Denon AVR-3806 - Manual

BUYER’S GUIDE PLUS:

A/V RECEIVERS

D

enon A/V receivers are known
for delivering genuine techno-
logical advancements, not

whoopee-cushion gimmickry, and the
mid-priced AVR-3806 is no exception.
With the addition of XM capability,
HDMI v.1.1 switching with analog
source/video upconversion and HDCD
decoding, this 120Wpc 7.1-channel
receiver easily trumps its overachieving
forbear, the AVR-3805.

1

The 3806

also features Audyssey Lab’s MultiEQ
XT auto-setup/room EQ system—tech-
nology previously reserved for elite,
premium-priced components.

2

Sonically, the AVR-3806 did not dis-

appoint. Credit Denon’s performance-
oriented P

URE

D

IRECT

mode, which

bypasses all unnecessary video and
audio circuitry. The Denon also caters
to audiophiles by allowing reassign-
ment of unused surround back chan-
nels for biamping duties up front.

The AVR-3806’s voicing was similar

to that of Denon’s earlier 2805, strong-
ly midrange-oriented, infused with rich
textures, and possessed of a darker
overall personality. Treble was lightly
rolled off, resulting in reduced high-fre-
quency “air” and slightly narrowed
soundstages. Nevertheless, orchestral
harmonics were well preserved and
sibilance was held in check. Where the
AVR-3806 distanced itself was in bass
extension, offering slam that left the

2805 gasping for air in comparison.
Even so, the 3806 gave up some control
and definition when pressed hard. On
Bryn Terfel’s rendition of “Il Mio Cuore
Va” [

Sings Favourites

: DG], the largest

bass drum crescendos demonstrated an
exaggerated roundedness that under-
mined the drum’s native timbre.

Most auto-setup/EQ protocols leave

me cold, but the Audyssey system is
one I’m inclined to use. The key differ-
ence is that Audyssey takes measure-
ments at multiple listening positions,
collecting both time delay and frequen-
cy information. Crunching that data,
Audyssey compensates for room/
speaker interactions, setting specific
EQ curves and crossover points for
each speaker. The result: an enhanced
sweet spot for all listening positions.
On James Taylor’s

Live at the Beacon

Theater

the before/after comparison

was startling. Image focus, soundstage
width, and soundspace continuity were
markedly improved, and center chan-
nel information was more stable and
better integrated. On a sound effects

tour de force

such as

King Kong

, there

was not only greater energy but
improved low level detail and a far
greater sense of envelopment.

The Denon AVR-3806 is a sweet

combination of innovation, perform-
ance, and value. And I can’t say enough
about MultiEQ XT from Audyssey

Labs. It adds to the home theater expe-
rience immeasurably, proving once
again that Denon knows the difference
between gimmicks and genuine
advancements to the art of surround
sound.

6 8

The Perfect Vision

❘

MAY / JUNE 2006

SUR

VEY

Denon AVR-3806 7.1-channel

A/V Receiver

This AVR’s advanced auto EQ system puts every seat in the sweet spot. —

by Neil Gader

• Smooth, midrange-oriented
voicing
• HDMI support
• Value
• Audyssey MultiEQ XT system
really works

• Bass loses some control and
definition when the receiver is
pushed hard.

The Last Word

Specifications

Denon AVR-3806
7.1-ch

a

nnel A/V Receiver,

$1299

• Dimensions: 17.1" x 6.7" x 16.9"
• Weight: 38 lbs

Denon Electronics (USA), Llc.

(973) 396-0810
www.usa.denon.com

Manufacturer Information

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Sound Quality, Music

Value for Money

User Inter face/Ease of Use

Sound Quality, Film

1

. An iPod docking station for the AVR-3806 will be offered later this year.

2

. Audyssey’s MultiEQ XT system debuted on Denon’s then flagship AVR-5805.

$800-$2000