Nady SPM-835 - Manuals - manualsarea.com

Page 2 - CHANNEL STEREO POWERED MIXER; C O N T E N T S

2 SPM-835 8 CHANNEL STEREO POWERED MIXER Congratulations! You have just purchased one of the finest compact poweredmixers on the market today. This mixer was developed usingthe expertise of professional sound engineers and workingmusicians. You will find your new NADY AUDIO mixer hassuperior perform...

Page 4 - F E A T U R E S

F E A T U R E S 4 An ultra-compact 35W/channel stereo powered mixer offering top audio performance and exceptional flexibility –perfect for many small venue live sound reinforcement applications. • Full frequency response, and low noise with a wide dynam- ic range assures natural transparent audio •...

Page 5 - I N S TA L L AT I O N; SETUP AND OPERATION

5 I N S TA L L AT I O N To ensure years of enjoyment from your NADY AUDIO SPM-835 powered mixer console, please read and understand thismanual thoroughly before using the unit. 1. INSPECTION Your NADY AUDIO SPM-835 was carefully packed at the factory in packaging designed to protect the units in shi...

Page 6 - C O N T R O L S A N D C O N N E C T I O N S; MONO INPUT SECTION

C O N T R O L S A N D C O N N E C T I O N S 6 1. MONO INPUT SECTION (1) MIC INPUTThe Mic input is an electronically balanced XLR type designedto accept signals from any balanced low impedance (Low Z)microphone. To accommodate condenser microphones, thisinput is also equipped with +48VDC phantom powe...

Page 7 - STEREO INPUT SECTION

(9) LINE/PHONO INPUT SELECT SWITCHPlace this switch in the “up” position for line level inputs suchas from instruments, CD, players, tape machines, DATplayers, etc. Press the switch to the “down” position for aphono level input such as a DJ turntable. (10) TRIMThe trim control for the stereo input c...

Page 11 - C O N N E C T I O N S

C O N N E C T I O N S This NADY AUDIO powered mixer uses 4 different types of audio connectors for the various input/output connections: (1) XLRbalanced; (2) 1/4” TRS phone jacks for balanced, unbalanced, stereo, or in/out inserts; (3) 1/4” TS unbalanced; (4) RCA pin unbalanced 1 2 3 2 1 3 Figures 1...

Page 12 - T Y P I C A L U S E S A N D I N S T A L L A T I O N S; PRESENTATIONS

12 T Y P I C A L U S E S A N D I N S T A L L A T I O N S PRESENTATIONS SMALL P.A.

Page 13 - MULTIMEDIA

13 T Y P I C A L U S E S A N D I N S T A L L A T I O N S REHEARSALS &RECORDING toPORTASTUDIO MULTIMEDIA OUTDOOR EVENT

Page 14 - S P E C I F I C A T I O N S; TOTAL HARMONIC DISTORTION; FREQUENCY RESPONSE; POWER REQUIREMENTS

S P E C I F I C A T I O N S 1. POWER OUTPUTS (R.M.S) 70 Watts (35W + 35W) /4 Ω x 2 0.1% (T.H.D) @ 1KHz 2. TOTAL HARMONIC DISTORTION Main Amp ≤ 0.05% @1KHz Mic Ch ~ Main Amp ≤ 0.1% @1KHz 3. FREQUENCY RESPONSE ± 3dB, 20Hz ~ 20KHz @ 1W/4 Ω (Speaker Output) ± 3dB, 20Hz ~ 20KHz @ +4dB/10 Ω (Mixer Stereo ...

Page 15 - B L O C K D I A G R A M