Page 2 - IMPORTANT SAFETY INSTRUCTIONS
CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, w...
Page 5 - IMPORTANT NOTES; Power Supply
5 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2, 3 and 4, please read and observe the following: Power Supply 301 • Do not use this unit on the same power circuit with any device that will generate line noise (such a...
Page 6 - Contents
6 Contents USING THE UNIT SAFELY .............................................................3 IMPORTANT NOTES .......................................................................5 Panel Descriptions ....................................................7 Front Panel .................................
Page 7 - Panel Descriptions; Front Panel; Recorder; Rear Panel
7 Panel Descriptions Front Panel 1 [Power] switch Turns the power on/off (p. 9). 2 [Volume] knob Adjusts the overall volume level (p. 9). 3 [Brilliance] button Adjusts the tone brightness (p. 9). 4 [Transpose] button Transposes the pitch of the keyboard (p. 17). 5 [Split] button Divides the keyboard...
Page 8 - Before You Start Playing; Connect the Pedal Cable; Setting Up the Music Stand; Opening/Closing the Lid; Connecting Headphones; Some notes on using headphones
8 Before You Start Playing Connect the Pedal Cable Insert the pedal cable into the Pedal jack on the rear panel of the HP-2. fig.00-01 Connect the Power Cord Insert the included power cable into the AC inlet on the bottom panel of the HP-2, and then plug it into an electrical outlet. NOTE Be sure to...
Page 9 - Turning the Power On and Off; Adjusting the Sound’s; About the Pedals; About the adjuster
9 Before You Start Playing Turning the Power On and Off NOTE Turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. To turn the power on, turn the [Volume] knob all the way down...
Page 10 - Enjoying the Internal Songs; Listening to Internal Songs; Playing Back All Songs Continuously (All Song Play); Selecting a Song and Playing It; Choosing the song to play back; Playing back; Stopping the playback
10 Chapter 1. Enjoying the Internal Songs Listening to Internal Songs The HP-2 comes with 65 piano songs onboard. ■ Playing Back All Songs Continuously (All Song Play) The internal songs can be played back consecutively. fig.panel1-1 1 Hold down the [Song/Tempo] button, and press the [Play] button. ...
Page 11 - Chapter 2. Performance; Performing with a Variety of Sounds; Selecting a tone group
11 Chapter 2. Performance Performing with a Variety of Sounds The HP-2 contains 20 different internal tones. The tones are organized into five tone groups, which are assigned to the Tone buttons. fig.panel2-1 Selecting a tone group 1 Press any Tone button. The indicator of the button you pressed wil...
Page 12 - Playing Two Sounds Together; Simultaneously press the two Tone buttons that you want to play; To change the tone of the right button of the two selected tones
12 Chapter 2. Performance Playing Two Sounds Together (Dual Play) Simultaneously playing two tones when one key is pressed is called “Dual play.” 1 Simultaneously press the two Tone buttons that you want to play together. The indicator of the button you pressed will light. When you play the keyboard...
Page 13 - Playing Different Tones with the Left; Changing tone played by the left hand; Changing tone played by the right hand
13 Chapter 2. Performance Playing Different Tones with the Left and Right Hands (Split Play) Dividing the keyboard into right-hand and left-hand areas, then playing different sounds in each is called “Split play.” The boundary key is called the “split point.” fig.splitpoint.e fig.panel2-3 1 Press th...
Page 14 - Changing the Keyboard’s Split Point; to specify as the split point.; Using Metronome; Sounding the Metronome; Sounding the metronome; Changing the tempo
14 Chapter 2. Performance ■ Changing the Keyboard’s Split Point You can change the location where the keyboard is divided (the split point) within the range of B1 through B6. 1 While continuing to hold the [Split] button, press the key that you want to specify as the split point. The key you pressed...
Page 15 - Changing the beat of metronome; Changing the Metronome Volume
15 Chapter 2. Performance Changing the beat of metronome 3 Press the [Beat] button. The currently selected beat will be displayed. 4 Press the [+] or [-] button. If you press the [+] or [-] button, the beat will change. If you press the [+] and [-] buttons simultaneously, the beat will go back to wh...
Page 16 - Applying Effects to the Sound; Adding Reverberation to the Sound (Reverb); Changing the depth of the reverb effect
16 Chapter 2. Performance Applying Effects to the Sound fig.panel2-5 ■ Adding Reverberation to the Sound (Reverb) By applying the reverb effect you can produce a pleasant reverberation, making it sound as though you were performing in a concert hall. 1 Press the [Reverb] button. The button’s indicat...
Page 17 - Transposing the Key of the Keyboard; Continue to hold down the [Transpose] button, and press a note to
17 Chapter 2. Performance Transposing the Key of the Keyboard (Transpose) By using the “Transpose function,” you can transpose your performance without changing the notes you play. For example, even if the song is in a difficult key with numerous sharps ( ) or flats ( ), you can transpose it to a ke...
Page 18 - Adjusting the Keyboard Touch
18 Chapter 2. Performance Adjusting the Keyboard Touch (Key Touch) You can adjust the touch (playing feel) of the keyboard. fig.panel2-7 1 Press the [Key Touch] button. The button’s indicator will light, and the feel of the keyboard will change. Each time you press the [Key Touch] button, the button...
Page 19 - Playing Along with the Internal Songs; Changing the Tempo
19 Chapter 3. Playing Along with the Internal Songs Here’s how you can play along with the internal songs. You can slow down the playback tempo of the song, or play back each hand separately. Before you try playing the song, listen to it several times to get a general feel for the song. For details ...
Page 20 - Chapter 3. Playing Along with the Internal Songs; Playing Each Hand Separately; Selecting the part that you yourself will play
20 Chapter 3. Playing Along with the Internal Songs Playing Each Hand Separately The internal songs allow you to select the performance part that will be played back. The left-hand performance of the internal songs is assigned to the [1] button, while the right-hand performance is assigned to the [2...
Page 21 - Chapter 4. Recording Your Performance; Notes Regarding Recording
21 Chapter 4. Recording Your Performance You can easily record your performances. A recorded performance can be played back to hear your own playing, or to add additional parts. The following types of recording can be done using the HP-2. • Recording just your own keyboard performance ( → “Recording...
Page 22 - Recording a New Song; Specifying the tone and tempo for recording; Stop recording
22 Chapter 4. Recording Your Performance Recording a New Song Record only the keyboard performance without playing along with an internal song. fig.panel4-1 Recording settings (select “USr”) 1 Press the [Song/Tempo] button, getting its indicator to light in red. The song number appears in the displa...
Page 23 - Recording Along with a Song; Selecting the song to record; Selecting the track to record
23 Chapter 4. Recording Your Performance Recording Along with a Song You can record a performance that you play along with an internal song. Using the [1] or [2] buttons, you can (for example) perform and record just the right- hand part of a song while listening to the left-hand playback of an inte...
Page 24 - Selecting and Recording the Track for Each
24 Chapter 4. Recording Your Performance Selecting and Recording the Track for Each Hand Separately The recorder of the HP-2 has two recording tracks, allowing you to record the right and left hands separately. Use the [1] button or [2] button to specify the recording track. If you want to re-do the...
Page 25 - Erasing Recorded Performances; Erasing a Performance from the Specified Track; Erasing a Song
25 Chapter 4. Recording Your Performance Erasing Recorded Performances You can erase a recorded performance. ■ Erasing a Performance from the Specified Track You can select a recorded track and erase it. 1 Hold down either the [1] or [2] button and press the [Rec] button. The indicator of the button...
Page 26 - Chapter 5. Changing Various Settings; Changing the Damper; How to enter function mode; How to exit function mode
26 Chapter 5. Changing Various Settings Changing the Damper Pedal’s Resonance On an acoustic piano, depressing the damper pedal makes the notes you play resonate with other strings, adding rich reverberations and fatness to the sound. The damper pedal on the HP-2 recreates this resonance (sympatheti...
Page 27 - Changing the Temperament; Tonic
27 Chapter 5. Changing Various Settings ■ Tuning to Other Instruments’ Pitches (Master Tuning) In situations such as when playing ensemble with other instruments, you can tune the HP-2’s reference pitch to the pitch of another instrument. The standard pitch generally refers to the pitch of the note ...
Page 28 - Preventing the Settings from; Disabling Everything Except; Disabling the Buttons When
28 Chapter 5. Changing Various Settings ■ Setting the Tuning Curve (Stretch Tuning) A piano is generally tuned to a pitch with a lower bass range and a higher treble range than equal temperament. This special tuning method for pianos is called “Stretch Tuning.” If you press the [Harpsichord] button ...
Page 29 - Chapter 6. Connecting External Devices; Connecting to Audio Equipment; Connecting to a Computer; Connection Examples
29 Chapter 6. Connecting External Devices Connecting to Audio Equipment You can connect audio devices to play the sound of the HP-2 through the speakers of your audio system, or to record your performance on a tape recorder or other recording device. When connecting, please use an audio cable with a...
Page 30 - Connecting MIDI Devices; Making MIDI-related Settings
30 Chapter 6. Connecting External Devices Connecting MIDI Devices By connecting an external MIDI device and exchanging performance data, you can control the performances on one device from the other. For instance, you can output sound from the other instrument or switch tones on the other instrument...
Page 31 - MIDI Send Channel Settings
31 Chapter 6. Connecting External Devices ■ MIDI Send Channel Settings MIDI features sixteen MIDI channels, numbered 1–16. Simply connecting a cable is not enough for communication to take place. The connected devices must be set to use the same MIDI channels. Otherwise, no sound will be produced, a...
Page 32 - Troubleshooting
32 Troubleshooting If you think there’s a problem, read this first. Case Cause/Remedy The power doesn’t come on Is the power cord connected and plugged in correctly? (p. 8) The button doesn’t work Is the panel locked? (p. 28) Turn the power off, then back on. No sound is heard Is the volume level of...
Page 33 - Appendices; Error Messages/Other Messages
33 Appendices In the upper range, the sound changes abruptly beyond a certain key On an acoustic piano, notes in the upper one and a half octaves of the keyboard continue to sound until they decay naturally, regardless of the damper pedal. There is a difference in the timbre as well. Roland pianos f...
Page 34 - Tone List
34 Tone List * A+B: simultaneously playing two tones You can change the volume balance between the two tones, refer to “Adjusting the Volume Balance in Dual Play (Dual Balance)” (p. 12). A/B: A, the right-hand tone; and B, the left-hand tone in Split play [Split] Off [Split] On Button name [Variatio...
Page 35 - Internal Song List
35 Internal Song List Song No. Song Name Composer Copyright d. 1 1ére Arabesque C. Debussy © 1995 Roland Corporation d. 2 Late Night Chopin F. Chopin/Arranged by John Maul © 2002 Roland Corporation d. 3 Sonate für Klavier No. 15 W. A. Mozart © 1996 Roland Corporation d. 4 Fly Free J. Maul © 1998 Rol...
Page 37 - Easy Operation List
37 Easy Operation List No. You want to Buttons Page Press the [ (Metronome)] and [Beat] buttons simultaneously, and press the [ ● ] button. Master Tuning [ (Metronome)]+ [Beat] → [Piano] p. 27 Selecting a temperament Specifying the keynote [ (Metronome)] + [Beat] → [E. Piano] → [E. Piano] + key p. 2...
Page 38 - DIGITAL PIANO; MIDI Implementation Chart
38 Appendices Function... BasicChannel Mode NoteNumber : Velocity AfterTouch Pitch Bend ControlChange ProgChange System Exclusive SystemCommon SystemReal Time AuxMessage Notes Transmitted Recognized Remarks DefaultChanged DefaultMessagesAltered True Voice Note ONNote OFF Key’sCh’s 6, 38 7 1164666791...
Page 39 - Main Specifications
39 Main Specifications * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice. Keyboard Keyboard 88 keys Progressive Hammer Action Keyboard Touch Sensitivity Preset 4 levels Keyboard Modes Whole, Dual (adjustable dual ba...
Page 40 - Index
40 Index A AC inlet ............................................................................. 8Adjuster ............................................................................ 9All Song Play .................................................................. 10Audio Equipment ..................
Page 41 - MEMO
Page 42 - Information
Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of November 1, 2003 (Roland) ARGENTINA Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos AiresARGENTINATEL: (011) 4508-2700 BRAZIL Roland Bra...
Page 43 - NOTICE; FEDERAL COMMUNICATIONS COMMISSION
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les...