place only the video portion of a clip in a sequence:; Double-click Sample Clip 1 in the Browser to open it in the Viewer.
  • Page 89 – Place only the audio portion of a clip in a sequence:; Press the End key to move the playhead to the end of the sequence.
  • Page 90 – Add new tracks to a sequence:; the new tracks that were added.
  • Page 91 – Set a video destination track before placing clips in a sequence:
  • Page 92 – Set audio destination tracks before placing clips in a sequence:; clip’s audio is placed in the audio tracks you selected.
  • Page 93 – Edit Clips into a Sequence in the Timeline
  • Page 94 – Mark a clip in the sequence and replace it:; Move the playhead to a clip in the Timeline that you want to replace.
  • Page 95 – Place a clip so that it starts at a specific point in a sequence:
  • Page 96 – Place a clip so that it ends at a specific point in a sequence:; In the Viewer, set In and Out points in a clip.; Fill a specific segment of a sequence with a clip:; just move the playhead ahead about 10 frames.)
  • Page 97 – Sequence In and Out points:
  • Page 99 – Basic Editing; The heart of video editing involves arranging and trimming
  • Page 100 – Chapter 5; Press Control-U to choose the Standard window layout.
  • Page 101 – Drag Sample Clip 1 to the Insert section of the Canvas Edit Overlay.
  • Page 102 – locations shown below.
  • Page 103 – Drag with snapping on or off:; Select the Slide tool in the Tool palette.; Before edit; Press N to turn snapping off so that you can make fine adjustments.
  • Page 104 – Position the pointer over Sample Clip 2 in the sequence.; Move an edit point between clips to change where a cut occurs:; Select the Roll tool in the Tool palette.; You use the Roll tool to move an edit point forward or backward.; Click an edit point on either end of Sample Clip 2 to select it.
  • Page 105 – Change a clip’s In or Out point without leaving gaps:; Select the Ripple tool in the Tool palette.
  • Page 106 – Slip a clip’s content within the current sequence In and Out points:; Select the Slip tool in the Tool palette.; that leave extra media on the ends of the clip.
  • Page 107 – Make Simple Split Edits and Cutaways; clip’s audio and video items different In points or Out points.
  • Page 109 – You can now change the audio and video items of a clip separately.; Press R to select the Roll tool.; you see in the illustration below.
  • Page 110 – way to check your work.
  • Page 111 – Experiment with setting up split edits.; Add a short cutaway shot to a sequence:; shown below, and press I to set an In point.
  • Page 112 – controls, so that only the clip’s video is placed in the Timeline.
  • Page 113 – Learning About the Trim Edit Window; process of trimming clips using the Trim Edit window.
  • Page 115 – Changes the portion of the clip’s media seen in the sequence, but the
  • Page 117 – Working with Audio; Final Cut Pro provides easy methods for editing and changing
  • Page 118 – Chapter 6; Work with a Clip’s Audio in the Viewer; clip items to change the balance between speakers.
  • Page 119 – portions of a clip’s audio.; Name the sequence “Adjusting Audio” and press Return.
  • Page 120 – Set up for working with audio:
  • Page 121 – Play an audio clip in the Viewer:; Scrub audio forward or backward:; Choose View > Audio Scrubbing to turn on audio scrubbing.
  • Page 122 – Change a clip’s audio level using the Audio Mixer:; the audio backward and forward, and press K to stop playback.
  • Page 123 – Change a clip’s audio level using the Level slider in the Viewer:; Change a clip’s pan using the Viewer’s Pan slider:; you play your audio clip.
  • Page 124 – Add markers during playback:; Remove all markers from a clip:
  • Page 125 – Change Audio Levels over Time
  • Page 126 – Increase a clip’s audio level over time using keyframes:; first frame of the clip.; level, similar to the playhead position shown below.
  • Page 127 – position of the playhead.
  • Page 128 – Decrease the audio level over time using keyframes:; somewhere near the end of the clip.; reach a minimum level.
  • Page 129 – Play the clip to hear how the audio fades over time.
  • Page 130 – Edit a sound using keyframes:
  • Page 131 – Level Keyframe button to add a keyframe.
  • Page 132 – Play the clip from the beginning to hear how the audio drops out.; Quickly add keyframes:; and dragging the Level slider to change the audio level.
  • Page 133 – Quickly navigate between keyframes:
  • Page 134 – Work with Audio Tracks in the Timeline
  • Page 135 – Click in the Timeline to make it active, then press Home.; Select a clip’s audio items:; Sample Clip 1 to select just the audio clip items.
  • Page 136 – Delete a clip’s audio:; Choose Show Audio Waveforms from the Track Layout pop-up menu.
  • Page 137 – Display audio level overlays:; Move an audio clip in the Timeline:
  • Page 138 – Change audio over time by adjusting keyframes in the Timeline:; or down to balance and adjust the audio output levels of the tracks.
  • Page 139 – Balance the overall audio level of a sequence in the Timeline:; Position the Timeline playhead over the audio clip items.
  • Page 140 – Clip Overlays control:
  • Page 141 – Creating Voiceovers; Final Cut Pro provides the Voice Over tool for recording
  • Page 142 – Chapter 7
  • Page 143 – Open the Voice Over tool:; Choose Tools > Voice Over to open the Voice Over tool.; Specify microphone settings in the Voice Over tool:
  • Page 144 – Specify a clip name for the first voiceover clip:; Type a name for your voiceover audio clip in the Name field.; Set an audio destination track for your voiceover clip:; destination track for your voiceover clips.
  • Page 145 – Turn off audio playback for the sample clip in the Timeline:; headphones and won’t be picked up by your microphone.
  • Page 146 – Listen to the new voiceover clip:; Discard a new voiceover audio clip that isn’t acceptable:
  • Page 147 – Record multiple voiceover clips, one after another:; Click the Record button and record a clip.
  • Page 148 – Record multiple takes of a voiceover clip:
  • Page 149 – Delete takes that you don’t want:; Click a take to select it in the Timeline, then press Delete.
  • Page 150 – You can use the Voice Over tool to record narration or sounds to
  • Page 151 – Adding Video Filters and Transitions; You can add professional touches to your movie by applying; to call attention to changes.
  • Page 152 – Chapter 8; Apply Filters to Clips
  • Page 153 – Name the sequence “Filters” and press Return.; Apply a Sepia filter to a clip in a sequence:; Viewer to see the Sepia filter controls.
  • Page 154 – Adjust the Sepia filter for a clip:; Remove a filter from a clip:
  • Page 155 – Apply a Color Tint filter to a clip:
  • Page 156 – Change a filter over time using keyframes:; Click the Keyframe button to add another keyframe.
  • Page 157 – Make Simple Color Corrections; in the Color Corrector 3-way tab in the Viewer.
  • Page 158 – Apply the Color Corrector 3-way filter to a clip in a sequence:
  • Page 159 – Add Transitions Between Clips; Name the sequence “Transitions” and press Return.
  • Page 160 – these unused frames, called a
  • Page 161 – point similar to the ones you see in the illustration.
  • Page 162 – Add a clip with a transition to a sequence:; Play the sequence to see the transition that you added.
  • Page 163 – Click the transition in the Timeline to select it.; Add a transition to an edit point:; Play the sequence to see the transition.; Apply a different transition to a cut:; Click the cross dissolve transition to select it.
  • Page 164 – Get to know the available video transitions:; Select the transition in the Timeline.; Apply transitions from the Effects tab:; Click the Effects tab in the Browser window.
  • Page 165 – Learning About Transitions
  • Page 168 – handles
  • Page 171 – Outputting Your Finished Movie; After you’ve completed editing your movie, you have
  • Page 172 – Chapter 9; Create a QuickTime Movie; Export your sequence as a QuickTime movie:; Type a filename for your movie in the Save As field.
  • Page 173 – Export a Movie in a Specific File Format; specific format or use, such as for streaming from a website.
  • Page 174 – Export your sequence for display on iPod:; destination for the output media file.
  • Page 175 – Export your sequence for display on YouTube:; Type a filename in the Filename field.
  • Page 176 – Export a streaming sequence suitable for viewing on a website:; A self-contained QuickTime movie includes all the
  • Page 177 – Getting Answers; Now that you’ve been introduced to Final Cut Pro, you probably; Use Final Cut Pro Help to find the answers you need.; Explore Final Cut Pro Help; Open the Final Cut Pro User Manual:
  • Page 178 – Chapter 10; supported by Final Cut Pro:; Formats and Workflows. Browse topics that interest you.; Search for Apple service and support information:; the list of additional resources. Browse topics that interest you.
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Final Cut Pro 7

Exploring Final Cut Pro

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Summary

Page 3 - Contents; Chapter 1: A First Look at Final Cut Pro; Learning About Ingesting Media and Setting Up Project

Contents 3 7 Chapter 1: A First Look at Final Cut Pro 8 Opening Final Cut Pro 10 Jump In: Explore the Browser 14 Jump In: Explore the Viewer 19 Jump In: Explore the Canvas 24 Jump In: Explore the Timeline 28 Jump In: Work with the Main Windows 29 Learning About Projects, Sequences, Clips, and Media ...

Page 4 - Chapter 3: Preparing Clips in the Viewer; Learning About Motion Parameter; Chapter 4: Working with the Canvas and Timeline; Learning About the Trim Edit Windo; Chapter 6: Working with Audio; Change Audio Levels over Tim

4 Contents 55 Chapter 3: Preparing Clips in the Viewer 55 Jump In: Get to Know the Viewer 61 Jump In: Change Clips in the Viewer 62 Jump In: Create a Title Clip 68 Jump In: Change Clips over Time 77 Learning About Motion Parameter s 79 Key Concepts 81 Chapter 4: Working with the Canvas and Timeline ...

Page 5 - Chapter 7: Creating Voiceovers; Learning About Transition; Chapter 9: Outputting Your Finished Movie; Export a Movie in a Specific File Forma; Chapter 10: Getting Answers

Contents 5 141 Chapter 7: Creating Voiceovers 141 Jump In: Add Voiceover Clips 150 Key Concepts 151 Chapter 8: Adding Video Filters and Transitions 152 Jump In: Apply Filters to Clips 157 Jump In: Make Simple Color Corrections 159 Jump In: Add Transitions Between Clips 165 Learning About Transition ...

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