AGFA 3.6 - Manual

AGFA 3.6

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Table of Contents:

  • Page 2 – Trademarks; I m p o r t a n t t i p s g i v e y o u i m p o r t a n t a d d i t i o n a l i n f o r m a t i o n .
  • Page 3 – License Agreement; L i c e n s e A g r e e m e n t
  • Page 4 – . ( a ) Y o u a r e g r a n t e d a n o n - e x c l u s i v e l i c e n s e ( “ t h e L i c e n s e ” ) t o u s e t h e
  • Page 5 – T e r m
  • Page 6 – G e n e r a l
  • Page 7 – C o n t e n t s
  • Page 11 – Preface; A b o u t F o t o L o o k
  • Page 12 – About Fotolook; T F S
  • Page 13 – What’s New; G e n e r a l i m p r o v e m e n t s :
  • Page 14 – About the Documentation; A l l t h e p r o c e d u r e s f r o m c h a p t e r 4 t o c h a p t e r 8 a r e w r i t t e n f o r t h e
  • Page 15 – C a u t i o n
  • Page 16 – Chapter 1 — Fotolook Reference
  • Page 17 – Introduction; I n t e r a c t i v e; W o r k F l o w; FotoLook; Interactive
  • Page 18 – Interactive Mode; G r a d a t i o n
  • Page 19 – Overview Scan Phase; Preview Scan Phase; N o t e : Y o u c a n p r e s s t h e T a b k e y t o t o g g l e b e t w e e n t h e O v e r v i e w a n d
  • Page 20 – Final Scan Phase; T h e S c a n d i a l o g b o x c l o s e s .
  • Page 21 – Production Mode; d i a l o g b o x . I n P r o d u c t i o n m o d e , y o u c a n o n l y
  • Page 22 – Image Area; T h e o v e r v i e w a n d p r e v i e w s c a n a r e d i s p l a y e d i n t h e i m a g e a r e a .
  • Page 23 – N o t e : C l i c k i n g t h e u n i t s c h a n g e s t h e u n i t s e l e c t i o n i n t h e
  • Page 24 – Selection Coordinates
  • Page 25 – Original; R e f l e c t i v e; T r a n s p a r e n t; C h a p t e r 3 , “ S c a n n i n g R e f l e c t i v e a n d T r a n s p a r e n t O r i g i n a l s ”; T r a n s p a r e n c y G a m m a
  • Page 26 – N e g a t i v e; N o t e : S e e a l s o; N e g a t i v e F i l m T y p e s; T h e F i l m T y p e f u n c t i o n e n s u r e s t h a t t h e c o l o r m a s k
  • Page 27 – C u s t o m F i l m T y p e; C h a p t e r 4 , “ S c a n n i n g N e g a t i v e O r i g i n a l s; N e g a t i v e F i l m T y p e s : b l a c k - a n d - w h i t e o r i g i n a l s
  • Page 28 – Scan Area; Save Current Position; P r e v i e w P o s i t i o n
  • Page 29 – F o r e x a m p l e :
  • Page 30 – F o c u s D i s t a n c e
  • Page 31 – M o d e; G r a y - S c a l e M o d e; D i s p l a y s t h e
  • Page 32 – G r a y - S c a l e C o n v e r s i o n s a n d C o r r e c t i o n s
  • Page 33 – D e s t i n a t i o n
  • Page 34 – Color RGB Mode; C h a p t e r 2 , “ P r o f i l e S e t u p ”; P r o f i l e S e t u p d i a l o g b o x
  • Page 35 – D i s p l a y; E x p a n d e d m o d e
  • Page 36 – F l o a t i n g; Color CMYK Mode; P r o f i l e s S e t u p
  • Page 37 – Color Lab Mode; o f a
  • Page 38 – O p t i o n s > G e n e r a l
  • Page 39 – a . F i x e d s c a l e f a c t o r .
  • Page 40 – f i x e d s c a l e
  • Page 41 – R e s o l u t i o n m o d e
  • Page 42 – G r a d a t i o n ...
  • Page 43 – Gradation Editor; I f y o u c l i c k G r a d a t i o n , t h e G r a d a t i o n E d i t o r a p p e a r s .
  • Page 44 – R a n g e ...; C h a p t e r 6 , “ R a n g e ”
  • Page 45 – Manual Scan Range Dialog Box; D m i n; Threshold Dialog Box; t h r e s h o l d
  • Page 46 – Range Dialog Box; R a n g e : R e f l e c t i v e a n d T r a n s p a r e n t
  • Page 47 – T o s e t A u t o m a t i c R a n g e .
  • Page 48 – R G B E d i t S p a c e
  • Page 49 – C M Y K E d i t S p a c e
  • Page 50 – G r a y - S c a l e m o d e
  • Page 51 – R a n g e : N e g a t i v e; S e t s a w h i t e p o i n t .
  • Page 52 – C u r v e s ...
  • Page 53 – Curve Editor; R G B m o d e; . C l i c k t h e a r r o w s t o s w i t c h
  • Page 54 – C M Y K m o d e
  • Page 55 – N o t e : W h e n y o u a r e w o r k i n g i n
  • Page 56 – Selective Color Correction Dialog Box
  • Page 57 – 0 . T h e c o l o r b o x o f t h e
  • Page 58 – M a n i p u l a t i n g t h e c o l o r p a i r l i s t
  • Page 60 – M a n i p u l a t i n g t h e c o l o r p a i r l i s t; A d d i n g a c o l o r p a i r
  • Page 61 – D e s c r e e n ...; Descreen Dialog Box; I n t h i s w i n d o w y o u c a n e n t e r a v a l u e i f y o u k n o w t h e e x a c t
  • Page 62 – S h a r p e n i n g; W i t h t h e S h a r p e n i n g W i z a r d y o u c a n e i t h e r :; Default Settings; N o n e
  • Page 63 – Amount of Sharpness
  • Page 64 – Advanced Parameters; C l i c k t h e S h a r p e n b u t t o n .
  • Page 65 – l o w c o n t o u r l i m i t v a l u e; Black point
  • Page 67 – P r o t e c t D a r k A r e a s
  • Page 68 – Saving your Settings; C l i c k S a v e i n t h e S h a r p e n d i a l o g B o x .; Information Field
  • Page 69 – Info Dialog Box; C o m m e n t
  • Page 70 – Options; t h e i n p u t s e l e c t i o n i n t h e i m a g e a r e a
  • Page 71 – S c r a t c h d i s k; S e t t i n g s; f o l d e r
  • Page 72 – p o s t e r i z a t i o n
  • Page 73 – Work Flow; I n t h e W o r k F l o w d i a l o g b o x y o u c a n c h o o s e w h i c h t y p e o f w o r k f l o w (; I n t h e m a i n d i a l o g b o x , y o u c a n t o g g l e b e t w e e n; B e h a v i o r s
  • Page 74 – Floating Palette; C o l o r R G B
  • Page 75 – T h e O u t p u t v a l u e s a r e e x p r e s s e d i n t h e R e a d - o u t s p a c e ( u s u a l l y; Adjusting the Sample Size
  • Page 76 – Watchpoint Window; N o t e : T h e W a t c h p o i n t w i n d o w i s o n l y v i s i b l e i n I n t e r a c t i v e m o d e .
  • Page 78 – Z o o m; I n t h e; Preview Position; d e f a u l t B a t c h f o l d e r
  • Page 80 – Chapter 2 — Profile Setup
  • Page 81 – About Color Management; L a b m o d e; What is ColorTune; C o l o r T u n e o f f e r s y o u d i f f e r e n t t o o l s t o w o r k w i t h P r o f i l e s :
  • Page 82 – Calibrating your Monitor; g a m u t; M a c O S X
  • Page 84 – Profile Setup on System Level; ColorSync Profiles for Standard Devices (Displays)
  • Page 85 – ColorSync Profiles for Documents
  • Page 86 – Profile Setup in FotoLook; H o w t o S e l e c t t h e P r o f i l e :
  • Page 87 – N o t e : T h e S o u r c e P r o f i l e d e p e n d s o n t h e i n p u t d e v i c e a n d o n t h e
  • Page 88 – H o w t o S c a n a n I T 8; D o t G a i n C o r r e c t i o n; O r i g i n a l
  • Page 89 – P r e v i e w S c a n P h a s e; G r a y - S c a l e C o n v e r s i o n s a n d C o r r e c t i o n s
  • Page 90 – c h o o s i n g; C o l o r S y n c D e f a u l t G r a y P r o f i l e; P r o f i l e M i s m a t c h
  • Page 91 – G a m m a C o r r e c t i o n; D o t G a i n c o r r e c t i o n : O v e r v i e w S c a n P h a s e
  • Page 92 – Profile Setup in Photoshop; C o l o r S y n c P r o f i l e s f o r
  • Page 93 – P r o f i l e M i s m a t c h; T h e c o l o r s w i l l m a t c h e v e n i f t h e p r o f i l e s e t u p w a s d i f f e r e n t .
  • Page 95 – T h e G r a y s c a l e S e t u p d i a l o g b o x a p p e a r s .
  • Page 96 – C l i c k C o n v e r t i f y o u w a n t t h e c o l o r s t o m a t c h t h e s e t u p i n F o t o L o o k .
  • Page 97 – F o t o L o o k P S
  • Page 99 – In Interactive Mode
  • Page 100 – T h e
  • Page 102 – In Production Mode
  • Page 104 – Chapter 4 — Scanning Negative Originals; m o r e d e t a i l e d i n f o r m a t i o n o n p l a c i n g n e g a t i v e o r i g i n a l s .
  • Page 105 – General Tips; S o m e g e n e r a l t i p s f o r s c a n n i n g n e g a t i v e t r a n s p a r e n t o r i g i n a l s :
  • Page 106 – Scanning Color Negative Originals
  • Page 108 – Customizing Color Negative Originals
  • Page 109 – N e g a t i v e F i l m T y p e s
  • Page 110 – C l i c k C u s t o m i z e i n t h e N e g a t i v e F i l m T y p e s w i n d o w .
  • Page 111 – Scanning Black-and-White Negative Originals
  • Page 112 – Chapter 5 — Batch Scanning
  • Page 113 – Setting Batch Preferences; f i l e f o r m a t
  • Page 114 – P r o f i l e
  • Page 115 – Setting the Scan Settings; O p t i o n s
  • Page 116 – “ O v e r v i e w s c a n p h a s e ”
  • Page 117 – Start Batch Scanning; C h o o s e E x e c u t e f r o m t h e B a t c h m e n u .
  • Page 118 – Repeat Batch Scanning; Repeat Batch Scanning for Small Jobs; O p e n t h e b a t c h f o l d e r i n F o t o L o o k .; Repeat Batch Scanning for Large Jobs
  • Page 119 – A u t o N u m b e r F o l d e r s
  • Page 120 – Chapter 6 — Range
  • Page 121 – F r o m t h e M o d e p o p - u p m e n u , c h o o s e L i n e - A r t .
  • Page 123 – Range: Reflective and Transparent; E d i t S p a c e
  • Page 124 – Setting Automatic Range
  • Page 125 – C l i p p i n g p e r c e n t a g e f o r t h e l i g h t e s t p o i n t
  • Page 126 – C l i p p i n g p e r c e n t a g e f o r t h e d a r k e s t p o i n t; L i g h t e s t P o i n t; C l i c k t h e L i g h t e s t P o i n t p i c k u p t o o l .
  • Page 127 – D a r k e s t P o i n t; C l i c k t h e D a r k e s t P o i n t p i c k u p t o o l .; U s i n g t h e s l i d e r s
  • Page 128 – Setting the White, Neutral, and Black Point in RGB Edit Space; S p e c i f y i n g t h e w h i t e p o i n t m a x i m u m v a l u e
  • Page 129 – S e t t i n g t h e w h i t e p o i n t; t h e w h i t e p o i n t i n t h e i m a g e .; S p e c i f y i n g t h e b l a c k p o i n t m i n i m u m v a l u e
  • Page 130 – S e t t i n g t h e b l a c k p o i n t; b l a c k p o i n t i n t h e i m a g e .
  • Page 131 – M o v e t h e c u r s o r o v e r t h e p r e v i e w i m a g e a r e a .; S p e c i f y i n g t h e n e u t r a l p o i n t; D r a g t h e s l i d e r t o a l o w e r o r h i g h e r p e r c e n t a g e .
  • Page 132 – S e t t i n g t h e n e u t r a l p o i n t; Setting the White, Neutral, and Black Point in CMYK Edit Space; S p e c i f y i n g a n d s e t t i n g t h e w h i t e p o i n t m i n i m u m v a l u e
  • Page 133 – S p e c i f y i n g a n d s e t t i n g t h e b l a c k p o i n t m a x i m u m v a l u e
  • Page 134 – S p e c i f y i n g a n d s e t t i n g t h e n e u t r a l p o i n t; D o u b l e - c l i c k t h e N e u t r a l P o i n t t o o l .
  • Page 135 – Setting the White and Black Point in Gray-Scale Mode; G r a y - S c a l e C o r r e c t i o n s d i a l o g b o x; S p e c i f y i n g t h e w h i t e p o i n t m i n i m u m v a l u e
  • Page 136 – S p e c i f y i n g t h e b l a c k p o i n t m a x i m u m v a l u e
  • Page 137 – C h o o s e N e g a t i v e f r o m t h e O r i g i n a l m e n u .
  • Page 138 – Using the Sliders; N o t e : Y o u c a n n o t d r a g t h e w h i t e s l i d e r o v e r t h e g r a y s l i d e r .; Using TFS; W h i t e P o i n t
  • Page 139 – t h e f l o a t i n g p a l e t t e; Neutralizing or Correcting the Image; Y o u c a n u s e t h e a r r o w k e y s t o m o v e t h e c u r s o r i n t h e c o l o r
  • Page 140 – Chapter 7 — Curves; C r e a t i n g a T o n e C u r v e
  • Page 141 – Creating a Tone Curve; C h o o s e a n e x i s t i n g t o n e c u r v e f r o m t h e
  • Page 142 – Creating a New Gamma Curve
  • Page 143 – Chapter 8 — Selective Color Correction; O v e r v i e w S c a n P h a s e
  • Page 145 – m o v i n g t h e c u r s o r .
  • Page 146 – N o t e : M a k e s u r e y o u a r e w o r k i n g i n t h e O u t p u t c o l o r m o d e . C l i c k i n t h e
  • Page 147 – Applying a Color Pair; “ P r e v i e w S c a n P h a s e ”
  • Page 148 – Appendix A — Shortcuts
  • Page 150 – Appendix B — Overview of the Scanning Process
  • Page 151 – Example data flow: DuoScan T2500, final scan
  • Page 154 – M a c O S 9; Mac OS 9; T h e A p p l i c a t i o n S u p p o r t f o l d e r s t r u c t u r e
  • Page 155 – T h e P r e f e r e n c e f o l d e r s t r u c t u r e
  • Page 156 – Mac OS X
  • Page 157 – T h e P r e f e r e n c e s f o l d e r s t r u c t u r e; Delete Custom Defined Curves or Settings
  • Page 158 – Copy Your Previous User Defined Settings to FotoLook 3.6; C r e a t e a “ d u m m y ” U s e r D e f i n e d s e t t i n g .
  • Page 159 – P I C T
  • Page 160 – E P S
  • Page 161 – J P E G
  • Page 162 – Glossary
  • Page 163 – R G B
  • Page 164 – T h e p o i n t o f m a x i m u m d e n s i t y i n a n i m a g e o r o r i g i n a l .
  • Page 165 – T h e d e n s i t y r e s u l t i n g f r o m d e v e l o p i n g a n o n - e x p o s e d n e g a t i v e .
  • Page 168 – t y p e s i z e , w h e r e t h e r e a r e t r a d i t i o n a l l y 7 2 . 2 7 t o t h e i n c h .
  • Page 169 – A n o r i g i n a l t h a t i s p r i n t e d o n a n o p a q u e l a y e r .
  • Page 172 – Index; batch
  • Page 173 – color negative film type, 108
  • Page 174 – negative
  • Page 175 – Save Current Position, 28
Loading the manual

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F o t o L o o k 3 . 6

S c a n n e r - M a c i n t o s h

F o t o L o o k 3 . 6 i s a u s e r - f r i e n d l y s c a n n i n g s o f t w a r e p r o g r a m f o r A g f a s c a n n e r s .
F o t o L o o k m a k e s i t e a s y t o c a p t u r e i m a g e s f r o m p h o t o g r a p h i c o r i g i n a l s ( c o l o r o r
b l a c k a n d w h i t e ) , l i n e - a r t , t r a n s p a r e n t , o r n e g a t i v e o r i g i n a l s a n d t o m a n i p u l a t e t h e
i m a g e s i n a w e l l - t h o u g h t o u t w a y .

P r e f a c e

C h a p t e r 1 — F o t o L o o k R e f e r e n c e

C h a p t e r 2 — P r o f i l e S e t u p

C h a p t e r 3 — S c a n n i n g R e f l e c t i v e a n d T r a n s p a r e n t O r i g i n a l s

C h a p t e r 4 — S c a n n i n g N e g a t i v e O r i g i n a l s

C h a p t e r 5 — B a t c h S c a n n i n g

C h a p t e r 6 — R a n g e

C h a p t e r 7 — C u r v e s

C h a p t e r 8 — S e l e c t i v e C o l o r C o r r e c t i o n

A p p e n d i x A — S h o r t c u t s

A p p e n d i x B — O v e r v i e w o f t h e S c a n n i n g P r o c e s s

A p p e n d i x C — W h e r e t o F i n d Y o u r U s e r - D e f i n e d F i l e s ?

A p p e n d i x D — S u p p o r t e d F i l e F o r m a t s i n F o t o l o o k S A

G l o s s a r y

I n d e x

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Summary

Page 2 - Trademarks; I m p o r t a n t t i p s g i v e y o u i m p o r t a n t a d d i t i o n a l i n f o r m a t i o n .

T r a d e m a r k s & C o n v e n t i o n s 2 Trademarks A G F A a n d t h e A g f a r h o m b u s a r e t r a d e m a r k s o f A g f a - G e v a e r t A G . A r c u s , C o l o r T u n e , D u o S c a n , F o t o L o o k a n d H o r i z o n U l t r a a r e t r a d e m a r k s o f A g f a - G e...

Page 3 - License Agreement; L i c e n s e A g r e e m e n t

L i c e n s e A g r e e m e n t 3 License Agreement L i c e n s e A g r e e m e n t L i m i t e d U s e L i c e n s e T e r m L i m i t e d W a r r a n t y a n d L i a b i l i t y G e n e r a l

Page 4 - . ( a ) Y o u a r e g r a n t e d a n o n - e x c l u s i v e l i c e n s e ( “ t h e L i c e n s e ” ) t o u s e t h e

L i c e n s e A g r e e m e n t 4 License Agreement Y o u s h o u l d c a r e f u l l y r e a d t h e f o l l o w i n g t e r m s a n d c o n d i t i o n s b e f o r e u s i n g t h i s s o f t w a r e . I f y o u d o n o t a g r e e w i t h t h e s e t e r m s a n d c o n d i t i o n s , y o u s h ...

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