Page 2 - SRM SERIES STEREO MIC/LINE MIXERS; C O N T E N T S
2 SRM SERIES STEREO MIC/LINE MIXERS SRM-12X & SRM-14X Congratulations on your choice of mixers — you have pur-chased one of the finest compact mixing consoles on themarket today. This unit was developed using the expertise ofprofessional sound engineers and working musicians. Youwill find that y...
Page 4 - F E A T U R E S
F E A T U R E S 4 SRM SERIES STEREO MIC/LINE MIXERS The SRM-12X and SRM-14X are the ultimate value in compact professional stereo mic/line mixers. Rackmounted (withsupplied rack ears) or as compact desk consoles, these high quality units are perfect for home and project studios,live club main and mo...
Page 5 - I N S TA L L AT I O N
5 I N S TA L L AT I O N To ensure years of enjoyment from your NADY AUDIO SRM Series mixing console, please read and understand this manualthoroughly before using the unit. 1. INSPECTION Your NADY AUDIO SRM-12X/14X was carefully packedat the factory in packaging designed to protect the unitsin shipm...
Page 6 - C O N T R O L S A N D C O N N E C T I O N S; MONO INPUT SECTION
(29) INSERTSChannels 1-4 (SRM-12X) and 1-6 (SRM-14X) are equippedwith rear panel insert jacks to connect external signal proces-sors, such as compressors, noise reduction systems, oreffects devices, to the individual input channels. Insert pointsare useful for adding dynamic processing or equalizati...
Page 8 - STEREO INPUT SECTION
C O N T R O L S A N D C O N N E C T I O N S 8 2. STEREO INPUT SECTION (15A) L (MONO) LINE INPUTOn stereo input channels 5-12 (SRM-12X) or 7-14 (SRM-14X), the 1/4" line inputs are designed for stereo or monoline-level signals such as those from keyboards, drummachines, CD players, tape decks, or ...
Page 11 - C O N N E C T I O N S
C O N N E C T I O N S This NADY AUDIO console uses 4 different types of audio connectors for the various input/output connections: (1) XLR bal-anced; (2) 1/4" TRS phone jacks for balanced, unbalanced, stereo, or in/out inserts; (3) 1/4" TRS unbalanced; (4) RCApin unbalanced 1 2 3 2 1 3 Figur...
Page 12 - S P E C I F I C A T I O N S
S P E C I F I C A T I O N S 3. FREQUENCY RESPONSE ANY INPUT TO ANY OUTPUT ....................20 Hz to 20 KHz =/- 3dB @ 0 dBm 4. TOTAL HARMONIC DISTORTION ANY INPUT TO ANY OUTPUT ..............0.02%, 20 Hz-20 KHz @ 1Khz, 0 dBm 5. INPUT CHANNEL EQUALIZATION High shelving ....................12 kHz, +...
Page 13 - B L O C K D I A G R A M
Page 14 - N O T E S